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Chicago Casting Calls & Acting Auditions

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Production Types

Job Types

Skills

$$$

Summary

Posted: Nov 15, 2021
Weekly Hours: 40
Role Number:200282705
The Apple Media Products Engineering team is one of the most exciting examples of Apple’s long-held passion for combining art and technology. These are the people who power the App Store, Apple TV, Apple Music, Apple Podcasts, and Apple Books. And they do it on a massive scale, meeting Apple’s high expectations with high performance to deliver a huge variety of entertainment in over 35 languages to more than 150 countries. These engineers build secure, end-to-end solutions. They develop the custom software used to process all the creative work, the tools that providers use to deliver that media, all the server-side systems, and the APIs for many Apple services. Thanks to Apple’s unique integration of hardware, software, and services, engineers here partner to get behind a single unified vision. That vision always includes a deep commitment to strengthening Apple’s privacy policy, one of Apple’s core values. Although services are a bigger part of Apple’s business than ever before, these teams remain small, nimble, and cross-functional, offering greater exposure to the array of opportunities here.

Key Qualifications

  • Minimum of 5 years experience in a professional programming position
  • Deep knowledge and experience building applications with Java, C#, C++, or Python
  • Deep knowledge and experience modeling data in relational and NoSQL databases
  • Experience building on cloud-based infrastructure
  • Experience writing REST APIs
  • Familiarity with micro-services architecture and server side technologies
  • Familiarity querying search engines (i.e. SOLR, ElasticSearch)
  • Aptitude to independently learn new technologies
  • Collaborative, team-oriented attitude
  • Familiarity with digital media formats for video is helpful
  • Have a belief in automation and tooling as a critical part of the software lifecycle

Description

We are looking for a highly experienced, self-starting, and results-oriented Back-End engineer who is not afraid to question assumptions as they build large-scale, data-driven systems to enable the growth of Apple’s Original Content during these critical early days and into the future. This is a unique opportunity to build at Apple’s scale in the media services industry and within AMP (the fastest growing division within Apple). If you’re passionate and creative while staying focused and curious we’ve got an exciting role for you. Apple’s Original Content is brand-new, and it’s up to us to make it explode. Sound like you? Join us! We’re a new team, and all of our work is green-field. We’re looking for a Back-End engineer who dives deep into tech and is trusted by their peers to come up with the best solutions for any problem. We design as a team, we code review each others work, and we invest in automated testing and deployments. We look for phenomenal teammates who are able to solve problems and deliver visionary solutions. The team builds tools and systems to scale and optimize Apple’s Original Content post-production workflows. Our entire tech stack is on cloud-based infrastructure, from the UI to the data, and everything in between. The ideal Back-End engineer will understand how to model data to enable efficient video file-based workflows, and how to build the secure and scalable APIs and services to power all of our products.

Education & Experience

BS or MS in Computer Science or equivalent work experience.

Additional Requirements

Apple

The Advocate is committed to recruiting, developing, and promoting a diverse workforce while providing unique opportunities and career paths for our employees.

About us: Our company is locally owned and is the largest news organization in Louisiana with a staff of more than 100 journalists across our three markets – New Orleans, Baton Rouge and Lafayette. That allows us to be agile, to experiment, to succeed – and to fail.

We believe strongly in the power of local journalism. It’s why we want to continue our digital transformation, become more focused on what our readers’ wants and needs and build upon a business model that will allows us to publish authoritative local news for another 100-plus years.

Primary Responsibilities:

Responsible for producing daily carrier paperwork at the DC’s and facilitates the distribution to contractors
Coordinates the flow of product (newspapers and newspaper inserts) throughout the distribution center with a primary emphasis on quality control
Quality Control includes identifying, accounting and exchanging damaged or spoiled products with clean, unwrinkled and readable products
Accurately places and verifies quantity of product in correct staging locations (Carts, carrier stations, or other designated locations)
Responsible for distributing Advanced Product at carrier stations prior to delivery time.
Troubleshoots open delivery areas and communicates with District Managers.
Produces Computer generated Route Lists for carriers that request them ahead of distribution.
Experience, and Knowledge Requirements:
Considerable knowledge of forklifts and power jacks and their operation.
Good knowledge of product identification.

Skill Requirements:
Coordination — Adjusting actions in relation to others’ actions.
Speaking – Talking to others to convey information effectively.
Active listening – Giving full attention to what other people are saying, taking time to understand the points being made, asking questions as appropriate, and not interrupting at inappropriate times.
Reading comprehension – Understanding written sentences and paragraphs in work related documents such as safety manuals and order of delivery bags.
Ability Requirements:

Ability to communicate information and ideas in both speaking and writing so others will understand

Ability to listen to and understand information and ideas presented through spoken words and sentences.

Ability to read and understand information and ideas presented in writing.

Ability to add, subtract, multiply, and divide quickly and correctly.

Ability to attend to details, thereby minimizing errors

Ability to perform tasks without constant supervision

Ability to see details at close range (within a few feet of the observer).

Ability to recognize product differences.

Ability to quickly move your hand, your hand together with your arm, or your tow hands to grasp, manipulate, or assemble objects to pick up, move and help load bundles of newspaper or operate a power pallet jack.

Physical Requirements (sensory acuity)

The job requires the following demands daily: Hear normal conversation, hear faint sounds, signals, etc., see nearby objects, have accurate depth perception, have accurate color vision, and speak clearly so someone else can understand what you say.

Physical Requirements (coordination, dexterity and strength):

The job requires the following physical demands daily: balancing, bending, crouching, feeling, finger dexterity, grasping, jumping, kneeling, lifting up to 50 lbs., pulling and pushing in excess of 200 lbs, reaching, standing, stooping, twisting, turning, sitting, walking, and rapid working speed.

The job requires the following physical demands less than once a week: throwing.

Work Environment:

Daily exposed to: Extreme cold or heat for prolonged periods and moving vehicles.

More than once or twice a week and less than daily exposed to: temperature changes, high humidity, dryness, wetness, dust, and outdoors subject to weather conditions.

Once or twice a week exposed to: Slippery footing and caustics.

Less than once a week exposed to: Loud noise (higher than 80 dB), vibration, and fumes, mists, and gases.

The Advocate is an equal employment opportunity employer, committed to recruiting, developing, and promoting a diverse workforce while providing unique opportunities and career paths for our employees. We encourage applicants of all backgrounds and experience levels to apply.

Capital City Press

$$$
JOB STATUS:
UNTIL FILLED

POSTING DATE:
09/20/2021

POSTING NUMBER:
00004973

POSITION TITLE:
Teacher, Theater Arts, Middle School (2021-2022)

JOB DESCRIPTION:

Primary Purpose: To facilitate the teaching and learning process within a positive learning environment (in-person, distance and/or virtual) so that students acquire the knowledge, skills and attitudes necessary for them to become responsible, contributing adults in a democratic society.

RESPONSIBILITIES:

Major Responsibilities and Duties
Instructional Management
  • Plan a program of study that, as much as possible, meets the individual needs, interests and abilities of students.
  • Enhance the academic growth of students through the use of effective teaching practices as utilized in the instructional model.
  • Guide the learning process towards the achievement of curriculum goals by establishing clear objectives for all lessons, units and projects.
  • Employ the instructional methods and resources that are most appropriate for meeting state objectives.
  • Meet and instruct assigned classes in the location and at the time designated.
  • Assess the accomplishments of students on a regular basis and provide progress reports as required.
  • Diagnose the learning disabilities of students on a regular basis, seeking the assistance of district specialists as required.
School/Organizational Improvement
  • Attend staff meetings and serves on staff committees as required.
  • Counsel with colleagues, students and/or parents regarding student achievement and the instructional program.
  • Accept a share of responsibility for co-curricular activities as assigned.
School/Organizational Climate
  • Create an in-person and/or virtual classroom environment that is conducive to learning and appropriate to the maturity and interests of students.
  • Strive to implement the District’s philosophy of education and instructional goals and objectives.
  • Cooperate with other members of the staff in planning instructional goals, objectives and methods.
  • Maintain order in the in-person and/or virtual classroom in a fair and just manner through reasonable rules and regulations.
  • Plan and supervise purposeful assignments for teacher aide(s) and/or volunteer(s), and cooperatively with department heads and/or grade level leaders, evaluate their job performance.
Administrative and Fiscal/Facilities Management
  • Take necessary and reasonable precautions to protect students, equipment, materials and facilities.
  • Maintain accurate, complete and correct records as required by law, district policy and administrative regulations.
  • Assist in upholding and enforcing school rules, administrative regulations and Board Policy.
  • Assist in the selection of books, equipment and other instructional materials.
Professional Growth and Development
  • Accept responsibility for professional growth through involvement in an ongoing program of reading, workshops, seminars, conferences and/or advanced course work at institution of higher learning.
School/Community Relations
  • Be available in-person, by phone, email, or video conferencing to confer with district personnel, students and/or parents.
  • Communicate with students and parents on a regular basis via phone, video conference, email or district-approved website.
  • Make provisions for being available to students and parents for educationally related purposes outside the instructional day when required or requested to do so under reasonable terms.
Other
  • Follow district safety protocols and emergency procedures.
  • Attendance at work is an essential function.
  • Perform other duties as assigned by the immediate supervisor and/or Superintendent.

Supervisory Responsibilities:
  • Supervise teacher aides and volunteers as assigned
  • Supervise students

EXPERIENCE:
QUALIFICATIONS:

Minimum Education/Certification:
  • Bachelor’s degree in related field
  • Valid Texas teacher certificate or teaching certificate from out of state appropriate for position
  • Must meet requirements under the No Child Left Behind Act (NCLB) for highly qualified teachers
Special Knowledge/Skills:
  • Working knowledge of curriculum and instruction
  • Effective communication skills/collaborative working style
  • Ability to instruct students using a variety of technology applications and platforms
  • Ability to exercise effective teaching practices appropriate for assigned modality
  • Ability to support students with computer setup, navigation, and technology issues if assigned to distance or virtual instruction
  • Expertise in one or more academic areas and/or developmental age group or population

OTHER INFORMATION:

Working Conditions: Mental/Physical Demands/Environmental Factors: Ability to concentrate (detailed work), communicate effectively (verbal and written); interpret policy, procedures and data; reason, understand verbal instructions, analyze, differentiate, read, coordinate district functions, compile, compute, instruct, maintain emotional control under stress. Moderate lifting and carrying (15-44 pounds), pushing, reaching above shoulders, use of fingers, walking, standing, kneeling, repeated bending, sitting, climbing (stairs), balancing, stooping, crouching, pulling, pushing, repetitive hand motions, hearing, speech, visual acuity, distinguishing colors, outside and inside, temperature extremes, humidity extremes, noise, microwaves, slippery surfaces, uneven surfaces, sunlight exposure, working with hands in water, works around moving objects or vehicles, works alone, frequent prolonged or irregular hours.

JOB CONTACT INFORMATION:

APPLY TO:

The above statements are intended to describe the general purpose and responsibilities assigned to this job and are not intended to represent an exhaustive list of all responsibilities, duties, and skills required.

GROUP / GRADE:
Wage/Hour Status: Exempt; Reports To: Principal or Program Supervisor; Date Revised: August 2020

SALARY:
Teacher’s Salary Schedule

DAYS:
187

START DATE:
As set by the Board of Trustees

Lamar CISD

Information & Responsibilities

The Film Directing Program (FDP) in the School of Film / Video at California Institute of the Arts (CalArts) seeks a full time faculty with a focus on writing for film and moving image. We are looking for a screenwriter and/or filmmaker where writing is a focus of their practice. We seek applicants with experience in and awareness of a multiplicity of cinema and screen forms.

The Film Directing Program fosters the individual voice of the filmmaker in developing innovative approaches to narrative in cinema. We embrace narrative filmmaking as a tool to describe and depict the world and celebrate its potential to create new realities, new systems and new relations.

We are interested in applicants with a broad background and practice in narrative film with a willingness to embrace multiple filmmaking and scripting processes, from traditional dramaturgy to adaptation to process based and collaborative creation, with an awareness of a broad range of cinemas and histories. Candidates should have an ability to mentor and advise around professional paths as a writer for film and moving image, as well as advising filmmakers and directors in writing for their own work.

We seek someone with a tangible and demonstrable interest in or love for teaching who sees teaching as a part of their creative practice.

In particular, we seek applicants with focus on and awareness of international cinema forms or practice and/or whose work foregrounds the diasporic experience and/or stories of Black, Latinx, Indigenous, AAPI, BIPOC, LGBTQIA+, and/or Disabled communities.

The Film Directing Program:

Grounded in the history of narrative cinema, the Film Directing Program curriculum provides a rich understanding of the fundamental aesthetic and technical components of narrative filmmaking, including staging and visual design, screenwriting, acting and working with actors, narrative theory, cinematography, sound and editing, and a broad variety of graduate-level seminars in contemporary and historical cinemas and practices.

The program embraces a diverse range of aesthetics and traditions, encouraging students to explore their individual voice within a constant questioning and expansion of the definition of narrative cinema itself. The work our students make is aesthetically diverse, exploring a variety of methodologies from independent narrative filmmaking to hybrid and experimental narrative practices.

Students in the Film Directing Program are diverse in identity and perspective; over 70% of our community comes from outside the United States, from such countries as Iran, Iceland, China, Taiwan, Colombia, South Korea, South Africa, Mexico, Brazil (among many others).

This multiplicity of perspectives deepens our conversations and awareness of the multitude of experiences, realities and voices that surround us. These unique and rich perspectives are an essential part of our program, which are central to our understanding of the practice of creating images, constructing stories and questioning representation.

We seek to employ faculty who can engage our diverse communities of learners at the highest levels of artistic endeavor and critical thinking. We welcome candidates who possess a demonstrated worldview and cultural competency to support teaching and mentoring undergraduate and graduate students of varied backgrounds, capabilities, perspectives, social identities and gender expressions. CalArts is an equal opportunity employer.

RESPONSIBILITIES:

This position will design and teach writing courses, mentor and work independently with students, and take a lead role in collaboratively working with the rest of the core faculty to develop the role of writing for film and moving image, narrative form and ideas of narrative structure into FDP’s unique and individualized curriculum.

SALARY RANGE:

Reflecting its experimental mission and commitment to non-hierarchical pedagogy, CalArts does not have a conventional tenure-rank system but offers renewable multi-year contracts, a step-based faculty salary advancement plan (FSAP, 2021-22*) and a merit program. Starting salary for this position is in the range of $67,650 – $82,000, depending on experience. Compensation also includes full benefits and a paid creative leave semester every 7 years.

For more information about FSAP and merit policy at CalArts: https://calarts.edu/academics/office-of-the-provost/faculty-affairs/faculty-recruitment

Requirements

Applicants should have clear and evidenced experience as a writer for film and/or moving image and demonstrable teaching experience of intermediate and advanced filmmakers or students.

How to Apply

Review of applications will begin on 12/30/21. For full consideration please apply by that date. Please go to this link to apply: https://apply.interfolio.com/98268

Please provide:

  • A cover letter that describes your interest in the position, relevant qualifications, approach to teaching, and a reflection on your past accomplishments and future potential to contribute to a diverse, inclusive, equitable and just academic and creative environment.

  • A syllabus or brief proposal for at least two (2) courses that reflect your interests as a practitioner and teacher (250 words)

  • A current CV

  • Up to three (3) work samples: you may submit written samples and/or moving image. You must have a writing credit on moving image samples or be able to explain your role as writer in it.

  • Names and contact information for three references.

All submissions are confidential.

Equity & Diversity

California Institute of the Arts (CalArts) seeks to employ faculty who can engage our diverse communities of learners at the highest levels of artistic endeavor and critical thinking. Across the range of practitioners from artists to scholars and librarians, we welcome candidates who possess a demonstrated worldview and cultural competency to support teaching and mentoring undergraduate and graduate students of varied backgrounds, capabilities, perspectives, social identities and gender expressions. CalArts is an equal opportunity employer.

Further Information

CalArts has a multidisciplinary approach to its studies of the arts through six schools: Art, Critical Studies, Dance, Film/Video, Music and Theater. CalArts encourages students to explore and recognize the complexity of the many aspects of the arts. It is supported by a distinguished faculty of practicing artists and provides its Bachelor and Master of Fine Arts students with the hands-on training and exposure necessary for an artist’s growth. CalArts was founded in 1961 and opened in 1969 as the first institution of higher learning in the United States specifically for students interested in the pursuit of degrees in all areas of visual and performing arts.

California Institute of the Arts

*FBI Series Casting Notice* 

Brand New FX/Disney Series Looking For Males and Females, 18-45 to work as NURSES, Monday Nov 22nd! Must COVID test over the weekend of 19th-21st! (friday-Sunday)! We are a mandatory Zone A feature and all talent must be fully vaccinated (1st and 2nd dose), must be 2 weeks since your second dose, and able to provide a vaccine card!

  • Looking for Males and Females, 18-45yrs old, any ethnicity, to play NURSES. 
  • Pay Rate: $150/12
  • COVID bump: $50

*PLEASE be sure to include vaccination status! Upon selection, you must be able to provide Vaccination Card to production as we are a Mandatory Zone A production

$$$
Job Type:
Actor
Skills:
Acting

Calling all Santas and Mrs Clauses!

We’re looking for a few warm enthusiastic Santa and Mrs Clauses for Zoom virtual holiday visits! Great opportunity/ Great hourly rate.

What you’ll need: 

  • High-speed internet connection and computer with camera/sound in your home (from any state)
  • Knowledge of how Zoom works
  • Full Santa or Mrs Claus makeup/costume
  • Great holiday spirit + ability to improvise/interact with children and adults
  • Excellent organizational skills

Availability Nov 26th – Dec 24th

*We’d love a Mr and Mrs Claus in one household ideally

 

$

Hylton Casting is currently casting the following extra roles for the TV series P-Valley Season 2. Please review the breakdown below for additional details.

 

Show Description:
Down deep in the Mississippi Delta lies the Pynk, an oasis of grit and glitter in a rough patch of human existence where beauty can be hard to find. This southern-fried, hour-long drama from award-winning playwright Katori Hall tells the kaleidoscopic story of a little-strip-club-that-could and the big characters who come through its doors—the hopeful, the lost, the broken, the ballers, the beautiful, and the damned. Trap music meets film noir in this lyrical and atmospheric series that dares to ask what happens when small-town folk dare to dream beyond the boundaries of the Piggly Wiggly and the pawn shop…

 

 

COVID-19 Vaccination Policy:
-Please be advised that prior to working on P-VALLEY SEASON 2, all background cast and stand-ins must be fully vaccinated against COVID-19 (i.e., at least 2 weeks have elapsed since receiving the 2nd dose of Pfizer or Moderna, or since receiving a single shot of Johnson & Johnson).
-You must be able to show proof of vaccination status prior to your start date. All vaccination records will be maintained confidentially and securely by production.

 

 

Extra Roles:
50 Gang Member Extras in Public Gathering scenes
-African American, all genders, ages 18 and older

 

 

 
COVID-19 Testing Date:
Friday, 11/19/21
-If you are selected for this role, you must test for COVID-19 on the date listed above.
-The test performed is a Covid-19 PCR Test.
-While at the test facility and on set, PPE must be worn.
-All possible work dates are contingent upon clearing these tests.

-You may not provide test results from another outside source. You MUST be tested by the P-VALLEY Health and Safety team in Covington, GA.
-You must attend testing regardless of vaccination status.

 

 

Filming Date:
Monday, 11/22/21

 

 

Filming Location:
Atlanta, GA

 

 

Rate if Hired:
Background performer services:  $104/8 hrs ($13/hour, you are guaranteed 8 hours, with applicable overtime)
+ $30 COVID-19 Testing Bump

 

 

 
Call Time:
TBA
-You must be available for a 12 hour filming day or longer on set.
-Call time will not be provided until the day before the filming date. Please do not submit if you do not have open availability for the filming date listed above.
$

LOOKING FOR HIGH ROLLERS & CASINO PLAYERS to film this THURSDAY, NOVEMBER 18 in Cherokee, NC!!!

Barstow – Lifetime Film

Rates:

  • Background Actor – 130/12
  • Stand In – 160/12
  • Covid Test Bump – 20

–THURSDAY, NOVEMBER 18–

Will need to covid test Tuesday or Wednesday

-HAZEL STAND IN-

  • Caucasian Female, 5′ 8″ – 5′ 10″ brown hair

-HIGH ROLLERS & CASINO PLAYERS-

  • All genders, All ethnicities, between 21 & up
$

Hylton Casting is currently casting extras to work on the HBO Max Limited Series Staircase. Please review the breakdown below.

 

COVID-19 Vaccination Policy for Staircase:
-Please be advised that, effective 9/23/21, prior to working on STAIRCASE, all background cast must be fully vaccinated against COVID 19 (i.e., at least 2 weeks have elapsed since receiving the 2nd dose of Pfizer or Moderna, or since receiving a single shot of Johnson & Johnson).
-You must be able to show proof of vaccination status prior to your start date. All vaccination records will be maintained confidentially and securely by production.
-If you are offered employment on STAIRCASE and would like to request an accommodation to this policy due to medical or religious reasons, you must submit your request for approval via WarnerMedia’s Xempt portal.

 

Project:
Staircase – HBO Max Limited Series

 

Extra Roles:
Interior YMCA Scenes
3 Buff Military Gym Patron Extras (military-style haircuts and clean-shaven preferred)
7 Athletic Male Gym Patron Extras
-Men of all ethnicities, ages 18 and older

 

COVID-19 Testing Dates:
Monday, 11/22/21 (6AM – 12PM, you may test any time within this time frame)
Tuesday, 11/23/21 (10AM – 12PM, you may test any time within this time frame)
-You MUST test BOTH dates.
-Testing is located in Atlanta, GA.
-If you are selected for this extra role, you must test for COVID-19 twice before each work date.
-The test performed is a Covid-19 PCR Test.
-While at the test facility and on set, PPE must be worn.
-All possible work dates are contingent upon clearing these tests.

-You may not provide test results from another outside source. You MUST be tested by the STAIRCASE  Health and Safety team in Atlanta, GA.

 

 

Filming Date:
Wednesday, 11/24/21

 

Filming Location:
Atlanta, GA

 

 

Call Time:
TBA
-You must be available for a 12 hour filming day or longer on set each day that you are booked to work.
-Call time will not be provided until the day before the filming date. Please do not submit if you do not have open availability for the time frame listed above.

 

 

Rate if Hired:
-Background performer services – $160/8 hrs ($20/hour, you are guaranteed 8 hours, with applicable overtime)
-COVID-19 testing bumps: COVID-19 testing bumps of a quarter check rate for any testing outside of a work date

ULTRA VIOLET AND BLACK SCORPION (Disney Channel TV series)

CASTING 18yr old’s and older – WHO CAN PORTRAY MIDDLE SCHOOL STUDENTS for a Disney Channel TV Series

*** You do not have to be registered with Central Casting to work***

This is an action-comedy superhero tale about the legacy of one family’s magical luchador mask! It’s a coming-of-age story told from the perspective of a young Mexican American girl! 

Filming in Chalmette, LA – Friday 11/19 

COVID Test in Chalmette, LA- Wednesday 11/17

Please read thoroughly and submit only if you are available and okay with production’s requirements.

FILMING RATE: $125/12 hours

COVID Test RATE: $100

You must take a mid-nasal PCR COVID test at least 48 hours prior to fitting or filming.

**As a condition of working on set, Background Actors (including children and parents) will be subject to the same testing requirements as cast & crew in advance of work dates.**

Production will also require that anyone over the age of 8 wear a face mask that covers your nose and mouth to be worn while on set and while at the testing facility.

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