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How to Cry on Command | Acting Tips to Cry on Command

Learn how to cry on command. Acting tips for how to cry on command.

Table of Contents:

I. Introduction

  • Definition and context of crying on command
  • The relevance of the ability in acting

II. The Science Behind Crying

  • Brief overview of the biological mechanisms involved in crying
  • Emotional vs. physical triggers for tears

III. The Importance of Crying on Command in Acting

  • Emotional authenticity and its impact on performance
  • Specific instances where the ability to cry on command is crucial

IV. Techniques to Cry on Command

  • Emotional Recall Technique: Using personal experiences
  • Substitution Technique: Replacing characters’ emotions with personal emotions
  • The “Do Not Blink” Technique: Physical method to produce tears
  • Using a Tear Stick or Tear Blower: Cosmetic tools for crying scenes

V. Exercises to Improve the Ability to Cry on Command

  • Daily emotional recall exercises
  • Practicing in front of a mirror
  • Training with a drama coach

VI. Cautions and Considerations when Crying on Command

  • The importance of mental health and boundaries
  • Avoiding overuse or misuse of emotional recall

VII. Conclusion

  • Summarizing the importance and techniques for crying on command
  • Encouragement for continuous learning and practice in acting

VII. Frequently Asked Questions

Introduction

The art of acting is one that requires the personification of a wide range of emotions and expressions. Among these, one of the most challenging feats for any actor, be it on the silver screen, a theater stage, or in a television series, is to cry on command. It is often considered the litmus test for the breadth and depth of an actor’s skillset. As such, learning how to cry on command is a critical skill for aspiring and professional actors alike. But what exactly does it mean to cry on command?

Crying on command refers to the ability of an actor to shed tears as and when the script or scene demands, often without the aid of external stimuli like glycerin or menthol. Unlike spontaneous crying, which is an emotional response to certain stimuli, crying on command necessitates deliberate control over one’s physiological and emotional responses. It’s a skill that is honed over time and demands a keen understanding of one’s emotional range, the ability to tap into past experiences, and a profound grasp of the human condition.

The significance of crying on command in the acting realm cannot be overstated. In many ways, it’s a physical manifestation of an actor’s emotional agility. By successfully crying on command, an actor can deliver an authentic and compelling performance that resonates with the audience on an emotional level. An actor’s ability to evoke tears convincingly can turn a scene from merely good to unforgettable, drawing audiences deeper into the story.

However, crying on command is about more than just demonstrating an actor’s emotional depth. It’s about transforming written words into tangible emotion and bridging the gap between fiction and reality. When an actor cries on command, they breathe life into a character, making the audience believe in the narrative, sympathize with the characters, and invest emotionally in the plot.

Moreover, crying on command is not solely about shedding tears. It encompasses the whole gamut of emotions that accompany the act of crying — the sorrow, the heartache, the frustration, or the relief. It’s about embodying the emotional state of a character in its entirety and conveying it convincingly to the audience. The tears are merely the most visible aspect of a much deeper and complex emotional performance.

The ability to cry on command, therefore, is a testament to an actor’s emotional intelligence, empathy, and technical prowess. It is a potent tool in the actor’s arsenal, enabling them to express the emotional complexities of their character and to resonate with the audience on a profoundly emotional level. 

In conclusion, the ability to cry on command is a remarkable skill that requires an intricate blend of emotional depth, technical skill, and physiological control. It’s a skill that separates the good from the great and a necessity for anyone serious about their craft in the world of acting. 

Whether you are an actor wanting to deepen your range, or someone interested in understanding the intricacies of the acting world, learning how to cry on command offers fascinating insights into the complexity and depth of the human emotional landscape and its portrayal on stage and screen.

II. The Science Behind Crying: An Exploration of the Biology and Triggers

Crying, also known as weeping, is a universal human experience, a natural response to a wide array of emotional and physical stimuli. Yet, behind this seemingly simple act is a fascinating interplay of biology and psychology. Understanding the science behind crying can provide us with a deeper appreciation of our humanity, and in the context of acting, it serves as a valuable tool to enhance authenticity and emotional expression.

On a basic level, crying involves the production and release of tears from the lacrimal glands, which are situated in the upper, outer portion of our eye sockets. When stimulated, these glands produce a fluid commonly known as tears that serve to clean and lubricate the eyes. Beyond this basic function, tears play several roles in emotional expression, communication, and even pain relief.

The act of crying can be divided into three types: basal, reflex, and psychic. Basal tears are constantly produced to keep the eyes moist. Reflex tears are triggered by irritants like smoke, dust, or onions. The third type, psychic tears, are what we typically associate with crying in response to emotions or pain. These are the tears that we will focus on.

Psychic tears are triggered by a complex network of signals in our brain. When we experience strong emotions or physical pain, our limbic system (the emotional center of the brain) sends a signal to the hypothalamus (a small region at the base of our brain). This communication leads to the autonomic nervous system stimulating the lacrimal glands to produce tears, resulting in what we experience as crying.

Emotional triggers for tears are diverse, encompassing both positive and negative emotions. Feelings of sadness, anger, frustration, or even extreme happiness can trigger crying. Many researchers believe that crying in response to emotions is a highly evolved behavior, serving as a signal of distress or a plea for help. This “emotional crying” is considered uniquely human and is not observed in other species. 

Physical triggers, on the other hand, can include pain or discomfort, but also extend to responses to certain physiological states such as fatigue or illness. Crying can also occur as a response to specific sensory stimuli like bright lights, or as a reflex to protect the eyes from potential harm.  

In the context of acting, understanding these triggers can help performers tap into this natural response more effectively. An actor might leverage emotional recall, tapping into past experiences that stirred similar emotions to those being portrayed. Alternatively, understanding the physical response to stimuli like bright lights or the “do not blink” method might be used to stimulate tear production. 

Crying, in all its complexity, reveals an intricate interplay of our emotional and physiological selves. While the biological process of producing tears is a physical one, the triggers are deeply connected to our psychological state, whether that be an emotion or a response to physical sensations. As such, the act of crying, especially on command, requires a deep understanding of both our bodies and our emotions. It’s not simply a physical act, but a whole-body response to our internal state.

In conclusion, the science behind crying presents a fascinating study of human behavior and biology. Whether tears are shed from joy, sorrow, or physical discomfort, they offer a testament to our shared human experience. For actors, harnessing this understanding can significantly enhance their ability to convey genuine emotion, making performances more believable and impactful. Whether you’re an actor, or just someone interested in the intricacies of human behavior, the science of crying is certainly worth shedding a tear over.

III. The Importance of Crying on Command in Acting

The craft of acting demands a wide array of skills, each contributing to the art of bringing a character to life. Yet few skills are as emotionally charged and immediately impactful as the ability to cry on command. This unique skill is about more than merely shedding tears; it’s about conveying raw, authentic emotion that resonates with an audience and drives a narrative forward. In this section, we’ll explore the importance of crying on command in acting, focusing on the role of emotional authenticity and the crucial instances where this ability comes to the fore.

Emotional authenticity is the cornerstone of compelling performance in acting. It is the bridge that connects the audience to the character, the thread that weaves the narrative together, and the mirror that reflects our own human experiences. When an actor cries on command, it’s not the act of crying itself that moves the audience—it’s the genuine emotion behind those tears. It’s the character’s pain, grief, joy, or relief that the audience feels in those moments, which makes the experience truly immersive. 

Actors who can cry on command have the power to dig deep into their characters’ emotional layers, making their performances more nuanced, believable, and engaging. These tears are not a symbol of weakness but rather a testament to the character’s humanity, vulnerability, and resilience. They are a raw and visible manifestation of the inner emotional journey that the character is undertaking.

A study by neuroscientist Paul J. Zak found that watching others go through emotional experiences can cause viewers to experience similar emotions, a reaction caused by the brain releasing a hormone called oxytocin. Hence, an actor’s authentic emotional display—like crying—can stimulate the audience’s empathy, making them more invested in the character’s story.

But crying on command is not just about displaying emotional authenticity—it’s also about delivering performance when it counts the most. There are specific instances in scripts, often at pivotal points in the story, where the ability to cry on command is absolutely crucial.

Consider intense drama scenes, where a character’s dream shatters, or they experience a profound loss. The script may call for the character to break down and cry. In these situations, the actor’s ability to cry on command can heighten the emotional intensity of the scene, leaving a lasting impact on the audience.

Or think about climactic moments of catharsis, where tears represent a release of pent-up emotions. It might be a character finally confronting a painful past or achieving a long-pursued goal. These tears, prompted by overwhelming relief or joy, can be just as moving as tears of sadness, and they require the same skill to produce on cue.

Moreover, crying scenes often serve as turning points in character arcs. They can signal a transformation, a moment of realization, or a decision that propels the narrative into a new direction. Thus, being able to cry on command enables an actor to contribute meaningfully to the story’s development.

In conclusion, the ability to cry on command is more than a party trick—it’s a vital tool in an actor’s kit. By tapping into emotional authenticity and meeting the demands of the script, actors can use this skill to enhance their performances, make their characters more relatable, and truly immerse the audience in the story. However, it’s also essential to approach this skill with care, maintaining a healthy balance between emotional authenticity and emotional well-being, which we’ll explore later in this article.

IV. Techniques to Cry on Command

The ability to cry on command is an invaluable skill for any actor. It not only bolsters the authenticity of the character’s emotions but also adds depth to the storyline. Mastering the ability to cry on cue is a testament to the actor’s commitment to craft, enhancing the overall viewing experience for the audience. Today, we’ll discuss several techniques that can help one achieve this, from tapping into personal emotions to using physical stimuli. 

The first technique we’ll delve into is the Emotional Recall Technique. This method involves mining your past and using personal experiences to elicit the required emotion. If the scene calls for sorrow, think back to a moment in your life where you felt genuinely distressed or upset. The key here is not just to remember the situation but to relive the feelings associated with it. To make this method effective, one must practice recalling these memories while detaching them from the original context. This requires practice and emotional strength, as it might involve revisiting painful memories. However, when done correctly, the Emotional Recall Technique can significantly enhance the authenticity of your performance.

Next up is the Substitution Technique. This technique, like the Emotional Recall Technique, revolves around harnessing your own emotions. However, instead of linking your emotions directly to the scene, the Substitution Technique involves replacing your character’s emotions with your own. For instance, if your character is going through a heartbreaking moment but you cannot relate to the specific situation, think of a different scenario that makes you feel the same way. By substituting the character’s emotional context with one from your own life, you can still portray the intended emotion accurately.

The “Do Not Blink” Technique is a more physical approach to producing tears. This technique is as simple as it sounds – you refrain from blinking for as long as possible. By keeping your eyes open, they naturally begin to dry out, which causes discomfort and triggers your tear ducts to produce and release tears. However, this technique might take some time to take effect, so it’s best used when there’s a build-up to the emotional scene.

Finally, we have the use of Tear Sticks or Tear Blowers, which are cosmetic tools used to stimulate crying. Tear sticks are infused with menthol, which irritates the eyes enough to produce tears. You apply it under your eyes, much like makeup, and within moments, your eyes will well up with tears. Tear blowers, on the other hand, are small, hand-held devices that blow a gentle stream of air into your eyes, causing them to water. Both these tools are widely used in the film and television industry when natural tears are hard to come by.

It’s essential to note that these techniques are merely tools to aid an actor’s performance, not crutches to lean on. Real acting comes from a place of understanding and truth. While these techniques might stimulate tears, the emotion behind those tears still needs to come from a genuine place. So, whether you’re summoning up past experiences, swapping out emotional scenarios, holding back a blink, or resorting to cosmetic tools, remember – the best performances are those that communicate the truth of the character’s emotions. And that, at its core, is the real art of acting.

V. Exercises to Improve the Ability to Cry on Command

Exercises to Improve the Ability to Cry on Command

While acting requires various skills, crying on command is one ability that can add an extra layer of authenticity to a character’s emotional depth. Some performers naturally have this ability, but for others, it’s a technique that requires consistent practice. If you’re wondering how to improve your ability to cry on command, here are some exercises that can help:

Daily Emotional Recall Exercises

An emotional recall exercise is a well-recognized acting technique based on the principle of Method Acting, where you use your past emotional experiences to express your character’s emotions more authentically. Essentially, you’re drawing upon your personal memory bank of feelings to bring genuine tears to your eyes.

Begin by setting aside 15-20 minutes each day in a quiet, comfortable space. Close your eyes and allow your mind to wander back to an experience that brought you to tears. It could be a heartbreak, loss of a loved one, or even an overwhelming moment of joy or gratitude. Allow yourself to immerse in the emotions, details, and context of that experience. Remember, this is a safe space for you to explore these feelings. As you get more comfortable with this exercise, you’ll notice that it becomes easier to tap into these emotions, and consequently, easier to cry on cue.

Practicing in Front of a Mirror

Practicing in front of a mirror is a straightforward yet powerful exercise to improve your crying on command skills. It provides an opportunity for you to observe your facial expressions and body language as you transition into an emotional state. Furthermore, it can help you identify any discomfort or unnatural movements that you might need to address.

Spend some time each day standing or sitting in front of a mirror. Once again, tap into your reservoir of emotional experiences, or use a monologue that requires a high degree of emotion. As you reach the peak of your emotional state, observe your facial expressions. Do your eyes well up naturally? Are there any tension lines on your face that might hint at forced crying? Remember, genuine crying is not just about the tears; your entire face should reflect the emotion you’re feeling.

Training with a Drama Coach

While the first two exercises are things you can do on your own, working with a drama coach can take your skills to the next level. A professional coach can provide valuable insights into your technique, giving you personalized advice to improve. 

A drama coach can guide you through emotional exercises, helping you tap into your feelings more effectively. They can also teach you various acting methods, like the Stanislavski’s System or the Meisner Technique, that focus on emotional authenticity. Moreover, a coach can provide constructive criticism on your performances, helping you understand where you excel and where you need improvement. 

Working with a drama coach may require an investment of both time and money, but the benefits you gain—enhanced skills, industry insights, and personalized feedback—can significantly improve your ability to cry on command and your acting skills more broadly. 

In conclusion, improving your ability to cry on command is a journey that requires patience, practice, and vulnerability. These exercises are meant to guide you, but it’s important to remember that each actor’s journey is unique. What works for one might not work for another. So, feel free to adapt these exercises to suit your comfort level and emotional landscape. With time and consistent practice, you’ll find yourself becoming more proficient in crying on command, adding a new depth to your performances.

VI. Cautions and Considerations when Crying on Command

Crying on command is a powerful tool for an actor, allowing them to portray deeply emotional moments with authenticity and intensity. However, it’s not a skill that should be used lightly or without consideration. There are several important factors actors should be aware of when using this technique to ensure they maintain their mental health and respect personal boundaries.

The Importance of Mental Health and Boundaries

Firstly, it’s essential to understand that acting, like any form of artistic expression, can take a mental and emotional toll on individuals. This is especially true when engaging in emotionally intense scenes or using techniques like emotional recall. For this reason, mental health should always be a priority. It’s crucial to take care of oneself and ensure one’s well-being isn’t compromised for the sake of a performance.

It can be easy to lose oneself in a role, particularly when accessing deeply personal emotions to cry on command. It’s crucial to establish and maintain boundaries between oneself and one’s character to avoid emotional drain or confusion. One must remember that they are an actor performing a role and the feelings being evoked, while real, are being used for a specific purpose within a contained environment.

Implementing self-care strategies, such as meditation, relaxation techniques, and regular counseling or therapy, can be beneficial for actors. These practices can help to separate their own experiences from those of their characters, allowing for emotional release and rejuvenation after performances.

Avoiding Overuse or Misuse of Emotional Recall

Emotional recall is an extremely powerful technique, allowing actors to tap into their personal experiences to portray emotions realistically. However, this doesn’t mean it should be the only tool in an actor’s emotional arsenal or that it should be used all the time. Over-reliance on emotional recall can lead to emotional exhaustion and may even blur the lines between the actor’s emotions and their character’s.

Additionally, misuse of emotional recall can result in damage to one’s mental health. If an actor repeatedly recalls traumatic or deeply distressing experiences for the sake of a performance, they risk re-traumatizing themselves. This is especially true if they don’t have a healthy outlet for processing these emotions outside of their performances.

It’s crucial to use emotional recall responsibly. Actors should ensure they’re emotionally prepared to handle the feelings they’re bringing up and that they have support systems in place to help them process these emotions. They should also consider alternate methods for reaching emotional authenticity in their performances, such as Meisner’s technique of using imaginary circumstances.

In conclusion, crying on command can be an incredibly effective tool for actors, allowing them to bring raw emotion and authenticity to their performances. However, it’s vital to use this skill responsibly and with full awareness of the potential emotional impact. By prioritizing mental health, establishing personal boundaries, and using emotional recall responsibly, actors can use the power of crying on command without compromising their well-being.

VII. Conclusion

In the dynamic and ever-evolving realm of acting, possessing a diverse array of skills can distinguish you from the crowd and set you on a path to success. One such ability, and a potent one at that, is the capacity to cry on command. This poignant skill has the potential to elevate a performance from good to exceptional, transforming an actor’s interpretation into a deeply emotive and memorable experience for the viewer.

The capacity to cry on command is not merely an exhibition of raw talent; it’s a testament to an actor’s ability to delve deep into the character’s psyche, empathize with their experiences, and manifest their emotions in an authentic and compelling way. It allows actors to humanize their characters, endowing them with depth and complexity. A tearful performance can resonate with audiences on a profound level, creating an emotional bond that ensures the character’s journey lingers in the mind long after the curtains close.

The process of eliciting tears on cue, as we’ve seen, is not as straightforward as one might expect. It’s not about showcasing sorrow or distress in a generic sense, but about embodying the unique emotional journey of the character in the context of the narrative. Achieving this requires a nuanced understanding of different techniques and a commitment to the practice.

The techniques we discussed earlier – emotional recall, substitution, the “do not blink” method, and the use of cosmetic tools such as tear sticks or blowers – offer a range of options to explore. While some actors may naturally gravitate towards certain methods, the key lies in experimenting with different techniques to find the one that best aligns with your acting style and emotional vocabulary.

Each technique, while effective, comes with its unique considerations. Emotional recall and substitution can provide potent material for tearful performances, but they demand a high degree of emotional intelligence and control. Repeatedly delving into personal emotional reservoirs can be mentally taxing, emphasizing the importance of maintaining healthy emotional boundaries. On the other hand, physical techniques and cosmetic aids, while less emotionally draining, may not convey the same level of emotional authenticity, and may require more practice to master.

Beyond the acquisition of these techniques, the journey to becoming adept at crying on command is a testament to the broader ethos of acting – continuous learning and practice. In an industry characterized by its competitiveness, continuous skill development is not merely beneficial, but essential. In addition to learning new techniques, actors must also constantly refine their craft, engaging in regular practice sessions and seeking feedback to enhance their performances.

And so, as we draw our discussion on crying on command to a close, it’s important to remember that acting, at its heart, is about truthful representation of the human condition. Whether it’s shedding tears of joy, sorrow, frustration, or any other emotion, the capacity to evoke these feelings authentically and consistently is a testament to an actor’s commitment to their craft.

Remember, crying on command is not just about showcasing your ability to shed tears on cue; it’s about demonstrating your understanding of your character’s emotional landscape and your capacity to convey it convincingly to the audience. So, keep practicing, keep learning, and most importantly, keep pushing your boundaries. In the world of acting, the only limit to what you can achieve lies in the power of your imagination and your willingness to explore it. As they say in the industry, “The show must go on.” Make sure you are prepared for when the spotlight turns to you.

‘Wolverine 3’ New Orleans Casting Call for Lab Techs

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Wolverine 3 is now casting extras to play lab technicians in New Orleans, Louisiana.

Wolverine 3 is now casting stand-ins and lab technicians to work on a scene filming on Tuesday, July 5th in New Orleans, Lousiana. Here’s the Wolverine 3 casting breakdown:

  • STAND IN-Petite female, over the age of 18, brown hair, olive complexion, 5’3-5’5.
  • LAB TECHNICIANS-Men and women, any ethnicity, over the age of 18, to portray science lab technicians.

About Wolverine 3:

According to the New Orleans film commission, 20th Century Fox film producers are hiring crew members to work on the new movie. Plot details are unknown at this time, but the film will be the third solo vehicle for Logan/Wolverine (Jackman) in the X-Men film series. Director James Mangold has said he is looking at Wolverine comic book story lines for inspiration, including “Old Man Logan.”


To audition for a role on Wolverine 3, check out the casting call details below.

‘Wolverine 3’ Casting Call

**FILMING NEW ORLEANS EAST-TUESDAY, JULY 5th

STAND IN-Petite female, over the age of 18, brown hair, olive complexion, 5’3-5’5.

LAB TECHNICIANS-Men and women, any ethnicity, over the age of 18, to portray science lab technicians.

Please submit name, phone number & current photos to: JUAREZ@CentralCasting.com and put the category in the subject line.

Please do not apply, if you are not local or if you do not fit the description.

What do you think? Discuss this story with fellow Project Casting fans on Facebook. On Twitter, follow us at @projectcasting.

TNT ‘Good Behavior’ Wilmington Casting Call for Grocery Store Shoppers

TNTGood Behavior‘ casting call for a grocery store scene in Wilmington, North Carolina.

TNT’s Good Behavior is now casting actors, models, and talent to work on some of the final scenes filming in Wilmington, North Carolina. Producers are looking for extras to play hardware store shoppers, bellman, hotel guests, and deputies.

About TNT’s ‘Good Behavior’:

Good Behavior is written by Crouch and Chad Hodge and tells the story of Letty Dobesh (Dockery), a thief and a con artist whose life is always one wrong turn, one bad decision from implosion.


To audition for a role on Good Behavior, check out the casting call details below:

TNT Good Behavior Casting Call

Our last week filming Good Behavior is upon us! We are off Monday & no extras on Tuesday.
Pay rate is 64/8. If your car is parked in the scene you get a $15 bump, if you drive your car in the scene a $25 bump will be added.

*WEDNESDAY, JULY 6*
-HARDWARE STORE SHOPPERS with Cars- Males & Females, ages 18 & up. No blue cars. No parole office folks, no wedding folks.

*THURSDAY, JULY 7*
-BELLMAN – Male, age 21 & up. Must fit a 42R jacket. Please send dress shirt size, suit jacket size, pant size & shoe size. NEW FACES ONLY. Must be able to come in for a wardrobe fitting, takes about 15 minutes, on Tuesday or Wednesday in Wilmington. We will add a $20 bump for your fitting time.

-HOTEL GUEST – Male & Female, ages 21 & up. Can be same people as worked Thursday.

*FRIDAY, JULY 8*
-DEPUTY – Male, ages 21 & up. Must be clean shaven. Must be able to come in for about 15 minutes for a wardrobe fitting Wednesday or Thursday in Wilmington. We will add a $20 bump for your fitting time. Please send me your dress shirt size, pant size & shoe size.

To be considered YOU MUST include a minimum of 2 CURRENT photographs of yourself.
Headshot & full body shot – do not need to be professional.
Please email ALL of the following information to goodbextras@gmail.com with the subject line ROLE YOU’RE APPLYING FOR.
Emails for these roles will be going out throughout the weekend. If you submitted please check your email by Monday.

NAME:
HEIGHT:
WEIGHT:
OTHER SCENES YOU’VE WORKED ON GOOD BEHAVIOR: PREFER NEW FACES ONLY OR BOOKED BUT NOT SEEN.
CLOTHING SIZES & SHOE SIZE:
COLOR, YEAR, MAKE & MODEL OF CAR:
VISIBLE TATTOOS OR PIERCINGS:
PHONE NUMBER:
LOCATION YOU LIVE: Please remember this is being filmed in Wilmington, NC. Travel is not paid.

Please do not apply, if you are not local or if you do not fit the description.

What do you think? Discuss this story with fellow Project Casting fans on Facebook. On Twitter, follow us at @projectcasting.

$400 Modeling Job Casting Call for Native American Models

Modeling jobs casting call for Native American models in Los Angeles, California.

Taylor Casting is now casting Native American models with long hair to be featured extras with a British celebrity talent in a major apparel campaign.

Talents will be compensated $400 and will work on July 4th or 5th.

To audition for the modeling job, check out the casting call details below.

Modeling Job Casting Call

SO CAL ONLY:
URGENT RUSH CALL for a DIRECT BOOKING.
Looking for Native American males 25-45yrs old with LONG HAIR that will be featured extras with British celeb talent in an apparel campaign.
Pays $400 and works July 4 or 5 ( i know!!)
Please submit recent photo and phone number via email to: taylorcasting@mac.com PLEASE ONLY SUBMIT IF YOU FIT THIS ROLE.

Please do not apply, if you are not local or if you do not fit the description.

What do you think? Discuss this story with fellow Project Casting fans on Facebook. On Twitter, follow us at @projectcasting.

Daniel Radcliffe Shares Amazing Acting Tips

Daniel Radcliffe shares acting tips and techniques he used for the movie Swiss Army Man.

Daniel Radcliffe plays an interesting role in the upcoming feature film, Swiss Army Man. In the movie the Harry Potter star plays a powered dead body who is used by a man (Paul Dano) to survive on a deserted island. And the role was a lot harder than you think.

Speaking with the New York Times, Radcliffe notes some of the acting techniques that went into playing a dead body in Swiss Army Man. Radcliffe says it takes mental effort to play such a different kind of character. He argues, “You just sort of have to use your imagination when you’re playing something that doesn’t exist. But that’s a good thing. As long as you’re giving the directors what they want, there’s no really wrong answer.”

Radcliffe adds, “I started out wheezy, like if a bellows had a voice box. Then I had to imagine that rigor mortis has set in, so his jaw is kind of stiff but starts loosening up as he comes more to life.”

Radcliffe also reveals how he came up with a facial expression for the entire movie,  “I came up with [that] when I was playing around with stupid facial expressions in the mirror. I thought it was [something] everybody could do, but when I showed it to the directors, they were like, do that!”

Otherwise, Radcliffe had to remain extremely still throughout the movie. “There’s really no trick. You just do it. There was also an element of not wanting to [mess up] the take and ruin Paul’s beautiful performance.”

You can watch the trailer for Swiss Army Man below:

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What do you think? Share with us your thoughts in the comments below.

How to Learn a British Accent in Less Than 5 Minutes [VIDEO]

How to do a proper British accent in less than 5 minutes.

Want to sound like a Harry Potter? Are you ready to impress your friends? Want to shock a casting director during an open casting call? If so, here’s a quick and easy way to learn how to speak with a British accent.

Now Ley—who is a drama professor, and voice and dialect coach at the University of Alberta—offers a three-minute tutorial on how to speak with an upper class British accent. With Ley’s help, a hard candy and a little practice, you’ll be directing the sec-retree to the lav-retree in no time.

Check out the video below:

Related:

What do you think? Share with us your thoughts in the comments below.

The #1 Question Every Actor Should Ask Their Talent Agent

The number one question every actor should ask their talent agent.

After you decide to become an actor, model or talent you have a few steps you have to take. The first one is finding a photographer to take your head shots, then you need to find a talent agent. Typically, your agent will help you find jobs, auditions, open casting calls and lead you in a direction to bigger and better productions.

But, what do you do when you feel like your talent agent isn’t helping your acting career? Well, have no fear Project Casting is here. The best way to find out if your talent agent is actually working for you is by asking this one question, “Can you send me a submission report?”

What is a submission report? It is a list of acting jobs they are submitting you for. This is the best way to tell if your talent agent is aggressively searching for acting jobs for you. A good and reputable talent agent would send you a detailed history of every acting job they have submitted for you. If not, then it’s a major red flag and you may want to consider hiring a new talent agency.

What do you do when you feel like your talent agent is aggressively helping you find acting jobs and auditions? You may want to feel like you to curse the agency out over the phone but, that is probably one of the worst things you can do. Just write your agent a nicely worded email explaining how you feel. Say something along the lines of all the recent changes you’ve had and your representation with her hasn’t been a fit and you’ve found an agency that you think better fits your needs. Let them know how much you’ve enjoyed working with them and thank them.

It’s never a good idea to burn bridges in the entertainment industry.

If you’re interested in landing a talent agent. Check out our free talent agency guide here. You can also check out the latest talent agency casting calls here.

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Want to Become a Model? Start an Instagram Page

High fashion designers are looking at Instagram to find models instead of professional modeling agencies.

When you think of models, you probably start thinking of women like Kendall Jenner, Bella Hadid or Tyra Banks. However, the fashion industry is undergoing a major paradigm shift and changing from professional models to real models, or as the writer and founder of Slutever points out, “nodels” (not a model). In fact, Kate Spade New York’s most recent fashion campaign featured “nodels”, real women with large social media followings, instead of traditional models.

Slutever’s Karley Sciortino recently sat down with Harper’s BAZAAR about the major changes in the fashion industry. She argues that, “In the age of social media, we don’t look at people because they’re pretty-we look because we’re interested in them, because we want to follow their story.” Consequently, fashion designers are choosing real girls instead of models for the modeling campaigns. “We’ve been seeing the same whitewashed, stick figure model since we were in middle school, and we’re bored now,” Karley Sciortino argues.

And she’s probably right. San-Francisco based retailer Lisa Says Gah is using more real girls instead of professional models.”We launched a year and a half ago with a limited budget that only allowed us access to ‘real girls’. But as our business began to burgeon, we thought we should try the more ‘professional’ route by hiring a model in a studio setting. The result felt inauthentic to the Lisa Says Gah brand, so we quickly switched back and have had more success since.”

Instagram
CHIANG MAI, THAILAND – JUN 19, 2016: A man hand holding lg g4 with instagram application. Instagram is largest and most popular photograph social networking. (Natee Meepian / Shutterstock.com)

If you’re an aspiring model, then you may want to ditch the traditional pathway to becoming a professional runway model and focus on your “social media currency” – how many followers you have on social media. Brands are looking for real people who have learned to market themselves on social media. “If someone is a size 10 and has 100,000 followers on Instagram, is doesn’t matter if they can’t fit into a sample size. They’ve proven that their image resonates with people.”

This news should not be that surprising. A 2014 study found that larger size models actually increased sales instead of traditional size 0 models. Researchers found that average sized models do not affect a company’s brand. In addition, researchers argue that new fashion brands should use average sized models in their campaigns. “This is because new brands are not associated with any particular cues,” says Wang. “Consumers tend to use accessible information (people around us) to make a judgment. Thus, they like average size models more than super-skinny models.”

Via Harper’s BAZAAR

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New Massive TV and Film Studio May Be Headed to Atlanta

A new massive TV and film studio is currently in development in Atlanta, Georgia.

Gov. Nathan Deal and the Georgia Film, Music and Digital Entertainment Office announced in July that film and television productions in the state generated $1.7 billion in direct spending during the 2015 fiscal year. In fiscal year 2015, 248 productions shot in the state, up from 158 productions in fiscal year 2014. Therefore, it’s not too surprising that entrepreneurs and businessmen are interested in creating a new film studio in East Atlanta.

After Pinewood Studios finished construction in Atlanta, Georgia’s film industry exploded with major motion pictures such as Guardians of the Galaxy 2, Spider-Man: Homecoming and Ant-Man. Now, another major movie studio may be headed in Atlanta, Georgia.

According to reports, county officials are trying to turn a 165 acre development into a massive TV and film complex. Officials are working on a deal to development the land which would cost hundreds of millions of dollars and years to build. “The new project could include sound stages and other film and television production infrastructure, along with hotels and commercial development,” said Dave Bernd, vice president of economic development for the Covington/Newton Economic Development Authority.

Construction for this new massive film and TV complex could start as early as this September or October, which means new job opportunities for aspiring actors, crew members and even construction workers.

This is just the latest studio plans in Atlanta. EUE/Screen Gems Studios announced that they were expanding the movie studio in Atlanta. According to their press release, the decision comes in response to the continued growth of the film and TV industry in Georgia.

Via NPR

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What do you think? Share with us your thoughts in the comments below.

Jada Pinkett Smith’s ‘Girls Trip’ New Orleans Casting Call for a Concert Scene

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Girls Trip is now casting extras for a concert scene in New Orleans, Louisiana.

Girls Trip starring Jada Pinkett Smith and Queen Latifah is now casting African American looking men and women over the age of 18 who appear to be in the 20’s to 60’s to work as fans at an Essence concert.

Filming will take place on Saturday, July 2nd or Sunday, July 3rd.


About Girls Trip:

Girls Trip will be directed by Malcolm Lee (Barbershop, Best Man Holiday) and executive produced by Will Packer (Straight Outta Compton, Ride Along, Think Like A Man). Girls Trip centers on four lifelong friends who travel to New Orleans for the annual Essence Festival. Sisterhoods are rekindled, wild sides are rediscovered, and there’s enough dancing, drinking, brawling and romancing to make the Big Easy blush.


To audition for a role on Girls Trip, check out the casting call details below.

Girls Trip Casting Call

***GIRL TRIP – Filming in New Orleans – Sat 7/2 OR Sun 7/3***

ESSENCE FANS- Currently casting African American looking Men and Women over the age of 18 who appear to be in their 20’s – 60’s to work as Essence Fans.

*MUST be registered with Central Casting

If you fit the above description, please send name, current photo(s), and phone number to: GIRLTRIP@CENTRALCASTING.COM and put the date your available to work in the subject line.


If you are not local and/or do not fit the description, do not apply

Do you think you are perfect for this role? Leave us a comment below and tell casting directors why you should be selected!


CBS ‘Madam Secretary’ NYC Casting Call for Extremists

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CBS‘ hit tv series Madam Secretary is looking for extremists in New York City.

Looking for a new job? Comer Casting is seeking Middle Eastern and African American types to portray extremists to work on Wednesday, July 6th in New York City.

About Madam Secretary:

MADAM SECRETARY stars Tèa Leoni as Elizabeth McCord, the shrewd, determined, newly appointed Secretary of State who drives international diplomacy, battles office politics and circumvents protocol as she negotiates global and domestic issues, both at the White House and at home.


To audition for an extra role on ‘Madam Secretary’ season 2, check out the casting call details below:

‘Madam Secretary’ Season 2 Casting Call

The Operative-Episodic and behind the scenes coverage of the CBS Television Studios series Madam Secretary starring Tea Leoni for the CBS Television Network. Photo:Patrick Harbron/CBS ©2014 CBS Broadcasting, Inc.All Rights Reserved

Comer Casting is seeking Middle Eastern and African American types to portray extremists available Wednesday 7/6.

If you are available please email:
1. Name
2. Contact Number
3. Very recent photo of your current look
4. Indicate if you are SAG-AFTRA or Non-Union

Email to madamsecretarybgextremists@comercasting.com and put “Extremists” in the subject line.


If you are not local and/or do not fit the description, do not apply

Do you think you are perfect for this role? Leave us a comment below and tell casting directors why you should be selected!


IFC’s ‘Documentary Now’ Los Angeles Casting Call for Gangsters

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Documentary Now is now casting gangsters in Los Angeles, California.

Central Casting is now casting gangsters to work on IFC’s hit TV series Documentary Now. Filming will take place on Wednesday, July 6th in Los Angeles, California.


About Documentary Now:

Documentary Now! lovingly parodies some of the world’s best-known documentaries. Starring Fred Armisen and Bill Hader, each episode is shot in a different style of documentary filmmaking, and honors some of the most important stories that didn’t actually happen.


To audition for a role on IFC’s Documentary Now, check out the casting call details below.

IFC Documentary Now Casting Call

UNION OR NON UNION SUBMISSIONS FOR 18 TLY GANG MEMBERS. Shoots on Weds July 6th. RATE: 126/8 on a Union voucher. You cannot have worked on Documentary Now in the last 3 weeks.

Gang Members to portray age 18 to look younger, African American (Crips and Bloods). Please send a photo looking straight at the camera, not smiling to: KristanBSubmissions@centralcasting.com Subject line: GANG


If you are not local and/or do not fit the description, do not apply

Do you think you are perfect for this role? Leave us a comment below and tell casting directors why you should be selected!


MAJOR Diaper Commercial Los Angeles Casting Call for Cute Kids

Diaper commercial casting call for cute kids in Los Angeles, California.

Dame Casting is now casting newborns to 5 year olds to work on a major diaper company commercial in Los Angeles, California. Here’s the casting breakdown:

  • Babies of all ethnicities being cast: with emphasis on Af-Am, Hispanic/Latin, E. Indian, Asian, Mixed Race and Caucasian babies. $125/ hrly rate + agency 20% (2 hr MINIMUM)
    AND usages/exclusivity bonuses will also be paid for the final talent selected.

To audition for a role on the upcoming commercial, check out the casting call details below.

Diaper Commercial Casting Call

NEW CASTING PROJECT FOR a DIAPER COMPANY and our friends @ PORKCHOP PRODUCTIONS:

PLS READ ALL INFO:

Diaper Co is casting newborns to 5 yr olds for a new campaign.
Note: children will be cast based on weight. Pls include weight info with ALL submissions.

Babies of all ethnicities being cast: with emphasis on Af-Am, Hispanic/Latin, E. Indian, Asian, Mixed Race and Caucasian babies. $125/ hrly rate + agency 20% (2 hr MINIMUM)
AND usages/exclusivity bonuses will also be paid for the final talent selected.

Casting BY REQUEST only (casting dates: 12-16 July)
Shoot dates: 16-26 August 2016

DIRECT SUBMISSIONS will be accepted. PLS READ BELOW for info:

Direct submissions can be made to this page via PM
-OR- submit to: alteregoiste6@yahoo.com

ALL DIRECTIONS must be FOLLOWED to be considered:

– SoCal based talent ONLY
– Pls put: “Diaper Campaign 7.16” in the email subject line
– send several CURRENT (and small jpegs pls) photos (cell phone images are fine, as long as they’re clear) of the baby
– pls include baby name, gender, birthdate, ht and wt
– contact info for the talent or mother


If you are not local and/or do not fit the description, do not apply

Do you think you are perfect for this role? Leave us a comment below and tell casting directors why you should be selected!


William H. Macy’s ‘Krystal’ Atlanta Casting Call for New Stand-ins

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Krystal directed by William H. Macy is now hiring extras to play grad students.

William Macy’s new movie Krystal is now casting actors, models, and talent to work as a photo double for one day of shooting. Producers are looking for twenty to 30 year olds with brown shaggy hair and over six feet tall, to work on the upcoming scene.

Filming will take place on Thursday, July 7th.


About Krystal:

Krystal is directed by William H. Macy (Shameless) and stars Felicity Huffman, Kathy Bates, plus John Legiuzamo, Rosario Dawson, Joe Manganiello, rapper T.I. and Nick Robinson. According to an interview with Deadline, Krystal “It’s about a young man who has a heart condition which precludes him from going to college or playing sports or falling in love. Into his life comes Krystal. An ex-heroin addict, alcoholic, hooker, you name it. She’s on the run and she’s got a son and it becomes this unlikely love affair which of course never works out.”


To audition for a role on Krystal, check out the casting call details below:

Krystal Casting Call

KRYSTAL is Seeking a PHOTO DOUBLE for ONE day of Shooting:

20-30 year old Caucasian, Male, Brown Shaggy Hair (nearly neck length), Height 6’1″ Slim/Slender Build.

This shoots Thursday 7/7, 30 Miles South of ATL.
Pay is $150 / 12 hours.

Submit 3 Current Photos (One face, one full body, one back of head – to show hairstyle.) along with…
Name:
Phone Number:
Email:
Height:
ALL Clothing measurements:
City of Residence:
Attach a Resume/Headshot and/or describe previous experience.

Send Email to KrystalExtrasCasting@gmail.com
Subject Line: “PICK UP PHOTO-DOUBLE”


If you are not local and/or do not fit the description, do not apply

Do you think you are perfect for this role? Leave us a comment below and tell casting directors why you should be selected!


‘Mr. Robot’ Season 2 Casting Call for Kid Actors

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USA network’s Mr. Robot season 2 is now casting kid actors in New York City.

Looking for your next audition? Grant Wilfley Casting is looking for kid actors to work as photo doubles for Season 2 of USA Network’s hit TV series Mr. Robot. Filming will take place on July 19th and possibly July 8th in New York City. Producers are looking for Caucasian kid actors that are 4’5 to 4’7 with blonde hair to work on the scene. Producers are seeking kids  9 to 12 years old to work on Mr. Robot. 


About Mr. Robot:

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Mr. Robot follows Elliot Alderson, a young man living in New York City, who works at the cybersecurity company Allsafe as a security engineer. Alderson suffers from social anxiety disorder and clinical depression. He connects with people by hacking them, which often leads him to act as a cyber-vigilante.He is recruited by a mysterious insurrectionary anarchist known as “Mr. Robot”, and joins his team of hacktivists known as “fsociety”. One of their missions is to cancel all debts by taking down one of the largest corporations in the world, E Corp (known as “Evil Corp” by Elliot), which also happens to be Allsafe’s biggest client.


To audition for a role on Mr. Robot, check out the casting call details below:

Mr. Robot Casting Call

GWCI is seeking SAG-AFTRA/NONUNION girls to photo double for caucasian female 4’5 – 4’7 blonde hair for Season 2 of USA Network Series Mr. Robot. Filming will be 7/19 & possibly 7/8 in NYC area.

MINORS AGES 9-12 ENCOURAGED TO SUBMIT!

If interested and available, please email current photos to robot@gwcnyc.com and change subject line to say “Name, Union Status, Phone #, FB Photo Double, Avail” please include the following in the body of your email!

-Date of Birth & Age of your child
-Expiration date of your child’s NYS Work Permit
-Confirm trust account is set up
-Current height, weight, dress size, shirt size, pants size, and shoe size (all sizes should be in girls sizes!)
-Fine working late into the evening if needed
-Available 7/19 & 7/8 is needed


If you are not local and/or do not fit the description, do not apply

Do you think you are perfect for this role? Leave us a comment below and tell casting directors why you should be selected!


‘Ghost in the Shell’ Producer Defends Casting Scarlett Johansson

Ghost in the Shell producer, Steven Paul, defends casting Scarlett Johansson following “whitewash” casting backlash.

Steven Paul, a producer for the upcoming cinematic adaptation of the Japanese manga series Ghost in the Shell, recently spoke with Buzzfeed in defense of the movie’s decision to cast Scarlett Johansson, a white actress, in the lead role of the movie. Many fans considered the casting of Johansson another example of whitewashing in Hollywood, an ongoing issue many Asian American actors are fed up with.

Paul’s argument seems to be that everyone is worried that casting Johansson will lead to disappointment. But, he wants you to to not worry because you are “going to be very, very, happy with it.” Paul continued by saying, “There [are] all sorts of people and nationalities in the world in Ghost in the Shell,” he insists, “We’re utilizing people from all over the world…There’s Japanese in it. There’s Chinese in it. There’s English in it. There’s Americans in it.”

Paul doesn’t clearly explain why a Japanese actress could not play the leading role in the movie. “I don’t think it was just a Japanese story. [It] was a very international story…it was supposed to be an entire world,” he said. “That’s why I say the international approach is, I think, the right approach to it.”

At the end of the day, it’s all about money. And Paul is simply trying to protect his investment with this fluff interview with Buzzfeed. However, as whitewashing criticism continues to spread across the film industry and into our social media feeds, Paul may regret his casting decision. In fact, box office studies show that movies with a diverse cast actually do better than un-diverse movie. For example, just look at Aloha! and Gods of Egypt, two movies that were criticized for a whitewashed cast and they both flopped in the box office.

(via Buzzfeed)

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What do you think? Leave us a comment below.

#BoycottCinemark Goes Viral After Aurora Victims Asked to Pay $700k in Legal Fees

#BoycottCinemark is going viral after Aurora Victims are asked to pay $700,000 in legal fees.

Last May, a six-person state jury delivered a unanimous verdict that Cinemark was not liable for the fatal Colorado shooting. Plaintiffs charged Cinemark with failing to provide security at their theaters, especially after Homeland Security put out an alert prior to the tragedy that theaters were potential terrorist targets. And according to state laws in Colorado, the winning side in a civil suit can seek compensation for their legal costs. News of Cinemark’s recent filing for legal fees comes following the news that the recent quarterly earnings for were $700 million dollars.

Aurora Shooting

Since then, the hashtag #BoycottCinemark has gone viral today after it was reported that the nation’s third-largest movie theater company was seeking to charge a $700,000 legal bill to victims and surviving family members of the Aurora, Colorado mass shooting.

From Deadline:

The move by Cinemark has not only created anger in the social media universe, but the story’s headlines have been picked up by news outlets nationwide. Among other 30 victims that Cinemark wants legal fees from include two families whose sons heroically saved others in the theater, a woman who had to hold her own intestines in after being shot, and a boy who was shot in the head.

Related:

What do you think? Share with us your thoughts in the comments below.

‘Spider-Man: Homecoming’ Atlanta Casting Call for Tourists

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Marvel’s Spider-Man: Homecoming is now casting extras to play tourists in Atlanta, Georgia.

Tammy Smith Casting is looking for men and women ages 18 to 65 to play tourists for a huge scene filming in Atlanta, Georgia. Casting directors are looking for a mix of looks and ethnicities to play U.S. tourists and foreign tourists.

Filming will take place between July 5th through July 8th in Atlanta, Georgia.


About Spider-Man: Homecoming:

Spider-Man: Homecoming features Tom Holland, Robert Downey Jr., and Marisa Tomei. It will be directed by Jon Watts and will be an inside look into Spider-Man’s childhood before and after he joins Marvel’s Avengers.

Spider-Man:Homecoming hits theaters on July 7, 2017 and this Spider-Man.


For more information, check out the casting call information below.

Spider-Man: Homecoming Open Casting Call

New Post:

***PLEASE READ CAREFULLY ***

Casting for MEN and WOMEN ages 18 to 65
TOURIST TYPES, for a great scene!!
.
We especially need a mix of looks and ethnicities
to be a mix of U.S. tourists and foreign tourists
(all must be eligible to work in the U.S. with a non-restricted SSN)
.
NOTE:
List if you have a:
– Bicycle
– Backpack ( the full size one, like hikers use, etc..)

.
– WORKING next TUES 7/5, WED 7/6 and THURS 7/7 and Fri 7/8
—and you MUST be avail ALL 4 DAYS!!
– daytime/ early morning start times
– Filming in Fayetteville
– please be aware this will be an outdoor scene
.
Pay rate – $68 with O.T. after 8hrs
Bikes and/or backpacks will receive an additional $12 if selectedPLEASE SUBMIT TO: SoGextras@tscasting.com
and put “TOURIST” in the subject lineINCLUDE:
CURRENT PHOTOS !!!!!!!!!!!!
One that shows face and hair well (NO hats or sunglasses please) as well as one that is from the knees or waist up) -. A photo you can have that was taken recently, in good light.
.
ALSO INCLUDE:
.
First and Last NAME
PHONE NUMBER
Email address
CITY and STATE where you live (or will be coming from)
AGE
Height
Weight
-AND-
Sizes:
Women: Dress, bust/bra/cup, waist, pants, shoe
Men: Jacket/Coat, collar, sleeve, waist, inseam, shoe
.
-AND-LIST if you have one or both of the following :
– BICYCLE (incl. basic description of color, type, brand)
– BACKPACK ( full size hiker type, etc..)

You MUST be LOCAL to the GREATER ATLANTA, GEORGIA AREA (or willing to work as a local hire)


If you are not local and/or do not fit the description, do not apply

Do you think you are perfect for this role? Leave us a comment below and tell casting directors why you should be selected!



If you are not local and/or do not fit the description, do not apply

Do you think you are perfect for this role? Leave us a comment below and tell casting directors why you should be selected!


‘Spider-Man: Homecoming’ Atlanta Casting Call for New Teachers

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Marvel’s Spider-Man: Homecoming is now casting extras to play high school teachers and staff in Atlanta, Georgia.

Tammy Smith Casting, the official extras casting director behind Spider-Man: Homecoming, is now casting men and women to play teachers and staff for an upcoming scene filming on Friday, July 1st in Atlanta, Georgia. Producers are looking for men and women between the ages of 30 to 60 years old to work on the scene. Filming will take place in Fayetteville, Georgia.


About Spider-Man: Homecoming:

Spider-Man: Homecoming features Tom Holland, Robert Downey Jr., and Marisa Tomei. It will be directed by Jon Watts and will be an inside look into Spider-Man’s childhood before and after he joins Marvel’s Avengers.

Spider-Man:Homecoming hits theaters on July 7, 2017 and this Spider-Man.


For more information, check out the casting call information below.

Spider-Man: Homecoming Open Casting Call

marvel-studios-sony-pictures-entertainment-amazing-spiderman-amy-pascal-kevin-feige

CASTING for MEN and WOMEN
to be TEACHERS and STAFF
.
*** NEW FACES ONLY ***
.
– AGES 30 to 60
– ALL ethnicities

.
– WORKING tomorrow, FRIDAY 7/1- morning start time
– Filming in Fayetteville
.
Pay rate – $68 for 8 hrs with OT after thatPLEASE SUBMIT TO: SoGextras@tscasting.com
and put “NEW STAFF” in the subject line

PLEASE INCLUDE THE FOLLOWING PHOTOS:
CURRENT, CLEAR, PHOTOS !!!
(one of from shoulders up and one from the knees up)
**PLEASE**
If you have professional shots, please also include a current candid shot (selfie, etc…)

Then please List the following:
First and Last NAME
PHONE NUMBER (s)
CITY & STATE where you live (where you will be coming from!)
Email address
AGE
Height
Weight
Sizes:
Women: Dress, bust/bra/cup, waist, pants, shoe
Men: Jacket/Coat, collar, sleeve, waist, inseam, shoe

You MUST be LOCAL to the GREATER ATLANTA, GEORGIA AREA (or willing to work as a local hire)

Please do not apply, if you are not local or if you do not fit the description.

What do you think? Discuss this story with fellow Project Casting fans on Facebook. On Twitter, follow us at @projectcasting.

Love to Drink Wine? ‘Empire’ Season 3 is Looking for YOU

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Fox’s Empire season 3 is looking for a real wine sommelier in Chicago, Illinois.

Empire season 3 is now casting a real wine sommelier. Filming will take place on Friday, July 8th in Barrington, Illinois. Producers are looking for the following talent:

  • 1) REAL WINE SOMMELIER
    THE LOOK: Female, Caucasian with a European Look, Attractive, Age Range; 30s. We are looking for someone who is a knowledgable and trained wine professional who has either worked in a fine restaurant or has specialized in all aspects of wine service as well as wine and food paring. You MUST have experience working in this field in order to submit. Please include your experience in your submission.

About Fox’s Empire:

‘Empire’ centers around a hip hop music and entertainment company, Empire Entertainment, and the drama among the members of the founders’ family as they fight for control of the company. The hour-long family drama was created by Lee Daniels and Danny Strong, and stars Terrence Howard and Taraji P. Henson.


 To audition for a role, check out the casting call details below:

Empire Season 3 Casting Call

This is a two part process – you must send the email submission and complete the survey! Read the entire post before submitting.
CASTING CALL: EMPIRE SEASON 3!
SHOOT DATE: Fri., 7/8
SHOOT LOCATION: Barrington, IL – You must have your own transportation to get to Barrington.
RATE: $150/8
1) REAL WINE SOMMELIER
THE LOOK: Female, Caucasian with a European Look, Attractive, Age Range; 30s. We are looking for someone who is a knowledgable and trained wine professional who has either worked in a fine restaurant or has specialized in all aspects of wine service as well as wine and food paring. You MUST have experience working in this field in order to submit. Please include your experience in your submission.

Send an email to extras4empire@gmail.com with the following:
1) Put REAL WINE SOMMELIER as the subject line
2) Include your name, age, height, weight, phone number, current zip code and email address.
3) Send at least 2 RECENT candid photos in jpeg format (both close up and full length). Make sure the photo is taken in decent lighting (no selfies), no sunglasses, no hats! Show us your style but make sure we can see your face! The better the photo, the better your chance of being submitted. Most importantly… NAME YOUR JPEG WITH YOUR FULL NAME.
4) Confirm your mode of transportation to Barrington
5) You MUST include your professional wine experience.
6) Please let us know if you have worked on the show as another role, and if so, what role.

We will let you know if you are in consideration!
You must be registered with us at 4starcasting.com to be considered.

Click on the link or photo below to complete the survey.
https://docs.google.com/…/15neVIEkh3RUtA__LC-7F7bj…/viewform


If you are not local and/or do not fit the description, do not apply

Do you think you are perfect for this role? Leave us a comment below and tell casting directors why you should be selected!