Log InGet Started for Free
HomeJobsUnited StatesCaliforniaSales Training Manager

Sales Training Manager

$$$

WHO ARE WE?

MPLC is the market leader in non-theatrical licensing. We are on a mission to enable companies to use world-class film and television entertainment while supporting the creative industries and protecting their intellectual property.

At its simplest, companies around the world use TV and films to help their business. Whether it is gyms trying to create a great environment for their customers or employers making their staff/break rooms a better place to be, hundreds of thousands of companies are showing content in public spaces.

Great content can only be made if creators are paid fairly for what they produce. So we provide a simple, affordable license to businesses. We then pay royalties from our license to our rights holders; from major Hollywood studios to local TV production companies.

Without MPLC, these performances would still occur. But they would infringe copyrights and deprive our rightsholders’ of the money they are entitled to. Our license enables customers to run their businesses compliantly and with peace of mind.

We work hard to educate organisations about the importance of respecting copyright, and MPLC is a key player in the entertainment and intellectual property ecosystem.

Our company is on a truly exciting journey. We’re investing heavily in our teams, growing fast, making much better use of technology and have ambitious plans for the future. As part of that, we’re hiring for Outbound Sales Reps to build the first outbound sales team.

WHAT’S THE SITUATION?

The Sales Training Manager is responsible for supporting the global Licensing, Key Accounts and Upsell teams with regular and focused sales training to enable high performance sales growth. The Sales Training Manager will review and optimize sales messaging and tactics, and will coach individuals and teams to improve performance, with an emphasis on the US and UK. A person in this role must exhibit flexibility, recognizing that different sales approaches are OK for different people and in different territories. This is not a role for an inflexible person who is only comfortable with a “one-size-fits-all” approach.

This is a decision-making role and manager must demonstrate professional and fair problem solving at all times.

This position will be located in Eastbourne, UK (near Brighton) or Los Angeles, California. Eastbourne and Los Angeles currently operate on a hybrid basis, where employees work at least three days in the office and the remaining days from home.

Key Responsibilities

ESSENTIAL FUNCTIONS

Message & Tactics Review

  • Review sales messaging, including scripts, sequences and objection handling, and work with licensing leadership to make improvements.
  • Make periodic direct sales calls, to stay connected to market reality.

New Employee Training

  • Collaborate with Sales Operations team and Head of People in onboarding new sales/licensing employees by developing/refining an introductory sales training program and delivering that program to the new employees.

On-going Training & Development

  • Work in a focused way with individual contributors by reviewing numerous call recordings and emails in detail and identifying areas for coaching and improved performance.
  • In collaboration with licensing managers, work with teams to identify common areas for improved tactics or messaging.
  • Conduct random audits of call recordings to try to ensure an acceptable level of consistency and quality is being achieved.
  • Develop a regular (e.g. bi-annual) Sales Leadership Coaching program

Strategic Sales Enablement

  • Develop focused sales programs for different sales teams, which may be conducted on one or more designated days (e.g. a quarterly off-site).
  • In the event that MPLC leverages conversation/sales intelligence services like Gong, this person would have a significant role in reviewing data and metrics to identify optimal approaches and to translate that into personalised training to enhance individual sales performance.

Who are you?

You are excited by this challenge and are keen to jump in and own the journey! We are open minded about where and how you might have learned your craft but here are some of the things we think will be important:

  • You have worked in a high volume, high value sales environment
  • You have experience in dealing with international teams, UK and US and although not essential, Asian experience would be an additional plus.
  • You have experience in sales, and have made your share of cold calls.
  • You have prior sales training experience.

Benefits and disadvantages

LET’S TRY TO PUT YOU OFF!

We think MPLC is a great place to be already and it’s only going to get more exciting. But we’re honest that it might not be for everyone. Here are some things you have a think about:

  • The business is in a period of change. 2022 saw us transform the way we operate and we’re building an exciting new culture. But we still have lots we want to fine tune and improve.
  • Your reporting line will be to our Head of Sales Operations in the UK, but you will be working across multiple time zones, flexibility is key.
  • You’ll need to be as comfy in the weeds as you are in the clouds. You’ll be rolling up your sleeves to deliver in the morning and then building a compelling strategic plan in the afternoon.
  • You’ll be happy working with imperfect information and process gaps. You’ll help us fix these.
  • Our business is complex and, at over 30 years old, we have our fair share of history and loose ends. People who are good at navigating this tend to be low ego, have high emotional intelligence and be able to make friends and build relationships quickly.

LOCATION AND SALARY

  • Like most people, we’ve got pretty good at working remotely recently. But we’d like you to be visible in our offices. We think that will involve regular meetings in London/LA and with our partners across Europe. You should expect travel across Europe and Asia.
  • We think the right salary for this role is between £50,000 to £60,000. For a truly exceptional candidate we would be open to discussions on this.
  • We offer private medical and life insurance
  • Discounts and fun stuff and are constantly reviewing our benefits

About MPLC

Movies and TV entertain, educate, and inspire. What you may not have considered is that this content is intended for personal, private use only and requires a license when shown in public. This provision of the U.S. Copyright Act applies to public exhibitions of movies, TV, and other audiovisual content enjoyed from sources like broadcast, cable or satellite television, DVD, Blu-ray, download, or streaming platforms.

MPLC was founded in 1986 with the goal of providing an affordable way for the public to enjoy movies, TV, and other audiovisual content outside of the home with the assurance of copyright compliance. Since the introduction of MPLC’s pioneering Umbrella License®, we have come a long way, now representing more than 1,000 rights holders and licensing in more than 40 countries around the world.

  • MPLC

    Related jobs:

    Job Description
    A student film production is seeking passionate and collaborative crew members for an upcoming project filming in the Los Angeles area. This narrative-driven film follows a workaholic woman who becomes invisible during her daily commute, leading her to reflect on her life and identity. The production is looking for dedicated volunteers and creatives eager to gain experience and contribute to a meaningful cinematic project.

    Job Responsibilities

    • Collaborate with the production team in your assigned crew role
    • Assist in executing various aspects of film production (pre-production, on-set, or post-production)
    • Support a smooth and efficient filming process
    • Contribute creatively while following direction from department leads
    • Maintain professionalism and teamwork throughout production

    Requirements

    • Interest or experience in film production or related roles
    • Ability to work collaboratively in a team environment
    • Passion for storytelling and independent/student filmmaking
    • Availability for scheduled shoot days
    • Willingness to contribute in a volunteer capacity

    Positions Available

    • Producer / Production Manager
    • 1st AD / Co-Producer
    • Production Coordinator
    • Casting Director
    • Art Director / Prop Master
    • Cinematographer
    • Costume Designer
    • Key Grip / Gaffer
    • Boom Operator
    • Production Assistants
    • Additional crew roles, including post-production, may be considered

    Compensation

    • Unpaid (volunteer)
    • Film credit
    • Meals provided

    Job Description
    The independent feature film Killing The Light is now hiring local Dallas-based crew members for a 20-day shoot. This moderate low-budget production offers a collaborative environment for professionals looking to gain hands-on experience and grow their skills while working on a compelling project. The production is seeking dedicated non-union Texas locals to join various departments.

    Job Responsibilities

    • Support production operations based on assigned crew role
    • Collaborate with department heads and team members throughout production
    • Maintain professionalism and efficiency on set
    • Assist with setup, execution, and wrap of production tasks
    • Follow production schedules and directions from leadership

    Requirements

    • Must be a Texas resident and local to the Dallas area
    • Must have reliable transportation to self-report to set
    • Non-union applicants only
    • Prior production experience preferred (varies by role)
    • Strong communication, organization, and teamwork skills
    • Ability to work a Monday–Friday schedule (with possible Saturday)

    Roles

    Line Producer

    • Experienced Dallas-based line producer with strong budgeting and logistics skills

    Production Manager / Coordinator

    • Experience in production management or coordination; familiarity with payroll and scheduling

    Production Assistants / Drivers

    • Valid driver’s license required
    • Ability to drive trucks (up to 16’) and assist on set
    • Must be able to lift up to 40 lbs

    Production Designer

    • Experienced in overseeing art department, including set design, props, and dressing

    Costume Designer

    • Skilled in wardrobe management, rentals, and continuity

    Casting Associate (Training Position)

    • Organized individual interested in learning the casting process
    • Includes scheduling, communication, and assisting with auditions

    Volunteer Background Actors

    • Open to individuals seeking on-set experience (meals and credit provided)

    Compensation

    • Crew rates: $225–$300 per 12-hour day
    • Meals and production credit included
    • Casting Associate: $1,000 flat stipend
    • Volunteer background actors: meals and credit only

    Job Description
    Wynn Publications is seeking a skilled and energetic production team for an upcoming game show pilot filming in Raleigh, North Carolina. This high-energy, fast-paced project is looking for experienced crew members across multiple departments to help bring an interactive and engaging show to life. This is a great opportunity for film and TV professionals looking to work on an exciting new production.

    Job Responsibilities

    • Collaborate with the production team to execute a game show pilot
    • Operate equipment and fulfill duties specific to your assigned role
    • Maintain professionalism in a fast-paced production environment
    • Follow direction from producers, directors, and department heads
    • Ensure smooth setup, execution, and breakdown of production elements

    Requirements

    • Prior experience in film, television, or live production preferred
    • Strong teamwork and communication skills
    • Ability to work in a high-energy, fast-paced environment
    • Must submit portfolio or past work
    • Must provide availability and specify desired role
    • Must be able to work in Raleigh, North Carolina

    Roles

    • Camera Operators
    • Sound Technicians
    • Lighting Crew
    • Production Assistants
    • Set Designers
    • Directors / Assistant Directors

    Compensation

    • Paid opportunity (based on role and experience)

    Job Description
    An event production team is seeking a polished and professional Box Seat Concierge to assist at a classical concert in Brooklyn. This guest-facing role involves providing premium service to attendees, including champagne service and coat check assistance, ensuring a high-end experience for guests.

    Job Responsibilities

    • Provide concierge-level service to guests in box seating areas
    • Assist with champagne service and coat check operations
    • Maintain a professional, welcoming, and attentive demeanor
    • Ensure a smooth and enjoyable experience for event attendees
    • Follow event guidelines and coordinate with the event team

    Requirements

    • Strong customer service and communication skills
    • Professional appearance; must wear black-on-black attire
    • Polished, friendly, and attentive personality
    • Ability to work in a fast-paced, guest-facing environment
    • Reliable and punctual for scheduled event shifts

    Compensation

    • $30 per hour
    • Minimum 3-hour shift
    • 1099 contractor position with direct deposit

    Job Description
    A USC student production is seeking dedicated crew members for an upcoming short film shooting on a professional sound stage. This collaborative project offers an opportunity to gain hands-on experience, work alongside fellow filmmakers, and contribute to a creative production environment.

    Job Responsibilities

    • Assist in various on-set production roles depending on position
    • Collaborate with the director and production team to ensure smooth operations
    • Support lighting, camera, art direction, and set preparation
    • Maintain organization of equipment, props, and set elements
    • Contribute to a positive, efficient, and professional set environment

    Requirements

    • Interest or experience in film production or related fields
    • Ability to work collaboratively in a team setting
    • Strong communication and problem-solving skills
    • Willingness to take direction and adapt on set
    • Passion for filmmaking and storytelling

    Roles Available

    • Grips
    • Gaffers
    • Assistant Camera (ACs)
    • Art Director
    • Set Dresser
    • Prop Master
    • Production Assistants (PAs)

    Compensation

    • Unpaid
    • Meals provided
    • Copy and credit included
    • Opportunity to network with USC School of Cinematic Arts filmmakers

    Casting Wrangler for Film Production

    Job Description
    A Los Angeles production is seeking a casting wrangler to assist with talent coordination. This role is ideal for individuals with strong communication skills and experience managing talent on set.

    Job Responsibilities

    • Coordinate and manage talent on set
    • Assist with casting logistics
    • Communicate with production and talent
    • Ensure smooth talent flow during filming

    Requirements

    • Strong organizational and communication skills
    • Experience working with talent preferred
    • Ability to multitask in a fast-paced environment
    • Based in Los Angeles

    Compensation

    • $200–$300 per day (approx. 4 hours)
    • Valuable on-set coordination experience

    Runner for Film Production Crew

    Job Description
    A Los Angeles production is seeking runners to assist with various on-set needs. This role is ideal for individuals looking to gain hands-on experience in the entertainment industry.

    Job Responsibilities

    • Run errands across set
    • Assist different departments
    • Support setup and breakdown
    • Maintain efficiency on set

    Requirements

    • Reliable and punctual
    • Strong communication skills
    • Ability to multitask
    • Must be local to Los Angeles

    Compensation

    • $100–$200 per day (3 hours)
    • Great entry-level opportunity

    Production Assistant for Film Crew

    Job Description
    A Los Angeles production is hiring production assistants to support daily operations on set. This is a great entry-level opportunity for those looking to start a career in film.

    Job Responsibilities

    • Assist with general production tasks
    • Support crew across departments
    • Maintain organization on set
    • Run errands as needed

    Requirements

    • Strong work ethic and reliability
    • Ability to follow instructions
    • Interest in film production
    • Must be local to Los Angeles

    Compensation

    • $100–$200 per day (3 hours)
    • Entry-level production opportunity

    Props Specialist for Film Production

    Job Description
    A Los Angeles production is hiring a props specialist to support the art department. This role involves sourcing and managing props for various scenes.

    Job Responsibilities

    • Source and organize props
    • Maintain prop inventory
    • Collaborate with art department
    • Ensure props match creative vision

    Requirements

    • Experience with props or set work
    • Strong organization skills
    • Ability to multitask
    • Must be local to Los Angeles

    Compensation

    • $500–$800 per day
    • On-set production experience

    Set Designer for Film Production

    Job Description
    A production team in Los Angeles is seeking a creative set designer to build and style environments for an upcoming shoot. This role is ideal for those with strong visual design skills.

    Job Responsibilities

    • Design and execute set concepts
    • Collaborate with art and creative teams
    • Prepare and adjust sets as needed
    • Ensure visual consistency

    Requirements

    • Experience in set design or art direction
    • Creative and detail-oriented
    • Ability to meet deadlines
    • Must be local to Los Angeles

    Compensation

    • $500–$1,500 per day
    • Opportunity to showcase creative work

    Gaffer for Film Production

    Job Description
    A Los Angeles production is looking for a gaffer to support lighting needs on set. This role is ideal for professionals experienced in film lighting setups.

    Job Responsibilities

    • Set up and manage lighting equipment
    • Work with the director of photography
    • Maintain lighting consistency
    • Follow safety protocols

    Requirements

    • Experience as a gaffer
    • Strong knowledge of lighting systems
    • Reliable and team-oriented
    • Must be local to Los Angeles

    Compensation

    • $500–$1,000 per day
    • Professional production experience

    Assistant Wardrobe Stylist and Props Assistant

    Job Description
    A Los Angeles production is hiring an assistant wardrobe stylist and props assistant to support the creative team. This role is perfect for individuals with a passion for styling and set preparation.

    Job Responsibilities

    • Assist with wardrobe styling and prop organization
    • Support wardrobe and art departments on set
    • Maintain organization of costumes and props
    • Follow direction from department leads

    Requirements

    • Experience in wardrobe or props preferred
    • Strong attention to detail
    • Ability to work efficiently on set
    • Must be local to Los Angeles

    Compensation

    • $300 per day (3 hours)
    • Hands-on production experience

    Share this job:

    Job overview

    Location:
    Job type:
    Ethnicity:
    Body type:
    Expiration date:
    07-09-2023

    Job skills

    Are you ready to get discovered?

    Gain access to thousands of jobs and appear higher in the search results now!

    Stay Safe in the Industry

    Simple steps to protect your career and avoid scams.