The search for the next James Bond continues, and former 007 star Pierce Brosnan believes audiences could be in for a major surprise.

Brosnan, who played the British secret agent across four films from 1995 to 2002, says he is following the casting speculation like everyone else. But rather than backing one of the famous actors repeatedly linked to the role, he believes Amazon MGM Studios could ultimately go in a completely unexpected direction.

Speaking to The Times, the 73-year-old actor suggested producers could “go left-field” and choose someone audiences barely know.

His comments arrive at an interesting moment for the franchise. Gary Oldman recently claimed the next Bond has already been selected, while Amazon MGM Studios has yet to officially announce Daniel Craig’s successor.

Pierce Brosnan Thinks the Next Bond Could Surprise Everyone

Brosnan isn’t trying to influence the decision.

Instead, he says he is now simply another audience member waiting to discover who will inherit one of cinema’s most recognizable roles.

“There are lots of good hats in the ring,” Brosnan told The Times, before suggesting the filmmakers could choose an actor “none of us know about.”

That would be a significant departure from years of online speculation surrounding established names.

Actors including Jack Lowden, Aaron Taylor-Johnson, Harris Dickinson, Jacob Elordi and Callum Turner have all been associated with the conversation around the role, although speculation should not be confused with confirmed casting.

Amazon MGM’s most recent official casting update said the search was underway and that the studio would not comment on individual candidates during the process.

Pierce Brosnan Refuses to Name His Choice for 007

When asked who he personally would cast, Pierce Brosnan deliberately avoided giving a name.

He joked that his wife had warned him not to say anything because even a casual endorsement could quickly become a headline.

That caution makes sense. Few casting decisions generate as much sustained speculation as James Bond, and an endorsement from someone who actually played 007 would immediately carry additional weight.

Instead, Brosnan offered something closer to encouragement for whoever eventually gets the job.

He described himself as a member of the audience and said he was waiting for the next Bond while “wishing him well.”

Has the Next James Bond Already Been Cast?

That’s where the story becomes more complicated.

Gary Oldman recently suggested that a decision has already been made.

While discussing his Slow Horses co-star Jack Lowden on Canada’s The Morning Show, Oldman noted that Lowden has been rumored to be on the shortlist before saying the producers had already “made their choice” but had not announced it.

Oldman also made it clear that he hopes Lowden gets the role.

However, there is an important distinction.

Amazon MGM Studios has not officially announced the new James Bond.

Screenwriter Steven Knight has also declined to confirm the identity of the next 007 amid the latest speculation.

So while Oldman’s comments have fueled rumors that the search is effectively over, there is currently no official confirmation that Lowden, or anyone else, has been cast.

Why Jack Lowden Is Suddenly Getting More Attention

Lowden has been part of the Bond conversation for some time, but Oldman’s comments have pushed his name back into the spotlight.

The 36-year-old Scottish actor is best known internationally for playing River Cartwright opposite Oldman’s Jackson Lamb in Apple TV’s Slow Horses.

His other credits include Dunkirk, Mary Queen of Scots, Fighting With My Family and Benediction.

Lowden’s wife, Oscar-nominated actress Saoirse Ronan, has meanwhile expressed interest in entering the Bond universe herself.

Ronan has said she would be serious about playing a Bond villain, particularly the opportunity to explore a younger female antagonist.

For now, though, neither Lowden nor Amazon MGM has confirmed that he will be the next 007.

7 Things to Know About the Next James Bond Movie

As speculation continues, here are seven important facts about where the franchise currently stands:

1. No new Bond actor has been officially announced. Amazon MGM has publicly confirmed a casting search but has not named Daniel Craig’s successor.
2. Denis Villeneuve is directing. The Dune filmmaker officially joined the project in 2025 and has described Bond as “sacred territory.”
3. Steven Knight is writing the screenplay. The Peaky Blinders creator was officially announced as the film’s writer.
4. Amy Pascal and David Heyman are producing. Pascal Pictures and Heyday Films are leading production, with Tanya Lapointe serving as executive producer.
5. Gary Oldman believes a choice has been made. He recently suggested that producers have selected their actor, although the studio has not confirmed his claim.
6. Jack Lowden remains heavily discussed. Oldman openly said his “fingers are crossed” for his Slow Horses co-star.
7. This will be the first Bond era under Amazon MGM’s creative control. Amazon MGM, Barbara Broccoli and Michael G. Wilson remain co-owners of the Bond IP, but Amazon MGM gained creative control under their 2025 joint venture.

Denis Villeneuve Will Direct the New James Bond

Whoever becomes Bond will work with one of Hollywood’s most prominent filmmakers.

Amazon MGM Studios officially announced Denis Villeneuve as director in June 2025.

Villeneuve’s credits include Arrival, Blade Runner 2049 and the Dune films. When his Bond appointment was announced, the filmmaker revealed that some of his earliest moviegoing memories involved watching 007 films with his father.

He called himself a “die-hard Bond fan” and said he intends to respect the franchise’s traditions while creating a path for future adventures.

That suggests the next movie won’t simply be about replacing Daniel Craig. It will establish the creative direction for an entirely new Bond era.

Peaky Blinders Creator Steven Knight Is Writing the Movie

Villeneuve will be working from a screenplay by Steven Knight, whose career spans film and television.

Knight created Peaky Blinders and has worked on projects including Taboo, SAS Rogue Heroes, A Thousand Blows and All the Light We Cannot See.

Amazon MGM officially announced him as the next Bond screenwriter in July 2025.

Knight has remained careful when questioned about casting.

Amid recent speculation that the new actor may already have been chosen, he declined to reveal anything and emphasized that his responsibility is ultimately to write James Bond as a character.

A New Era Began When Amazon MGM Took Creative Control

The next movie also represents a major behind-the-scenes transition.

For decades, the Bond films were closely guided by producers Barbara Broccoli and Michael G. Wilson, continuing the stewardship established by Albert R. “Cubby” Broccoli.

That structure changed in 2025.

Amazon MGM Studios, Wilson and Broccoli formed a joint venture to hold the franchise’s intellectual property rights. The three parties remain co-owners, while Amazon MGM gained creative control after the transaction closed in March 2025.

That means the next Bond actor won’t simply succeed Daniel Craig. He will become the face of the franchise’s first cinematic era developed under Amazon MGM’s creative leadership.

Pierce Brosnan Helped Revive Bond for a New Generation

Pierce Brosnan understands the pressure surrounding a new 007 better than most.

He took over from Timothy Dalton after a six-year gap between Bond movies and made his debut in GoldenEye in 1995.

The movie successfully introduced Bond to the post-Cold War era and began a four-film run for Brosnan.

He returned for Tomorrow Never Dies in 1997, The World Is Not Enough in 1999 and Die Another Day in 2002. The official 007 archive confirms all four films as part of his tenure.

Brosnan’s Bond blended the sophistication traditionally associated with the character with the larger-scale action filmmaking that increasingly defined blockbusters during the 1990s and early 2000s.

After Die Another Day, the franchise was rebooted with Daniel Craig in Casino Royale.

Daniel Craig Changed Expectations for Whoever Comes Next

Craig’s arrival in 2006 dramatically changed the tone of the series.

Beginning with Casino Royale, his Bond was more physically imposing, emotionally vulnerable and narratively connected across multiple movies.

Craig eventually appeared in five films: Casino Royale, Quantum of Solace, Skyfall, Spectre and No Time to Die. His tenure ended in 2021.

That creates an unusual challenge for the next actor.

Simply copying Craig would make little sense, but returning completely to an earlier interpretation could feel equally limiting.

The next Bond will need an identity strong enough to establish a new era while still retaining the characteristics audiences associate with Ian Fleming’s spy.

That may explain why Brosnan’s suggestion of an unexpected actor is particularly interesting.

Could an Unknown Actor Actually Become Bond?

Casting a less familiar performer wouldn’t be unprecedented for a major franchise.

A recognizable star provides immediate marketing value, but an emerging actor can arrive without audiences strongly associating them with another character.

For Bond, that could be particularly useful.

The selected actor will likely become closely identified with 007 for years, potentially appearing across multiple films while carrying enormous international expectations.

Choosing someone outside the most frequently discussed names could allow Villeneuve, Knight and the producers to build their version of Bond without the baggage that comes with an established superstar.

And if Brosnan’s prediction proves correct, the endless lists of rumored candidates may ultimately have been looking in the wrong direction.

The Bond Casting Decision Could Define the Franchise for Years

The question of who becomes the next James Bond has been hanging over Hollywood since No Time to Die concluded Craig’s run in 2021.

Now, meaningful pieces are finally in place.

Villeneuve is directing. Knight is writing. Pascal and Heyman are producing. Amazon MGM has creative control.

Only the face of the new era remains publicly unknown.

Whether the studio ultimately chooses Lowden, another frequently rumored actor or someone completely unexpected, Brosnan’s response reflects the unique position of a former Bond: he knows exactly how dramatically one casting announcement can change an actor’s life.

For now, he’s content to watch with everyone else.

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FAQs

Could Paul Walker’s Brian O’Conner return for one final ride?

Cody Walker, the late actor’s younger brother, has addressed the possibility as the Fast & Furious franchise prepares for its planned finale, Fast Forever.

Cody and his brother Caleb famously stepped in as physical stand-ins after Walker died in 2013 while Furious 7 was still in production. Visual-effects artists then combined their performances with existing footage and digital work to complete Brian’s story.

But Cody says he has no interest in doing that again.

Instead, he believes today’s technology, including AI and years of unused footage featuring his brother, could potentially give filmmakers another option if Brian returns.

More importantly, Cody believes the final decision should respect the wishes of Walker’s daughter, Meadow Walker.

Paul Walker’s Brother Doesn’t Want to Be a Stand-In Again

Cody made his position clear in an interview with Entertainment Weekly.

“My stance is, it’s what Meadow wants to see done; it’s her father,” he said.

Cody explained that he wouldn’t be interested in serving as his brother’s stand-in again because he remains satisfied with the way Brian’s story concluded in Furious 7.

Rather than killing the character, filmmakers allowed Brian to leave the team’s increasingly dangerous life behind and focus on raising his family.

For Cody, that remains a meaningful ending.

He described Brian’s exit as “beautiful,” explaining that the character is still alive within the Fast & Furious universe and simply living away from the action.

Paul Walker Could Potentially Be Recreated Using New Technology

Paul Walker died long before today’s generative AI boom, and Cody believes filmmaking technology has advanced enough that he and Caleb would no longer necessarily need to perform as stand-ins.

“AI was not a thing back in 2014, so they could do that,” Cody said, while pointing out that the studio has years of unused footage from previous Fast movies.

His comments don’t mean AI has officially been selected to recreate Walker.

Universal has not publicly confirmed how Brian O’Conner would appear in the movie, or whether Walker’s likeness will be digitally recreated at all.

Cody’s remarks describe what he believes is technically possible, rather than an announced production plan.

Vin Diesel Wants Brian O’Conner in the Finale

The speculation exists because Vin Diesel has repeatedly discussed bringing Brian back.

At FuelFest in California in June 2025, Diesel told fans he had three conditions for concluding the franchise.

He wanted the story to return to Los Angeles, return to the car culture and street racing that defined the original movie, and reunite Dominic Toretto with Brian O’Conner.

“That is what you’re going to get in the finale,” Diesel told the crowd.

At the time, however, he didn’t explain how that reunion would happen.

Universal has since officially listed the next movie under the title Fast Forever and scheduled it for March 17, 2028.

That date supersedes the earlier April 2027 window Diesel discussed at FuelFest.

How Furious 7 Completed Walker’s Performance

The franchise has already faced the extraordinarily difficult challenge of finishing a movie without one of its leading actors.

Walker died on November 30, 2013, at age 40, while Furious 7 was still being made.

Production was temporarily suspended while the filmmakers determined how to proceed.

Universal later announced that Walker had already completed his dramatic scenes and most of his action work. His brothers Cody and Caleb Walker subsequently joined the production to help complete remaining material.

The finished performance was much more complicated than simply placing a digital face onto a stand-in.

Wētā Digital, now known as Wētā FX, used previous footage of Walker, scans of his brothers, body doubles, digital reconstruction and meticulous compositing to complete the character’s remaining scenes.

Visual-effects supervisor Joe Letteri explained that the goal wasn’t to create a new interpretation of Brian. The team wanted to complete the performance as faithfully as possible to what Walker himself might have done.

7 Things to Know About Brian O’Conner’s Possible Return

Here are seven important details surrounding the possibility of seeing Brian again:

1. Vin Diesel wants Brian and Dom reunited. Diesel publicly identified their reunion as one of his conditions for the franchise finale.
2. Cody Walker won’t serve as a stand-in again. He says he is happy with Brian’s existing farewell and isn’t interested in repeating his Furious 7 role.
3. Cody believes Meadow Walker’s opinion matters most. He says any decision involving her father’s character should ultimately respect what she wants.
4. AI is only a possibility. Cody mentioned AI as technology filmmakers could potentially use, but no official AI recreation of Walker has been announced.
5. Unused footage could be important. Cody specifically noted that years of footage from earlier Fast movies remain available.
6. The franchise has digitally completed Walker’s performance before. Wētā used his brothers, archival material and extensive visual effects to finish Furious 7.
7. The finale now has an official date. Universal currently lists Fast Forever for theatrical release on March 17, 2028.

Furious 7 Used Hundreds of Visual-Effects Shots

The technology used in 2014 and 2015 was already remarkably sophisticated.

Wētā’s artists were responsible for hundreds of shots involving Walker’s unfinished performance.

Some of the most challenging moments weren’t enormous action sequences. Close-ups and dialogue scenes were particularly difficult because viewers could concentrate on subtle facial expressions without fast editing or action distracting them.

The team used Cody, Caleb and actor John Brotherton as physical references and stand-ins. Existing footage of Walker was then extensively studied to preserve his mannerisms and interpretation of Brian.

That history is important because a potential appearance in Fast Forever wouldn’t represent the first time the franchise used technology to finish a Walker performance.

AI, however, would introduce a different set of creative and ethical questions.

Why Cody Walker Prefers Brian’s Existing Ending

Cody’s reluctance isn’t based simply on not wanting to return to a film set.

He genuinely likes where the filmmakers left Brian.

The final sequence of Furious 7 gave Walker and his character an emotional farewell without turning Brian’s departure into an on-screen death.

Brian and Dom drive together before eventually reaching a fork in the road and heading in different directions.

The scene was accompanied by Wiz Khalifa and Charlie Puth’s “See You Again” and became both the character’s farewell and a tribute to Walker himself.

Within the franchise, Brian remains alive.

Later films have maintained that idea, explaining his absence without undoing the ending Furious 7 created.

For Cody, bringing Brian back therefore needs a compelling reason.

Meadow Walker Has Her Own Connection to Fast & Furious

Cody’s decision to defer to Meadow is particularly meaningful because Walker’s daughter has maintained a relationship with the franchise.

Meadow made a cameo in Fast X in 2023, appearing as a flight attendant who helps Jakob Toretto, played by John Cena.

Diesel has also remained publicly close with Walker’s family.

That connection reinforces one of the franchise’s longest-running themes: family extends beyond the characters audiences see on screen.

Cody’s position is that if filmmakers ever digitally revisit his brother’s character, the wishes of Walker’s daughter should carry more weight than his own willingness to participate.

AI Would Raise New Questions for Hollywood

A potential digital return would also arrive at a very different moment for the entertainment industry.

When Furious 7 was completed, filmmakers relied heavily on traditional visual effects, digital compositing, archival footage and performances from physical stand-ins.

Today’s filmmakers also have access to rapidly developing AI tools capable of generating or altering voices, faces and performances.

That has created significant debate about digital replicas, performer consent and how deceased actors’ likenesses should be handled.

The key distinction in this case is that no AI plan has been confirmed.

Cody is saying filmmakers could potentially use the technology. He isn’t announcing that Universal will.

If it does happen, however, Fast Forever could become one of Hollywood’s most closely scrutinized examples of how modern technology is used to represent a deceased performer.

Paul Walker Remains Central to the Fast & Furious Legacy

Paul Walker first played Brian O’Conner in The Fast and the Furious in 2001.

Brian began the franchise as an undercover LAPD officer investigating Dominic Toretto’s street-racing crew. His relationship with Dom gradually transformed him from an outsider into one of the family’s central members.

Walker subsequently appeared in 2 Fast 2 Furious, Fast & Furious, Fast Five, Fast & Furious 6 and Furious 7.

The franchise has now generated more than $7 billion worldwide, evolving from a relatively grounded street-racing movie into one of Universal’s biggest action properties.

But Brian and Dom’s friendship remains foundational to the series.

That helps explain why Diesel wants the franchise to finish where it started: Los Angeles, street racing and the relationship between the two characters.

What We Know About Fast Forever

Universal currently provides relatively few official details about Fast Forever beyond its title and theatrical date.

The studio’s official website lists the movie for March 17, 2028.

Diesel has said he wants the final chapter to bring the franchise back to Los Angeles and its street-racing origins while reuniting Dom and Brian.

What remains unanswered is arguably the biggest question:

How will Brian return?

Cody won’t be stepping in again. AI hasn’t officially been chosen. And the filmmakers haven’t explained whether Brian’s appearance would involve archival footage, digital effects, a brief cameo or something more substantial.

For now, the possibility remains exactly that: a possibility.

But Cody Walker’s comments make one thing clear. If Brian O’Conner does take one last ride, he believes it should happen only in a way that respects his brother’s legacy — and the wishes of his daughter.

Stay Updated on Entertainment News and Casting Opportunities

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FAQs

Andrew Garfield is playing one of the most influential figures in artificial intelligence, but the actor remains optimistic that technology will never fully replace what makes people human.

The 43-year-old actor portrays OpenAI CEO Sam Altman in Artificial, Luca Guadagnino’s upcoming comedy-drama about the dramatic 2023 leadership crisis at OpenAI.

While promoting the film, Garfield shared his own perspective on artificial intelligence, arguing that technological progress does not mean humanity has made itself obsolete.

“The toothpaste is definitely out of the tube,” Garfield told The Hollywood Reporter, before adding that he has “a lot of hope” humanity will prevail.

His reason is simple: Garfield believes human creativity, spirit and emotional connection cannot be artificially reproduced.

Andrew Garfield Believes the Human Soul Can’t Be Artificialized

Garfield acknowledged that AI is already here and will continue influencing society.

But he draws a clear distinction between artificial intelligence and human intelligence.

“Artificial intelligence, the name is on the tin. It’s artificial,” Garfield said. “It’s not soul intelligence. It’s not human intelligence.”

The actor said he believes deeply in the “unreplicable nature” of the human soul and spirit.

That philosophy also shapes the stories he wants to tell.

Garfield remains interested in work that emphasizes human connection and doesn’t believe emerging technologies will replace experiences such as sitting inside a movie theater, watching live theater or attending a concert.

His comments arrive as entertainment industries continue debating how generative AI could affect writing, acting, visual effects and other creative professions.

Andrew Garfield Wants to Keep Telling Human Stories

For Andrew Garfield, the debate isn’t simply about whether AI can produce images, scripts or performances.

It’s about whether technology can reproduce the emotional connection created between human beings.

Garfield described new technology as potentially useful “tools,” but stopped short of treating those tools as substitutes for human creativity.

That distinction is particularly relevant to actors.

Performance depends on experiences that are difficult to quantify: memory, vulnerability, physical presence, emotional interpretation and the relationship between performers and audiences.

Garfield’s argument is that those qualities remain fundamentally human, even as the tools surrounding filmmaking continue evolving.

Artificial Puts Garfield at the Center of the AI Debate

His comments carry additional weight because his next major role places him directly inside one of the defining technology stories of the past decade.

In Artificial, Garfield plays Sam Altman, CEO of OpenAI.

Directed by Luca Guadagnino and written by Simon Rich, the film dramatizes the internal struggle that led OpenAI’s board to remove Altman as CEO in November 2023 before he returned days later.

The New York Film Festival describes the movie as a drama exploring roughly two decades of machine-learning development leading into today’s AI landscape. The film will have its world premiere at the 64th New York Film Festival on October 5, 2026.

Garfield has said he has never personally met Altman, meaning his portrayal was built through research, interviews, available footage and the screenplay.

Who Else Stars in Artificial?

Garfield isn’t the only actor portraying a recognizable figure from the technology industry.

Yura Borisov, the Oscar-nominated star of Anora, plays OpenAI co-founder and former chief scientist Ilya Sutskever, who was involved in the board decision that removed Altman.

Monica Barbaro portrays former OpenAI chief technology officer Mira Murati, while Ike Barinholtz plays Elon Musk, who co-founded OpenAI before later leaving the organization.

The larger ensemble includes Jason Schwartzman, Cooper Hoffman, Cooper Koch, Billie Lourd, Zosia Mamet, Chris O’Dowd and Mark Rylance.

The film also reunites Garfield with Guadagnino after their collaboration on After the Hunt.

7 Things to Know About Artificial

Here are seven important details about Garfield’s upcoming AI drama:

1. Garfield plays Sam Altman. The actor portrays the OpenAI CEO during one of the company’s most turbulent periods.
2. Luca Guadagnino directs. The filmmaker’s credits include Call Me by Your Name, Challengers, Queer and After the Hunt.
3. Simon Rich wrote the screenplay. Rich’s previous film work includes An American Pickle, along with story contributions to projects including Inside Out and Wonka.
4. The story centers on Altman’s 2023 firing. OpenAI’s board removed Altman as CEO before he returned to the position days later.
5. The film has a major ensemble. Yura Borisov, Monica Barbaro, Ike Barinholtz, Jason Schwartzman and Mark Rylance are among the supporting cast.
6. Neon will release the movie. Amazon MGM Studios originally developed the project but dropped it in June 2026. Neon subsequently acquired worldwide theatrical distribution rights.
7. The theatrical release begins Christmas Day. After its October 5 NYFF premiere, Neon plans a limited U.S. theatrical release on December 25, 2026, followed by a wider rollout in January 2027.

Artificial Had an Unusual Journey to Theaters

The movie’s path to release has itself become part of the story.

Amazon MGM Studios originally backed Artificial, but the studio announced in June that it would no longer distribute the nearly completed film.

The decision attracted attention because it came months after Amazon announced a major commercial partnership with OpenAI.

Amazon said it believed the movie would be “better served” by another distributor and that it would work with the filmmaking team to find a new home. There has been no confirmed evidence that the OpenAI partnership caused the decision.

Neon ultimately acquired the movie for worldwide theatrical distribution and is positioning it for an awards-season release.

The first teaser arrived on September 8, offering audiences their clearest look yet at Garfield’s transformation into Altman.

The Role Brings Garfield Back to Silicon Valley

There is an interesting full-circle element to the casting.

More than 15 years ago, Garfield played Eduardo Saverin in David Fincher’s The Social Network, Aaron Sorkin’s dramatization of Facebook’s early years.

The performance earned Garfield widespread acclaim and helped establish him internationally before The Amazing Spider-Man.

Now he’s returning to the world of technology companies and powerful founders from a completely different perspective.

Instead of portraying the friend and business partner pushed away from a growing company, he’s playing the executive at the center of a corporate battle that briefly removed him from power before an extraordinary return.

The parallels make Artificial an intriguing continuation of Garfield’s relationship with Silicon Valley stories, even though the two films are unrelated.

Andrew Garfield Is Also Leading The Uprising

Andrew Garfield has another major project arriving much sooner.

He stars in The Uprising, director Paul Greengrass’ historical action drama inspired by England’s 1381 Peasants’ Revolt.

Garfield plays a farmer known as Ploughman who becomes involved in a rebellion against the political and economic system governing medieval England.

The film also stars Jamie Bell, Cosmo Jarvis, Thomasin McKenzie, Katherine Waterston, Tom Hollander, Stephen Dillane, Jonny Lee Miller and Woody Norman.

The movie opens in U.S. theaters on September 11, 2026.

Garfield Hopes The Uprising Makes Audiences Think About Inequality

Garfield’s comments about The Uprising reveal another theme connecting his recent work: concern about power and how it affects ordinary people.

The actor said he hopes audiences recognize their own struggles in characters living in a radically different historical period.

He described wanting the movie to feel “galvanising” and suggested that its themes could encourage viewers to think about modern inequality.

Garfield even joked provocatively that he hopes any billionaires who see the film leave “scared” by its message.

The historical drama and Artificial are obviously very different movies, but both examine individuals confronting systems with enormous concentrations of power.

Why Garfield’s AI Comments Matter for Actors

The entertainment industry’s relationship with AI has become particularly important for performers.

Generative technology has raised questions around digital replicas, synthetic voices, screenwriting, visual effects and how human creative work will be valued as AI systems become more capable.

Garfield isn’t arguing against technology itself.

His position is more optimistic.

Technology can become another filmmaking tool, but he believes the emotional exchange between a human performer and an audience remains something fundamentally different.

For aspiring actors, that perspective is significant.

Casting may evolve. Production technology will evolve. The tools available to filmmakers will continue changing.

But the qualities actors spend years developing — interpretation, emotional truth, imagination and connection — remain rooted in human experience.

What’s Next for Garfield?

Garfield enters the final months of 2026 with two dramatically different leading roles.

The Uprising puts him inside a medieval rebellion, while Artificial places him at the center of one of the most consequential technology debates of the modern era.

His comments suggest he isn’t ignoring the scale of AI’s potential impact.

Instead, he’s drawing a boundary between technological capability and human experience.

AI may continue becoming more sophisticated.

But Garfield believes there is still something technology cannot reproduce: the human soul behind the story.

Stay Updated on Entertainment News and Casting Opportunities

Whether you’re following Hollywood’s biggest filmmakers or looking for your next acting opportunity, Project Casting keeps you connected with the entertainment industry.

Explore the latest casting calls and jobs, stay informed with entertainment news, and if you have any questions, visit or email.

FAQs

Sydney Sweeney isn’t interested in simply showing up in front of the camera.

The 28-year-old Euphoria star has increasingly expanded her career into producing, entrepreneurship and brand partnerships, and she says taking on more responsibilities actually helps her perform better.

Speaking with Complex, Sweeney explained that she enjoys being involved throughout the entire creative process, from casting and budgeting to marketing and distribution.

“I actually find myself being able to work better when I have more hats to wear,” she said.

Her latest example is a partnership with sports prediction platform Novig, where Sweeney isn’t simply appearing in the company’s new “Just Sports” campaign. She has joined the business as a strategic partner and equity holder and was involved creatively from the beginning.

Sydney Sweeney Wants to Be Involved From the Ground Up

Sweeney told Complex that having a voice across different parts of a project gives her a stronger sense of ownership.

That means understanding decisions that actors traditionally haven’t been expected to handle.

She wants to know how a production is cast, how much it costs, how it will be marketed, who might buy it and which audiences it is trying to reach.

The experience has also changed how she views filmmaking crews.

According to Sweeney, learning what happens behind the scenes has helped her better appreciate every person working on a production.

It’s a philosophy that has increasingly shaped her Hollywood career.

Sydney Sweeney Says Creative Authority Helps Her Learn

For Sydney Sweeney, taking on additional responsibilities isn’t simply about gaining more control.

She sees it as an opportunity to learn.

Producing allows her to participate in conversations that might otherwise happen without an actor present, while entrepreneurship has introduced her to different sides of branding, marketing and business strategy.

That approach is becoming an important part of her professional identity.

Sweeney still considers acting central to her career, but she has increasingly positioned herself as someone who wants to help build projects rather than simply be cast in them.

Producing Has Become a Major Part of Sweeney’s Career

Sweeney launched her production company Fifty-Fifty Films in 2020 and has steadily expanded her producing credits.

Her first major producing breakthrough came with Anyone But You, the 2023 romantic comedy she starred in opposite Glen Powell. Sweeney served as an executive producer on the film, which became a major box-office success.

She subsequently produced the 2024 horror film Immaculate, a project she had originally auditioned for years earlier before helping revive it through her production company.

Her producing work continued with Christy, the biographical drama in which she portrayed boxer Christy Martin, and The Housemaid, the psychological thriller starring Sweeney and Amanda Seyfried.

That growing résumé shows how deliberately she has moved beyond acting alone.

7 Ways Sweeney Is Expanding Beyond Acting

Sweeney’s recent career offers several examples of the “more hats” philosophy she described:

1. She executive produced Anyone But You. Sweeney helped develop the romantic comedy while also starring opposite Glen Powell.
2. She produced Immaculate. Her company helped bring the horror project back to life after Sweeney had originally auditioned for an earlier version years before.
3. She produced Christy. Sweeney transformed physically to portray professional boxer Christy Martin while also working behind the camera.
4. She executive produced The Housemaid. The adaptation paired her with Amanda Seyfried and continued her move into commercially driven projects.
5. She founded SYRN. Sweeney launched her lingerie company in January 2026 and described herself as its sole founder.
6. She became an equity partner in Novig. Rather than accepting a traditional endorsement deal, Sweeney took a financial stake and strategic role in the sports prediction company.
7. Her producing slate continues growing. Projects connected to her as a producer or executive producer include Gundam, Split Fiction, The Housemaid’s Secret and other films in development.

Together, those ventures show a career increasingly built around ownership and creative involvement.

Sweeney Joins Novig as an Equity Partner

Her latest business move is with Novig, a sports prediction market that launched its first national brand campaign this week.

The company announced Sweeney as both a strategic partner and equity holder.

The campaign, titled “Just Sports,” emphasizes Novig’s decision to focus its prediction markets exclusively on sporting events rather than areas such as politics.

Sweeney told Complex that she doesn’t like simply putting her face on a product.

Instead, she wants partnerships where she can work with the team and participate in the creative process.

She said she developed a strong relationship with Novig co-founder and CEO Jacob Fortinsky and believed in him as a founder.

The ‘Just Sports’ Campaign Takes a Bold Approach

The campaign itself is intentionally provocative.

Sweeney appears in a series of sports-themed setups using footballs, basketballs, hockey equipment and other athletic gear as part of the visual concept.

According to Novig, the campaign is designed to cut through the noise surrounding the growing prediction-market industry by emphasizing one message: the platform is focused on sports.

Sweeney said she was involved in creative conversations from the beginning and described the concept as simple, playful and humorous.

The campaign was filmed while she was in Australia working on Netflix’s live-action Gundam movie.

Novig says the campaign will run across digital platforms, social media, online video and out-of-home advertising throughout football season.

SYRN Gives Sweeney Another Form of Ownership

The Novig partnership follows another significant business move.

Earlier this year, Sweeney launched SYRN, her own lingerie company.

She told Elle that years of dealing with uncomfortable wardrobe pieces while working as an actress helped inspire the business.

Rather than simply licensing her name to an established fashion company, Sweeney described herself as SYRN’s sole founder and said she wanted to create lingerie designed around different bodies rather than expecting women to fit a single standard.

That distinction fits closely with what she’s now saying about her wider career.

Whether she’s making a film or developing a business, Sweeney appears increasingly interested in having a meaningful role in how the final product is created.

Sydney Sweeney Has Built a Career Around Taking Risks

Sydney Sweeney has also resisted being defined by a single character or genre.

Her breakthrough performances in Euphoria and The White Lotus established her as one of television’s most recognizable young actors.

But her subsequent film choices have moved between radically different genres.

She starred in romantic comedy Anyone But You, horror film Immaculate, superhero movie Madame Web, psychological thriller The Housemaid and boxing biopic Christy.

Sweeney previously said she has deliberately fought against being typecast as Cassie, her emotionally volatile Euphoria character.

She pointed to projects including Reality, Christy, The Housemaid, Eden and Anyone But You as evidence that she’s actively seeking different kinds of roles.

Sports Were Part of Sweeney’s Life Before Acting

Her Novig partnership also connects with an interest that predates her Hollywood career.

Sweeney has described herself as highly athletic growing up.

She participated in sports including soccer and softball and trained in mixed martial arts. Her interest in athletics eventually became professionally useful when she underwent extensive physical preparation to portray boxer Christy Martin.

But there was another childhood ambition that never happened.

Sweeney told Complex that when she was around 12, she wanted to compete at the X Games as a wakeboarder.

Acting ultimately became her career instead.

Now, her work with Novig has unexpectedly brought sports, entertainment and business together.

Why Sweeney’s Approach Matters for Young Actors

Sweeney’s career reflects a broader shift in what being an actor can look like.

Actors historically depended heavily on studios, producers and casting directors to determine which opportunities reached them.

Producing provides another route.

Instead of waiting for the right character to appear, actors can identify material, develop projects, hire creative teams and participate in decisions about how their work reaches audiences.

That doesn’t mean every performer needs to become a producer or entrepreneur.

But understanding the business surrounding acting can provide greater context about why certain casting, budgeting and marketing decisions are made.

Sweeney’s approach demonstrates one possible path: learn what happens beyond the audition room and become involved in creating opportunities as well as pursuing them.

What’s Next for Sweeney?

Sweeney’s schedule suggests she has no plans to reduce the number of hats she’s wearing.

She recently completed work in Australia on the live-action Gundam film, which also stars Noah Centineo. Her development slate includes projects that continue giving her producing responsibilities alongside acting roles.

At the same time, SYRN gives her a company outside Hollywood, while the Novig deal adds another equity partnership to her portfolio.

The common thread is ownership.

Whether she’s sitting in casting discussions, reviewing marketing strategies, developing a movie or investing in a company, Sweeney wants to understand how the entire operation works.

For her, apparently, having more responsibilities isn’t a distraction.

It’s how she works best.

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Sandra Bullock has opened up about the harsh reaction to Practical Magic and why the criticism initially made her question whether she had made a mistake by starring in the movie.

Speaking with Jennifer Aniston for Interview magazine, the 62-year-old actress reflected on the reception to the 1998 fantasy film, which paired her with Nicole Kidman as magical sisters Sally and Gillian Owens.

While Practical Magic is now considered a cult favorite, Bullock remembers a very different response when it first arrived in theaters.

She said the movie was “absolutely eviscerated” by critics, with some reviews questioning its focus on women and emotion. The backlash affected Bullock personally, leaving her with what she described as a “decent amount of shame.”

Nearly three decades later, however, audiences have transformed the movie’s legacy — and Bullock and Kidman are returning for Practical Magic 2.

Sandra Bullock Says the Original Practical Magic Was ‘Eviscerated’

The original Practical Magic arrived in theaters in October 1998.

Directed by Griffin Dunne and adapted from Alice Hoffman’s 1995 novel, the movie followed sisters Sally and Gillian Owens, descendants of a family of witches living under a centuries-old romantic curse.

Bullock played Sally opposite Kidman’s Gillian, with Dianne Wiest, Stockard Channing, Aidan Quinn and Goran Višnjić among the supporting cast.

The movie struggled with critics.

Today, the original holds a 30% critics score on Rotten Tomatoes, compared with a much stronger 73% audience score, illustrating the divide between its critical reception and the affection it later developed among viewers.

Bullock recalled that reviews at the time could be particularly dismissive of the film’s emotional and female-centered storytelling.

For an actor still establishing herself as one of Hollywood’s leading stars, the response hit hard.

Sandra Bullock Thought She Had ‘Done Something Wrong’

Sandra Bullock admitted that the criticism made her internalize the movie’s reception.

“I had a decent amount of shame because I thought I’d done something wrong,” she recalled, describing her reaction as essentially deciding she wouldn’t make that kind of movie again.

But something unexpected happened.

Practical Magic didn’t disappear.

Instead, viewers continued discovering it on home video, television and eventually streaming. Bullock credits the growth of online communities and social media with allowing audiences to communicate what the movie meant to them.

The actress said mothers began sharing the film with their daughters, who then grew up and introduced it to another generation.

What initially looked like a disappointment gradually became one of the most enduring films in both Bullock and Kidman’s careers.

How Practical Magic Became a Cult Classic

Part of the film’s staying power comes from how difficult it is to place inside a single genre.

Practical Magic combines romance, comedy, supernatural fantasy, family drama and darker themes while keeping the relationship between Sally and Gillian at its center.

That unusual combination frustrated some critics in 1998.

For later audiences, it became part of the appeal.

The chemistry between Bullock and Kidman has also remained one of the movie’s strongest elements. Even Rotten Tomatoes’ critical consensus, while negative about the film overall, specifically acknowledges the strength of their pairing.

Its themes of sisterhood, female friendship, grief, love and generational trauma also gave viewers more to return to than its supernatural premise alone.

Nearly 28 years later, that audience loyalty has helped make a theatrical sequel possible.

7 Things to Know About Practical Magic 2

With the Owens sisters finally returning, here are seven major details about the sequel:

1. Bullock and Nicole Kidman are back. They reprise their roles as Sally and Gillian Owens and also serve as producers.
2. Dianne Wiest and Stockard Channing return. The actresses are back as Aunt Jet and Aunt Frances.
3. The next generation plays a major role. Joey King stars as Kylie Owens, while Maisie Williams plays Antonia Owens.
4. The cast has several major additions. Lee Pace, Xolo Maridueña and Solly McLeod are among the new cast members.
5. Susanne Bier directs. Bier previously directed Bullock in Bird Box and worked with Kidman on The Undoing and The Perfect Couple.
6. Alice Hoffman’s books remain central. Warner Bros. says the sequel is based on Hoffman’s The Book of Magic, with a screenplay credited to Akiva Goldsman, Georgia Pritchett and Kelly Marcel.
7. The sequel arrives nearly 28 years later. Warner Bros. is releasing Practical Magic 2 internationally beginning September 9, with its North American theatrical release following this week.

Why Bullock Wanted to Return for Practical Magic 2

The sequel didn’t begin simply because Hollywood wanted to revive another familiar title.

According to Bullock, she found herself thinking about what another Practical Magic story could say now.

She contacted producer Denise Di Novi and suggested that a sequel would need to address Sally’s daughters while also engaging with what was happening in the world.

Di Novi pointed her toward Hoffman’s later writing about the Owens family.

That gave Bullock a narrative reason to return.

The official sequel now centers on the Owens family confronting a dark curse threatening another generation, bringing the franchise’s themes of family inheritance and generational patterns back to the forefront.

Sandra Bullock and Nicole Kidman Reunite Nearly 30 Years Later

The reunion also carries considerably more history than it would have a decade ago.

Both actresses have become major producers as well as performers since making the original movie.

Kidman and Bullock recently explained that their own life experiences helped make this the right moment to revisit Sally and Gillian. The sequel allowed them to explore the Owens family with perspectives shaped by nearly three additional decades of their own lives.

That makes Practical Magic 2 more than a straightforward nostalgia project.

The actresses are returning to characters they first played in their thirties while exploring what those women, and the generations after them, look like later in life.

The Sequel Brings the Owens Family Into a New Generation

The official synopsis says Sally and Gillian must confront a curse threatening to unravel their family.

This time, Sally’s daughters are no longer children.

Joey King plays Kylie Owens and Maisie Williams plays Antonia, allowing the sequel to examine the family’s magical inheritance through another generation.

The story also expands beyond the familiar Owens house, with the family traveling to the U.K. as the mystery develops.

For longtime fans, however, the major attraction remains seeing Bullock, Kidman, Wiest and Channing together again.

Practical Magic 2 Faces the Same Critical Challenge

There is an interesting parallel between the two films.

Early reviews for the sequel are once again divided.

Some critics have praised the reunion between Bullock and Kidman and the nostalgia surrounding the Owens family, while others argue that the sequel struggles to recreate the original’s distinctive charm.

That feels particularly relevant given Bullock’s comments about the first movie.

The original was hardly embraced by critics in 1998, yet its long-term cultural life ultimately depended on audiences rather than reviews.

Whether the sequel follows a similar path will become clearer once general audiences have had the chance to see it.

Why the Original Movie Still Matters to Its Stars

For Bullock, the transformation of Practical Magic from critically dismissed movie to generational favorite changed how she understood its impact.

The audience response demonstrated that a film’s opening reviews don’t necessarily determine its legacy.

That lesson is especially relevant for actors and filmmakers.

Projects can be misunderstood when they arrive. Audience tastes change. New generations discover older performances without the expectations surrounding their original release.

And sometimes the work that initially makes an artist question their choices becomes the work audiences ask them to revisit decades later.

In Bullock’s case, the movie she once worried she’d been wrong to make eventually became important enough to bring its original stars back together almost 30 years later.

What’s Next for Sandra Bullock?

Sandra Bullock has been increasingly selective about acting in recent years, making the decision to return as Sally Owens especially significant.

She recently explained that her children remain central to how she chooses projects. Bullock said she won’t accept work that prevents her children from being with her, and she structures filming around their schedules whenever possible.

With Practical Magic 2, she isn’t simply returning as its star.

Bullock is also producing alongside Kidman and Denise Di Novi, giving her a role in shaping the continuation of a film whose initial reception once made her doubt herself.

Almost three decades after those reviews, audiences are getting the clearest possible indication of how dramatically the movie’s reputation has changed:

Hollywood made another one.

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George Clooney turned one of the biggest honors of his career into a passionate defense of storytelling, free expression and empathy.

The 65-year-old actor, filmmaker and producer received the Golden Lion for Lifetime Achievement during the opening ceremony of the 83rd Venice International Film Festival on September 2. The prestigious honor recognized a career spanning acting, directing, producing and humanitarian work.

Clooney’s acceptance speech mixed his familiar humor with emotional words about his wife, Amal Clooney, their twins Ella and Alexander, and the responsibility artists have during politically divided times.

“I am at a loss for words to describe how much I love my wife,” he said, before expressing how proud he is of her.

But the speech soon moved beyond his family.

Clooney warned about people who use fear to divide society and argued that journalists, filmmakers, writers, actors and musicians play an important role in challenging simplistic narratives.

His central message was that storytelling may not directly solve political or economic problems, but it can make audiences empathize with people whose lives are different from their own.

George Clooney Receives Venice’s Golden Lion for Lifetime Achievement

The Golden Lion for Lifetime Achievement is among the Venice Film Festival’s most prestigious honors.

La Biennale’s board selected Clooney for the award following a recommendation from festival artistic director Alberto Barbera, recognizing his work as an actor, director and producer.

Clooney immediately approached the honor with humor.

He joked that receiving a lifetime achievement award creates two reactions: gratitude for the recognition and concern that perhaps the organizers know something about his health that he doesn’t.

The joke reflected the self-deprecating style that has followed Clooney throughout much of his public career.

Yet the significance of the honor was unmistakable.

Clooney has maintained a particularly close relationship with Venice for nearly three decades, first attending the festival with Steven Soderbergh’s Out of Sight in 1998.

George Clooney Gives an Emotional Shoutout to Amal and Their Children

George Clooney reserved some of his most personal comments for his family.

He spoke warmly about Amal, the international human rights lawyer he married in Venice in 2014, telling the audience how much he loves her and how proud he is of her.

The couple are parents to twins Ella and Alexander.

Clooney also brought some comedy into the family tribute, joking that his children are the only two people who thought he was good as Batman.

The reference was to 1997’s Batman & Robin, a movie Clooney has repeatedly joked about over the years.

His family connection made Venice an especially fitting location for the career honor. The city isn’t simply an important stop in Clooney’s filmmaking career; it’s also where he and Amal celebrated their wedding in 2014.

George Clooney Uses His Speech to Defend Artists and Journalists

The tone became considerably more serious when Clooney addressed free expression.

He argued that societies should be cautious when powerful people encourage citizens to fear one another.

Clooney specifically highlighted journalists, filmmakers, writers, actors and musicians, arguing that artists and storytellers can challenge fear by encouraging people to consider perspectives beyond their own.

He warned that stories can become threatening to people who depend on fear because stories encourage audiences to see humanity in strangers.

His comments were political in nature, but the broader argument centered on the role of culture and storytelling in democratic societies. Other reporting from Venice noted Clooney’s criticism of authoritarian tendencies and his emphasis on empathy through art.

Rather than suggesting that movies themselves can fix major global problems, Clooney acknowledged their limitations.

His argument was that cinema’s power comes from something different: its ability to place audiences inside another person’s experience.

Why Clooney Believes Movies Still Matter

Clooney’s speech ultimately became an argument for the importance of storytelling.

Movies cannot end wars or fix inflation, he acknowledged. But they can influence how people understand one another.

That philosophy has appeared throughout his filmmaking career.

As a director and producer, Clooney has frequently gravitated toward stories involving journalism, politics, institutional power and personal responsibility.

Perhaps the clearest example is Good Night, and Good Luck, his 2005 film about journalist Edward R. Murrow’s confrontation with Senator Joseph McCarthy.

The movie premiered at Venice and earned six Academy Award nominations, including Best Picture and Best Director.

His speech therefore wasn’t entirely separate from his filmmaking career. Many of the themes he discussed onstage have also appeared in the projects he has chosen to make.

7 Major Moments From Clooney’s Career

The Golden Lion recognizes decades of work across television, movies, directing and producing. Here are seven milestones that helped define Clooney’s career:

1. ER made him a television star. His role as Dr. Doug Ross on the NBC medical drama transformed him into a major Hollywood name during the 1990s.
2. Ocean’s Eleven established a blockbuster franchise. Clooney starred as Danny Ocean alongside Brad Pitt, Matt Damon and Julia Roberts in Steven Soderbergh’s 2001 hit.
3. Good Night, and Good Luck showcased him as a filmmaker. Clooney directed, co-wrote and appeared in the acclaimed 2005 historical drama.
4. Syriana earned him an Academy Award. He won Best Supporting Actor for the 2005 geopolitical thriller.
5. Argo brought another Oscar. Clooney was among the producers who won Best Picture for Ben Affleck’s 2012 film.
6. Gravity became one of his biggest critical and commercial projects. Alfonso Cuarón’s space thriller, starring Sandra Bullock alongside Clooney, premiered at Venice in 2013.
7. Jay Kelly brought him back to Venice. Clooney starred in Noah Baumbach’s film alongside Adam Sandler and Laura Dern, continuing his longstanding connection with the festival.

His career has earned him eight Academy Award nominations and two wins, alongside extensive recognition as an actor, filmmaker and producer.

Laura Dern Presented Clooney With the Golden Lion

Another longtime friend played a central role in the ceremony.

Laura Dern delivered the official laudatio and presented Clooney with the Golden Lion at Venice’s Sala Grande. The festival had announced her involvement several days before the ceremony.

Dern and Clooney recently appeared together in Noah Baumbach’s Jay Kelly, which competed at Venice in 2025.

Their professional connection actually stretches much further back.

Both actors appeared in the troubled production Grizzly II: Revenge early in their careers, years before either became an Academy Award-winning Hollywood star.

Dern praised Clooney’s career and character while introducing the honor.

She wasn’t the only Hollywood star involved.

Brad Pitt Roasts His Ocean’s Costar From Afar

Brad Pitt couldn’t attend the ceremony, but he made sure his longtime friend didn’t receive a lifetime achievement award without being roasted.

Dern read a message from Pitt praising Clooney as an actor, humanitarian, prankster and friend.

Then came the punchline.

Pitt described him as a “really bad dancer.”

The joke was particularly fitting considering the friendship audiences have watched between the two stars since Ocean’s Eleven.

They subsequently appeared together in Ocean’s Twelve, Ocean’s Thirteen, Burn After Reading and, most recently, Wolfs.

Their collaboration isn’t finished either.

Ocean’s 14 Is Bringing Danny Ocean Back

Clooney is preparing to reprise Danny Ocean in another installment of the Ocean’s franchise.

Ocean’s 14 is expected to reunite several members of the franchise’s ensemble, including Brad Pitt, Matt Damon and Don Cheadle, with production reportedly scheduled to begin in October 2026.

That makes the timing of Clooney’s lifetime achievement award somewhat ironic.

Venice may be celebrating everything he has already accomplished, but the actor doesn’t appear particularly interested in slowing down.

At the festival, however, Clooney indicated that the next stage of his career could involve more acting and less directing.

Fatherhood has changed how he approaches his schedule, and he has suggested that directing requires more time away from his family than he currently wants to commit.

Venice Has Played a Major Role in Clooney’s Life

Few major film festivals are as closely connected to Clooney’s career as Venice.

His relationship with the festival began with Out of Sight in 1998.

Over the following decades, Venice hosted projects including Good Night, and Good Luck, Michael Clayton, Burn After Reading, Gravity and Jay Kelly.

The city also became central to his personal life.

George and Amal married in Venice in 2014, making the city the setting for one of the most important moments of his life outside filmmaking.

Before receiving the Golden Lion, Clooney described Venice as his favorite festival and called the lifetime achievement recognition a “tremendous honor.”

What Clooney’s Speech Says About Storytelling

For actors and filmmakers, the most relevant part of the speech may have been Clooney’s argument about what storytelling can accomplish.

An actor’s job isn’t simply to perform dialogue or entertain an audience. At its strongest, performance can make viewers understand characters whose backgrounds, beliefs and experiences are completely different from their own.

That idea applies far beyond major Hollywood productions.

Every actor beginning with an audition is ultimately trying to make another person’s experience believable.

Clooney’s message at Venice was that this process still matters, particularly when society becomes divided.

Films might not solve the world’s biggest problems.

But stories can influence how people see one another.

For an actor receiving one of cinema’s biggest lifetime honors after more than four decades in the industry, that was a fitting argument for why the work remains worth doing.

George Clooney Enters the Next Chapter of His Career

Receiving a lifetime achievement award can sound like the conclusion of a career, but George Clooney appears to view it differently.

He remains active as an actor and producer, with another Ocean’s movie moving forward and his recent work continuing to connect him with major filmmakers.

He is simply becoming more selective about how he spends his time.

At Venice, Clooney used the opportunity to recognize the people closest to him while also making a broader case for artistic freedom, journalism and storytelling.

His closing message focused on determination, love and mutual respect — and the possibility that society can remain intact even through periods of intense disagreement.

For an evening designed to celebrate his past, Clooney spent much of his speech talking about why stories will continue to matter in the future.

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Kenan Thompson has built one of the longest and most recognizable careers in television comedy, but it almost ended before it truly began.

The Saturday Night Live veteran recently revealed that working on his first major film, 1994’s D2: The Mighty Ducks, became so difficult that he considered giving up acting entirely.

Appearing on Amy Poehler’s Good Hang podcast, Thompson recalled arriving at hockey training as a teenager without realizing how challenging learning the sport would be.

Although he had listed roller skating among his skills, ice hockey was something completely different.

After spending his 15th birthday struggling through his first day of hockey camp, Thompson was ready to walk away.

“I wanted to quit it all,” he recalled.

The person who prevented that from happening was his mother, who simply told him to return to training the next day.

More than three decades later, that decision looks particularly significant. Thompson went on to star in All That, Kenan & Kel, Good Burger and eventually become the longest-tenured cast member in Saturday Night Live history.

Kenan Thompson Nearly Quit After His First Day of Hockey Camp

Thompson played Russ Tyler in D2: The Mighty Ducks, the 1994 sequel to Disney’s popular 1992 hockey movie.

The role required something he wasn’t prepared for: actually learning how to play hockey.

Thompson told Poehler that he had listed roller skating as a special skill on his acting résumé, but he’d never seriously considered what would happen if a role required him to transfer those skills onto ice.

His first day at hockey camp happened to fall on his 15th birthday.

It didn’t go well.

Thompson remembered falling repeatedly and becoming so overwhelmed by the physical demands that he began questioning whether acting was something he wanted to continue pursuing.

He told his mother that if acting required experiences like this, he didn’t want to be an actor anymore.

Her response changed everything.

She told him to go back the following day.

Kenan Thompson Credits His Mother With Keeping Him in Acting

Kenan Thompson now looks back gratefully on his mother’s refusal to let him quit.

“Thank God my mom didn’t let me quit,” he told Poehler.

Instead of allowing one difficult day to determine his future, she encouraged him to return and continue training.

He did.

Thompson said that after approximately eight weeks of preparation, he learned how to skate. What initially made him consider abandoning acting eventually became a skill he would continue using decades later.

He later returned as Russ Tyler in the 1996 sequel D3: The Mighty Ducks, which meant going through hockey preparation again.

By then, the experience that had initially terrified him was becoming part of his identity as a performer.

D2: The Mighty Ducks Became an Important Early Role

D2: The Mighty Ducks wasn’t just another childhood acting job for Thompson. It arrived at a crucial point in his career.

The movie was released in March 1994, shortly before Thompson became one of the original cast members of Nickelodeon’s All That.

In D2, Russ Tyler joins the Mighty Ducks as they represent Team USA in an international junior hockey competition.

The character became known for his powerful “knuckle puck,” giving Thompson a memorable place within the franchise.

What audiences didn’t see was the amount of preparation required behind the scenes.

The young cast had to convincingly perform as hockey players, which meant Thompson couldn’t simply rely on acting ability. He needed to develop a physical skill specifically for the production.

The experience ultimately became an early lesson in how much work can happen before an actor ever appears on camera.

The Skill Thompson Almost Hated Became Something He Loved

The story has an unexpectedly satisfying ending.

Thompson didn’t simply learn enough skating to finish the movie. He became genuinely good at it.

During the Good Hang conversation, Poehler remembered seeing his skating ability firsthand during their years together on Saturday Night Live.

The show’s cast would sometimes gather at the Rockefeller Center ice rink following its Christmas episode, with the famous Rockefeller Christmas tree towering above them.

Poehler remembered Thompson skating forward, backward and sideways while performing tricks as other cast members watched.

She described him as one of the strongest skaters among her friends.

Thompson takes pride in that ability and has continued skating with his family.

The contrast is remarkable: the activity that almost convinced him to quit acting at 15 eventually became something he could casually show off decades later.

7 Career Milestones That Followed Thompson’s Decision Not to Quit

Had Thompson walked away after that first hockey camp, audiences could have missed more than three decades of television and film performances.

Here are seven major milestones that followed:

1. D2: The Mighty Ducks (1994) – Thompson played Russ Tyler in his first major film role.
2. All That (1994) – He became an original cast member of Nickelodeon’s influential sketch comedy series.
3. Kenan & Kel (1996) – His partnership with Kel Mitchell developed into its own successful Nickelodeon sitcom.
4. Good Burger (1997) – Thompson starred as Dexter Reed alongside Mitchell’s Ed in the comedy based on their All That sketch.
5. Saturday Night Live (2003) – Thompson joined the NBC sketch institution and began what would become a record-breaking run.
6. Emmy Award (2018) – He won a Primetime Emmy for Outstanding Original Music and Lyrics for the SNL song “Come Back Barack.”
7. Longest-tenured SNL cast member – Thompson eventually became the longest-serving cast member in the show’s history.

The trajectory makes his story about nearly quitting particularly striking.

A difficult first experience could easily have ended a career that ultimately stretched across generations of comedy audiences.

All That Turned Thompson Into a Nickelodeon Star

Only weeks after D2: The Mighty Ducks reached theaters, Thompson’s career moved in another important direction.

He joined the original cast of Nickelodeon’s All That, a children’s sketch comedy series often described as a younger generation’s answer to Saturday Night Live.

The show paired Thompson with performers including Kel Mitchell, beginning one of the most recognizable comedy partnerships of 1990s Nickelodeon.

Their chemistry eventually led to Kenan & Kel, which ran from 1996 to 2000.

The pair also brought the popular All That sketch “Good Burger” to theaters in 1997.

Thompson returned as Dexter Reed decades later for Good Burger 2, reconnecting with Mitchell and the Nickelodeon era that helped establish both performers.

Those early sketch-comedy experiences also prepared Thompson for the television institution that would eventually define the next stage of his career.

Saturday Night Live Became Thompson’s Record-Breaking Home

Thompson joined Saturday Night Live in 2003.

Amy Poehler was already part of the cast at the time, which gives their recent podcast conversation an additional layer of history.

What started as another comedy opportunity eventually became an unprecedented run.

Thompson is now the longest-tenured cast member in SNL history, surpassing previous longevity records and becoming one of the show’s most dependable performers.

Over the years, he has created recurring characters and impressions while working alongside several generations of SNL performers.

His television work has also earned multiple Emmy nominations.

In 2018, Thompson won an Emmy for Outstanding Original Music and Lyrics for “Come Back Barack,” shared with fellow contributors to the SNL song.

It’s a remarkable destination for someone who once told his mother he didn’t want to be an actor anymore.

Why Thompson’s Story Matters for Young Actors

The story is particularly relevant for performers beginning their careers because it demonstrates how different the reality of landing a role can be from the audition itself.

Actors are sometimes hired because they already possess a particular skill. Other times, productions require them to learn something entirely new.

That could mean:

• Learning a sport
• Training in choreography
• Developing an accent
• Learning stage combat
• Riding a horse
• Working with stunt coordinators
• Mastering another role-specific ability

For Thompson, it was ice hockey.

His initial struggle didn’t mean he was wrong for the role or incapable of becoming an actor. He simply hadn’t developed the required skill yet.

Eight weeks later, he could skate.

Decades later, he was still doing it.

Kenan Thompson’s Career Almost Looked Very Different

Looking back, Kenan Thompson has good reason to be grateful his mother sent him back to hockey camp.

His career has now stretched from childhood movies and Nickelodeon television to mainstream films, award-winning sketch comedy and more than two decades on Saturday Night Live.

Even the skating itself became part of the story.

Poehler’s memory of Thompson confidently moving around Rockefeller Center demonstrates how dramatically his relationship with the skill changed.

At 15, he wanted to quit because he couldn’t handle hockey camp.

As an adult, he became the SNL cast member impressing everyone else on the ice.

It’s a fitting example of how an uncomfortable early challenge can eventually become one of the experiences that shapes a performer’s career.

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Robert Pattinson is back in the Batsuit for The Batman Part II, but returning to Gotham at 40 is proving more physically demanding than his first outing as Bruce Wayne.

Speaking with GQ, Pattinson admitted that the sequel’s fight sequences are making him increasingly aware of his age.

“I’m definitely feeling my age when fighting a lot,” Pattinson said, explaining that the physical work feels “significantly harder” than it used to.

Despite the challenge, he remains enthusiastic about the sequel. Pattinson described filming as “really fun,” praised its cast and said he believes the movie will be “pretty great.” He also described the production as a “marathon.”

Matt Reeves is returning to direct the long-awaited sequel, currently scheduled for February 18, 2028.

Robert Pattinson Says Batman Fight Scenes Are Getting Harder

Pattinson turned 40 in May 2026, and returning to one of his most physically demanding characters has apparently made that milestone difficult to ignore.

Playing Batman requires extensive fight choreography, stunt preparation, physical training and long shooting schedules. Reeves’ grounded interpretation of the superhero makes those demands particularly noticeable because Bruce Wayne relies heavily on close-range combat rather than superhuman abilities.

Still, Pattinson’s comments weren’t complaints about returning to the role. He emphasized that he is enjoying production and appears excited about what Reeves is creating.

The actor first played Bruce Wayne in 2022’s The Batman, portraying a younger vigilante only two years into his crime-fighting career.

Robert Pattinson Calls The Batman Part II a “Marathon”

Robert Pattinson described filming the sequel as a “marathon,” but he also praised the people surrounding him.

“It’s got a really, really fun cast,” he told GQ.

That ensemble has expanded considerably since the first movie, with Scarlett Johansson, Sebastian Stan, Brian Tyree Henry, Charles Dance and Sebastian Koch among the new additions.

Pattinson hasn’t revealed much about the actual story, which remains closely guarded. His comments do, however, offer some reassurance after years of delays that the sequel is finally moving ahead and that he is enjoying his return to Gotham.

The Batman Part II Is Finally Moving Forward

Fans have waited considerably longer than expected for the sequel.

The Batman Part II was announced following the success of the original movie, but its release date changed multiple times during development.

Matt Reeves is returning as director and developed the screenplay with Mattson Tomlin.

Reeves has previously indicated that Bruce Wayne will remain central to the sequel rather than allowing the villains to completely dominate the story.

That could prove important after the ending of the first movie.

Bruce initially believed Batman needed to represent vengeance and fear. After Gotham flooded, however, he began understanding that the symbol could also represent hope.

The sequel can now explore how that realization changes both Batman and Bruce Wayne.

Scarlett Johansson and Sebastian Stan Join The Batman Part II

The sequel is adding several major names to Reeves’ Gotham.

Sebastian Stan is joining the movie as Harvey Dent, Gotham’s district attorney and the character who eventually becomes Two-Face in DC Comics.

Scarlett Johansson is playing Gilda Dent, immediately raising questions about how important the Dent family will become to the story.

Brian Tyree Henry, Charles Dance and Sebastian Koch are also among the newcomers.

Returning actors include Jeffrey Wright as James Gordon, Andy Serkis as Alfred Pennyworth and Colin Farrell as Oz Cobb/The Penguin.

Farrell’s return is especially significant following HBO’s The Penguin, which expanded Oz’s story and transformed him into a much more powerful figure within Gotham’s criminal underworld.

7 Things We Know About The Batman Part II

Here are the biggest details confirmed or revealed about the sequel so far:

1. Pattinson is returning as Batman. The sequel continues the Gotham universe established in 2022.
2. Matt Reeves is directing again. He developed the screenplay with Mattson Tomlin.
3. The movie has an expanded cast. Several major performers are joining Pattinson for the sequel.
4. Sebastian Stan is playing Harvey Dent. His introduction brings one of Batman’s most famous characters into Reeves’ universe.
5. Scarlett Johansson is playing Gilda Dent. Her casting suggests the Dent storyline could be significant.
6. Colin Farrell returns as Penguin. The character’s story has developed considerably since the first movie.
7. The movie arrives in 2028. Warner Bros. currently has the sequel scheduled for February 18, 2028.

Plot details remain limited, leaving plenty of room for speculation as production continues.

The First Batman Movie Was a Major Success

The Batman arrived in March 2022 and introduced audiences to Reeves’ darker, detective-driven interpretation of Gotham.

The story followed Bruce as he investigated murders committed by Paul Dano’s Riddler, eventually uncovering widespread corruption across the city.

The movie also starred Zoë Kravitz as Selina Kyle, Jeffrey Wright as Gordon, Andy Serkis as Alfred and Colin Farrell as Penguin.

It earned approximately $772 million worldwide and received three Academy Award nominations, helping establish Pattinson’s Batman as a major new Warner Bros. franchise.

Its success also allowed Reeves to expand the universe through HBO’s The Penguin.

The Penguin Changed Gotham Before Batman’s Return

HBO’s The Penguin continued the story shortly after the events of The Batman.

The series followed Oz Cobb as he attempted to take control of Gotham’s criminal underworld following the death of Carmine Falcone.

That storyline could become important when Batman returns.

Farrell’s involvement in the sequel means Pattinson will encounter a Gotham whose criminal hierarchy has changed considerably since the first film.

The series therefore serves as an important bridge between Reeves’ two Batman movies rather than simply operating as an unrelated spinoff.

The Batman Part II Remains Separate From the Main DC Universe

Pattinson’s Batman is also separate from the interconnected DC Universe overseen by James Gunn and Peter Safran.

Reeves’ franchise operates as a DC Elseworlds story, allowing him to continue developing his own interpretation of Gotham without connecting it to projects in the primary DC Universe.

The main DCU is expected to eventually introduce another Batman through The Brave and the Bold.

That means Pattinson can continue playing Bruce Wayne in Reeves’ universe while a different version of Batman potentially exists elsewhere.

Robert Pattinson Is Having an Extremely Busy Year

Batman isn’t the only major project keeping Robert Pattinson occupied.

He is also starring in A24’s Primetime, where he portrays television journalist Chris Hansen, known for Dateline NBC’s To Catch a Predator investigations.

Directed by Lance Oppenheim, the movie also features Merritt Wever, Skyler Gisondo, Phoebe Bridgers, Matthew Maher and Bokeem Woodbine.

Pattinson is additionally appearing in Denis Villeneuve’s Dune: Part Three.

Moving between an A24 production, a major science-fiction franchise and a physically demanding Batman sequel helps explain why the actor describes his current workload as a marathon.

Pattinson’s Career Has Changed Dramatically Since Twilight

Pattinson’s return as Batman also highlights how dramatically his career has evolved.

After appearing as Cedric Diggory in Harry Potter and the Goblet of Fire, he became globally famous playing Edward Cullen in the Twilight franchise.

Rather than immediately pursuing another blockbuster series, Pattinson spent years taking smaller and more unconventional roles.

He worked with filmmakers including David Cronenberg, Claire Denis, Robert Eggers, Christopher Nolan and the Safdie brothers.

Performances in movies such as Good Time and The Lighthouse helped reshape public perception of him before Reeves ultimately selected him as Bruce Wayne.

Today, Pattinson can move between independent films, filmmaker-driven projects and some of Hollywood’s largest franchises.

Why Pattinson’s Comments Matter for Actors

Pattinson’s comments offer a small glimpse into the physical reality behind major superhero productions.

Fight choreography needs to look convincing while remaining safe. Actors may repeat sequences numerous times while maintaining character and continuity throughout long shooting days.

Reeves’ Batman makes that particularly demanding because the action is intentionally grounded and physical.

For aspiring performers, Pattinson’s career also demonstrates the importance of range. After becoming closely associated with Twilight, he deliberately chose dramatically different roles before eventually returning to blockbuster filmmaking.

His career shows that one franchise doesn’t necessarily have to define an actor permanently.

What Comes Next for The Batman Part II?

Reeves is still keeping the central story under wraps.

The addition of Harvey and Gilda Dent provides one major clue, while Penguin’s return creates a direct connection to the changing criminal landscape established in The Penguin.

What appears clear is that Bruce Wayne will remain at the center of the story.

For Pattinson, that means another demanding stretch inside the Batsuit.

He may be feeling those fights more at 40, but his comments suggest that hasn’t reduced his enthusiasm for returning to Gotham.

Audiences will find out whether his prediction that the sequel will be “pretty great” proves correct when The Batman Part II arrives on February 18, 2028.

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President Donald Trump is calling on Congress to create a federal film and television production incentive, throwing White House support behind an idea that has been gaining bipartisan momentum in Washington.

Following a meeting with actor and Hollywood adviser Jon Voight, Trump urged Republicans and Democrats to work together on legislation designed to make filming in the United States more competitive with international production hubs.

“Congress should approve, immediately, a Federal Production Incentive to create Entertainment Jobs in America,” Trump wrote on Truth Social on August 31. He also said meetings were being arranged with leaders from both political parties.

The proposal could have major implications for actors, filmmakers, crew members, vendors and production communities nationwide if legislation ultimately passes.

However, there is an important distinction: Trump has endorsed the concept, but Congress has not yet passed a new federal production incentive. The structure, size and eligibility requirements of any eventual program remain to be negotiated.

Donald Trump Wants Congress to Act Quickly on Hollywood Tax Incentives

Trump described the current state of domestic film production in stark terms, arguing that the United States has lost too much work to countries offering competitive financial incentives.

In his Truth Social post, the president said Hollywood was getting “very little work” and argued that the decline was hurting California. He specifically pointed toward Canada and other international production markets as destinations attracting projects that might otherwise film domestically.

Trump’s proposed solution is a federal production incentive that could potentially work alongside existing state-level film and television incentives.

That stacking ability could prove important.

States including California, Georgia, New York, New Jersey and others already use incentive programs to compete for productions. A federal program could add another financial layer, potentially helping American locations compete against countries such as Canada, the United Kingdom and Australia.

Donald Trump Says Jon Voight Helped Push the Proposal

Donald Trump specifically credited Jon Voight with advocating for federal production incentives during their recent meeting.

Voight has served as one of Trump’s special Hollywood ambassadors and has spent more than a year discussing ways to strengthen domestic entertainment production.

The actor and his associates previously presented the administration with several possible approaches. Trump publicly floated the much more controversial idea of imposing tariffs on movies produced outside the United States in 2025, but those tariffs were not ultimately implemented.

Attention has since shifted toward incentives designed to make producing in America financially attractive rather than penalizing productions for filming abroad.

Trump’s latest endorsement represents a significant development because entertainment industry advocates have already been lobbying members of Congress for federal support.

Why Hollywood Wants a Federal Production Incentive

The underlying concern is often described as runaway production: film and television projects choosing international locations because they offer lower costs, favorable exchange rates, tax credits or other financial benefits.

According to the Los Angeles Times, approximately 45% of U.S. films and scripted television programs were shot internationally last year, compared with roughly 33% in 2022.

That shift affects far more workers than the actors audiences see on screen.

A major production can employ camera operators, costume designers, makeup artists, grips, electricians, drivers, caterers, construction crews, editors, production assistants, background actors and hundreds of other professionals.

It can also generate spending for hotels, restaurants, transportation companies, equipment rental businesses and local vendors.

Supporters therefore argue that production incentives should be viewed not simply as assistance for Hollywood studios but as an economic development tool capable of supporting local employment.

What Would a Federal Film Tax Incentive Actually Do?

The exact legislation does not yet exist in finalized form, so specific percentages and eligibility rules should not be treated as settled.

The basic concept, however, is straightforward.

A federal incentive could provide qualifying film and television productions with a federal tax benefit when they spend money and employ workers within the United States.

Crucially, industry advocates envision a national incentive that could potentially be combined with state programs.

For example, a qualifying production choosing between filming overseas and shooting in an American state could potentially consider both the state’s incentive and the new federal benefit when comparing costs.

Industry advocates believe that could narrow the financial gap between U.S. locations and established international production centers.

The Wall Street Journal reports that industry proposals under discussion have included a federal credit in the 15% to 20% range, although that figure is not yet enacted policy and could change substantially during the legislative process.

7 Key Things to Know About the Federal Film Tax Credit Push

Here are the biggest developments so far:

1. Trump has publicly endorsed a federal production incentive. He is asking Congress to move quickly on legislation.
2. The proposal has bipartisan support. Democrats including Sen. Adam Schiff and Rep. Laura Friedman have also been advocating for a federal film and television incentive.
3. Jon Voight has played an important advocacy role. Trump credited his Hollywood ambassador with pushing the idea during their recent meeting.
4. The incentive could complement state tax credits. Supporters want a federal program capable of making American production locations more competitive internationally.
5. The Motion Picture Association supports the concept. The organization representing major studios and streaming companies welcomed Trump’s endorsement.
6. The proposal could affect production jobs nationwide. Supporters argue that bringing productions back to America would benefit actors, crews, craftspeople and businesses supporting film shoots.
7. Nothing has passed yet. Congress still needs to determine what the legislation would contain, how productions would qualify and how large the incentive would be.

For entertainment professionals, that final point is particularly important. Trump’s announcement represents political momentum rather than an immediate change to production rules.

Democrats Join Trump in Supporting the Proposal

One of the more unusual aspects of the announcement is the bipartisan response.

California Democratic Sen. Adam Schiff, a frequent political opponent of Trump, publicly agreed with the president on the need for action.

Schiff said Congress should quickly consider a federal incentive to bring entertainment jobs that have moved overseas back to the United States.

Democratic Rep. Laura Friedman, whose California district includes much of the entertainment industry, also welcomed Trump’s endorsement.

“I agree that our tax incentive legislation needs to pass — and to pass quickly,” Friedman said.

Her office says she has spent more than a year meeting with Voight, congressional colleagues, unions, studios, producers and the Motion Picture Association while building support for a national incentive.

The cooperation matters because passing a significant new federal tax incentive would require congressional action.

Hollywood Studios and Unions Welcome the Development

Major entertainment organizations were quick to respond.

The Motion Picture Association, which represents major film studios and streaming companies, described a federal incentive as a potentially landmark step toward bringing more production into American communities.

MPA chairman and CEO Charles Rivkin said such a policy could strengthen the U.S. economy while making the country more competitive as a production destination. The organization confirmed its support for Trump’s announcement on August 31.

The Directors Guild of America also welcomed the development, saying it wanted to work with the administration and Congress on bipartisan legislation that could promote domestic film and television production and support American entertainment jobs.

That combination of political, labor and studio support gives the proposal considerably more momentum than a policy being pushed by only one part of the industry.

Why Canada, the UK and Australia Matter to the Debate

International competition sits at the center of the conversation.

Canada has spent decades establishing major production centers in locations such as Vancouver and Toronto. The United Kingdom has similarly attracted blockbuster films and prestige television productions through its combination of tax incentives, experienced crews and large studio facilities.

Australia has also aggressively competed for international productions.

The issue is not necessarily that American filmmakers prefer foreign locations creatively. In many cases, large productions compare multiple jurisdictions and determine where they can stretch a production budget furthest.

Friedman specifically identified Canada, the UK and Australia when arguing that the United States needs to become more competitive.

A national incentive could change those calculations, particularly when combined with state programs.

What This Could Mean for Actors and Film Crews

For Project Casting’s audience, the most important question is whether this could eventually translate into more work.

Potentially, yes — although that depends entirely on whether Congress passes meaningful legislation and whether it successfully changes where studios choose to shoot.

If additional productions move to or remain in the United States, they could create demand for:

• Principal and supporting actors
• Background actors
• Stand-ins and photo doubles
• Stunt performers
• Production assistants
• Camera and lighting crews
• Hair, makeup and wardrobe professionals
• Set construction and art department workers
• Location and transportation teams
• Other production professionals

Productions also frequently hire locally, particularly for background roles, day players and crew positions. That means increased domestic filming could potentially expand opportunities beyond Los Angeles and New York if productions take advantage of incentives offered by other states.

California Has Its Own Production Incentive Strategy

The federal proposal comes as California has already been trying to address its production slowdown.

The state expanded its film and television tax credit program in 2025, increasing annual funding to $750 million as policymakers attempted to make California more competitive with other production locations.

A federal incentive would operate at a different level.

Instead of primarily helping California compete against Georgia, New York or New Jersey, a national incentive would be designed to help the United States collectively compete against international markets.

That distinction is important.

Under the model being discussed by advocates, states could continue competing with each other through their individual programs while qualifying productions potentially receive additional federal support for choosing the United States over another country.

Donald Trump Previously Proposed Tariffs on Foreign-Made Movies

The tax incentive proposal represents a different approach from one Trump previously floated.

In 2025, the president called for a 100% tariff on movies produced outside the United States, arguing that foreign countries were attracting American productions through their own incentives.

The announcement created immediate uncertainty because movies are intellectual property rather than conventional imported physical goods, raising complicated questions about how such a tariff would work.

No Hollywood movie tariff was ultimately implemented.

The current incentive approach instead focuses on encouraging productions to shoot domestically through financial benefits.

That strategy has attracted support from organizations and lawmakers across the political spectrum, making it potentially more viable than the earlier tariff proposal.

What Happens Next?

The most important next step will happen in Congress.

Trump says meetings are being organized with Republican and Democratic leaders to develop legislation.

Several possible legislative routes have been discussed. A federal production incentive could become part of a larger tax package, potentially move through another legislative vehicle, or be introduced as standalone legislation.

There is currently no final bill establishing:

• The exact credit percentage
• Minimum production spending requirements
• Which productions would qualify
• Requirements for employing U.S. workers
• Whether television, streaming and independent projects would receive identical treatment
• How the program would interact with existing state incentives

Those details will ultimately determine whether the policy significantly changes where studios choose to produce films and television shows.

For now, Trump’s endorsement adds White House support to an effort that already had advocates among lawmakers, unions and entertainment companies.

Why the Federal Film Incentive Could Matter to Hollywood’s Workforce

The entertainment industry’s production slowdown has become a workforce issue as much as a studio issue.

When a movie moves overseas, the economic impact extends beyond performers. Entire production ecosystems can lose work, including independent vendors and businesses that rely on location filming.

A federal incentive could therefore influence where billions of dollars in future production spending occurs.

Supporters believe making the U.S. more competitive could help retain domestic productions while potentially convincing internationally planned projects to reconsider American locations.

Critics of film incentives, however, have historically questioned whether tax credits generate enough economic activity and tax revenue to justify their public cost. The effectiveness of any federal program would therefore depend heavily on how Congress designs it, what safeguards it includes and how its economic impact is measured.

For entertainment professionals, the proposal is worth following closely — but it remains a proposal, not a guarantee of additional jobs.

Stay Updated on Entertainment News

Whether you’re following Hollywood’s biggest filmmakers or looking for your next acting opportunity, Project Casting keeps you connected with the entertainment industry.

Explore the latest casting calls and jobs, stay informed with entertainment news, and if you have any questions, visit or email.

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