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Brad Pitt and George Clooney Get Standing Ovation at Venice for ‘Wolfs’

Brad Pitt and George Clooney shared a joyful moment at the Venice Film Festival on Sunday night as their latest film, Wolfs, received a four-minute standing ovation. The two megastars embraced and danced, soaking in the applause from the crowd, though the reception was notably more subdued than one might expect given their star power.

The premiere, held at Venice’s Sala Grande, was delayed by over 30 minutes as eager fans packed into the venue, hoping to catch a glimpse of the Hollywood icons. When Pitt and Clooney finally arrived, the atmosphere inside the theater was electric. The duo, both exuding charm, worked different sides of the red carpet, signing autographs and snapping selfies with fans before being escorted to their seats by security.

As the pair entered the theater, they greeted the excited audience with a hearty “Buonasera!” which was met with enthusiastic responses from the crowd. However, even as the film began, the chaos persisted, with some ticketless fans scrambling to find seats, leading to a few being removed during the screening’s early scenes.

When the credits rolled on the crime comedy, Pitt and Clooney celebrated with a hug and danced to Sade’s “Smooth Operator.” Clooney then turned to share a kiss with his wife, Amal, before he and Pitt descended from the balcony to greet the cheering audience.

The four-minute ovation, while respectable, was shorter than anticipated, possibly due to the late start and the overall unruly energy of the evening. Festival officials seemed eager to move the crowd out of the theater quickly.

Pitt’s arrival in Venice came just two days after his ex-wife Angelina Jolie premiered her latest film, Maria, to an eight-minute standing ovation and early Oscar buzz. Neither Pitt nor Jolie commented on their ongoing divorce proceedings, and Pitt avoided questions during a press conference about court documents alleging “a history of physical abuse of Jolie” during their marriage. The hashtag #BradPittIsAnAbuser trended on social media platform X shortly after Wolfs premiered.

Wolfs, written and directed by Jon Watts—who was unable to attend the premiere due to testing positive for COVID—marks a reunion for Pitt and Clooney. The film, an Apple Original Films action-comedy, features the two actors as professional fixers who usually work alone but are forced to team up for a job. The cast also includes Amy Ryan, Austin Abrams, and Poorna Jagannathan. A sequel is already in development, with Watts and the two stars attached, according to an announcement from Apple earlier this month.

This project is the first time Pitt and Clooney have co-headlined a film since the Coen Brothers’ 2008 black comedy Burn After Reading. They previously starred together in the Ocean’s franchise from 2001 to 2007. Both actors are familiar faces at the Venice Film Festival; Clooney attended in 2009 for The Men Who Stare at Goats, while Pitt has previously premiered Fight Club in 1999 and won the Volpi Cup for Best Actor in 2007 for The Assassination of Jesse James by the Coward Robert Ford.

In a recent GQ cover story, Pitt and Clooney reflected on their decades-long friendship and the changing landscape of Hollywood. Clooney remarked, “They haven’t developed stars the way the studio system used to. We kind of were at the very end of that, where you could work at a studio and do three or four films, and there was some plan to it. And I don’t think that’s necessarily the case anymore. So it’s harder for you to sell somebody something on the back of a star.”

Following its Venice premiere, Wolfs will have a limited theatrical release starting September 20, before debuting on Apple TV+ on September 27.

Bonnie Wright Wants to Explore Ginny in HBO’s Harry Potter Series

Bonnie Wright, known for her role as Ginny Weasley in the Harry Potter film series, is ready to see a new cast step into the beloved characters for HBO’s upcoming adaptation of J.K. Rowling’s novels. As the series prepares to revisit the magical world, Wright has a few hopes for what the TV show might include—particularly the moments that didn’t make it into the original films.

Reflecting on her time as Ginny, Wright expressed her desire for the new series to delve deeper into the relationship between Ginny and Harry Potter, originally played by Daniel Radcliffe. “There are so many things,” Wright shared during the Back to Hogwarts event at New York’s Grand Central Terminal. “I’d love to see more of the development of Ginny and Harry’s relationship. There are these nuanced moments where they start to fall in love. I think it’s important to show how Ginny becomes a loyal partner to Harry, understanding his story and being the best match for him. I hope the series captures that evolution.”

Wright also mentioned other characters she hopes will get more attention in the new series, such as Neville Longbottom and Luna Lovegood. “If only we could have had five-hour movies,” she mused, “there are so many characters with moments I love from the books. As a fan, I’m excited to see more of those moments brought to life.”

As HBO continues its search for the new cast, Wright is refraining from giving any specific advice to the actors who will take on the iconic roles. She acknowledges that the new generation of actors will face “a bit more pressure” due to the heightened visibility and expectations brought on by social media. However, she encourages them to explore the characters in their own way. “When we were making the films, we didn’t know where Harry Potter was going, and there wasn’t as much access to public opinion. It was a bit of a bubble,” Wright explained. “But I think it’s a great opportunity for these actors to have fun with their roles and make them their own. I’m really looking forward to watching the series from the other side, as an audience member, and seeing fresh, new interpretations.”

Wright has no plans to make a cameo or take on a different role in HBO’s Harry Potter series, which is set to premiere in 2026. She prefers the idea of the series featuring an entirely new cast. “I think it might be a bit confusing if the original cast appeared in different roles,” she said. “So no, I’m happy just to be watching.”

In the meantime, Wright will be participating in the Food Network’s upcoming Harry Potter-themed baking competition, Wizards of Baking, as a guest judge. She’ll be joining James and Oliver Phelps, who played her on-screen brothers Fred and George Weasley. The show, filmed on some of the original Harry Potter sets, offers Wright a nostalgic return to the magical world in a completely different context.

“I always love going back—it brings back so many memories,” Wright said of filming the competition. “It was also fun doing something completely different, like a baking show. It was a surprise, but a really enjoyable one. And being back with James and Oliver, my on-set brothers, was a blast. They do such a fantastic job hosting the show, making it fun and reminding us of all the memories and stories from the films. It’s not just about judging the contestants; it’s also a chance to share more stories from our time on set. I think people really miss those sets, and it was great to be back.”

Massive Turnout for Netflix’s ‘Happy Gilmore 2’ Casting Call in New Jersey

A massive crowd of locals flocked to an open casting call for Netflix’s Happy Gilmore 2, set to be filmed across various locations in New Jersey.

The casting, organized by Grant Wifley Casting, is on the hunt for extras to appear in the highly anticipated sequel, with scenes scheduled to be shot in Bergen, Essex, Monmouth, Morris, and Somerset counties. The open call, held on Tuesday at the Morristown Hyatt Regency, saw an “amazing” turnout, according to the casting company.

Filming for the movie will take place in September and November. Those who missed the in-person casting can still apply online to be an extra. The production is also searching for two specific photo doubles: one for a dark-haired man between 5’9” and 5’11”, and another for someone between 7’0” and 7’8”.

At the audition, eager New Jersey locals posed for photos against a wall to determine if they were a match for the roles.

“I love Adam Sandler and all his movies, and I like trying new things,” one young hopeful shared with PIX11 News.

It’s been nearly 30 years since the original Happy Gilmore movie, starring Adam Sandler, premiered. Sandler is set to reprise his iconic role in the sequel, alongside co-stars like Allen Covert.

Emily Rahhal, a digital reporter from Los Angeles, has been covering New York City since 2023 and joined PIX11 in 2024. You can see more of her work here and follow her on Twitter here.

Tom Hanks Condemns AI-Generated Drug Ads Featuring His Likeness

Tom Hanks is speaking out against recent medical advertisements that have used an AI-generated version of his likeness without his permission.

In a public service announcement shared on Thursday, the Oscar-winning actor condemned those responsible for the deceptive ads and urged his 9.5 million followers not to be misled by these promotions, which falsely use his image and voice.

“There are multiple ads circulating online that falsely use my name, likeness, and voice to promote miracle cures and wonder drugs,” Hanks stated. “These ads were created without my consent, fraudulently using AI. I have no involvement with these posts, the products and treatments they advertise, or the people promoting these so-called cures.”

Hanks further clarified, “I have type 2 diabetes, and I ONLY work with my board-certified doctor regarding my treatment. DO NOT BE FOOLED. DO NOT BE SWINDLED. DO NOT LOSE YOUR HARD-EARNED MONEY.”

This isn’t the first time Hanks has addressed the misuse of his likeness. Last October, he issued a similar warning about a video promoting a dental plan that featured an AI version of him, which he also had no connection to.

Hanks, who starred in 2004’s The Polar Express—the first film made entirely with motion capture technology—has previously discussed the rapid advancements in artificial intelligence. In a May appearance on The Adam Buxton Podcast, he reflected on the implications of AI and deepfake technology.

“Anyone can now recreate themselves at any age through AI or deepfake technology,” Hanks said. “I could be hit by a bus tomorrow, but my performances could continue indefinitely.”

He added, “Without the understanding that it’s AI or a deepfake, there would be nothing to indicate that it’s not me. It’s going to have a degree of lifelike quality.”

Emma Roberts Addresses Britney Spears Biopic Casting Rumors

Emma Roberts is eager to take on a role that could be a career-defining moment. After receiving a major endorsement, Roberts is campaigning to portray Britney Spears in a potential biopic based on Spears’ memoir, The Woman In Me.

The buzz started when Britney Spears’ longtime assistant suggested that Roberts would be the perfect fit to play the pop icon. In response, Roberts shared her enthusiasm, revealing that she’s been preparing for such an opportunity for over two decades.

“I was thrilled when I heard her assistant’s suggestion,” Roberts told Cosmopolitan. “It’s honestly my dream role. I know it’s just a rumor right now, but I really hope it comes true. I remember locking myself in my room as a kid, listening to In the Zone, and telling myself, ‘I’m not leaving until I know every word.’”

Roberts also expressed her deep admiration for Spears, saying, “I sing Britney’s songs to my son during bath time. I’m sure he thinks I’m a little strange, but that’s just millennial parenting for you.”

The idea of Roberts playing Spears was first floated by Felicia Culotta, Spears’ longtime assistant, who pointed out the parallels between Roberts’ early stardom on Nickelodeon’s Unfabulous and Spears’ own rise to fame on Disney Channel’s The All-New Mickey Mouse Club. Culotta even suggested that Timothée Chalamet could play Justin Timberlake, Spears’ famous ex, and Drew Barrymore could portray Culotta herself.

Following the release of Spears’ memoir, which quickly topped the New York Times best-seller list, a bidding war erupted among studios. Universal eventually secured the rights, with Wicked director Jon M. Chu set to direct the adaptation.

The memoir chronicles Spears’ journey from her childhood in Mississippi and Louisiana to her meteoric rise with the 1999 hit album …Baby One More Time, her 2008 conservatorship, and her eventual fight for freedom.

Marisa Tomei Reflects on Watching Zendaya and Tom Holland’s Romance

After five appearances in the Marvel Cinematic Universe, Marisa Tomei cherishes a particular behind-the-scenes love story as her favorite memory from the Spider-Man films.

The Academy Award winner recently shared her fond recollections of witnessing her Spider-Man co-stars, Tom Holland and Zendaya, “fall in love” while working on the movies. Tomei spoke about this heartwarming experience during a Fan Expo 2024 panel in Toronto.

“I think some of my favorite moments were just watching Tom and Zendaya grow up and fall in love,” Tomei said, according to Entertainment Weekly. “Seeing their phenomenal talent from the start was truly awe-inspiring… I was just blown away.”

Tomei played Aunt May Parker, Peter Parker’s beloved aunt, in several Marvel films alongside Holland’s Spider-Man. Her appearances include Captain America: Civil War (2016), Spider-Man: Homecoming (2017), Avengers: Endgame (2019), Spider-Man: Far From Home (2019), and Spider-Man: No Way Home (2021).

Speaking about Holland and Zendaya, who portrayed Peter Parker’s love interest, Michelle ‘MJ’ Jones-Watson, Tomei remarked, “Some people are just meant for it, and they are meant for it. They have enormous star power, yet they manage to remain genuine, real people. They’re multitalented—they can sing, dance, act, perform stunts, and even design fashion. What can’t they do? They’re incredible, incredible people.”

Holland and Zendaya were first romantically linked in 2017 while promoting Spider-Man: Homecoming. Although they have become more open about their relationship in recent years, Zendaya emphasized in an interview with Elle last year that her priority is “protecting the peace” in their relationship.

California’s New Law Requires Consent to Use AI Replicas of Dead Actors

In a historic move set to redefine the future of digital media, California is on the verge of pioneering new legislation that will profoundly impact how AI-generated digital replicas of both living and deceased performers are used. Governor Gavin Newsom is expected to sign two groundbreaking bills into law, marking a significant step forward in regulating the ethical use of artificial intelligence in the entertainment industry. With strong backing from the Screen Actors Guild‐American Federation of Television and Radio Artists (SAG-AFTRA), these bills promise to set a new standard for consent and control in the digital age.

The New Legislation: AB 1836 and AB 2602

AB 1836: Protecting the Likeness of Deceased Performers

One of the landmark bills, AB 1836, focuses on the use of digital likenesses of deceased performers. This legislation mandates that the estates of deceased artists must grant explicit permission before their likenesses can be utilized in AI-generated content such as films, TV shows, and other media formats. The intent behind AB 1836 is to ensure that the estates of deceased performers retain control over how their digital images and personas are used, preventing unauthorized or unethical reproductions.

SAG-AFTRA has been a vocal advocate for this bill, celebrating its progress through the California state Senate. The union’s support highlights the importance of respecting the wishes of those who have passed away and ensuring that their legacies are managed with integrity. The bill builds on historical precedents like the digital resurrection of Paul Walker in “Furious 7” and Carrie Fisher in “Star Wars: The Rise of Skywalker,” where proper consent enabled the ethical use of AI technology.

AB 2602: Regulating AI Simulations of Living Performers

Simultaneously, the California Legislature has passed AB 2602, which addresses the use of AI simulations involving living performers. This legislation imposes stricter consent requirements, reflecting the growing concerns about the ethical implications of AI in media production. With the rise of AI technology, there has been increasing debate over how digital simulations of living individuals should be handled, particularly concerning consent and privacy.

AB 2602 is a response to these concerns, ensuring that living performers have greater control over how their digital likenesses are used. The bill aims to strike a balance between innovation and ethical standards, acknowledging the power of AI while safeguarding the rights of individuals in the entertainment industry.

The Impact of California’s Groundbreaking Legislation

Setting a New Standard for Ethical AI Use

The new legislation from California is poised to set a high standard for ethical AI use, not only within the entertainment industry but also across various sectors. As AI technology continues to advance and integrate into different fields—including healthcare, finance, education, and creative arts—the principles established by these bills could influence regulatory practices on a broader scale.

By prioritizing explicit consent and transparency, California is laying the groundwork for how AI can be ethically integrated into media and other industries. This focus on ethical use is likely to prompt other regions and industries to reevaluate their frameworks around digital identity, privacy, and intellectual property rights.

A Model for Future Regulations

The impact of California’s legislation could extend beyond the state’s borders, serving as a model for other jurisdictions considering similar regulations. The emphasis on consent and control over digital replicas is a critical step towards addressing the ethical challenges posed by AI technology. As more industries adopt AI-driven tools and solutions, the need for clear and comprehensive guidelines will become increasingly apparent.

Preparing for an AI-Driven Future

With AI technology becoming an integral part of many industries, the introduction of these bills underscores the importance of adopting frameworks that prioritize accountability and respect for individuals’ rights. The new laws in California reflect a growing recognition of the need to balance technological innovation with ethical considerations, ensuring that all stakeholders—whether they are performers, patients, customers, or employees—retain control over their digital identities and contributions.

As we move forward into an increasingly AI-driven world, California’s legislation provides a forward-thinking approach to managing the complexities of digital media. It sets a precedent for how ethical considerations can shape the development and implementation of AI technology, ensuring that advancements are made with respect for individual rights and dignity.

In summary, California’s upcoming laws represent a significant leap towards ethical AI use, setting the stage for a more transparent and respectful integration of technology in the entertainment industry and beyond. By addressing the issues of consent and control, these bills pave the way for a future where digital identities are managed with care and integrity, reflecting the evolving landscape of AI and its role in our lives.

“Hawk Tuah Girl” Podcast Is Coming Soon with Jake Paul’s Media Company

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Hailey Welch, widely recognized as the “Hawk Tuah Girl,” has signed on with Jake Paul’s media company, Betr, to host a new weekly podcast titled “Talk Tuah.”

Debuting on September 10 across various platforms, “Talk Tuah” will showcase Welch’s comedic flair and feature interviews with notable guests. The inaugural episode will spotlight comedian Whitney Cummings, with appearances from social media personalities Josh Richards and Jake Paul scheduled for later episodes.

In the podcast’s promo video, Welch exclaims, “Y’all really thought I was done? I’m just getting started, baby,” before playfully hopping on a jet ski. She reflects on her viral rise, stating, “A little while ago my life took a complete left turn and it changed forever,” and emphasizes her new role by adding, “Well now, it’s my time to talk.”

Welch’s rise to fame began with the viral “Hawk Tuah” meme, leading to significant social media success, including over two million Instagram followers. Her new role at Betr Media, founded by Jake Paul and Joey Levy in 2022, marks a strategic expansion of the company’s content offerings. Betr’s current programming includes “BS with Jake Paul,” “Twin Talk with Hanna and Haley Cavinder,” “Nickals and Dimes,” and “Caps Off.”

Mike Denevi, Betr’s head of media, praised Welch, stating, “This is a major addition to the Betr Media family as we continue to strategically differentiate ourselves in the market. Hailey Welch is a bona fide superstar, and her charisma, unique perspective, and innate connection with her audience make her the perfect fit for our platform. Talk Tuah will bring a fresh and dynamic voice to our content lineup, and we can’t wait for our audience and brand sponsors to connect with Hailey in an authentic way that embodies the ethos of Betr Media as a whole.”

Welch expressed her enthusiasm for joining Betr, saying, “I’m delighted to join the team at Betr who fully gets me. Together, we’re going to introduce the world to Talk Tuah every Tuesday, starting Sept. 10. My show will have a little of everything — great guests, laughs, chitchats about your pets, relationship pointers, sports and, of course, some down-home Southern charm.”

Everything Coming To and Leaving Netflix in September 2024

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September is shaping up to be an exciting month for Netflix subscribers, with a diverse lineup of new content and some notable farewells. Here’s a detailed look at what’s coming to the streaming service and what will be leaving.

Coming to Netflix

New Releases and Premieres:

Monsters: The Lyle and Erik Menendez Story – Following the success of DAHMER, Ryan Murphy and Ian Brennan’s true-crime anthology series returns to explore the infamous case of the Menendez brothers, convicted in 1996 for the murders of their parents, José and Mary Louise “Kitty” Menendez.

Emily in Paris: Season 4 Part 2 – Emily’s adventures continue as she navigates life in Paris, from skiing in the French Alps to exploring Rome.

Selling Sunset: Season 8 – The glamorous real estate drama returns with a new agent joining The Oppenheim Group and plenty of high-stakes deals.

His Three Daughters – A touching drama featuring Natasha Lyonne, Elizabeth Olsen, and Carrie Coon about three estranged sisters reuniting in New York City during their father’s final days.

New Series and Films:

An Invisible Victim: The Eliza Samudio Case (BR) – A Netflix documentary exploring the tragic case of Eliza Samudio, who faced violence and neglect amid the fame of her abuser.

Bangkok Breaking: Heaven and Hell (TH) – A Netflix film about a devoted rescue worker’s perilous mission to save a kidnapped girl.

The Great Indian Kapil Show: Season 2 (IN) – A new season of the popular Indian comedy series.

Divorce – A film about ex-spouses struggling with their annulment two decades later.

Phil Wang: Wang in There, Baby! (GB) – A comedy special by Phil Wang, filmed at Shakespeare’s Globe in London.

Untold: Hope Solo vs. U.S. Soccer – A documentary delving into the tumultuous career of World Cup champion Hope Solo.

Apollo 13: Survival (GB) – A documentary recounting the harrowing events of the Apollo 13 mission.

The Perfect Couple – A mystery series starring Nicole Kidman and Liev Schreiber based on Elin Hilderbrand’s bestselling novel.

Disco, Ibiza, Locomía (ES) – A film about the rise and trials of the ’80s band Locomía in Ibiza.

Rebel Ridge – A film about a former Marine caught in a web of corruption and violence.

Jack Whitehall: Fatherhood with My Father (GB) – A series where Jack Whitehall and his father explore life’s big questions on a globe-trotting adventure.

Ángel Di María: Breaking Down the Wall (AR) – A documentary about the life and career of Argentinian soccer star Ángel Di María.

Uglies – A film set in a dystopian future about a teenager resisting enforced beauty standards.

What’s Next? The Future with Bill Gates – A documentary series exploring global challenges and innovations.

New Comedy Specials and Series:

Ahir Shah: Ends (GB) – A stand-up special addressing class, family, and multiculturalism.

Live from The Other Side with Tyler Henry – A live series featuring Tyler Henry’s emotional readings with celebrity guests.

Envious (AR) – A series about a woman’s journey of self-discovery following a breakup.

Leaving Netflix

Departures on September 3:

• Beverly Hills Cop

• Beverly Hills Cop II

Departures on September 5:

• Crazy Ex-Girlfriend: Seasons 1-4

• iZombie: Seasons 1-5

• Jane The Virgin: Seasons 1-5

Departures on September 8:

• Cuties

Departures on September 19:

• Bodies Bodies Bodies

Departures on September 24:

• A Walk to Remember

Departures on September 27:

• Force of Nature

• Great News: Seasons 1-2

• Inheritance

Departures on September 29:

• Good Witch: Seasons 1-7

Departures on September 30:

• A Million Ways to Die in the West

• Back to the Future trilogy

• Big Fat Liar

• The Breakfast Club

• Clerks

• Conan the Barbarian

• The Conjuring films

• Divergent series

• Dumb and Dumber

• Dune

• Fifty Shades series

• Hacksaw Ridge

• Home

• Hot Tub Time Machine

• How to Get Away With Murder: Seasons 1-6

• The Lego Movie

• Léon: The Professional

• Major League II

• Mr Bean’s Holiday

• Muriel’s Wedding

• My Girl 2

• Natural Born Killers

• Pokémon Detective Pikachu

• Reality Bites

• S.W.A.T.

• Uncle Buck

• Wild Things

• The Wiz

With a mix of thrilling new releases and beloved series and films departing, September promises to be a month full of entertainment options for Netflix subscribers.

Sir Ian McKellen Says He Is Open To Returning as Gandalf

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Ian McKellen, the legendary British actor renowned for his powerful performances on both stage and screen, has expressed a keen interest in returning to his iconic role as Gandalf in the upcoming film The Hunt for Gollum. In a recent interview with BBC, McKellen revealed his strong desire to reprise his role as the wise wizard from J.R.R. Tolkien’s The Lord of the Rings series. “I’m not letting anyone else put on the pointy hat and beard if I can help it,” he said, underscoring his commitment to the character.

McKellen’s involvement in The Hunt for Gollum would mark a return to a role that has become synonymous with his illustrious career. He first portrayed Gandalf in Peter Jackson’s The Lord of the Rings trilogy, beginning with The Fellowship of the Ring (2001) and continuing through The Two Towers (2002) and The Return of the King (2003). His portrayal of the character was met with widespread acclaim and is considered one of the highlights of his career, earning him several award nominations, including two Academy Award nods.

The forthcoming film The Hunt for Gollum was announced earlier this May and is set to be directed by Andy Serkis, who famously portrayed Gollum in the original trilogy. Peter Jackson, the director of the original films, will serve as a producer. The film is expected to explore new dimensions of Tolkien’s universe and is slated for release in 2026.

In his interview, McKellen acknowledged that details about the film, including the script and specific plot points, are still being finalized. “When? I don’t know. What the script is? It’s not written yet. So, they better be quick,” he commented, highlighting his eagerness to get back into the role.

McKellen’s enthusiasm for returning to Gandalf comes as he takes a brief hiatus from acting due to an on-stage accident. The actor recently suffered a broken wrist and chipped vertebrae while performing on the West End. Despite this setback, McKellen has reassured fans that he intends to continue acting as long as his health permits. “As long as the legs and the lungs and the mind keep working,” he said, reflecting his enduring passion for the craft.

Born in 1939 in Burnley, England, McKellen has had a storied career that spans over six decades. He is celebrated for his performances in a variety of genres, from Shakespearean roles to modern cinema. His work has earned him numerous accolades, including knighthood in 1991 for his services to drama. McKellen’s portrayal of Gandalf is just one facet of his rich and varied career, which includes memorable roles in films such as X-Men (2000), where he played Magneto, and The Hobbit trilogy, where he reprised his role as Gandalf.

The announcement of The Hunt for Gollum and McKellen’s potential return to the role of Gandalf is eagerly anticipated by fans of Tolkien’s work and McKellen’s many admirers. As the film continues to develop, McKellen’s involvement promises to add a touch of magic and familiarity to the beloved Middle-earth saga.

Everything Coming To Disney+ in September 2024

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Here’s a rundown of Disney+’s new programming for September 2024:

September 2024

Wednesday, September 4

  • Kindergarten: The Musical (Season 1, 10 episodes)
  • LEGO Pixar: BrickToons – Premiere – All Episodes Streaming
    Featuring Pixar characters in LEGO adventures. Join Miguel, Merida, Nemo, and others in various whimsical scenarios.

Thursday, September 5

  • Are You Sure?! – Episode 6
    BTS’s Jimin and Jung Kook embark on a chaotic adventure before their military enlistment.

Saturday, September 7

  • Chibi Tiny Tales (Season 5, 6 episodes)

Sunday, September 8

  • Big City Greens the Movie: Spacecation – Premiere (Sing-Along Version)
    Cricket Green’s space “road trip” endangers his Big City family.

Wednesday, September 11

  • Primos (Season 1, 9 episodes)

Thursday, September 12

  • Are You Sure?! – Episode 7
    The unpredictable journey of BTS’s Jimin and Jung Kook continues.

Friday, September 13

  • Me & Mickey (Shorts) (Season 3, 5 episodes)
  • LEGO Star Wars: Rebuild the Galaxy – Premiere – All Episodes Streaming
    Sig Greebling uncovers a powerful artifact, leading to a reimagined Star Wars Galaxy adventure.

Tuesday, September 17

  • Dancing with the Stars (Season 33) – Premiere (Live 8/7c)
    The popular dance competition series returns with new celebrity contestants.

Wednesday, September 18

  • Hamster & Gretel (Season 2, 8 episodes)
  • How Not to Draw (Shorts) (Season 3, 5 episodes)
  • L-Pop (Season 2, 6 episodes)
  • Marvel Television’s “Agatha All Along” – Two Episode Premiere at 6pm PT
    The spinoff focuses on Agatha Harkness from WandaVision, exploring her adventures with a goth Teen.

Thursday, September 19

  • Are You Sure?! – Episode 8
    Jimin and Jung Kook’s journey continues with more surprises.

Tuesday, September 24

  • Dancing with the Stars (Season 33) – New Episode (Live 8/7c)

Wednesday, September 25

  • FLY
  • Marvel Television’s “Agatha All Along” – Episode 3 at 6pm PT
    Agatha Harkness’s magical quest continues with new challenges.
  • Disney Jr.’s Ariel – New Episodes
    Follow 8-year-old mermaid princess Ariel in new underwater adventures.

Friday, September 27

  • Ayla & the Mirrors – Premiere – New Episodes
    Ayla, dealing with her father’s death and memory loss, discovers her ability to hear others’ feelings through music and joins a dance group.

Enjoy the diverse range of new shows and episodes coming to Disney+ this September!

New York’s Film Production Tax Credit: Is It Worth It?

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New York’s Film Production Tax Credit: A Cost-Benefit Analysis

Over the past two decades, New York State has invested nearly $7 billion in taxpayer-funded subsidies to support film and television production through the Empire State Film Production Tax Credit. In the most recent budget, this annual subsidy was increased to $700 million, with a total commitment of $7.7 billion through 2034. This credit, which is the largest ongoing business tax incentive in New York and the second-largest of any state, aims to attract and support film and TV productions within the state.

The Economics of the Tax Credit

An independent study by PFM Group, a Philadelphia-based financial advisory firm, sheds light on the financial implications of this substantial tax credit. The study, commissioned by the New York State Department of Taxation and Finance, provides an in-depth analysis of the economic impact of New York’s tax incentives.

Key findings of the PFM study include:

Low Return on Investment: The Film Production Credit generates only 31 cents in direct and indirect revenue for every dollar spent by the state. This figure suggests that the credit offers a minimal return on investment and may be a net cost to the state rather than a profitable venture.

Questionable Economic Impact: The study indicates that much of the economic activity attributed to the tax credit would likely have occurred even without it, due to New York’s prominent role in U.S. culture and its existing industry infrastructure.

Job Creation: While the credit does support high-paying jobs, it is unlikely to foster long-term industry growth without continued subsidies. The jobs created are often temporary and do not necessarily lead to a stable, sustainable growth in the industry.

Comparison with Other Tax Incentives

The PFM study contrasts the Film Production Credit with other New York State tax incentive programs:

Excelsior Jobs Program: This program, which offers incentives for job creation, investment, and business expansion, shows a significantly positive return on investment. The study estimates that each dollar invested in Excelsior credits generates $4.25 in tax revenues, making it a highly effective economic tool compared to the Film Production Credit.

Other Credits: The study found that smaller programs, such as the Commercial Tax Credit and Post-Production Film Credits, have mixed results. While the Commercial Tax Credit has a nearly break-even return, Post-Production Film Credits show a lower ROI but may hold promise for the future due to the nature of the work and its potential permanence.

Music and Theatrical Production Tax Credit: This program, which aims to encourage musical and theatrical productions outside New York City, yields a very low ROI of just six cents per dollar spent.

Political and Economic Implications

Despite these findings, the Film Production Tax Credit remains politically popular, supported by influential producers, actors, labor unions, and real estate interests. The credit’s proponents argue that it helps maintain New York’s status as a key player in the film and television industry, providing significant cultural and economic benefits. However, the study’s results suggest that the credit’s effectiveness in achieving these goals is debatable.

The PFM study highlights the broader challenge of evaluating tax incentives and their real economic impact. While some programs, like Excelsior, demonstrate clear benefits, others, including the Film Production Credit, may require reevaluation and adjustment to better align with state economic goals.

This summary is based on information from the PFM Group study and additional sources.

Why Hollywood Jobs are Leaving LA and New York

The Great Hollywood Shift: Why Film and TV Jobs Are Moving Away from LA and New York

According to Marketplace.org, over the past two years, the film and television industry has experienced a significant transformation. A notable shift has occurred, with many of the jobs traditionally centered in Los Angeles and New York City moving to other parts of the country. This trend, revealed through Bureau of Labor Statistics data analyzed by APM Research Lab, shows a dramatic change in the employment landscape of the industry.

A Changing Industry Landscape

Historically, Los Angeles and New York have been the epicenters of film and television production. However, recent data indicates that the share of workers in these traditional hubs has decreased from just under half at the beginning of 2023 to one-third earlier this year. This shift reflects broader upheavals in the industry and changing dynamics in production and distribution.

Janie Haddad Tompkins, a seasoned actor with roles in TV comedies like “Night Court” and “Brooklyn Nine-Nine,” has felt the impact firsthand. Previously accustomed to a steady stream of auditions, she now faces a stark reduction in opportunities. “There were constant auditions. I mean, constant auditions,” she says, reminiscing about the bustling days before the industry’s recent downturn.

The Streaming Bubble Burst

The industry’s recent peak came in 2022, when 600 original scripted shows were in production, driven by a surge in streaming services. This bubble of content creation, aimed at attracting subscribers, provided numerous opportunities for all facets of film production, from writers and crew members to actors.

However, as Patrick Adler, an assistant professor and head of Westwood Economics, explains, the bubble burst due to several factors:

  1. Rising Interest Rates: Wall Street’s patience waned as the cost of money increased, leading to decreased investment in streaming platforms.
  2. Market Saturation: Studios realized that consumer demand for multiple streaming subscriptions might not be as robust as anticipated.
  3. Strike Impact: The Hollywood writers’ and actors’ strikes further stalled production, leading to a six-month industry shutdown.

The Shift to Other States

While Los Angeles and New York have seen a decline in production activity, other states have seen growth. The rise in film production outside traditional hubs is partly driven by state tax incentives. Travis Knox, a movie producer and professor, highlights the role of generous state tax credits, noting that states offering substantial rebates on production budgets are increasingly attractive to studios.

This trend has been long-standing, with states like Louisiana and Georgia becoming major players due to their competitive tax incentives. Recent expansions of film incentive programs in at least 18 states since 2021 have only accelerated this shift. Additionally, lower costs of living in these states make them appealing for studios looking to cut expenses.

Knox himself is participating in this trend, noting that his current project, set in central California in the 1940s, will be filmed in Oklahoma.

Challenges for Writers

Despite the shift in production locations, some aspects of the industry, such as TV writers’ rooms, remain concentrated in traditional centers. However, the reduction in overall production has made it challenging for writers, especially those at the mid-level of their careers. Jackie Penn, a TV writer with credits including Disney’s “Turner & Hooch,” describes a tough job market where mid-level writers are struggling to advance.

“Everyone’s trying to go after the same job, essentially,” Penn says. “A lot of the shows are only looking for upper-level writers or writers working on their very first show.” This gap for mid-level writers could impact the future of television as the next generation of showrunners and creators faces limited opportunities.

The Future of the Industry

The film and television industry is in a state of flux, with shifting job locations and evolving production practices. While the traditional centers of Hollywood are no longer the sole focus, the industry’s adaptation to new economic and logistical realities will shape its future. As production continues to spread across the country, the impact on employment and creative opportunities in Los Angeles and New York remains a critical issue for those navigating the changing landscape.

Why TV Writers Are Now Struggling

In recent years, the industry has been rocked by a streaming revolution, the Covid pandemic, racial reckoning, and crippling strikes. Among the hardest hit by these changes are TV writers, who are experiencing significant transformations in their work environment and opportunities.

The Evolution of Writers’ Rooms

In the heyday of network television, writers’ rooms were bustling creative hubs. These spaces, often staffed with a dozen or more writers, were essential in developing TV shows. Writers not only brainstormed and refined scripts but also provided guidance on set. This setup was invaluable for younger writers learning the ropes and establishing their careers.

However, the landscape has changed dramatically. With the rise of streaming platforms like Netflix, the number of episodes per season has decreased, leading to smaller writers’ rooms. “In most cases the writers’ rooms today are very different from 10 or 20 years ago,” says Matthew Belloni, an entertainment lawyer and former editor of The Hollywood Reporter. “Most shows have far fewer episodes… and consequently the number of writers in a writers’ room is typically much fewer than it was.”

Impact of the Writers’ Strike

The writers’ strike of last year, one of the longest in Hollywood history at 148 days, highlighted the challenges facing TV writers. Issues such as the rise of artificial intelligence (AI) and the shrinking size of writers’ rooms were central to the dispute. The Writers Guild of America (WGA) fought to preserve the writers’ room as a critical element of the creative process, achieving an agreement that required a minimum number of writers for shows intended to run at least 13 episodes.

Despite this, the strike’s end did not fully resolve the difficulties writers face. “The writers’ room getting smaller and smaller,” says Anton Schettini, a veteran TV writer. “Your time working in a writers’ room has certainly shortened.” The new contract did secure pay increases and better conditions for writers, but many still struggle with the increased competition and fewer opportunities.

The Rise of AI and Changing Work Conditions

The advent of AI has introduced another layer of complexity to the industry. The new agreement stipulates that scripts must be written by humans and that studios must disclose if any material has been generated by AI. Despite this, the industry has been slow to fully embrace AI for scriptwriting, with many studios preferring to rely on human creativity. “Once a room is fully up and running… no one is going to look outside for additional AI content,” says an anonymous screenwriter.

Diversity and Inclusion

The recent racial reckoning has also influenced writers’ rooms. Many studios now mandate diverse teams, driven by a push for more inclusive representation. However, some writers of color feel that diversity efforts can be superficial, with limited long-term impact. “It feels like I’m competing with a lot of people who look like me to fill the only spot,” one screenwriter notes. This perception of tokenism reflects broader concerns about the effectiveness of diversity initiatives.

Economic Pressures and Future Uncertainty

The economic pressures on studios have led to a consolidation of content and a tightening of budgets. Paramount’s recent shutdown of its television studio is a stark example of the cost-cutting measures affecting the industry. Belloni explains, “The pullback in content and the bursting of the TV bubble has led to fewer jobs, more competition and tougher negotiating positions for these writers.”

As studios seek to balance subscriber growth with profitability, the TV writing landscape remains precarious. Writers face increased competition, shorter employment periods, and ongoing challenges as the industry continues to evolve.

In this turbulent environment, TV writers must navigate a landscape marked by rapid change and uncertainty. While the industry adapts to new realities, the future remains uncertain for those who have dedicated their careers to crafting the stories that captivate audiences worldwide.

Jenna Ortega Says Women Should Have Their Own Franchises and Male Spinoffs Are Not Progress

Jenna Ortega, star of Wednesday and co-star of Beetlejuice Beetlejuice alongside Catherine O’Hara, recently shared her thoughts on the trend of remaking classic films with female leads. In an interview with MTV, host Josh Horowitz posed a hypothetical scenario: Would Ortega be interested in starring in a sequel to Tim Burton’s Edward Scissorhands, potentially reimagined as Edith Scissorhands?

While Ortega and O’Hara initially found the concept amusing, Ortega’s response revealed her deeper thoughts on the subject. “I love that there’s a lot more female leads nowadays, I think that’s so special, but we should have our own,” Ortega said. “I don’t like it when it’s like a spinoff — I don’t want to see like ‘Jamie Bond.’ You know? I want to see another badass.”

Ortega’s comment comes amidst broader discussions about reimagining iconic characters. At the Venice International Film Festival, Daniel Craig and filmmaker Luca Guadagnino were promoting their film Queer. Craig, who previously portrayed James Bond, was asked if the character might someday identify as LGBTQ+. Guadagnino dismissed the question, urging a mature discussion on the topic.

The debate over reimagining classic characters like James Bond has been ongoing. Producer Barbara Broccoli, reflecting on her 2021 interview with The Hollywood Reporter, echoed Ortega’s sentiment: “I think [the next James Bond] will be a man because I don’t think a woman should play James Bond,” she said. “I believe in making characters for women and not just having women play men’s roles. I don’t think there are enough great roles for women, and it’s very important to me that we make movies for women about women. He should be British, so British can be any [ethnicity or race].”

Instead of reworking established male roles, the industry has produced successful films with female leads who offer their own unique narratives. Examples include 2017’s Atomic Blonde starring Charlize Theron, 2010’s Salt with Angelina Jolie, and 2021’s Black Widow featuring Scarlett Johansson. Additionally, Rebecca Ferguson’s role as ex-MI6 agent Ilsa Faust in Mission: Impossible — Rogue Nation and its sequels has been widely praised.

As the entertainment industry continues to evolve, the push for original female-led stories and characters remains strong. Ortega’s perspective highlights the importance of creating new, empowering roles for women rather than repurposing existing ones.

Why Actors Should Embrace YouTube Content Over Traditional TV/Film Industry

In the ever-evolving entertainment landscape, the rise of digital platforms has reshaped how content is consumed and created. Recent data from Nielsen reveals a groundbreaking shift: YouTube has become the first streaming service to command over 10 percent of all TV use in the United States. This milestone not only signifies YouTube’s dominance but also highlights a pivotal opportunity for actors. Here’s why creating YouTube content could be a game-changer for actors and why focusing less on the traditional TV/Film industry might be beneficial.

YouTube’s Growing Influence

Dallas, TX USA - February 24, 2024: A hand holding Time magazine with James Stephen MrBeast on cover. MrBeast, a YouTube star known for his high-energy challenges is an American YouTuber (dennizn / Alamy Stock Photo)
Dallas, TX USA – February 24, 2024: A hand holding Time magazine with James Stephen MrBeast on cover. MrBeast, a YouTube star known for his high-energy challenges is an American YouTuber (dennizn / Alamy Stock Photo)

In July, YouTube accounted for an impressive 10.4 percent of all TV usage, surpassing Disney and making it the top distributor of TV programming for the month. This represents a notable increase from the 9.9 percent share recorded in June. The surge in YouTube viewership is driven largely by younger audiences, particularly kids and teenagers on summer break, who make up a significant portion of the platform’s viewership.

This shift in media consumption underscores a critical trend: digital platforms, particularly YouTube, are becoming central to viewers’ lives. For actors, this presents a unique opportunity to reach audiences in new and impactful ways.

The Benefits of Creating YouTube Content

1. Direct Audience Engagement

Unlike traditional TV and film, which often involve intermediaries like agents and casting directors, YouTube allows actors to connect directly with their audience. By creating content, actors can build a personal brand and foster a loyal fan base. This direct engagement helps actors maintain relevance and adapt to changing viewer preferences in real time.

2. Creative Freedom

YouTube offers unparalleled creative freedom. Actors can explore various genres, styles, and formats without the constraints typically imposed by traditional media. Whether it’s vlogging, web series, short films, or live-streaming, YouTube provides a platform to experiment and showcase versatility. This freedom can lead to innovative content that might not fit into conventional TV or film molds.

3. Increased Visibility

With YouTube’s substantial share of TV viewership, actors who create engaging content can gain significant visibility. The platform’s algorithm promotes popular videos, potentially increasing an actor’s reach and attracting opportunities from other creators, brands, and even traditional media.

4. Monetization Opportunities

YouTube offers various monetization options, including ad revenue, sponsorships, and merchandise sales. For actors, this can translate into a steady income stream while building their career. Additionally, successful YouTube content can lead to partnerships and collaborations with other influencers and brands, further expanding their professional network.

5. Building a Personal Brand

Establishing a presence on YouTube helps actors craft and control their personal brand. By sharing behind-the-scenes content, personal stories, and unique insights, actors can build a distinct identity that resonates with their audience. This personal connection often translates into a more engaged and supportive fan base.

The Decline of Traditional TV/Film Influence

While TV and film remain significant, their traditional models are evolving. With streaming services and digital platforms becoming more dominant, the rigid structures of the TV and film industry are increasingly challenged. Actors focusing solely on traditional media may find fewer opportunities for growth and innovation. In contrast, embracing YouTube content allows actors to remain agile and relevant in a rapidly changing media landscape.

Conclusion

The rise of YouTube as a leading media distributor presents a compelling case for actors to shift their focus from traditional TV and film to creating content for digital platforms. By leveraging YouTube’s vast audience and creative opportunities, actors can enhance their visibility, engage directly with fans, and build a sustainable career. As the entertainment industry continues to evolve, embracing digital platforms like YouTube could be the key to staying ahead and thriving in the modern media environment.

Embracing YouTube could be a transformative step for actors looking to expand their reach and influence in today’s dynamic entertainment industry.

How to Become a Covergirl Model

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Casting Call: Covergirl Campaign – Male and Female Models Needed

Introduction

Are you ready to step into the spotlight and represent a leading global beauty brand? Covergirl is seeking male and female models aged 21-40 of any ethnicity for their upcoming high-profile campaign. This is a fantastic opportunity to showcase a range of beauty products in a series of photoshoots and video segments, and to be part of a major advertising campaign that will reach audiences worldwide.

1. Overview of the Campaign

Covergirl is a globally recognized brand known for its commitment to inclusivity and diversity in beauty. This upcoming campaign offers an exciting opportunity for models to be featured prominently in Covergirl’s advertising materials, including photoshoots and video segments. As a model in this campaign, you will be an integral part of showcasing Covergirl’s latest beauty products and helping to convey the brand’s message to a broad audience.

2. Job Responsibilities

As a model for the Covergirl campaign, you will:

  • Participate in Photoshoots and Video Shoots: Engage in various photoshoots and video segments where you will model a range of beauty products, including makeup and skincare.
  • Work with the Creative Team: Collaborate closely with photographers, directors, and stylists to bring the brand’s vision to life.
  • Model Various Products: Showcase Covergirl’s beauty products effectively, ensuring they are highlighted in the best possible way.
  • Maintain Professionalism: Adhere to the production schedule and maintain a high level of professionalism on set.

3. Requirements

To be considered for this role, you should meet the following criteria:

  • Age: Between 21-40 years old.
  • Gender: Male or Female.
  • Ethnicity: Open to all ethnicities.
  • On-Camera Comfort: Comfortable with being featured in major advertising materials and on-camera work.
  • Collaboration Skills: Ability to follow direction and work effectively with photographers, directors, and stylists.

4. Compensation and Benefits

  • Rate: $7,800 for the campaign.
  • Additional Perks: This role offers valuable exposure and experience with a leading global beauty brand, which can enhance your portfolio and open doors for future opportunities in the modeling industry.

5. Key Stats

  • Impact of Beauty Campaigns: According to a 2022 study by The Modeling Agency, models featured in high-profile beauty campaigns often see a significant boost in their professional visibility and opportunities.
  • Reach of Covergirl’s Advertising: Covergirl’s campaigns reach millions of consumers globally, making it a prime platform for models to gain widespread exposure and connect with a diverse audience.

6. FAQ

Q1: How can I apply for the Covergirl campaign?
A1: To apply, submit your portfolio, a recent photo, and your contact information. Include any relevant experience in modeling or similar campaigns.

Q2: What should I prepare for the shoot?
A2: Prepare to showcase a range of beauty products and follow the creative team’s direction. Ensure you are ready for various modeling scenarios, including different makeup and skincare looks.

Q3: Will there be any travel involved?
A3: Travel details will be provided if applicable. Ensure you are available for the scheduled shoots and ready to comply with any travel requirements.

Q4: Is prior modeling experience required?
A4: While prior modeling experience is beneficial, it is not a strict requirement. We are looking for models who are confident on camera and can effectively collaborate with the creative team.

Q5: What should I do if I have questions about the campaign?
A5: If you have any questions, please reach out to the provided contact for more information. They will be able to provide details and answer any queries you may have.

Join Covergirl’s exciting campaign and make your mark in the beauty industry! Apply now to be part of a high-profile project that will showcase your modeling talents and contribute to a major advertising campaign.

About Covergirl:

CoverGirl: A Legacy of Beauty and Innovation

CoverGirl, an iconic American cosmetics brand, was founded by the Noxzema Chemical Company in Maryland, USA. Acquired by Procter & Gamble in 1989 and later by Coty, Inc. in 2016, CoverGirl has established itself as a leader in the beauty industry. Known for its diverse range of consumer-grade cosmetics, the brand’s unique marketing approach has set it apart from its competitors.

A Brief History of CoverGirl

CoverGirl made its debut in 1961 with the launch of its first product line, Clean Makeup. This initial collection, touted as a “medicated face makeup,” featured Noxzema’s signature ingredients like camphor, menthol, and eucalyptus. With just six products, Clean Makeup quickly gained recognition and was nominated as America’s best cosmetic brand.

In 1963, the brand made a significant impact by signing Jennifer O’Neill, then just 14 years old, as its spokesperson. Her 30-year endorsement propelled CoverGirl to the top of the makeup industry. The brand’s early advertisements, featuring models like Cybill Shepherd, established the “girl-next-door” look that became synonymous with CoverGirl.

The 1970s saw CoverGirl solidify its place in the beauty world with Cheryl Tiegs, often hailed as America’s first supermodel, signing a groundbreaking contract worth $1.5 million—a record at the time. The 1980s brought even more success with Christie Brinkley’s influential advertising campaigns, which significantly boosted sales.

In 1997, CoverGirl introduced the beloved slogan “Easy, breezy, beautiful…” signaling the brand’s commitment to a natural look and further expanding its appeal to teenage girls. The line continued to evolve, incorporating new ideas and products.

Innovative Campaigns and Modern Rebranding

CoverGirl has consistently been at the forefront of cosmetic advertising. In January 2010, the brand launched “Clean Makeup for Clean Water,” a charitable initiative aimed at providing clean drinking water to those in need. This program, supported by a donation of $500,000, has delivered 50 million liters of water worldwide.

In 2017, CoverGirl reinvented itself with the new slogan “I Am What I Make Up,” replacing the long-standing “easy, breezy, beautiful.” The rebranding included a fresh logo, updated packaging, and a new tone. The brand’s campaign, “Made in the Mirror,” featured a diverse array of celebrities, including Ayesha Curry, Issa Rae, Katy Perry, and Maye Musk, highlighting CoverGirl’s commitment to inclusivity.

In February 2018, CoverGirl made headlines by featuring a model with vitiligo in its campaign, marking a significant step towards greater representation in the beauty industry.

Notable Endorsers and Milestones

CoverGirl has a rich history of collaborating with prominent figures. In 1992, the brand became the first major cosmetic company to sign a black model, with Lana Ogilvie becoming the face of CoverGirl. This groundbreaking move paved the way for increased diversity in beauty advertising.

The brand’s long-standing contracts with models like Christie Brinkley—whose 25-year tenure remains the longest in cosmetics history—illustrate CoverGirl’s commitment to building lasting relationships. Other notable endorsers include Tyra Banks, Carrie Tivador, Katy Perry, Queen Latifah, Rihanna, Taylor Swift, and Drew Barrymore. YouTuber James Charles and talk show host Ellen DeGeneres have also represented CoverGirl, with the brand recently including Olympic gymnasts Alicia Sacramone, Shawn Johnson, and Nastia Liukin among its ambassadors.

CoverGirl has also celebrated winners from “America’s Next Top Model,” offering $100,000 contracts to contestants from Cycle 3 through 18, making them official CoverGirls.

CoverGirl continues to lead the way in beauty innovation and inclusivity, reflecting its long-standing commitment to empowering individuals through makeup.

4Batz Atlanta Music Video Open Casting Call

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Casting Call: “20 v. 1” Music Video – Extras Needed

Introduction

Are you ready to shine on screen and be part of an exciting music video? The artist 4Batz is looking for enthusiastic extras to join the “20 v. 1” music video shoot in Atlanta, GA. This is a fantastic opportunity to get involved in a dynamic and visually captivating project, where you’ll have the chance to contribute to the video’s atmosphere and storytelling.

1. Overview of the Music Video Shoot

The music video for “20 v. 1” by 4Batz promises to be a visually stunning project, showcasing dynamic scenes and creative storytelling. As an extra, you will be featured alongside the artist and other performers, contributing to the overall energy and impact of the video. This is an exciting chance to be part of a high-energy shoot and gain valuable experience in music video production.

2. Job Responsibilities

As an extra in the “20 v. 1” music video, your responsibilities will include:

  • Participate in Multiple Scenes: Be part of various scenes throughout the video, helping to create a vibrant and engaging visual experience.
  • Follow Directions: Work closely with the director and production team to ensure each scene is captured according to the vision.
  • Engage On-Camera: Perform actions such as dancing, reacting, and interacting with other extras and the artist to enhance the overall atmosphere.
  • Maintain Professionalism: Stay focused and professional throughout the shoot, which may last a full day.

3. Requirements

To be considered for this role, you should:

  • Location: Be located in or willing to travel to Atlanta, GA.
  • Comfort on Camera: Be comfortable being on camera and following direction in a fast-paced environment.
  • Submission: Provide your full name, a recent picture, email address, and Instagram handle upon submission.

4. Compensation and Benefits

  • Compensation: Payment details will be provided upon selection.
  • Additional Perks: This is a great opportunity to gain experience and potentially make connections within the music industry.

5. Key Stats

  • Impact of Music Videos: According to a 2023 study by Nielsen, music videos can significantly boost an artist’s visibility and streaming numbers, making them a crucial part of music marketing strategies.
  • Role of Extras: Extras play a vital role in creating the desired atmosphere and energy in music videos, contributing to the overall success of the project.

6. FAQ

Q1: How do I apply to be an extra?
A1: To apply, send your full name, a recent picture, email address, and Instagram handle to the provided submission contact. Ensure your photo is clear and your contact details are accurate.

Q2: What should I expect during the shoot?
A2: Expect a fast-paced environment with multiple scenes. Be prepared to follow directions from the director and production team and engage actively in the scenes.

Q3: Will travel expenses be covered?
A3: Travel expenses are not covered, so please ensure you are located in or can travel to Atlanta, GA.

Q4: How long will the shoot last?
A4: The shoot is expected to last a full day. Specific details will be provided once selected.

Q5: Will there be any additional opportunities for extras?
A5: While this role is for the “20 v. 1” music video, building a good relationship on set can open doors to future opportunities in music video production and other projects.

Join the “20 v. 1” music video shoot and be part of an exciting project with 4Batz. Apply now to secure your spot as an extra and gain valuable experience in the music industry!

About 4Batz:

Neko Bennett: The Rise of 4Batz

Born on November 5, 2003, Neko Bennett, professionally known as 4Batz, is making waves as an American singer and songwriter. Bennett first caught the spotlight with his viral 2023 single “Act II: Date @ 8,” a track that not only took TikTok by storm but also inspired a high-profile remix featuring Canadian rapper Drake. Known for his gentle, atmospheric sound, Bennett’s music stands in striking contrast to the drill-inspired visuals of his music videos. This unique blend has captured the attention of listeners and critics alike.

Career Highlights

2023: A Breakthrough Year

Bennett’s journey began in 2023 with the release of his debut single, “Act I: Stickerz ’99.” The track quickly gained traction, setting the stage for his breakout hit, “Act II: Date @ 8,” released in December. The song’s music video went viral on TikTok, captivating viewers with Bennett’s unexpected vocal style juxtaposed against drill-like visuals. This viral success propelled the single to number 7 on the Hot R&B Songs chart and marked Bennett’s first appearance on the Billboard Hot 100, where it peaked at number 59.

2024: Rising Star

January 2024 saw Kanye West endorse Bennett as his favorite new artist, adding significant momentum to Bennett’s career. The support didn’t stop there; Canadian rapper Drake also gave Bennett a boost. On March 3, Bennett released his third single, “Act III: On God? (She Like),” which was well-received by fans. A remix of “Act II: Date @ 8,” featuring Drake, dropped on March 8, 2024, climbing to the top ten of the Billboard Hot 100. Just a day later, Bennett signed a recording deal with OVO Sound, marking a significant milestone in his career.

On May 3, 2024, Bennett dropped his highly anticipated debut mixtape, U Made Me a St4r, which included a remix of “Act III: On God? (She Like)” featuring Kanye West. This release solidified Bennett’s position as a rising star in the music industry.

Looking for a Job? BAFTA is Now Hiring Awards Assistants

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Casting Call: Awards Assistant for BAFTA

Introduction

Are you passionate about the film and television industry? Do you thrive in fast-paced environments and excel at organization and communication? BAFTA is seeking an enthusiastic and highly organized Awards Assistant to join their prestigious team. This role offers an exciting opportunity to contribute to the smooth operation of one of the most celebrated awards organizations in the industry. If you have a knack for multi-tasking and a positive, can-do attitude, this could be your ideal job!

1. Overview of the Role

BAFTA (British Academy of Film and Television Arts) is renowned for celebrating excellence in film and television. As an Awards Assistant, you will play a crucial role in supporting the awards team, helping to ensure that all operations run smoothly and efficiently. This role is perfect for someone who is highly organized, detail-oriented, and eager to contribute to the success of BAFTA’s prestigious events.

2. Job Responsibilities

In this role, you will:

  • Provide Administrative and Logistical Support: Assist with various administrative tasks, including scheduling, managing documents, and coordinating logistics for awards events.
  • Coordinate Events and Manage Schedules: Help organize and manage events, ensuring that everything runs according to plan. This includes coordinating with vendors, managing timelines, and supporting the awards team.
  • Communicate with Stakeholders: Serve as a point of contact for industry professionals, BAFTA members, and other stakeholders. Handle inquiries and provide information about BAFTA’s awards.
  • Handle Queries and Ensure High Standards: Address any queries related to the awards process and help maintain the high standards expected of BAFTA events.

3. Requirements

To excel in this role, you should possess the following:

  • Strong Multi-tasking Abilities and Attention to Detail: Capable of handling multiple tasks simultaneously while maintaining accuracy and attention to detail.
  • Excellent Written and Verbal Communication Skills: Ability to communicate effectively with a range of stakeholders, including industry professionals and team members.
  • Positive Attitude and Teamwork: A can-do attitude with the ability to work effectively as part of a team.
  • Organizational Skills: Strong organizational abilities with the capability to prioritize tasks in a fast-paced environment.

4. Compensation and Benefits

  • Salary: £25,650 per year.
  • Benefits:
  • 29 days of holiday plus bank holidays.
  • 8% contributory pension plan.
  • Health cash-back plan, life insurance, and other benefits.
  • Access to BAFTA events and UK cinemas.

5. Key Stats

  • BAFTA’s Impact on the Industry: BAFTA is one of the most prestigious awards organizations globally, influencing the careers of numerous industry professionals. Winning or being involved in BAFTA events can significantly enhance professional visibility and credibility.
  • Importance of Awards: According to a 2023 survey by The Hollywood Reporter, awards recognition can lead to increased job opportunities and higher earnings, emphasizing the importance of awards in career advancement.

6. FAQ

Q1: How can I apply for the Awards Assistant position?
A1: To apply, submit your resume and a cover letter outlining your relevant experience and why you’re interested in the role. Follow the application instructions provided by BAFTA.

Q2: What kind of experience is required for this role?
A2: Previous experience in administrative or event coordination roles is beneficial but not required. The key attributes are strong organizational skills, attention to detail, and excellent communication abilities.

Q3: Will there be opportunities for career advancement?
A3: BAFTA is a prominent organization with various opportunities for growth and development within the team. Exceptional performance in this role could lead to further career opportunities.

Q4: What does the health cash-back plan include?
A4: The health cash-back plan covers various health-related expenses, including dental and optical treatments. Specific details will be provided upon employment.

Q5: Is there flexibility in the working hours?
A5: This role may require flexibility to accommodate the needs of events and deadlines. Standard working hours will be discussed during the interview process.

This position offers a unique chance to be part of BAFTA’s prestigious team and contribute to the success of their renowned awards events. If you’re organized, communicative, and ready to take on this exciting challenge, apply today!

Netflix Feature Film Casting Call for Non-Binary Teen Actors

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Casting Call: Young Actor for Non-Binary Character in Netflix Feature Film

Introduction

Are you a young actor with a passion for bringing complex characters to life? Netflix is seeking a talented 15-16-year-old non-binary actor to play a pivotal role in an upcoming feature film. This is an exciting opportunity to be part of a major production and showcase your acting skills on a global stage. If you’re based in the UK and ready to dive into a role that combines authenticity with emotional depth, this casting call could be your big break.

1. Overview of the Role

Netflix is casting for a 15-16-year-old non-binary actor to portray Charlie, a character described as sharp, sweet, mature for their age, and emotionally intelligent. This role is crucial to the film’s narrative, providing a nuanced and authentic representation of a non-binary teenager. Charlie’s character is central to the story, offering a unique opportunity to influence how diverse identities are portrayed in mainstream media.

2. Job Responsibilities

As the actor for Charlie, you will:

  • Bring Authenticity and Depth: Portray Charlie with genuine emotion and depth, capturing their complexity as a non-binary teenager.
  • Participate in Rehearsals and Filming: Work closely with the director and production team in London. Your role will involve participating in rehearsals and on-set filming to ensure a compelling performance.
  • Contribute to the Narrative: Your portrayal will be integral to the film’s narrative, contributing to its overall impact and storytelling.

3. Requirements

To be considered for this role, you must meet the following criteria:

  • Age: You should be between 15-16 years old.
  • Gender: Non-binary.
  • Location: Must be based in the UK.
  • Availability: Available for filming from October to December 2024.
  • Experience: No prior acting experience is required. This role is open to young actors who are enthusiastic about bringing Charlie to life.
  • Parental Consent: Submissions must include consent from a parent or guardian.

4. Compensation and Benefits

  • Payment: This is a paid role, with specific compensation details provided upon selection.
  • Additional Benefits: Involvement in a major Netflix feature film provides valuable experience and exposure to the industry.

5. Key Stats

  • Representation in Media: According to a 2023 report by GLAAD, non-binary characters remain underrepresented in mainstream media, making this role an important step toward greater inclusivity and diversity.
  • Impact on Audiences: Research from The Trevor Project shows that diverse representation in media can significantly impact viewers’ understanding and acceptance of different identities, promoting empathy and awareness.

6. FAQ

Q1: How can I apply for this role?
A1: Submit your application along with a recent photo and a brief video introduction where you express why you believe you can bring Charlie to life. Ensure that parental or guardian consent is included in your submission.

Q2: What should I include in my video introduction?
A2: Introduce yourself, share why you’re interested in this role, and briefly explain how you would approach portraying Charlie. This is your chance to showcase your enthusiasm and potential.

Q3: Are there any specific acting skills required for this role?
A3: While previous acting experience is not necessary, the ability to convey emotion and authenticity is crucial. We’re looking for actors who can connect deeply with the character and bring Charlie’s story to life.

Q4: What if I’m not based in London?
A4: Applicants must be based in the UK as filming will take place in London. Ensure you are available to travel and stay in London during the filming period.

Q5: Will there be any additional costs involved?
A5: All costs related to the role, including travel and accommodation, will be covered by the production team. You should not incur any out-of-pocket expenses related to your participation.

This casting call offers a unique and exciting opportunity to be part of a groundbreaking project that aims to represent diverse identities in a major Netflix feature film. If you meet the criteria and are eager to take on this role, don’t miss the chance to apply!