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Emily Deschanel to Lead NBC Criminal Profiler Drama Inspired by Dr. Ann Burgess

Emily Deschanel is returning to the world of criminal investigations with a new NBC drama pilot inspired by the groundbreaking work of renowned criminal profiler, researcher, and author Dr. Ann Burgess.

The Bones star has been cast in the lead role of NBC’s currently untitled drama pilot from Dean Georgaris and John Fox. The project combines criminal psychology, FBI investigations, and a victim-focused approach to solving complex cases.

For actors and entertainment professionals following KINGS casting, NBC auditions, television casting calls, and upcoming production opportunities, this is a project worth watching as casting and production move forward.

What Is NBC’s New Criminal Profiler Drama About?

The NBC pilot centers on Professor Georgia Ryan, played by Emily Deschanel.

Georgia is a trailblazing psychologist who challenges traditional approaches to criminology. Instead of focusing primarily on perpetrators, she shifts attention toward victims, searching for overlooked details that could provide critical clues investigators might otherwise miss.

Alongside her team, Georgia consults with the FBI to investigate some of its most difficult and elusive cases.

NBC originally ordered the pilot in January, with the story taking inspiration from the real-life career and research of Dr. Ann Burgess.

Who Is Dr. Ann Burgess?

Dr. Ann Burgess is an internationally recognized expert, researcher, and author whose work has contributed to the study of victims, offenders, trauma, and criminal profiling.

Her research provides real-world inspiration for the fictional Professor Georgia Ryan and the investigative philosophy at the center of the NBC pilot.

Burgess is directly involved in the production as a consulting producer, giving the series a connection to the groundbreaking work that inspired its premise.

Emily Deschanel Returns to Crime Television

The role brings Emily Deschanel back into familiar television territory.

Deschanel became widely known for playing forensic anthropologist Dr. Temperance “Bones” Brennan on the long-running Fox series Bones. She starred in the procedural for 12 seasons and appeared in nearly 250 episodes.

She also served as a producer on Bones and made her directorial debut by directing the premiere of the show’s final season.

Professor Georgia Ryan represents a different kind of investigator, but there are similarities between the characters. Both are highly accomplished specialists whose expertise and unconventional approaches allow them to examine criminal cases from perspectives others may overlook.

Emily Deschanel’s Other Television and Film Credits

Outside of Bones, Deschanel has continued building a diverse television and film résumé.

Her television credits include TNT’s Animal Kingdom, ABC’s The Rookie, and Netflix’s Devil in Ohio. Her film credits include ReEntry and Big Boys.

Deschanel will also serve as a producer on the NBC pilot in addition to starring.

A Possible Bones Reunion at NBC

The NBC pilot also creates an interesting connection for longtime Bones fans.

David Boreanaz, who starred opposite Deschanel as FBI Special Agent Seeley Booth, has been tapped to lead NBC’s reboot pilot of The Rockford Files.

If both pilots ultimately receive series orders, the former Bones co-stars could simultaneously headline crime-related television dramas for NBC.

While the projects are separate, the possibility of seeing both actors leading NBC dramas adds another reason for Bones fans to follow the network’s upcoming television slate.

Who Is Behind the NBC Pilot?

Dean Georgaris and John Fox are writers and executive producers on the project.

John Davis serves as an executive producer through Davis Entertainment, while Emily Deschanel will produce in addition to starring.

Dr. Ann Burgess and Steve Constantine are consulting producers.

Universal Television is producing the pilot.

Who Are the Casting Directors for the NBC Criminal Profiler Drama?

The casting team behind the project includes experienced professionals Beth Bowling, Kim Miscia, and Nadia Lubbe Simon. Central Casting Georgia is also involved in casting for the production.

Together, the casting team brings experience spanning major television dramas, feature films, and background casting.

Beth Bowling

Beth Bowling, CSA is an award-winning casting director with extensive experience working on major television productions.

Her credits include Mad Men, Mr. Robot, The Flight Attendant, Hightown, Blue Bloods, Divorce, You, Dr. Death, and the original Gossip Girl. She has also received Emmy nominations for her casting work.

Bowling’s experience with character-driven dramas makes her a notable member of the casting team assembling the performers for this NBC project.

Kim Miscia

Kim Miscia is a casting director and producer whose credits include acclaimed television projects such as Mr. Robot and Mad Men.

Miscia and Bowling have worked together on multiple productions, bringing an established casting partnership to the NBC pilot. Their experience finding performers for complex, character-focused television series could play an important role as the production builds the world surrounding Professor Georgia Ryan.

Nadia Lubbe Simon

Nadia Lubbe Simon is a casting director and producer with experience across both television and feature films.

Her credits include projects such as Ladder 49, It’s Complicated, and Heartbreakers. Her involvement adds another experienced casting professional to the team responsible for identifying talent for the new NBC drama.

Central Casting Georgia

Central Casting Georgia is also one of the casting companies involved with the project.

Central Casting is widely known for background casting for television and film productions. Background performers help create the believable environments surrounding principal characters, from offices and public spaces to law enforcement and investigative settings.

A crime drama involving FBI investigations could potentially require a wide variety of background performers to portray agents, law enforcement personnel, office workers, university staff, civilians, witnesses, and other characters depending on individual scenes and production requirements.

Actors should rely on official casting notices for confirmed roles, eligibility requirements, filming dates, locations, and compensation.

KINGS Casting Call and Acting Opportunity

NBC ‘KINGS’ Casting Call for College Student

College Student Background Actors for New TV Series

Job Description

A new television series is seeking talent of all genders who can portray college students for paid background acting roles in Atlanta, Georgia. Selected performers will help create an authentic college environment while working alongside a professional television production team. This opportunity is ideal for aspiring actors and performers looking to gain valuable on-set experience. Use casting code: COLLEGE when applying.

Job Responsibilities

  • Portray a college student in background scenes for a new television series.
  • Perform naturally in campus and college-related scenes.
  • Follow direction from the production and assistant directing teams.
  • Maintain continuity and professionalism throughout filming.
  • Be prepared to work for the required duration of assigned scenes.

Requirements

  • Open to all genders.
  • Must be able to convincingly portray a college student.
  • Must be available to work in Atlanta, Georgia.
  • Comfortable appearing on camera as a background performer.
  • Able to follow on-set instructions and work effectively with other cast members.

Compensation

  • This is a paid background acting opportunity.

Click here to apply now!

NBC ‘KINGS’ Open Casting Call

Newspaper Boy for New TV Series

Job Description

A new television series is seeking a young male background actor to portray a newspaper boy in a period production filming in Atlanta. This paid child acting opportunity is open to boys of all ethnicities who can authentically fit the look and atmosphere of the historical setting.

Job Responsibilities

• Portray a newspaper boy in a period television scene.

• Perform natural background actions appropriate to the historical setting.

• Follow direction from the production and assistant directing teams.

• Maintain focus and continuity throughout filming.

• Work professionally and comfortably in a television production environment.

Requirements

• Male talent, ages 10–12.

• Open to all ethnicities.

• Must be able to authentically portray a newspaper boy in a period setting.

• Must be local to or able to work in Atlanta, Georgia.

Compensation

• $168 for 12 hours.

Click here to apply now!

What Could KINGS Casting Include?

As the NBC pilot progresses, performers following KINGS casting should keep an eye on confirmed casting announcements.

Crime and investigative television projects can involve a wide variety of characters, including principal actors, recurring performers, guest stars, day players, FBI agents, police officers, investigators, witnesses, suspects, victims, medical professionals, university personnel, and background actors.

Specific roles should not be assumed until casting directors or production representatives release official casting information.

Why Actors Should Watch This NBC Project

Television crime dramas can provide recurring opportunities for actors because new investigations often introduce additional characters and environments.

The involvement of experienced casting directors and Central Casting Georgia makes the project particularly relevant for performers interested in both principal and background opportunities.

However, the project is currently a pilot. A pilot order does not guarantee a full series order, as NBC will ultimately decide whether to move forward after evaluating the project.

What’s Next for Emily Deschanel’s NBC Pilot?

Emily Deschanel’s casting gives the project an experienced lead with a strong history in procedural television.

The combination of a victim-centered investigative premise, inspiration from Dr. Ann Burgess’ work, and an experienced creative and casting team makes the NBC drama one to follow as development continues.

For Bones fans, the project also offers the opportunity to see Deschanel return to the investigative genre in a new role built around psychology and criminology.

For actors and entertainment professionals, future casting announcements could provide another reason to keep the project on their radar.

Find KINGS Casting Calls and NBC Auditions on Project Casting

Looking for KINGS casting calls, NBC auditions, background acting opportunities, television roles, and other entertainment jobs?

Stay connected with Project Casting for the latest casting announcements and production opportunities.

Discover your next acting opportunity and apply now on Project Casting.

Pierce Brosnan Predicts the Next James Bond Could Be an Unknown Actor

The search for the next James Bond continues, and former 007 star Pierce Brosnan believes audiences could be in for a major surprise.

Brosnan, who played the British secret agent across four films from 1995 to 2002, says he is following the casting speculation like everyone else. But rather than backing one of the famous actors repeatedly linked to the role, he believes Amazon MGM Studios could ultimately go in a completely unexpected direction.

Speaking to The Times, the 73-year-old actor suggested producers could “go left-field” and choose someone audiences barely know.

His comments arrive at an interesting moment for the franchise. Gary Oldman recently claimed the next Bond has already been selected, while Amazon MGM Studios has yet to officially announce Daniel Craig’s successor.

Pierce Brosnan Thinks the Next Bond Could Surprise Everyone

Brosnan isn’t trying to influence the decision.

Instead, he says he is now simply another audience member waiting to discover who will inherit one of cinema’s most recognizable roles.

“There are lots of good hats in the ring,” Brosnan told The Times, before suggesting the filmmakers could choose an actor “none of us know about.”

That would be a significant departure from years of online speculation surrounding established names.

Actors including Jack Lowden, Aaron Taylor-Johnson, Harris Dickinson, Jacob Elordi and Callum Turner have all been associated with the conversation around the role, although speculation should not be confused with confirmed casting.

Amazon MGM’s most recent official casting update said the search was underway and that the studio would not comment on individual candidates during the process.

Pierce Brosnan Refuses to Name His Choice for 007

When asked who he personally would cast, Pierce Brosnan deliberately avoided giving a name.

He joked that his wife had warned him not to say anything because even a casual endorsement could quickly become a headline.

That caution makes sense. Few casting decisions generate as much sustained speculation as James Bond, and an endorsement from someone who actually played 007 would immediately carry additional weight.

Instead, Brosnan offered something closer to encouragement for whoever eventually gets the job.

He described himself as a member of the audience and said he was waiting for the next Bond while “wishing him well.”

Has the Next James Bond Already Been Cast?

That’s where the story becomes more complicated.

Gary Oldman recently suggested that a decision has already been made.

While discussing his Slow Horses co-star Jack Lowden on Canada’s The Morning Show, Oldman noted that Lowden has been rumored to be on the shortlist before saying the producers had already “made their choice” but had not announced it.

Oldman also made it clear that he hopes Lowden gets the role.

However, there is an important distinction.

Amazon MGM Studios has not officially announced the new James Bond.

Screenwriter Steven Knight has also declined to confirm the identity of the next 007 amid the latest speculation.

So while Oldman’s comments have fueled rumors that the search is effectively over, there is currently no official confirmation that Lowden, or anyone else, has been cast.

Why Jack Lowden Is Suddenly Getting More Attention

Lowden has been part of the Bond conversation for some time, but Oldman’s comments have pushed his name back into the spotlight.

The 36-year-old Scottish actor is best known internationally for playing River Cartwright opposite Oldman’s Jackson Lamb in Apple TV’s Slow Horses.

His other credits include Dunkirk, Mary Queen of Scots, Fighting With My Family and Benediction.

Lowden’s wife, Oscar-nominated actress Saoirse Ronan, has meanwhile expressed interest in entering the Bond universe herself.

Ronan has said she would be serious about playing a Bond villain, particularly the opportunity to explore a younger female antagonist.

For now, though, neither Lowden nor Amazon MGM has confirmed that he will be the next 007.

7 Things to Know About the Next James Bond Movie

As speculation continues, here are seven important facts about where the franchise currently stands:

  1. No new Bond actor has been officially announced. Amazon MGM has publicly confirmed a casting search but has not named Daniel Craig’s successor.
  2. Denis Villeneuve is directing. The Dune filmmaker officially joined the project in 2025 and has described Bond as “sacred territory.”
  3. Steven Knight is writing the screenplay. The Peaky Blinders creator was officially announced as the film’s writer.
  4. Amy Pascal and David Heyman are producing. Pascal Pictures and Heyday Films are leading production, with Tanya Lapointe serving as executive producer.
  5. Gary Oldman believes a choice has been made. He recently suggested that producers have selected their actor, although the studio has not confirmed his claim.
  6. Jack Lowden remains heavily discussed. Oldman openly said his “fingers are crossed” for his Slow Horses co-star.
  7. This will be the first Bond era under Amazon MGM’s creative control. Amazon MGM, Barbara Broccoli and Michael G. Wilson remain co-owners of the Bond IP, but Amazon MGM gained creative control under their 2025 joint venture.

Denis Villeneuve Will Direct the New James Bond

Whoever becomes Bond will work with one of Hollywood’s most prominent filmmakers.

Amazon MGM Studios officially announced Denis Villeneuve as director in June 2025.

Villeneuve’s credits include Arrival, Blade Runner 2049 and the Dune films. When his Bond appointment was announced, the filmmaker revealed that some of his earliest moviegoing memories involved watching 007 films with his father.

He called himself a “die-hard Bond fan” and said he intends to respect the franchise’s traditions while creating a path for future adventures.

That suggests the next movie won’t simply be about replacing Daniel Craig. It will establish the creative direction for an entirely new Bond era.

Peaky Blinders Creator Steven Knight Is Writing the Movie

Villeneuve will be working from a screenplay by Steven Knight, whose career spans film and television.

Knight created Peaky Blinders and has worked on projects including Taboo, SAS Rogue Heroes, A Thousand Blows and All the Light We Cannot See.

Amazon MGM officially announced him as the next Bond screenwriter in July 2025.

Knight has remained careful when questioned about casting.

Amid recent speculation that the new actor may already have been chosen, he declined to reveal anything and emphasized that his responsibility is ultimately to write James Bond as a character.

A New Era Began When Amazon MGM Took Creative Control

The next movie also represents a major behind-the-scenes transition.

For decades, the Bond films were closely guided by producers Barbara Broccoli and Michael G. Wilson, continuing the stewardship established by Albert R. “Cubby” Broccoli.

That structure changed in 2025.

Amazon MGM Studios, Wilson and Broccoli formed a joint venture to hold the franchise’s intellectual property rights. The three parties remain co-owners, while Amazon MGM gained creative control after the transaction closed in March 2025.

That means the next Bond actor won’t simply succeed Daniel Craig. He will become the face of the franchise’s first cinematic era developed under Amazon MGM’s creative leadership.

Pierce Brosnan Helped Revive Bond for a New Generation

Pierce Brosnan understands the pressure surrounding a new 007 better than most.

He took over from Timothy Dalton after a six-year gap between Bond movies and made his debut in GoldenEye in 1995.

The movie successfully introduced Bond to the post-Cold War era and began a four-film run for Brosnan.

He returned for Tomorrow Never Dies in 1997, The World Is Not Enough in 1999 and Die Another Day in 2002. The official 007 archive confirms all four films as part of his tenure.

Brosnan’s Bond blended the sophistication traditionally associated with the character with the larger-scale action filmmaking that increasingly defined blockbusters during the 1990s and early 2000s.

After Die Another Day, the franchise was rebooted with Daniel Craig in Casino Royale.

Daniel Craig Changed Expectations for Whoever Comes Next

Craig’s arrival in 2006 dramatically changed the tone of the series.

Beginning with Casino Royale, his Bond was more physically imposing, emotionally vulnerable and narratively connected across multiple movies.

Craig eventually appeared in five films: Casino Royale, Quantum of Solace, Skyfall, Spectre and No Time to Die. His tenure ended in 2021.

That creates an unusual challenge for the next actor.

Simply copying Craig would make little sense, but returning completely to an earlier interpretation could feel equally limiting.

The next Bond will need an identity strong enough to establish a new era while still retaining the characteristics audiences associate with Ian Fleming’s spy.

That may explain why Brosnan’s suggestion of an unexpected actor is particularly interesting.

Could an Unknown Actor Actually Become Bond?

Casting a less familiar performer wouldn’t be unprecedented for a major franchise.

A recognizable star provides immediate marketing value, but an emerging actor can arrive without audiences strongly associating them with another character.

For Bond, that could be particularly useful.

The selected actor will likely become closely identified with 007 for years, potentially appearing across multiple films while carrying enormous international expectations.

Choosing someone outside the most frequently discussed names could allow Villeneuve, Knight and the producers to build their version of Bond without the baggage that comes with an established superstar.

And if Brosnan’s prediction proves correct, the endless lists of rumored candidates may ultimately have been looking in the wrong direction.

The Bond Casting Decision Could Define the Franchise for Years

The question of who becomes the next James Bond has been hanging over Hollywood since No Time to Die concluded Craig’s run in 2021.

Now, meaningful pieces are finally in place.

Villeneuve is directing. Knight is writing. Pascal and Heyman are producing. Amazon MGM has creative control.

Only the face of the new era remains publicly unknown.

Whether the studio ultimately chooses Lowden, another frequently rumored actor or someone completely unexpected, Brosnan’s response reflects the unique position of a former Bond: he knows exactly how dramatically one casting announcement can change an actor’s life.

For now, he’s content to watch with everyone else.

Stay Updated on Entertainment News and Casting Opportunities

Whether you’re following Hollywood’s biggest filmmakers or looking for your next acting opportunity, Project Casting keeps you connected with the entertainment industry.

Explore the latest casting calls and jobs, stay informed with entertainment news, and if you have any questions, visit or email.

FAQs

Who does Pierce Brosnan think should be the next James Bond?

Brosnan hasn’t endorsed a specific actor. Instead, he suggested the producers could make a “left-field” choice and cast someone audiences don’t currently know.

Has the new James Bond actor officially been chosen?

Gary Oldman has claimed that a choice has been made, but Amazon MGM Studios has not publicly announced Daniel Craig’s successor. Until the studio confirms the casting, reports about specific actors remain speculation.

How Many James Bond Movies Did Pierce Brosnan Make?

Brosnan starred in four Bond films: GoldenEye (1995), Tomorrow Never Dies (1997), The World Is Not Enough (1999) and Die Another Day (2002). Daniel Craig succeeded him beginning with Casino Royale in 2006.

Paul Walker’s Brother Says AI Could Bring Brian O’Conner Back for Final Fast & Furious Movie

Could Paul Walker’s Brian O’Conner return for one final ride?

Cody Walker, the late actor’s younger brother, has addressed the possibility as the Fast & Furious franchise prepares for its planned finale, Fast Forever.

Cody and his brother Caleb famously stepped in as physical stand-ins after Walker died in 2013 while Furious 7 was still in production. Visual-effects artists then combined their performances with existing footage and digital work to complete Brian’s story.

But Cody says he has no interest in doing that again.

Instead, he believes today’s technology, including AI and years of unused footage featuring his brother, could potentially give filmmakers another option if Brian returns.

More importantly, Cody believes the final decision should respect the wishes of Walker’s daughter, Meadow Walker.

Paul Walker’s Brother Doesn’t Want to Be a Stand-In Again

Cody made his position clear in an interview with Entertainment Weekly.

“My stance is, it’s what Meadow wants to see done; it’s her father,” he said.

Cody explained that he wouldn’t be interested in serving as his brother’s stand-in again because he remains satisfied with the way Brian’s story concluded in Furious 7.

Rather than killing the character, filmmakers allowed Brian to leave the team’s increasingly dangerous life behind and focus on raising his family.

For Cody, that remains a meaningful ending.

He described Brian’s exit as “beautiful,” explaining that the character is still alive within the Fast & Furious universe and simply living away from the action.

Paul Walker Could Potentially Be Recreated Using New Technology

Paul Walker died long before today’s generative AI boom, and Cody believes filmmaking technology has advanced enough that he and Caleb would no longer necessarily need to perform as stand-ins.

“AI was not a thing back in 2014, so they could do that,” Cody said, while pointing out that the studio has years of unused footage from previous Fast movies.

His comments don’t mean AI has officially been selected to recreate Walker.

Universal has not publicly confirmed how Brian O’Conner would appear in the movie, or whether Walker’s likeness will be digitally recreated at all.

Cody’s remarks describe what he believes is technically possible, rather than an announced production plan.

Vin Diesel Wants Brian O’Conner in the Finale

The speculation exists because Vin Diesel has repeatedly discussed bringing Brian back.

At FuelFest in California in June 2025, Diesel told fans he had three conditions for concluding the franchise.

He wanted the story to return to Los Angeles, return to the car culture and street racing that defined the original movie, and reunite Dominic Toretto with Brian O’Conner.

“That is what you’re going to get in the finale,” Diesel told the crowd.

At the time, however, he didn’t explain how that reunion would happen.

Universal has since officially listed the next movie under the title Fast Forever and scheduled it for March 17, 2028.

That date supersedes the earlier April 2027 window Diesel discussed at FuelFest.

How Furious 7 Completed Walker’s Performance

The franchise has already faced the extraordinarily difficult challenge of finishing a movie without one of its leading actors.

Walker died on November 30, 2013, at age 40, while Furious 7 was still being made.

Production was temporarily suspended while the filmmakers determined how to proceed.

Universal later announced that Walker had already completed his dramatic scenes and most of his action work. His brothers Cody and Caleb Walker subsequently joined the production to help complete remaining material.

The finished performance was much more complicated than simply placing a digital face onto a stand-in.

Wētā Digital, now known as Wētā FX, used previous footage of Walker, scans of his brothers, body doubles, digital reconstruction and meticulous compositing to complete the character’s remaining scenes.

Visual-effects supervisor Joe Letteri explained that the goal wasn’t to create a new interpretation of Brian. The team wanted to complete the performance as faithfully as possible to what Walker himself might have done.

7 Things to Know About Brian O’Conner’s Possible Return

Here are seven important details surrounding the possibility of seeing Brian again:

  1. Vin Diesel wants Brian and Dom reunited. Diesel publicly identified their reunion as one of his conditions for the franchise finale.
  2. Cody Walker won’t serve as a stand-in again. He says he is happy with Brian’s existing farewell and isn’t interested in repeating his Furious 7 role.
  3. Cody believes Meadow Walker’s opinion matters most. He says any decision involving her father’s character should ultimately respect what she wants.
  4. AI is only a possibility. Cody mentioned AI as technology filmmakers could potentially use, but no official AI recreation of Walker has been announced.
  5. Unused footage could be important. Cody specifically noted that years of footage from earlier Fast movies remain available.
  6. The franchise has digitally completed Walker’s performance before. Wētā used his brothers, archival material and extensive visual effects to finish Furious 7.
  7. The finale now has an official date. Universal currently lists Fast Forever for theatrical release on March 17, 2028.

Furious 7 Used Hundreds of Visual-Effects Shots

The technology used in 2014 and 2015 was already remarkably sophisticated.

Wētā’s artists were responsible for hundreds of shots involving Walker’s unfinished performance.

Some of the most challenging moments weren’t enormous action sequences. Close-ups and dialogue scenes were particularly difficult because viewers could concentrate on subtle facial expressions without fast editing or action distracting them.

The team used Cody, Caleb and actor John Brotherton as physical references and stand-ins. Existing footage of Walker was then extensively studied to preserve his mannerisms and interpretation of Brian.

That history is important because a potential appearance in Fast Forever wouldn’t represent the first time the franchise used technology to finish a Walker performance.

AI, however, would introduce a different set of creative and ethical questions.

Why Cody Walker Prefers Brian’s Existing Ending

Cody’s reluctance isn’t based simply on not wanting to return to a film set.

He genuinely likes where the filmmakers left Brian.

The final sequence of Furious 7 gave Walker and his character an emotional farewell without turning Brian’s departure into an on-screen death.

Brian and Dom drive together before eventually reaching a fork in the road and heading in different directions.

The scene was accompanied by Wiz Khalifa and Charlie Puth’s “See You Again” and became both the character’s farewell and a tribute to Walker himself.

Within the franchise, Brian remains alive.

Later films have maintained that idea, explaining his absence without undoing the ending Furious 7 created.

For Cody, bringing Brian back therefore needs a compelling reason.

Meadow Walker Has Her Own Connection to Fast & Furious

Cody’s decision to defer to Meadow is particularly meaningful because Walker’s daughter has maintained a relationship with the franchise.

Meadow made a cameo in Fast X in 2023, appearing as a flight attendant who helps Jakob Toretto, played by John Cena.

Diesel has also remained publicly close with Walker’s family.

That connection reinforces one of the franchise’s longest-running themes: family extends beyond the characters audiences see on screen.

Cody’s position is that if filmmakers ever digitally revisit his brother’s character, the wishes of Walker’s daughter should carry more weight than his own willingness to participate.

AI Would Raise New Questions for Hollywood

A potential digital return would also arrive at a very different moment for the entertainment industry.

When Furious 7 was completed, filmmakers relied heavily on traditional visual effects, digital compositing, archival footage and performances from physical stand-ins.

Today’s filmmakers also have access to rapidly developing AI tools capable of generating or altering voices, faces and performances.

That has created significant debate about digital replicas, performer consent and how deceased actors’ likenesses should be handled.

The key distinction in this case is that no AI plan has been confirmed.

Cody is saying filmmakers could potentially use the technology. He isn’t announcing that Universal will.

If it does happen, however, Fast Forever could become one of Hollywood’s most closely scrutinized examples of how modern technology is used to represent a deceased performer.

Paul Walker Remains Central to the Fast & Furious Legacy

Paul Walker first played Brian O’Conner in The Fast and the Furious in 2001.

Brian began the franchise as an undercover LAPD officer investigating Dominic Toretto’s street-racing crew. His relationship with Dom gradually transformed him from an outsider into one of the family’s central members.

Walker subsequently appeared in 2 Fast 2 Furious, Fast & Furious, Fast Five, Fast & Furious 6 and Furious 7.

The franchise has now generated more than $7 billion worldwide, evolving from a relatively grounded street-racing movie into one of Universal’s biggest action properties.

But Brian and Dom’s friendship remains foundational to the series.

That helps explain why Diesel wants the franchise to finish where it started: Los Angeles, street racing and the relationship between the two characters.

What We Know About Fast Forever

Universal currently provides relatively few official details about Fast Forever beyond its title and theatrical date.

The studio’s official website lists the movie for March 17, 2028.

Diesel has said he wants the final chapter to bring the franchise back to Los Angeles and its street-racing origins while reuniting Dom and Brian.

What remains unanswered is arguably the biggest question:

How will Brian return?

Cody won’t be stepping in again. AI hasn’t officially been chosen. And the filmmakers haven’t explained whether Brian’s appearance would involve archival footage, digital effects, a brief cameo or something more substantial.

For now, the possibility remains exactly that: a possibility.

But Cody Walker’s comments make one thing clear. If Brian O’Conner does take one last ride, he believes it should happen only in a way that respects his brother’s legacy — and the wishes of his daughter.

Stay Updated on Entertainment News and Casting Opportunities

Whether you’re following Hollywood’s biggest filmmakers or looking for your next acting opportunity, Project Casting keeps you connected with the entertainment industry.

Explore the latest casting calls and jobs, stay informed with entertainment news, and if you have any questions, visit or email.

FAQs

Could Paul Walker Return in the Final Fast & Furious Movie?

Brian O’Conner could potentially appear in Fast Forever. Vin Diesel has publicly said he wants Dom and Brian reunited, but Universal has not confirmed how the character would return or whether AI will be used.

What Did Paul Walker’s Brother Say About Using AI?

Cody Walker said modern technology and unused footage could potentially allow filmmakers to recreate Brian without requiring him or Caleb Walker to serve as stand-ins again. He also emphasized that he believes the decision should respect Meadow Walker’s wishes.

When Will the Final Fast & Furious Movie Be Released?

Universal currently lists Fast Forever for theatrical release on March 17, 2028. Vin Diesel previously discussed an April 2027 target, but the studio’s current official schedule confirms the later 2028 date.

Andrew Garfield Says AI Can’t Replicate the ‘Soul of Humanity’

Andrew Garfield is playing one of the most influential figures in artificial intelligence, but the actor remains optimistic that technology will never fully replace what makes people human.

The 43-year-old actor portrays OpenAI CEO Sam Altman in Artificial, Luca Guadagnino’s upcoming comedy-drama about the dramatic 2023 leadership crisis at OpenAI.

While promoting the film, Garfield shared his own perspective on artificial intelligence, arguing that technological progress does not mean humanity has made itself obsolete.

“The toothpaste is definitely out of the tube,” Garfield told The Hollywood Reporter, before adding that he has “a lot of hope” humanity will prevail.

His reason is simple: Garfield believes human creativity, spirit and emotional connection cannot be artificially reproduced.

Andrew Garfield Believes the Human Soul Can’t Be Artificialized

Garfield acknowledged that AI is already here and will continue influencing society.

But he draws a clear distinction between artificial intelligence and human intelligence.

“Artificial intelligence, the name is on the tin. It’s artificial,” Garfield said. “It’s not soul intelligence. It’s not human intelligence.”

The actor said he believes deeply in the “unreplicable nature” of the human soul and spirit.

That philosophy also shapes the stories he wants to tell.

Garfield remains interested in work that emphasizes human connection and doesn’t believe emerging technologies will replace experiences such as sitting inside a movie theater, watching live theater or attending a concert.

His comments arrive as entertainment industries continue debating how generative AI could affect writing, acting, visual effects and other creative professions.

Andrew Garfield Wants to Keep Telling Human Stories

For Andrew Garfield, the debate isn’t simply about whether AI can produce images, scripts or performances.

It’s about whether technology can reproduce the emotional connection created between human beings.

Garfield described new technology as potentially useful “tools,” but stopped short of treating those tools as substitutes for human creativity.

That distinction is particularly relevant to actors.

Performance depends on experiences that are difficult to quantify: memory, vulnerability, physical presence, emotional interpretation and the relationship between performers and audiences.

Garfield’s argument is that those qualities remain fundamentally human, even as the tools surrounding filmmaking continue evolving.

Artificial Puts Garfield at the Center of the AI Debate

His comments carry additional weight because his next major role places him directly inside one of the defining technology stories of the past decade.

In Artificial, Garfield plays Sam Altman, CEO of OpenAI.

Directed by Luca Guadagnino and written by Simon Rich, the film dramatizes the internal struggle that led OpenAI’s board to remove Altman as CEO in November 2023 before he returned days later.

The New York Film Festival describes the movie as a drama exploring roughly two decades of machine-learning development leading into today’s AI landscape. The film will have its world premiere at the 64th New York Film Festival on October 5, 2026.

Garfield has said he has never personally met Altman, meaning his portrayal was built through research, interviews, available footage and the screenplay.

Who Else Stars in Artificial?

Garfield isn’t the only actor portraying a recognizable figure from the technology industry.

Yura Borisov, the Oscar-nominated star of Anora, plays OpenAI co-founder and former chief scientist Ilya Sutskever, who was involved in the board decision that removed Altman.

Monica Barbaro portrays former OpenAI chief technology officer Mira Murati, while Ike Barinholtz plays Elon Musk, who co-founded OpenAI before later leaving the organization.

The larger ensemble includes Jason Schwartzman, Cooper Hoffman, Cooper Koch, Billie Lourd, Zosia Mamet, Chris O’Dowd and Mark Rylance.

The film also reunites Garfield with Guadagnino after their collaboration on After the Hunt.

7 Things to Know About Artificial

Here are seven important details about Garfield’s upcoming AI drama:

  1. Garfield plays Sam Altman. The actor portrays the OpenAI CEO during one of the company’s most turbulent periods.
  2. Luca Guadagnino directs. The filmmaker’s credits include Call Me by Your Name, Challengers, Queer and After the Hunt.
  3. Simon Rich wrote the screenplay. Rich’s previous film work includes An American Pickle, along with story contributions to projects including Inside Out and Wonka.
  4. The story centers on Altman’s 2023 firing. OpenAI’s board removed Altman as CEO before he returned to the position days later.
  5. The film has a major ensemble. Yura Borisov, Monica Barbaro, Ike Barinholtz, Jason Schwartzman and Mark Rylance are among the supporting cast.
  6. Neon will release the movie. Amazon MGM Studios originally developed the project but dropped it in June 2026. Neon subsequently acquired worldwide theatrical distribution rights.
  7. The theatrical release begins Christmas Day. After its October 5 NYFF premiere, Neon plans a limited U.S. theatrical release on December 25, 2026, followed by a wider rollout in January 2027.

Artificial Had an Unusual Journey to Theaters

The movie’s path to release has itself become part of the story.

Amazon MGM Studios originally backed Artificial, but the studio announced in June that it would no longer distribute the nearly completed film.

The decision attracted attention because it came months after Amazon announced a major commercial partnership with OpenAI.

Amazon said it believed the movie would be “better served” by another distributor and that it would work with the filmmaking team to find a new home. There has been no confirmed evidence that the OpenAI partnership caused the decision.

Neon ultimately acquired the movie for worldwide theatrical distribution and is positioning it for an awards-season release.

The first teaser arrived on September 8, offering audiences their clearest look yet at Garfield’s transformation into Altman.

The Role Brings Garfield Back to Silicon Valley

There is an interesting full-circle element to the casting.

More than 15 years ago, Garfield played Eduardo Saverin in David Fincher’s The Social Network, Aaron Sorkin’s dramatization of Facebook’s early years.

The performance earned Garfield widespread acclaim and helped establish him internationally before The Amazing Spider-Man.

Now he’s returning to the world of technology companies and powerful founders from a completely different perspective.

Instead of portraying the friend and business partner pushed away from a growing company, he’s playing the executive at the center of a corporate battle that briefly removed him from power before an extraordinary return.

The parallels make Artificial an intriguing continuation of Garfield’s relationship with Silicon Valley stories, even though the two films are unrelated.

Andrew Garfield Is Also Leading The Uprising

Andrew Garfield has another major project arriving much sooner.

He stars in The Uprising, director Paul Greengrass’ historical action drama inspired by England’s 1381 Peasants’ Revolt.

Garfield plays a farmer known as Ploughman who becomes involved in a rebellion against the political and economic system governing medieval England.

The film also stars Jamie Bell, Cosmo Jarvis, Thomasin McKenzie, Katherine Waterston, Tom Hollander, Stephen Dillane, Jonny Lee Miller and Woody Norman.

The movie opens in U.S. theaters on September 11, 2026.

Garfield Hopes The Uprising Makes Audiences Think About Inequality

Garfield’s comments about The Uprising reveal another theme connecting his recent work: concern about power and how it affects ordinary people.

The actor said he hopes audiences recognize their own struggles in characters living in a radically different historical period.

He described wanting the movie to feel “galvanising” and suggested that its themes could encourage viewers to think about modern inequality.

Garfield even joked provocatively that he hopes any billionaires who see the film leave “scared” by its message.

The historical drama and Artificial are obviously very different movies, but both examine individuals confronting systems with enormous concentrations of power.

Why Garfield’s AI Comments Matter for Actors

The entertainment industry’s relationship with AI has become particularly important for performers.

Generative technology has raised questions around digital replicas, synthetic voices, screenwriting, visual effects and how human creative work will be valued as AI systems become more capable.

Garfield isn’t arguing against technology itself.

His position is more optimistic.

Technology can become another filmmaking tool, but he believes the emotional exchange between a human performer and an audience remains something fundamentally different.

For aspiring actors, that perspective is significant.

Casting may evolve. Production technology will evolve. The tools available to filmmakers will continue changing.

But the qualities actors spend years developing — interpretation, emotional truth, imagination and connection — remain rooted in human experience.

What’s Next for Garfield?

Garfield enters the final months of 2026 with two dramatically different leading roles.

The Uprising puts him inside a medieval rebellion, while Artificial places him at the center of one of the most consequential technology debates of the modern era.

His comments suggest he isn’t ignoring the scale of AI’s potential impact.

Instead, he’s drawing a boundary between technological capability and human experience.

AI may continue becoming more sophisticated.

But Garfield believes there is still something technology cannot reproduce: the human soul behind the story.

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FAQs

What Did Andrew Garfield Say About Artificial Intelligence?

Garfield said he remains hopeful about humanity despite the rapid development of AI. He believes artificial intelligence cannot reproduce the human soul, spirit or the emotional connections created through human storytelling.

Is Andrew Garfield Playing Sam Altman in Artificial?

Yes. Garfield portrays OpenAI CEO Sam Altman in Luca Guadagnino’s Artificial. The film focuses on the events surrounding Altman’s temporary removal as OpenAI CEO in November 2023 and his return days later.

When Is Artificial Being Released?

Artificial will have its world premiere at the New York Film Festival on October 5, 2026. Neon plans to release the film in select U.S. theaters on December 25, 2026, before expanding it more widely in January 2027.

Sydney Sweeney Says She Works Better When She Has ‘More Hats to Wear’

Sydney Sweeney isn’t interested in simply showing up in front of the camera.

The 28-year-old Euphoria star has increasingly expanded her career into producing, entrepreneurship and brand partnerships, and she says taking on more responsibilities actually helps her perform better.

Speaking with Complex, Sweeney explained that she enjoys being involved throughout the entire creative process, from casting and budgeting to marketing and distribution.

“I actually find myself being able to work better when I have more hats to wear,” she said.

Her latest example is a partnership with sports prediction platform Novig, where Sweeney isn’t simply appearing in the company’s new “Just Sports” campaign. She has joined the business as a strategic partner and equity holder and was involved creatively from the beginning.

Sydney Sweeney Wants to Be Involved From the Ground Up

Sweeney told Complex that having a voice across different parts of a project gives her a stronger sense of ownership.

That means understanding decisions that actors traditionally haven’t been expected to handle.

She wants to know how a production is cast, how much it costs, how it will be marketed, who might buy it and which audiences it is trying to reach.

The experience has also changed how she views filmmaking crews.

According to Sweeney, learning what happens behind the scenes has helped her better appreciate every person working on a production.

It’s a philosophy that has increasingly shaped her Hollywood career.

Sydney Sweeney Says Creative Authority Helps Her Learn

For Sydney Sweeney, taking on additional responsibilities isn’t simply about gaining more control.

She sees it as an opportunity to learn.

Producing allows her to participate in conversations that might otherwise happen without an actor present, while entrepreneurship has introduced her to different sides of branding, marketing and business strategy.

That approach is becoming an important part of her professional identity.

Sweeney still considers acting central to her career, but she has increasingly positioned herself as someone who wants to help build projects rather than simply be cast in them.

Producing Has Become a Major Part of Sweeney’s Career

Sweeney launched her production company Fifty-Fifty Films in 2020 and has steadily expanded her producing credits.

Her first major producing breakthrough came with Anyone But You, the 2023 romantic comedy she starred in opposite Glen Powell. Sweeney served as an executive producer on the film, which became a major box-office success.

She subsequently produced the 2024 horror film Immaculate, a project she had originally auditioned for years earlier before helping revive it through her production company.

Her producing work continued with Christy, the biographical drama in which she portrayed boxer Christy Martin, and The Housemaid, the psychological thriller starring Sweeney and Amanda Seyfried.

That growing résumé shows how deliberately she has moved beyond acting alone.

7 Ways Sweeney Is Expanding Beyond Acting

Sweeney’s recent career offers several examples of the “more hats” philosophy she described:

  1. She executive produced Anyone But You. Sweeney helped develop the romantic comedy while also starring opposite Glen Powell.
  2. She produced Immaculate. Her company helped bring the horror project back to life after Sweeney had originally auditioned for an earlier version years before.
  3. She produced Christy. Sweeney transformed physically to portray professional boxer Christy Martin while also working behind the camera.
  4. She executive produced The Housemaid. The adaptation paired her with Amanda Seyfried and continued her move into commercially driven projects.
  5. She founded SYRN. Sweeney launched her lingerie company in January 2026 and described herself as its sole founder.
  6. She became an equity partner in Novig. Rather than accepting a traditional endorsement deal, Sweeney took a financial stake and strategic role in the sports prediction company.
  7. Her producing slate continues growing. Projects connected to her as a producer or executive producer include Gundam, Split Fiction, The Housemaid’s Secret and other films in development.

Together, those ventures show a career increasingly built around ownership and creative involvement.

Sweeney Joins Novig as an Equity Partner

Her latest business move is with Novig, a sports prediction market that launched its first national brand campaign this week.

The company announced Sweeney as both a strategic partner and equity holder.

The campaign, titled “Just Sports,” emphasizes Novig’s decision to focus its prediction markets exclusively on sporting events rather than areas such as politics.

Sweeney told Complex that she doesn’t like simply putting her face on a product.

Instead, she wants partnerships where she can work with the team and participate in the creative process.

She said she developed a strong relationship with Novig co-founder and CEO Jacob Fortinsky and believed in him as a founder.

The ‘Just Sports’ Campaign Takes a Bold Approach

The campaign itself is intentionally provocative.

Sweeney appears in a series of sports-themed setups using footballs, basketballs, hockey equipment and other athletic gear as part of the visual concept.

According to Novig, the campaign is designed to cut through the noise surrounding the growing prediction-market industry by emphasizing one message: the platform is focused on sports.

Sweeney said she was involved in creative conversations from the beginning and described the concept as simple, playful and humorous.

The campaign was filmed while she was in Australia working on Netflix’s live-action Gundam movie.

Novig says the campaign will run across digital platforms, social media, online video and out-of-home advertising throughout football season.

SYRN Gives Sweeney Another Form of Ownership

The Novig partnership follows another significant business move.

Earlier this year, Sweeney launched SYRN, her own lingerie company.

She told Elle that years of dealing with uncomfortable wardrobe pieces while working as an actress helped inspire the business.

Rather than simply licensing her name to an established fashion company, Sweeney described herself as SYRN’s sole founder and said she wanted to create lingerie designed around different bodies rather than expecting women to fit a single standard.

That distinction fits closely with what she’s now saying about her wider career.

Whether she’s making a film or developing a business, Sweeney appears increasingly interested in having a meaningful role in how the final product is created.

Sydney Sweeney Has Built a Career Around Taking Risks

Sydney Sweeney has also resisted being defined by a single character or genre.

Her breakthrough performances in Euphoria and The White Lotus established her as one of television’s most recognizable young actors.

But her subsequent film choices have moved between radically different genres.

She starred in romantic comedy Anyone But You, horror film Immaculate, superhero movie Madame Web, psychological thriller The Housemaid and boxing biopic Christy.

Sweeney previously said she has deliberately fought against being typecast as Cassie, her emotionally volatile Euphoria character.

She pointed to projects including Reality, Christy, The Housemaid, Eden and Anyone But You as evidence that she’s actively seeking different kinds of roles.

Sports Were Part of Sweeney’s Life Before Acting

Her Novig partnership also connects with an interest that predates her Hollywood career.

Sweeney has described herself as highly athletic growing up.

She participated in sports including soccer and softball and trained in mixed martial arts. Her interest in athletics eventually became professionally useful when she underwent extensive physical preparation to portray boxer Christy Martin.

But there was another childhood ambition that never happened.

Sweeney told Complex that when she was around 12, she wanted to compete at the X Games as a wakeboarder.

Acting ultimately became her career instead.

Now, her work with Novig has unexpectedly brought sports, entertainment and business together.

Why Sweeney’s Approach Matters for Young Actors

Sweeney’s career reflects a broader shift in what being an actor can look like.

Actors historically depended heavily on studios, producers and casting directors to determine which opportunities reached them.

Producing provides another route.

Instead of waiting for the right character to appear, actors can identify material, develop projects, hire creative teams and participate in decisions about how their work reaches audiences.

That doesn’t mean every performer needs to become a producer or entrepreneur.

But understanding the business surrounding acting can provide greater context about why certain casting, budgeting and marketing decisions are made.

Sweeney’s approach demonstrates one possible path: learn what happens beyond the audition room and become involved in creating opportunities as well as pursuing them.

What’s Next for Sweeney?

Sweeney’s schedule suggests she has no plans to reduce the number of hats she’s wearing.

She recently completed work in Australia on the live-action Gundam film, which also stars Noah Centineo. Her development slate includes projects that continue giving her producing responsibilities alongside acting roles.

At the same time, SYRN gives her a company outside Hollywood, while the Novig deal adds another equity partnership to her portfolio.

The common thread is ownership.

Whether she’s sitting in casting discussions, reviewing marketing strategies, developing a movie or investing in a company, Sweeney wants to understand how the entire operation works.

For her, apparently, having more responsibilities isn’t a distraction.

It’s how she works best.

Stay Updated on Entertainment News and Casting Opportunities

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Explore the latest casting calls and jobs, stay informed with entertainment news, and if you have any questions, visit or email.

FAQs

Why Does Sydney Sweeney Say She Works Better With More Responsibilities?

Sweeney says she enjoys being involved throughout the creative process. Producing allows her to participate in decisions involving casting, budgets, marketing and distribution while gaining a deeper understanding of how productions operate.

What Is Sydney Sweeney’s Production Company?

Sweeney founded Fifty-Fifty Films in 2020. Her producing credits include Anyone But You, Immaculate, Christy and The Housemaid, with additional projects in development.

What Is Sydney Sweeney’s Role With Novig?

Sweeney has joined Novig as a strategic partner and equity holder, not simply as a spokesperson. She also helped develop the company’s “Just Sports” campaign and said she was involved in creative conversations from the beginning.

Sandra Bullock Reveals Why Practical Magic Backlash Made Her Feel She’d ‘Done Something Wrong’

Sandra Bullock has opened up about the harsh reaction to Practical Magic and why the criticism initially made her question whether she had made a mistake by starring in the movie.

Speaking with Jennifer Aniston for Interview magazine, the 62-year-old actress reflected on the reception to the 1998 fantasy film, which paired her with Nicole Kidman as magical sisters Sally and Gillian Owens.

While Practical Magic is now considered a cult favorite, Bullock remembers a very different response when it first arrived in theaters.

She said the movie was “absolutely eviscerated” by critics, with some reviews questioning its focus on women and emotion. The backlash affected Bullock personally, leaving her with what she described as a “decent amount of shame.”

Nearly three decades later, however, audiences have transformed the movie’s legacy — and Bullock and Kidman are returning for Practical Magic 2.

Sandra Bullock Says the Original Practical Magic Was ‘Eviscerated’

The original Practical Magic arrived in theaters in October 1998.

Directed by Griffin Dunne and adapted from Alice Hoffman’s 1995 novel, the movie followed sisters Sally and Gillian Owens, descendants of a family of witches living under a centuries-old romantic curse.

Bullock played Sally opposite Kidman’s Gillian, with Dianne Wiest, Stockard Channing, Aidan Quinn and Goran Višnjić among the supporting cast.

The movie struggled with critics.

Today, the original holds a 30% critics score on Rotten Tomatoes, compared with a much stronger 73% audience score, illustrating the divide between its critical reception and the affection it later developed among viewers.

Bullock recalled that reviews at the time could be particularly dismissive of the film’s emotional and female-centered storytelling.

For an actor still establishing herself as one of Hollywood’s leading stars, the response hit hard.

Sandra Bullock Thought She Had ‘Done Something Wrong’

Sandra Bullock admitted that the criticism made her internalize the movie’s reception.

“I had a decent amount of shame because I thought I’d done something wrong,” she recalled, describing her reaction as essentially deciding she wouldn’t make that kind of movie again.

But something unexpected happened.

Practical Magic didn’t disappear.

Instead, viewers continued discovering it on home video, television and eventually streaming. Bullock credits the growth of online communities and social media with allowing audiences to communicate what the movie meant to them.

The actress said mothers began sharing the film with their daughters, who then grew up and introduced it to another generation.

What initially looked like a disappointment gradually became one of the most enduring films in both Bullock and Kidman’s careers.

How Practical Magic Became a Cult Classic

Part of the film’s staying power comes from how difficult it is to place inside a single genre.

Practical Magic combines romance, comedy, supernatural fantasy, family drama and darker themes while keeping the relationship between Sally and Gillian at its center.

That unusual combination frustrated some critics in 1998.

For later audiences, it became part of the appeal.

The chemistry between Bullock and Kidman has also remained one of the movie’s strongest elements. Even Rotten Tomatoes’ critical consensus, while negative about the film overall, specifically acknowledges the strength of their pairing.

Its themes of sisterhood, female friendship, grief, love and generational trauma also gave viewers more to return to than its supernatural premise alone.

Nearly 28 years later, that audience loyalty has helped make a theatrical sequel possible.

7 Things to Know About Practical Magic 2

With the Owens sisters finally returning, here are seven major details about the sequel:

  1. Bullock and Nicole Kidman are back. They reprise their roles as Sally and Gillian Owens and also serve as producers.
  2. Dianne Wiest and Stockard Channing return. The actresses are back as Aunt Jet and Aunt Frances.
  3. The next generation plays a major role. Joey King stars as Kylie Owens, while Maisie Williams plays Antonia Owens.
  4. The cast has several major additions. Lee Pace, Xolo Maridueña and Solly McLeod are among the new cast members.
  5. Susanne Bier directs. Bier previously directed Bullock in Bird Box and worked with Kidman on The Undoing and The Perfect Couple.
  6. Alice Hoffman’s books remain central. Warner Bros. says the sequel is based on Hoffman’s The Book of Magic, with a screenplay credited to Akiva Goldsman, Georgia Pritchett and Kelly Marcel.
  7. The sequel arrives nearly 28 years later. Warner Bros. is releasing Practical Magic 2 internationally beginning September 9, with its North American theatrical release following this week.

Why Bullock Wanted to Return for Practical Magic 2

The sequel didn’t begin simply because Hollywood wanted to revive another familiar title.

According to Bullock, she found herself thinking about what another Practical Magic story could say now.

She contacted producer Denise Di Novi and suggested that a sequel would need to address Sally’s daughters while also engaging with what was happening in the world.

Di Novi pointed her toward Hoffman’s later writing about the Owens family.

That gave Bullock a narrative reason to return.

The official sequel now centers on the Owens family confronting a dark curse threatening another generation, bringing the franchise’s themes of family inheritance and generational patterns back to the forefront.

Sandra Bullock and Nicole Kidman Reunite Nearly 30 Years Later

The reunion also carries considerably more history than it would have a decade ago.

Both actresses have become major producers as well as performers since making the original movie.

Kidman and Bullock recently explained that their own life experiences helped make this the right moment to revisit Sally and Gillian. The sequel allowed them to explore the Owens family with perspectives shaped by nearly three additional decades of their own lives.

That makes Practical Magic 2 more than a straightforward nostalgia project.

The actresses are returning to characters they first played in their thirties while exploring what those women, and the generations after them, look like later in life.

The Sequel Brings the Owens Family Into a New Generation

The official synopsis says Sally and Gillian must confront a curse threatening to unravel their family.

This time, Sally’s daughters are no longer children.

Joey King plays Kylie Owens and Maisie Williams plays Antonia, allowing the sequel to examine the family’s magical inheritance through another generation.

The story also expands beyond the familiar Owens house, with the family traveling to the U.K. as the mystery develops.

For longtime fans, however, the major attraction remains seeing Bullock, Kidman, Wiest and Channing together again.

Practical Magic 2 Faces the Same Critical Challenge

There is an interesting parallel between the two films.

Early reviews for the sequel are once again divided.

Some critics have praised the reunion between Bullock and Kidman and the nostalgia surrounding the Owens family, while others argue that the sequel struggles to recreate the original’s distinctive charm.

That feels particularly relevant given Bullock’s comments about the first movie.

The original was hardly embraced by critics in 1998, yet its long-term cultural life ultimately depended on audiences rather than reviews.

Whether the sequel follows a similar path will become clearer once general audiences have had the chance to see it.

Why the Original Movie Still Matters to Its Stars

For Bullock, the transformation of Practical Magic from critically dismissed movie to generational favorite changed how she understood its impact.

The audience response demonstrated that a film’s opening reviews don’t necessarily determine its legacy.

That lesson is especially relevant for actors and filmmakers.

Projects can be misunderstood when they arrive. Audience tastes change. New generations discover older performances without the expectations surrounding their original release.

And sometimes the work that initially makes an artist question their choices becomes the work audiences ask them to revisit decades later.

In Bullock’s case, the movie she once worried she’d been wrong to make eventually became important enough to bring its original stars back together almost 30 years later.

What’s Next for Sandra Bullock?

Sandra Bullock has been increasingly selective about acting in recent years, making the decision to return as Sally Owens especially significant.

She recently explained that her children remain central to how she chooses projects. Bullock said she won’t accept work that prevents her children from being with her, and she structures filming around their schedules whenever possible.

With Practical Magic 2, she isn’t simply returning as its star.

Bullock is also producing alongside Kidman and Denise Di Novi, giving her a role in shaping the continuation of a film whose initial reception once made her doubt herself.

Almost three decades after those reviews, audiences are getting the clearest possible indication of how dramatically the movie’s reputation has changed:

Hollywood made another one.

Stay Updated on Entertainment News and Casting Opportunities

Whether you’re following Hollywood’s biggest filmmakers or looking for your next acting opportunity, Project Casting keeps you connected with the entertainment industry.

Explore the latest casting calls and jobs, stay informed with entertainment news, and if you have any questions, visit or email.

FAQs

Why Did Sandra Bullock Feel Ashamed After Practical Magic?

Bullock said the harsh reviews made her feel as though she had “done something wrong.” The movie was poorly received by many critics when it premiered in 1998, despite later developing a passionate audience and cult following.

Is Sandra Bullock Returning for Practical Magic 2?

Yes. Bullock reprises her role as Sally Owens alongside Nicole Kidman as Gillian Owens. Both actresses are also producers on the sequel.

When Does Practical Magic 2 Come Out?

Warner Bros. is releasing Practical Magic 2 internationally beginning September 9, 2026, with its North American theatrical rollout following this week. The film is directed by Susanne Bier and reunites several members of the original cast.

Dolly Parton Almost Starred as a DC Villain in ‘Supergirl’

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Country music legend Dolly Parton nearly added a surprising credit to her acting résumé: a villainous role in a DC superhero movie.

Before Faye Dunaway portrayed Selena in the 1984 film Supergirl, Parton was considered for the magical antagonist opposite Helen Slater’s Supergirl.

The unexpected casting story has resurfaced decades later, offering fans a fascinating look at what could have been one of the most unusual superhero movie casting decisions of the 1980s.

Parton died on August 25, 2026, at age 80, leaving behind a remarkable legacy spanning music, film, television, business, and philanthropy.

Dolly Parton Was Considered for the Villain in ‘Supergirl’

According to a resurfaced 1982 interview, Parton revealed that she was discussing the possibility of playing a witch in the upcoming Supergirl movie.

The character was Selena, the primary villain who would eventually be played by Academy Award-winning actress Faye Dunaway.

Parton described the character as magical and funny, suggesting she was at least intrigued by the opportunity.

However, there was one major practical issue: the production would require her to spend several months filming in London.

Parton was already balancing a hugely successful music career with a growing list of movie roles, making such a lengthy commitment a significant decision.

Entertainment Weekly reported that Parton was ultimately offered approximately $7 million for the role before passing on the project.

Why Dolly Parton Turned Down ‘Supergirl’

Money apparently wasn’t enough to convince Parton.

In a later interview, the singer explained that she had reservations about playing a character she viewed as fundamentally evil.

Parton was surprised filmmakers had envisioned her as a villain and ultimately decided the character did not fit the type of screen roles she wanted to pursue.

That decision reflected Parton’s broader approach to acting.

Rather than attempting to completely disappear into characters far removed from her personality, Parton often gravitated toward roles that incorporated elements of her natural humor, warmth, confidence, and Southern identity.

Selena ultimately went to Faye Dunaway.

What Was Dolly Parton’s Acting Career Like?

Although Parton will always be best known as one of country music’s most influential artists, she also built an impressive acting career.

Her breakthrough movie role came in the 1980 workplace comedy 9 to 5, where she starred alongside Jane Fonda and Lily Tomlin.

Parton later appeared in movies including The Best Little Whorehouse in Texas, Rhinestone, Steel Magnolias, and Straight Talk.

Many of those characters played to qualities audiences already associated with Parton, including her comedic timing, Southern charm, and larger-than-life personality.

Playing a supernatural comic-book villain could have taken her film career in an entirely different direction.

Who Played Selena in ‘Supergirl’?

Faye Dunaway ultimately took on the role of Selena in Supergirl.

Released in 1984, the superhero movie starred Helen Slater as Kara Zor-El, Superman’s cousin.

The film followed Kara after she traveled to Earth and became Supergirl, eventually facing Selena, a powerful witch who gains access to a dangerous source of magical power.

The movie was an early attempt to expand the Superman franchise around another major DC character.

While Supergirl did not become the blockbuster franchise its filmmakers hoped for, the film developed a place in superhero movie history — and its casting could have looked very different with Parton as its central villain.

Dolly Parton’s Casting Story Shows How Different Movies Can Become

Hollywood is filled with famous examples of actors who nearly played iconic characters.

Casting directors, producers, studios, and filmmakers may consider multiple performers before a role is finalized. An actor can be approached, audition, negotiate an offer, or even express interest without ultimately appearing in the finished production.

Sometimes scheduling gets in the way. Other times an actor decides the character is not the right creative fit.

Parton’s Supergirl story appears to have involved both.

The London production schedule presented a challenge, while playing an overtly evil character did not align with the types of roles Parton wanted at that stage of her acting career.

For actors, it is another reminder that casting is rarely as straightforward as seeing a name in the final credits.

What Actors Can Learn From Dolly Parton’s Decision

Turning down a multimillion-dollar superhero role might seem unimaginable for many performers, but Parton’s decision illustrates an important career principle: not every opportunity is necessarily the right opportunity.

Actors often have to consider more than compensation or the visibility of a project.

A role can affect an actor’s public image, future casting opportunities, schedule, creative direction, and long-term career goals.

For emerging actors, the circumstances will obviously be different from those of an established superstar. Still, understanding what types of projects support your career goals can become increasingly important as opportunities grow.

At the same time, performers should remain open to unexpected casting possibilities.

After all, somewhere in an alternate version of Hollywood history, Dolly Parton could have been battling Supergirl on the big screen.

Frequently Asked Questions

Was Dolly Parton supposed to be in ‘Supergirl’?

Dolly Parton was considered for the role of Selena in the 1984 movie Supergirl. She discussed the potential role publicly before ultimately deciding not to take it.

Who was Dolly Parton going to play in ‘Supergirl’?

Parton was considered to play Selena, a magical villain who serves as the movie’s main antagonist.

How much was Dolly Parton offered for ‘Supergirl’?

Parton later said she had been offered approximately $7 million to play the role that eventually went to Faye Dunaway.

Why did Dolly Parton turn down ‘Supergirl’?

Parton cited both the demands of spending months filming in London and her reluctance to portray an evil character. She generally preferred acting roles that reflected elements of her own personality.

Who played Selena in the 1984 ‘Supergirl’ movie?

Faye Dunaway ultimately played Selena opposite Helen Slater, who starred as Supergirl.

What movies did Dolly Parton act in?

Parton appeared in several notable movies, including 9 to 5, The Best Little Whorehouse in Texas, Rhinestone, Steel Magnolias, and Straight Talk.

Who played Supergirl in the 1984 movie?

Helen Slater played Kara Zor-El, also known as Supergirl, in the 1984 film.

Where can actors find movie and TV casting calls?

Actors can discover film, television, commercial, modeling, and entertainment industry opportunities through Project Casting. Performers can also use Project Casting to follow industry news and learn more about navigating auditions and building an acting career.

How to Get Cast in NBC’s ‘Chicago Fire’ Season 15

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Chicago Fire Season 14 Renewed: New Faces, Cast Exits, and What to Expect

NBC’s high-octane drama Chicago Fire is officially coming back for Season 14. While the brave first responders of Firehouse 51 will continue to save lives in the Windy City, fans should brace for big cast shake-ups and behind-the-scenes changes.

NBC Renews Chicago Fire for 2025-26 Season

NBC Casting Call
Orlando, Florida, USA-July 16, 2019: Golden sign of NBC which is an American English-language commercial television network that is a flagship property of NBCUniversal – Image (Editorial credit: BobNoah / Shutterstock.com)

Chicago Fire has been renewed by NBC for the 2025–26 TV season. The long-running hit will return for its 14th season following the conclusion of its 13th season, which wrapped on May 21. The series remains a flagship of NBC’s One Chicago universe, which also includes Chicago Med and Chicago PD.

The show continues to follow the intense and emotional lives of the firefighters, paramedics, and rescue squad at Firehouse 51, with stars like Taylor Kinney (Lt. Severide), David Eigenberg, Christian Stolte, and Miranda Rae Mayo returning to lead the ensemble.

Ratings Dip, But Firehouse 51 Stays Strong

Despite a noticeable drop in viewership, Chicago Fire remains a top-performing scripted series for NBC. Season 13 averaged a 0.39 rating in the 18–49 demographic and drew in 5.72 million viewers, including DVR playback—down 21% in the demo and 9% in total viewers compared to Season 12.

Still, its strong Wednesday night performance secures its place as NBC’s second-highest-rated scripted show.

Budget Cuts Bring Cast Changes and Fewer Episodes

In a bid to tighten production costs, NBC is implementing changes that will affect the cast and episode structure of Season 14:

  • Some main cast members will skip 2–4 episodes.
  • Actors who don’t establish Illinois residency may be featured in fewer episodes due to the show’s Chicago filming base.
  • Annual salary raises (typically 5%) are being frozen for select cast members.
  • Some characters may be written off entirely.

These adjustments are part of a broader cost-reduction strategy across network TV.

Two Fan Favorites Exit the Series

With change comes loss. Chicago Fire fans will be saying goodbye to two beloved characters:

  • Daniel Kyri, who portrayed Darren Ritter for seven seasons.
  • Jake Lockett, who played Sam Carver for three seasons.

NBC has not confirmed whether these exits will occur on-screen or be handled off-camera.

Brandon Larracuente Joins Cast in Mysterious New Role

To fill the gap left by Ritter and Carver, Chicago Fire is bringing in fresh talent. Brandon Larracuente has been cast as a new series regular for Season 14. Although character details remain under wraps, it’s highly likely he’ll be stepping in as a new firefighter at Firehouse 51.

Larracuente is no stranger to the Wolf Entertainment family, having starred in the Prime Video series On Call. His casting hints at a seamless integration into the One Chicago world.

Fans are especially curious to see if his character will represent the LGBTQ+ community, following the departure of the franchise’s only regular LGBTQ+ character (Ritter).

When Will Chicago Fire Season 14 Premiere?

NBC has yet to announce a specific premiere date, but Chicago Fire Season 14 is expected to debut in Fall 2025. Filming begins in July, so fans should anticipate first-look images and teasers in the coming weeks.

Stay tuned for updates on casting news, plot developments, and behind-the-scenes changes as the series gears up for another action-packed season.

Who Is Casting Chicago Fire Season 14?

Casting for Chicago Fire Season 14 is in the capable hands of Chicago Fire Extras, a reputable casting team that specializes in non-speaking background roles and stand-ins for the NBC drama. They are instrumental in finding local talent to represent the city of Chicago on-screen authentically.

The extras casting is directed by Joan Philo, a veteran casting director with decades of experience in Chicago television and film. Her team is known for maintaining a high standard of professionalism and accuracy when matching talent to production needs.

Joan Philo and the Chicago Fire Extras team have contributed to the realism and diversity of the show, casting real Chicago locals in essential behind-the-scenes roles that help bring Firehouse 51 to life.


Apply for Chicago Fire Season 14 Casting Calls on Project Casting

Want to join the ranks of Firehouse 51? NBC is currently casting stand-ins for Chicago Fire Season 14. Whether you’re just starting out or looking to gain more on-set experience, this is a great opportunity to work behind the scenes of a hit drama series.


NBC ‘Chicago Fire’ Season 15 Casting Call for SI Javi

SI Javi Stand-In for “Chicago Fire”

Job Description

“Chicago Fire” is seeking a stand-in to match the appearance of the SI Javi character for upcoming production work in Chicago. This paid, non-speaking stand-in opportunity requires talent who can closely match the actor’s general height, build, complexion, and hair while assisting the lighting and camera teams during scene preparation.

Job Responsibilities

  • Work as a stand-in for principal talent on “Chicago Fire.”
  • Stand in place of the actor during lighting and camera blocking.
  • Match assigned positions and movements as directed by the production team.
  • Work closely with the camera, lighting, and assistant directing departments.
  • Remain professional and prepared throughout an extended production day.

Requirements

  • Latino talent.
  • Ages 18–30.
  • Height between 5’8″ and 5’10”.
  • Weight between 130–160 lbs.
  • Dark hair.
  • Must be local to Chicago, the surrounding suburbs, or nearby Illinois border states.
  • Stand-in or background acting experience is a plus.

Compensation

  • $192 for 8 hours.
  • Time-and-a-half pay after 8 hours.

Click here to apply now!

NBC ‘Chicago Fire’ Season 15 Casting Call for SI Archer

SI Archer Stand-In for “Chicago Fire”

Job Description

“Chicago Fire” is seeking a male stand-in to match the appearance of the SI Archer character for production in Chicago. The selected performer will assist with lighting and camera blocking by standing in for principal talent between takes and during scene preparation.

Job Responsibilities

  • Serve as a stand-in for principal talent on “Chicago Fire.”
  • Assist the camera and lighting departments during scene setup.
  • Follow blocking, positioning, and movement instructions.
  • Maintain consistency throughout lighting and camera rehearsals.
  • Remain available and professional during the full production day.

Requirements

  • Caucasian male.
  • Ages 40s–60s.
  • Height between 6’0″ and 6’2″.
  • Slim to medium build.
  • Grey hair.
  • Must be local to Chicago, the surrounding suburbs, or nearby Illinois border states.
  • Stand-in or background acting experience is a plus.

Compensation

  • $192 for 8 hours.
  • Time-and-a-half pay after 8 hours.

Click here to apply now!

NBC ‘Chicago Fire’ Season 15 Casting Call for SI Otis

SI Otis Stand-In for “Chicago Fire”

Job Description

“Chicago Fire” is seeking a stand-in to match the appearance of the SI Otis character for upcoming production work in Chicago. This paid stand-in role involves assisting the production team with lighting and camera blocking while closely matching the general physical appearance of principal talent.

Job Responsibilities

  • Work as a stand-in for principal talent during production.
  • Assist with lighting, camera setup, and scene blocking.
  • Follow positioning and movement instructions from the crew.
  • Maintain consistency during rehearsals and technical preparation.
  • Remain professional and attentive throughout filming.

Requirements

  • Caucasian or Latino talent.
  • Height between 5’5″ and 5’9″.
  • Slim to medium build.
  • Dark hair.
  • Must be local to Chicago, the surrounding suburbs, or nearby Illinois border states.
  • Stand-in or background acting experience is a plus.

Compensation

  • $192 for 8 hours.
  • Time-and-a-half pay after 8 hours.

Click here to apply now!

NBC ‘Chicago Fire’ Season 15 Casting Call for Bartender

Experienced Male Bartender for “Chicago Fire”

Job Description

“Chicago Fire” is seeking an experienced male bartender for a non-speaking background role in Molly’s Bar scenes. This paid TV casting opportunity is open to men of all ethnicities who have real bartending experience and can confidently perform authentic bar service actions on camera. Talent must be local to Chicago, the surrounding suburbs, or nearby Illinois border states.

Job Responsibilities

  • Portray a bartender in Molly’s Bar scenes on “Chicago Fire.”
  • Perform realistic bartending and bar service actions on camera.
  • Handle typical bartender duties naturally during background scenes.
  • Follow direction from the production and assistant directing teams.
  • Maintain continuity and professionalism throughout filming.

Requirements

  • Male talent.
  • Ages 20s–50s.
  • Open to all ethnicities.
  • Must have real bartending experience.
  • Must be comfortable performing a non-speaking background role.
  • Must be local to Chicago, the surrounding suburbs, or nearby Illinois border states.
  • Must not have recently worked on the production or already be booked for an upcoming episode.

Compensation

  • $136.40 for 8 hours.
  • Time-and-a-half pay after 8 hours.

Click here to apply now!

NBC ‘Chicago Fire’ Casting Call for Boy Photo Double

TV Production Casting Call – Boy Photo Double

Job Description

A television production filming in the Chicago area is seeking a Caucasian boy to work as a paid photo double. The selected child will match a principal actor in general build, complexion, and hair color and may appear in wide shots or insert shots in place of the actor. This is a non-speaking role that includes on-set schooling during each workday.

Job Responsibilities

  • Work as a photo double for a principal actor
  • Appear in wide shots and insert shots as needed
  • Match the positioning and movements required for the scene
  • Participate in rehearsal and filming as directed
  • Follow instructions from the production team
  • Attend required on-set schooling

Requirements

  • Caucasian boy
  • Ages 7–8
  • Approximately 4’2″–4’4″ tall
  • Approximately 50–55 lbs.
  • Blonde or light brown curly hair
  • Must reasonably match the principal actor’s build, complexion, and hair
  • Must be local to Chicago, surrounding suburbs, or nearby border states
  • Parent or guardian must be available to accompany the child as required

Compensation

  • $170 for 6 hours
  • Time-and-a-half after 6 hours

Click here to apply now!

NBC ‘Chicago Fire’ Casting Call for Male Stand-In

TV Series Casting Call – Male Stand-In

Job Description

A television production is seeking a Caucasian male stand-in to work in Chicago, Illinois. The ideal candidate should closely match the actor’s general hair color, weight, and complexion to assist the production team with lighting and camera blocking. This opportunity is open to experienced stand-ins as well as talent interested in gaining professional stand-in experience. Local talent from Chicago, surrounding suburbs, and nearby border states is encouraged.

Job Responsibilities

  • Work as a stand-in for a principal actor during production
  • Assist the camera and lighting departments with blocking and setup
  • Follow positioning and movement instructions from the production team
  • Maintain consistency throughout lighting and camera rehearsals
  • Remain professional, punctual, and attentive while on set

Requirements

  • Caucasian male
  • Ages 50s–60s
  • Height between 5’11” and 6’1″
  • Weight between 175–200 lbs
  • Must reasonably match the actor’s hair color, complexion, and overall appearance
  • Previous stand-in or extra experience is a plus
  • Must be local to Chicago, surrounding suburbs, or nearby border states
  • Reliable and comfortable working closely with the camera and lighting departments

Compensation

  • Paid stand-in opportunity

Click here to apply now!

NBC ‘Chicago Fire’ Season 15 Casting Call for Military Experience Actors

Military Experienced Actors for “Chicago Fire”

Job Description

“Chicago Fire” is seeking men and women with real military experience for paid, non-speaking background roles in an upcoming exterior scene filming in the Chicago area. This opportunity is looking for authentic military professionals and veterans who can bring their real-world experience, discipline, and presence to the production.

Job Responsibilities

  • Work as a non-speaking background actor on “Chicago Fire.”
  • Use real-world military experience to bring authenticity to the scene.
  • Perform natural background actions as directed by the production team.
  • Follow on-set instructions and maintain continuity between takes.
  • Remain professional and prepared throughout an extended filming day.

Requirements

  • Men and women with real military experience.
  • Ages 20s–60s.
  • Open to all ethnicities.
  • Male talent must be clean-shaven with short hair in accordance with the requested look.
  • Must be local to Chicago, surrounding suburbs, or nearby states bordering Illinois.
  • Must be comfortable working an exterior scene.
  • Early morning availability may be required.

Compensation

  • $206 for 8 hours.
  • Overtime paid at time-and-a-half after 8 hours.
  • Additional $25 special ability bump.

Click here to apply now!

NBC ‘Chicago Fire’ Season 15 Casting Call for Child Photo Double

Latina Child Photo Double for “Chicago Fire”

Job Description

“Chicago Fire” is seeking a young Latina or mixed-heritage girl to work as a photo double for a child actor. The selected performer will appear in insert shots and wide shots in place of the principal child actor. No previous film set experience is required, and the role involves simple on-camera actions such as sitting, standing, or walking within a scene.

Job Responsibilities

  • Work as a photo double for a child actor on “Chicago Fire.”
  • Appear in insert shots, wide shots, and other scenes as needed.
  • Perform simple actions such as sitting, standing, and walking.
  • Match the principal child actor’s appearance as closely as possible.
  • Follow age-appropriate direction from the production team.

Requirements

  • Latina or mixed-heritage girl.
  • Age 9 or 10.
  • Must closely match the child actor’s height, weight, and complexion.
  • No previous acting or film set experience required.
  • Must be able to work in the Chicago area.

Compensation

  • $170 for 6 hours.
  • Overtime paid at time-and-a-half after 6 hours.

Click here to apply now!

NBC ‘Chicago Fire’ Season 15 Casting Call for Blonde Actresses

Blonde Female Stand-In for TV Series

Job Description

A television production is seeking a Caucasian female stand-in with blonde hair to work in the Chicago area. The selected performer will stand in for a principal actor while the lighting and camera departments prepare shots and technical setups. This is a non-speaking role requiring talent who closely matches the actor’s physical characteristics and can maintain consistent positioning throughout production.

Job Responsibilities

  • Work as a stand-in for a principal actor during camera and lighting setups.
  • Maintain accurate marks and positioning between production setups.
  • Follow instructions from the camera, lighting, and production teams.
  • Match the principal actor’s positioning for technical rehearsals.
  • Remain professional, attentive, and consistent throughout long filming days.

Requirements

  • Caucasian female, ages 20s–40s.
  • Blonde hair.
  • Height between 5’8″ and 5’10”.
  • Weight between 125–150 lbs.
  • Must closely match the principal actor’s height, weight, and complexion.
  • Previous stand-in or professional on-set experience is preferred.
  • Must be local to Chicago, surrounding suburbs, or neighboring states bordering Illinois.
  • Must be able to work extended production hours.

Compensation

  • $192 for 8 hours.
  • Time-and-a-half applies after 8 hours.

Click here to apply now!

NBC ‘Chicago Fire’ Casting Call for Correctional Officers

Correctional Officer Background Actors

Job Description

A television production is seeking men and women to portray correctional officers in upcoming prison scenes filming in the Chicago area. Casting directors are looking for performers who can authentically portray professional correctional officers and authority figures. Talent must be local to Chicago, the surrounding suburbs, or nearby states bordering Illinois.

Job Responsibilities

  • Portray a correctional officer in prison scenes for a television production.
  • Perform naturally as an authority figure within a correctional facility setting.
  • Follow direction from the production and assistant directing teams.
  • Maintain professional behavior and continuity throughout filming.
  • Participate in a wardrobe fitting as required by production.

Requirements

  • Men and women, ages 20s–60s.
  • Open to all ethnicities.
  • Male talent must be clean-shaven with short hair.
  • Must be able to authentically portray a correctional officer.
  • Must be local to Chicago, surrounding suburbs, or neighboring states bordering Illinois.
  • Must be comfortable working in prison-themed scenes.
  • Must be professional, reliable, and able to follow on-set direction.

Compensation

  • This is a paid background acting opportunity.

Click here to apply now!

NBC ‘Chicago Fire’ Season 15 Casting Call for Mugshot Photo

Chicago Fire – Featured Palmer Still Photo Shoot

Job Description

A popular Chicago television drama is seeking men for a featured still photo shoot portraying a character named Palmer. This paid casting opportunity is looking for talent who can deliver a natural, authentic look for photos that will be presented to the production director.

Job Responsibilities

• Participate in a featured still photo shoot for a television production
• Portray the Palmer character as directed by the production team
• Follow posing and creative direction during the photo session
• Maintain a professional appearance and attitude throughout the shoot
• Be available for the required fitting and photo shoot

Requirements

• Male talent, ages 40s–50s
• Open to all ethnicities
• Must be local to Chicago, the suburbs, or surrounding states bordering Illinois
• Comfortable participating in a professional still photo shoot
• Must be available for the fitting and photo shoot

Compensation

• $165 for 8 hours
• Time and a half after 8 hours

Click here to apply now!

NBC ‘Chicago Fire’ Casting Call for Featured Firefighter

“Chicago Fire” – Featured Firefighter Background Actor

Job Description

“Chicago Fire” is seeking a Latino male actor for a featured, non-speaking firefighter role filming in the Chicago area. The production is looking for talent with a clean-cut, professional appearance who can convincingly portray a firefighter and work comfortably in a featured background capacity.

Job Responsibilities

  • Portray a firefighter in a featured non-speaking role
  • Maintain a professional and authentic firefighter presence on camera
  • Follow blocking and direction from the production team
  • Attend a wardrobe fitting prior to filming
  • Maintain character and continuity throughout multiple takes
  • Work professionally alongside principal cast, crew, and background performers

Requirements

  • Latino male talent
  • Ages 30–49
  • Must be clean-shaven
  • Must have short hair
  • Must be able to convincingly portray a professional firefighter
  • Must be available for a wardrobe fitting
  • Must be a local hire in Chicago, surrounding suburbs, or eligible nearby areas

Compensation

  • $165 for 8 hours
  • Time-and-a-half pay after 8 hours

Click here to apply now!

NBC ‘Chicago Fire’ Season 15 Casting Call for Black Cars

Chicago TV Extras With Cars

Job Description

A Chicago television production is seeking local background actors with vehicles for an upcoming shoot. Talent ages 18–70 of all ethnicities are encouraged to apply. Black cars are acceptable. This opportunity is open to performers in Chicago, the surrounding suburbs, and nearby states bordering Illinois. An early call time may be required.

Job Responsibilities

  • Work as a background extra during a television production in Chicago.
  • Bring your approved vehicle to the filming location.
  • Follow directions from the production team throughout the shoot.
  • Be prepared for an early morning call time and approximately eight hours of filming.

Requirements

  • Ages 18–70.
  • All ethnicities are welcome.
  • Must be local to Chicago, the suburbs, or surrounding states bordering Illinois.
  • Must have a vehicle available for filming.
  • Black vehicles are acceptable.
  • Must be available for the full production schedule.

Compensation

  • $136.40 for 8 hours, with time-and-a-half after 8 hours.
  • Additional $55 vehicle bump.

Click here to apply now!

NBC ‘Chicago Fire’ Season 15 Casting Call for Livecast

Chicago Fire – Female Livecast Body Model

Job Description

“Chicago Fire” is seeking a female livecast model for a specialized full-body molding session in Chicago. The selected model will have a skin-safe mixture and plaster bandage applied to the body to create a lifecast, with the head and body casts completed separately. This role requires someone who can remain comfortable and still throughout the molding process.

Job Responsibilities

  • Serve as a livecast model for a professional television production.
  • Participate in separate head and full-body casting sessions.
  • Remain still while skin-safe molding materials and plaster bandages are applied.
  • Follow instructions from the makeup, effects, and production teams.
  • Remain available for most of the day as required.

Requirements

  • Female talent in her 20s.
  • Height approximately 5’3″–5’8″.
  • Thin to medium build.
  • Must be comfortable with a full-body lifecasting process.
  • Must not be claustrophobic.
  • Must be able to work as a local hire in Chicago, the surrounding suburbs, or states bordering Illinois.

Compensation

  • $300 for 8 hours.
  • Time-and-a-half after 8 hours.

Click here to apply now!

NBC ‘Chicago Fire’ Season 15 Casting Call for New Techs

Chicago Fire – Hospital Background Actors

Job Description

“Chicago Fire” is seeking male background actors to portray hospital staff and hospital visitors in upcoming scenes filming in Chicago. Casting is open to men in their 20s–40s of all ethnicities who can bring a natural, professional presence to a busy hospital setting. Talent must be local to Chicago, the surrounding suburbs, or nearby states bordering Illinois.

Job Responsibilities

  • Portray hospital staff, visitors, or other hospital background roles.
  • Perform natural background action during scripted television scenes.
  • Follow direction from assistant directors and the production team.
  • Maintain continuity and professionalism throughout filming.
  • Help create a realistic hospital environment for the TV production.

Requirements

  • Male talent in their 20s–40s.
  • All ethnicities are encouraged to apply.
  • No visible arm or hand tattoos.
  • Must be local to Chicago, surrounding suburbs, or states bordering Illinois.
  • Comfortable working as background talent in hospital scenes.
  • Reliable and able to follow on-set direction.

Compensation

  • Compensation will be discussed with selected talent.

Click here to apply now!

NBC ‘Chicago Fire’ Season 15 Casting Call for Teddy Stand-In

Chicago TV Series – Male Stand-In

Job Description

A Chicago television production is casting a male stand-in to assist with lighting, camera blocking, and scene preparation. The production is seeking a performer who closely matches the actor’s height, weight, hair, and overall appearance. This is a non-speaking stand-in role, and previous stand-in or background acting experience is helpful but not required.

Job Responsibilities

  • Stand in for an actor during lighting and camera setups
  • Assist the crew with camera blocking and scene preparation
  • Maintain consistent marks, positioning, and movements
  • Follow direction from the camera, lighting, and production teams
  • Remain attentive and professional throughout the production day

Requirements

  • Caucasian male
  • Ages 20s to 40s
  • Height between 5’11” and 6’1″
  • Weight between 200 and 250 lbs.
  • Brown hair
  • Facial hair is acceptable
  • Must be local to Chicago, surrounding suburbs, or states bordering Illinois
  • Previous stand-in or background acting experience is helpful but not required

Compensation

  • $192 for 8 hours
  • Time-and-a-half overtime after 8 hours

Click here to apply now!

NBC ‘Chicago Fire’ Season 15 Casting Call for Firefighters

Chicago Fire – Firefighter Background Actors

Job Description

Chicago Fire is casting male background actors to portray firefighters in scenes filming in the Chicago area. The production is seeking clean-shaven men with short hair who can convincingly portray professional firefighters. No real firefighting experience is required. This television background acting opportunity is open to local talent who can remain available for an extended filming day.

Job Responsibilities

  • Portray a firefighter in scenes for Chicago Fire
  • Perform realistic background actions appropriate for emergency response scenes
  • Follow direction from assistant directors and the production team
  • Maintain consistent positioning and continuity between takes
  • Remain professional and attentive throughout filming

Requirements

  • Male talent ages 20s to 50s
  • Clean-shaven appearance
  • Short hair
  • No professional firefighting experience required
  • Must be local to Chicago, surrounding suburbs, or states bordering Illinois
  • Must be comfortable with an extended filming day, potentially until 10 PM
  • Reliable and able to follow on-set direction

Compensation

  • Compensation details will be provided by the production

Click here to apply now!

NBC ‘Chicago Fire’ Season 15 Casting Call for Chief T Stand-In

TV Series – Fire Chief Stand-In

Job Description

A television production filming in the Chicago area is seeking a male stand-in to match an actor portraying a fire chief. This non-speaking stand-in role involves helping the production team establish lighting, camera blocking, and scene setups before filming. The opportunity is open to experienced stand-ins as well as talent interested in gaining professional on-set experience.

Job Responsibilities

  • Stand in for an actor during lighting and camera setups
  • Assist the crew with camera blocking and scene preparation
  • Match assigned positions and movements as directed
  • Follow instructions from the production and camera teams
  • Remain available and attentive throughout the filming day

Requirements

  • Caucasian male in his 40s to 60s
  • Height between 5’11” and 6’1″
  • Medium-to-large build
  • Light brown or reddish hair
  • Must be local to Chicago, surrounding suburbs, or neighboring states bordering Illinois
  • Previous stand-in or extra experience is helpful but not required
  • Must be comfortable working until approximately 10 PM

Compensation

  • $192 for 8 hours
  • Time-and-a-half overtime rate after 8 hours

Click here to apply now!

NBC ‘Chicago Fire’ Season 15 Casting Call for Michael Stand-In

TV Series – Male Stand-In

Job Description

A television production filming in the Chicago area is casting a male stand-in to assist with lighting, camera blocking, and scene preparation. The production is seeking talent who closely matches the actor’s physical characteristics and can maintain consistent positioning throughout the shoot. This is a non-speaking stand-in opportunity for local talent, with previous extra or stand-in experience welcomed but not required.

Job Responsibilities

  • Stand in for an actor during lighting and camera setups
  • Assist the production crew with camera blocking and scene preparation
  • Maintain consistent marks, positions, and movements between setups
  • Follow direction from the camera and production teams
  • Remain attentive and professional throughout each production day

Requirements

  • Caucasian male
  • Ages 20s to 40s
  • Dark hair
  • Height between 6’0″ and 6’3″
  • Weight between 230 and 275 lbs.
  • Must be local to Chicago, surrounding suburbs, or states bordering Illinois
  • Previous stand-in or background acting experience is helpful but not required
  • Must be available for multiple production days
  • Must be comfortable working until approximately 8 PM

Compensation

  • $192 for 8 hours
  • Time-and-a-half overtime after 8 hours

Click here to apply now!

NBC ‘Chicago Fire’ Casting Call for Molly’s Bar Bartender

Featured Extra Bartender for TV Series

Job Description

A featured extra casting opportunity is now available for experienced bartenders to appear in a non-speaking role for a television series filming in the Chicago area. Casting directors are looking for men and women, ages 30 to 50, of all ethnicities, who can authentically portray a real bartender in a featured scene. Selected talent may also be invited for a wardrobe fitting before filming.

Job Responsibilities

  • Portray a featured bartender in a non-speaking television scene.
  • Perform realistic bartending duties during filming.
  • Follow on-set direction from the production team.
  • Attend a wardrobe fitting if selected.

Requirements

  • Men and women, ages 30–50.
  • Open to all ethnicities.
  • Must have real bartending experience.
  • Must be available for evening filming that may extend into late-night hours.
  • Must be local to Chicago, the surrounding suburbs, or nearby Illinois border states.

Compensation

  • $165 for 8 hours.
  • Time and a half after 8 hours.

Click here to apply now!

NBC ‘Chicago Fire’ Season 15 Casting Call for Twin Newborn Babies

Twin Newborn Babies for TV Series

Job Description

A television series is seeking Caucasian or Latino twin newborns for featured scenes in an upcoming episode filming in the Chicago area. This paid opportunity is open to both twin boys and twin girls weighing 10 pounds or less. Production provides an experienced baby nurse on set and maintains a safe, supportive environment for newborn performers.

Job Responsibilities

  • Appear as twin newborns in television scenes.
  • Participate in a professionally supervised production environment.
  • Work with a parent or legal guardian throughout filming.
  • Follow production scheduling for newborn performers.

Requirements

  • Caucasian or Latino twin newborns.
  • Twin boys or twin girls.
  • Must weigh 10 pounds or less.
  • Must be local to Chicago, surrounding suburbs, or bordering states eligible to work in Illinois.
  • Must obtain the required Illinois work permit for newborn performers.
  • Parent or legal guardian must be available throughout production.

Compensation

  • $200 for up to 2 hours of work.

Click here to apply now!

NBC ‘Chicago Fire’ Season 15 Casting Call for Latino Male Photo Double

Clean-Shaven Latino Male Photo Double for TV Series

Job Description

A television production is seeking a clean-shaven Latino male photo double for a paid filming opportunity in the Chicago area. This photo double casting call is open to local talent who closely matches the required physical characteristics and can portray the featured actor for wide shots and insert scenes.

Job Responsibilities

  • Serve as a photo double for a television production.
  • Match the featured actor’s appearance for wide shots and insert scenes.
  • Follow on-set direction from the production team.
  • Be available for a full filming day.

Requirements

  • Latino male.
  • Height between 5’11” and 6’1″.
  • Slender to medium build.
  • Dark hair.
  • Appears to be in their 20s to 40s.
  • Must be clean-shaven or willing to shave.
  • Must be local to Chicago, surrounding suburbs, or nearby Illinois border states.
  • Previous photo double, stand-in, or background acting experience is a plus.

Compensation

  • $192 for the first 8 hours.
  • Time-and-a-half after 8 hours.
  • Lunch provided.

Click here to apply now!

NBC ‘Chicago Fire’ Season 15 Casting Call for Caucasian Male Stand-Ins

Caucasian Male Stand-In

Job Description

A paid stand-in opportunity is available for an upcoming television production filming in the Chicago area. Casting directors are seeking a Caucasian male with a similar build and appearance to the principal actor to work as a stand-in during rehearsals and lighting setups. This role is open to local talent from Chicago, the surrounding suburbs, and neighboring border states who can work as local hires in Illinois.

Job Responsibilities

  • Serve as a stand-in for the principal actor during lighting and camera setups.
  • Follow instructions from the production and camera departments.
  • Maintain consistency with the actor’s positioning throughout rehearsals.
  • Be available for the full production day.

Requirements

  • Caucasian male.
  • Height between 5’5″ and 5’7″.
  • Weight between 135 and 165 lbs.
  • Dark hair.
  • Ages 40s–50s.
  • Must closely match the actor’s height, weight, and complexion.
  • Previous stand-in or background acting experience is a plus.
  • Must be local to Chicago, surrounding suburbs, or neighboring border states able to work as a local hire in Illinois.

Compensation

  • $192 for 8 hours.
  • Overtime paid after 8 hours.

Click here to apply now!

NBC ‘Chicago Fire’ Season 15 Casting Call for SI D

SI D Stand-In for TV Series

Job Description

A paid stand-in casting opportunity is available for SI D in a television series filming in the Chicago area. Production is seeking a Caucasian male with a matching build to work as a stand-in during the first portion of the filming schedule. This is a great opportunity for experienced or aspiring stand-ins looking to work on a major television production.

Job Responsibilities

  • Serve as a stand-in for lighting, rehearsals, and camera blocking.
  • Follow direction from the production team.
  • Maintain continuity throughout filming.
  • Be available for scheduled production days.
  • Work extended filming days when needed.

Requirements

  • Caucasian male, ages 20s to early 40s.
  • Height between 6’2″ and 6’4″.
  • Weight between 175–220 lbs.
  • Dark hair.
  • Local to Chicago, surrounding suburbs, or neighboring states bordering Illinois.
  • Available for approximately the first three months of filming.

Compensation

  • $192 for the first 8 hours.
  • Time-and-a-half after 8 hours.

Click here to apply now!

NBC ‘Chicago Fire’ Season 15 Casting Call for SI B

SI B Stand-In for TV Series

Job Description

A paid stand-in casting opportunity is available for SI B in a television series filming in the Chicago area. Production is seeking an African American male with a matching build to serve as a stand-in throughout the season. This is an excellent opportunity for performers interested in gaining consistent on-set experience in a professional television production.

Job Responsibilities

  • Serve as a stand-in during lighting, camera blocking, and rehearsals.
  • Follow direction from the assistant directors and camera crew.
  • Maintain continuity and professionalism on set.
  • Be available for the full production schedule.
  • Work extended filming days as required.

Requirements

  • African American male, ages 20s–40s.
  • Height between 6’1″ and 6’3″.
  • Weight between 175–195 lbs.
  • Dark hair.
  • Local to Chicago, surrounding suburbs, or neighboring states bordering Illinois.
  • Available for the full filming schedule.

Compensation

  • $192 for the first 8 hours.
  • Time-and-a-half after 8 hours

Click here to apply now!

NBC ‘Chicago Fire’ Season 15 Casting Call for High Ranking Firefighter

Featured Firefighter Background Actor for TV Series

Job Description

A television production is seeking a featured non-speaking background actor to portray a high-ranking firefighter in an upcoming episode filming in the Chicago area. This paid acting opportunity is open to local talent from Chicago, surrounding suburbs, and nearby border states. Selected performers will participate in a wardrobe fitting and may be fitted with prosthetics to accurately portray the role.

Job Responsibilities

  • Portray a featured high-ranking firefighter in a television production.
  • Follow on-set direction from the production team.
  • Attend a required wardrobe fitting before filming.
  • Maintain professionalism throughout filming.

Requirements

  • Male talent.
  • Ages 40s to early 60s.
  • Bigger build with a professional firefighter appearance.
  • All ethnicities are encouraged to apply.
  • Must be available for both the wardrobe fitting and filming.
  • Must be local to Chicago, surrounding suburbs, or nearby border states.

Compensation

  • Featured role: $165 for 8 hours, with time and a half after 8 hours.
  • Wardrobe fitting: $40 for up to 2 hours.

Click here to apply now!

NBC ‘Chicago Fire’ Season 15 Casting Call for SI V (Male)

Chicago Fire Stand-In Casting Call – Role SI V (Male)

Job Description

A paid television stand-in opportunity is available for Chicago Fire filming in Chicago, Illinois. Production is seeking a male performer for Stand-In Role SI V. The selected talent will assist with camera rehearsals, lighting, and scene blocking while matching the principal actor’s appearance and build.

Job Responsibilities

  • Work as Stand-In Role SI V during filming and rehearsals.
  • Match the principal actor’s camera marks and movements.
  • Follow direction from the production, camera, and lighting teams.
  • Maintain dependable availability throughout the production season.

Requirements

  • Caucasian or Latino male.
  • Ages 20s–30s.
  • Height: 5’10″–6’0″.
  • Weight: 160–180 pounds.
  • Dark hair.
  • Must be available Monday through Friday, with occasional night and Saturday shoots.
  • Must work as a local hire in Chicago, Illinois.

Compensation

  • $192 for 8 hours
  • Overtime paid after 8 hours

Click here to apply now!

NBC ‘Chicago Fire’ Season 15 Casting Call for SI S

Chicago Fire Stand-In Casting Call – Role SI S

Job Description

A paid stand-in role is available for Chicago Fire filming in Chicago, Illinois. Production is seeking a male performer for Stand-In Role SI S. The selected stand-in will support the camera and lighting departments by matching the principal actor during scene rehearsals and technical preparation.

Job Responsibilities

  • Work as Stand-In Role SI S during production rehearsals.
  • Match the principal actor’s placement and movements.
  • Assist with lighting, camera blocking, and technical setups.
  • Maintain consistent availability throughout the production season.

Requirements

  • Caucasian male.
  • Ages 30s–40s.
  • Height: 5’10″–6’0″.
  • Weight: 160–180 pounds.
  • Greyish hair.
  • Must be available Monday through Friday, with occasional night and Saturday shoots.
  • Must work as a local hire in Chicago, Illinois.

Compensation

  • $192 for 8 hours
  • Overtime paid after 8 hours

Click here to apply now!

NBC ‘Chicago Fire’ Season 15 Casting Call for SI N

Chicago Fire Stand-In Casting Call – Role SI N

Job Description

A paid stand-in casting opportunity is available for Chicago Fire filming in Chicago, Illinois. Production is seeking a female performer for Stand-In Role SI N. This television stand-in will assist with rehearsals, lighting, and camera preparation while closely matching the principal actor.

Job Responsibilities

  • Perform as Stand-In Role SI N during camera and lighting rehearsals.
  • Match the principal actor’s marks, movement, and positioning.
  • Follow on-set instructions from the production team.
  • Remain dependable throughout the television production season.

Requirements

  • Caucasian female.
  • Ages 18 to early 30s.
  • Height: 5’5″–5’7″.
  • Weight: 115–135 pounds.
  • Blonde hair.
  • Must be available Monday through Friday, with occasional night and Saturday shoots.
  • Must work as a local hire in Chicago, Illinois.

Compensation

  • $192 for 8 hours
  • Overtime paid after 8 hours

Click here to apply now!

NBC ‘Chicago Fire’ Season 15 Casting Call for SI K

Chicago Fire Stand-In Casting Call – Role SI K

Job Description

A paid stand-in role is available for Chicago Fire filming in Chicago, Illinois. Production is seeking a Latina performer for Stand-In Role SI K. The selected performer will support rehearsals, lighting setups, and camera blocking by matching the principal actor’s physical characteristics.

Job Responsibilities

  • Serve as Stand-In Role SI K during rehearsals and technical setups.
  • Match the principal actor’s movements and on-set positioning.
  • Follow instructions from the production and camera teams.
  • Maintain professional and reliable availability throughout filming.

Requirements

  • Latina female.
  • Ages 18 to early 40s.
  • Height: 5’6″–5’8″.
  • Weight: 140–150 pounds.
  • Dark hair.
  • Must be available Monday through Friday, with occasional night and Saturday shoots.
  • Must work as a local hire in Chicago, Illinois.

Compensation

  • $192 for 8 hours
  • Overtime paid after 8 hours

Click here to apply now!

NBC ‘Chicago Fire’ Season 15 Casting Call for SI H

Chicago Fire Stand-In Casting Call – Role SI H

Job Description

A paid stand-in casting opportunity is available for Chicago Fire filming in Chicago, Illinois. Production is seeking a male performer for Stand-In Role SI H. The selected talent will assist with lighting, camera setup, rehearsals, and scene blocking while matching the principal actor’s physical appearance.

Job Responsibilities

  • Work as Stand-In Role SI H during television production.
  • Match the principal actor’s marks, positioning, and movements.
  • Assist the camera and lighting departments during rehearsals.
  • Maintain dependable availability throughout the production season.

Requirements

  • Caucasian male.
  • Ages 50s–60s.
  • Height: 5’6″–5’8″.
  • Weight: 135–160 pounds.
  • Grey hair.
  • Must be available Monday through Friday, with occasional night and Saturday shoots.
  • Must work as a local hire in Chicago, Illinois.

Compensation

  • $192 for 8 hours
  • Overtime paid after 8 hours

Click here to apply now!

NBC ‘Chicago Fire’ Season 15 Casting Call for SI V

Chicago Fire Stand-In Casting Call – Role SI V (Female)

Job Description

A paid stand-in casting opportunity is available for Chicago Fire filming in Chicago, Illinois. Production is seeking a female performer for Stand-In Role SI V. The selected stand-in will match the principal actor’s height, build, complexion, and hair while assisting with lighting, camera blocking, and rehearsals throughout the television production.

Job Responsibilities

  • Work as Stand-In Role SI V during lighting and camera rehearsals.
  • Match the principal actor’s position, movement, and blocking.
  • Follow direction from the assistant directors and camera crew.
  • Maintain reliable weekday availability throughout the production season.

Requirements

  • Female, ages 18 to early 40s.
  • Asian, Latino, or Caucasian.
  • Height: 5’8″–5’10”.
  • Weight: 115–140 pounds.
  • Dark hair.
  • Must be available Monday through Friday, with occasional night and Saturday shoots.
  • Must work as a local hire in Chicago, Illinois.

Compensation

  • $192 for 8 hours
  • Overtime paid after 8 hours

Click here to apply now!

NBC ‘Chicago Fire’ Season 15 Casting Call for Firefighters

Chicago Fire Featured Extra Casting Call – High-Ranking Firefighter

Job Description

A paid featured extra opportunity is available for NBC’s Chicago Fire, filming in Chicago, Illinois. Production is seeking men to portray high-ranking firefighters in non-speaking featured roles. This is an excellent opportunity for performers with a strong, authoritative appearance to work on a popular television series.

Job Responsibilities

  • Portray a high-ranking firefighter in featured background scenes.
  • Follow direction from the production team.
  • Attend wardrobe and prosthetic fittings if required.
  • Maintain continuity throughout filming.

Requirements

  • Male.
  • Ages 40s to early 60s.
  • Bigger build with a fit appearance.
  • All ethnicities welcome.
  • Must be able to work as a local hire in the Chicago area.

Compensation

  • Featured Extra Rate: $165 for 8 hours (overtime after 8 hours where applicable)
  • Wardrobe Fitting: $40 for 2 hours

Click here to apply now!

NBC ‘Chicago Fire’ Casting Call for Military Style Types

Fit, Clean-Shaven Men with Military-Style Haircuts for FBI Scene

Job Description
Chicago Fire Extras is casting bigger, fit men with short hair styled in a military cut for an upcoming FBI scene filming in the Chicago area. This role requires a strong, authoritative presence and a clean-shaven, disciplined look suitable for a federal law enforcement setting.

Filming will take place on Saturday, February 28. Selected talent must also attend a required wardrobe fitting on either Thursday, February 26 or Friday, February 27.

This casting is open to local hires in Chicago, surrounding suburbs, and bordering states to Illinois only.

Job Responsibilities

  • Portray FBI or law enforcement personnel
  • Attend a required wardrobe fitting
  • Follow direction from production staff
  • Maintain a military-style haircut and clean-shaven appearance

Requirements

  • Male
  • 20s–60s
  • Bigger, fit build
  • Clean-shaven
  • Short hair in a military-style cut
  • Must be local to Chicago, surrounding suburbs, or bordering IL states
  • Must be available for both fitting and filming

Compensation

  • Paid background role
  • Professional television production experience
  • FBI-themed scene opportunity

Click here to apply now!

NBC ‘Chicago Fire’ Casting Call for FBI Agents

Fit, Clean-Shaven Men for FBI Scene

Job Description
Chicago Fire Extras is casting fit, clean-shaven men with short hair for an FBI scene filming in the Chicago area. This background opportunity is for a professional, law enforcement-style scene and requires a sharp, well-groomed appearance.

Filming is scheduled for Saturday, February 28. Talent must also be available for a wardrobe fitting on either Thursday, February 26 or Friday, February 27.

This casting is open to local hires in Chicago, surrounding suburbs, and bordering states to Illinois only.

Job Responsibilities

  • Portray FBI personnel in a filmed scene
  • Attend a required wardrobe fitting
  • Follow on-set direction from assistant directors
  • Maintain a professional, clean-cut appearance

Requirements

  • Male
  • 20s–60s
  • Fit/athletic build
  • Clean-shaven
  • Short hair
  • Must be local to Chicago, surrounding suburbs, or bordering states to Illinois
  • Must be available for fitting and filming dates

Compensation

  • Paid background role
  • Professional on-set experience
  • Law enforcement-themed scene

Click here to apply now!

NBC ‘Chicago Fire’ Casting Call for Police

Dressed Police Officers for TV Series

Job Description
A Chicago-based television series is casting paid background actors to portray dressed police officers in an upcoming scene. This opportunity is open to local talent in Chicago, surrounding suburbs, and Illinois border states only.

Casting directors are seeking clean-shaven men with short hair and women with a natural look (no false eyelashes or long painted nails), ages 20s–40s, of all ethnicities. Talent must present a professional, uniform-ready appearance suitable for portraying law enforcement officers.

This is a great opportunity for background actors looking to gain experience on a major television production.

Job Responsibilities

  • Portray dressed police officers in background scenes
  • Maintain a clean, professional appearance on camera
  • Follow direction from the assistant director and production team
  • Be available for a full filming day

Requirements

  • Men: Clean-shaven with short hair
  • Women: Natural look (no false eyelashes or long painted nails)
  • Ages 20s–40s
  • All ethnicities encouraged to apply
  • Must be local to Chicago or surrounding Illinois border states
  • Submit recent color photo
  • Include last date worked on the show (if applicable)

Compensation

  • $96 for 8 hours
  • Paid background television role
  • On-set experience on a major series

Click here to apply now!

NBC ‘Chicago Fire’ Casting Call for Students and White Shirt Role

Chicago Fire Department Students and White Shirt Role

Job Description
A Chicago-based television series is casting paid background actors for two roles: Chicago Fire Department students and a featured “white shirt” role. This opportunity is open to local talent in Chicago, surrounding suburbs, and Illinois border states only.

Casting directors are seeking clean-shaven men with short hair, ages 20s–40s, of all ethnicities to portray fire department students in training scenes. Production is also looking for an African American male, ages 40s–60s, clean-shaven with short hair, to portray a “white shirt” (supervisory fire department role).

This is a great opportunity for background actors to gain experience on a major network television production.

Job Responsibilities

  • Portray Chicago Fire Department students or supervisory personnel
  • Maintain a professional, uniform-ready appearance
  • Follow direction from the assistant director and production team
  • Remain available for a full filming day

Requirements

  • Local to Chicago, suburbs, or Illinois border states
  • Fire Department Students: Clean-shaven men, short hair, ages 20s–40s, all ethnicities
  • White Shirt Role: African American male, ages 40s–60s, clean-shaven, short hair
  • Include last date worked on the show (if applicable)

Compensation

  • $96 for 8 hours
  • Paid background television role
  • On-set experience on a major series

Click here to apply now!

NBC ‘Chicago Fire’ Casting Call for Corporate Business Suit Extras

Corporate Business Suit Extras for TV Series

Job Description
A hit Chicago-based television series is casting men and women who own business suits and can pull off a strong corporate look. This paid background acting opportunity is open to talent ages 30s–60s of all ethnicities who are local to Chicago, surrounding suburbs, or Illinois border states.

Casting directors are seeking professionals with a polished, executive appearance to portray corporate employees in office or business-related scenes. Talent must have their own business suit and be able to present a believable corporate presence on camera.

This is a great opportunity for experienced extras and aspiring actors looking to work on a major TV production filming in Chicago.

Job Responsibilities

  • Portray corporate professionals in background scenes
  • Arrive on set wearing a business suit
  • Follow direction from the assistant director and production team
  • Maintain continuity and professionalism throughout filming

Requirements

  • Men and women, ages 30s–60s
  • All ethnicities encouraged to apply
  • Must own and wear a business suit
  • Local to Chicago, suburbs, or surrounding Illinois border states
  • Submit recent color photo wearing a business suit
  • Include last date worked on the show (if applicable)

Compensation

  • Paid background extra role
  • Television production experience
  • Opportunity to work on a major network series

Click here to apply now!

NBC ‘Chicago Fire’ Casting Call for Mail Carriers

Chicago TV Series Paid Extras and Mail Carrier Role

Job Description
A popular Chicago-based television series is casting paid background actors for non-speaking extra roles. Production is seeking men and women, ages 20s to 60s, of all ethnicities to work in upcoming scenes. Filming will take place in the Chicago area, and talent must be local to Chicago, surrounding suburbs, or Illinois border states.

In addition to general background roles, casting directors are specifically looking for a female actor who can fit a mail carrier uniform (medium shirt, pants size 8 or 10). Selected talent for this role will attend a wardrobe fitting prior to filming.

Some roles require talent to work with their cars on camera. Vehicles must not be black, red, or white. This is a great opportunity for aspiring actors and experienced extras to gain television production experience on a major network series.

Job Responsibilities

  • Perform as a non-speaking background extra in various scenes
  • Follow on-set direction from the assistant director and crew
  • Maintain professional behavior and continuity during filming
  • Attend wardrobe fitting if selected for the mail carrier role
  • Provide vehicle details if submitting for car-related scenes

Requirements

  • Men and women, ages 20s–60s
  • All ethnicities encouraged to apply
  • Must be local to Chicago, suburbs, or Illinois border states
  • Submit a recent color photograph
  • For car scenes: include vehicle color, year, and make (no black, red, or white cars)
  • For mail carrier role: must fit medium shirt and size 8 or 10 pants

Compensation

  • Paid non-speaking extra roles
  • Additional fitting compensation if applicable
  • On-set experience on a major television production

Click here to apply now!

NBC ‘Chicago Fire’ Casting Call for Chicago Fire Students

Chicago Fire Department Student Extras

Job Description
A hit television drama is casting clean-shaven men and women to portray Chicago Fire Department students. This paid TV extra casting call is open to local talent in Chicago, the surrounding suburbs, and nearby Illinois border states.

Casting directors are seeking men in their 20s to 40s with short hair, as well as women who can maintain a natural look (no false eyelashes or long painted nails). Talent must be able to realistically portray fire department students in training scenes.

This is a great opportunity for aspiring actors and experienced background performers looking to gain on-set experience on a popular television production filming in Chicago.

Job Responsibilities

  • Portray Chicago Fire Department students in training scenes
  • Follow direction from the assistant director and production team
  • Maintain continuity and professional behavior on set
  • Arrive camera-ready with a natural, clean appearance
  • Provide accurate wardrobe sizing for production

Requirements

  • Local to Chicago, suburbs, or surrounding Illinois border states
  • Men: 20s–40s, clean-shaven, short hair, all ethnicities
  • Women: Natural look (no false eyelashes, no long painted nails)
  • Include last date worked on the show (if applicable)

Compensation

  • Paid background extra role
  • Television production experience
  • Opportunity to work on a major network drama

Click here to apply now!

NBC ‘Chicago Fire’ Season 14 Casting Call for Babies

Newborn Babies for “Chicago Fire” TV Series – Chicago, IL

Job Description
A hit television series filming in Chicago is casting newborn babies for an upcoming episode. This paid TV casting call is seeking single newborns, twins, or triplets weighing between 6 lbs and 11 lbs to appear in scenes on set.

Filming will take place in Chicago, and families must be local to Chicago, surrounding suburbs, or nearby Illinois border states. A baby nurse will be present on set, and production takes special care to ensure newborn safety and comfort. All babies must have a valid Joan Philo work permit prior to filming (guidance will be provided if needed).

This is a short on-set commitment designed specifically for newborns.

Job Responsibilities

  • Appear on camera as a newborn baby in a television scene
  • Be available for scheduled filming days
  • Parent or guardian must remain on set at all times
  • Follow production guidelines for infant safety

Requirements

  • Newborn babies weighing 6 lbs to 11 lbs
  • Single babies, twins, or triplets
  • Must be local to Chicago, IL or nearby surrounding areas
  • Must obtain Joan Philo work permit
  • Parent/guardian must accompany child on set

Compensation

  • $200 for 2 hours
  • Short on-set time commitment

Click here to apply now!

NBC ‘Chicago Fire’ Season 14 Casting Call for a Cocktail Party Scene

Cocktail Bar Scene Background Casting Call

Job Description
A television production is casting background actors to portray stylish patrons in a fun, upscale cocktail bar scene. This opportunity is perfect for talent in their 20s and 30s with a polished, fashionable look who can bring energy and authenticity to a lively nightlife setting. The scene will feature a large group to create a vibrant downtown atmosphere.

Job Responsibilities

  • Appear on camera as a cocktail bar guest in a social scene
  • Portray natural interactions in a trendy nightlife environment
  • Follow direction from the production and assistant directing team
  • Maintain continuity in wardrobe, hair, makeup, and movement
  • Remain professional, punctual, and camera-ready on set

Requirements

  • Male and female talent
  • Ages 20s–30s
  • All ethnicities encouraged to apply
  • Stylish, attractive, and camera-ready appearance
  • Comfortable wearing upscale cocktail bar attire
  • Must be local to Chicago, surrounding suburbs, or bordering states
  • Men should have measurements available (height, weight, suit jacket, neck, sleeve, waist, inseam, shoe)
  • Women should have measurements available (height, weight, dress, pants, T-shirt, shoe)

Compensation

  • Paid background acting role
  • Non-union opportunity
  • Professional television set experience

Click here to apply now!

NBC ‘Chicago Fire’ Season 14 Casting Call for Pedestrians w/ Cars

Pedestrians and Drivers Background Casting Call

Job Description
A television production is casting background actors to portray pedestrians and pedestrians with cars in realistic street scenes. These are non-speaking extra roles ideal for talent looking to gain on-set experience in a professional production environment. The production is seeking a wide range of everyday looks to create authentic city atmosphere.

Job Responsibilities

  • Appear on camera as a pedestrian or pedestrian with a vehicle
  • Follow direction from assistant directors and production staff
  • Maintain continuity in movement, wardrobe, and positioning
  • Remain professional and attentive while on set

Requirements

  • Male and female talent
  • Ages 20s to 50s
  • All ethnicities encouraged to apply
  • Must be local to Chicago, surrounding suburbs, or bordering states to Illinois
  • Comfortable performing non-speaking background roles
  • For roles with cars: must own a personal vehicle and be comfortable using it on camera

Compensation

  • Paid background acting role
  • Non-union opportunity
  • Professional television set experience

Click here to apply now!

NBC ‘Chicago Fire’ Season 14 Casting Call for CFD Delivery Person

Male Background Actor for Delivery Person Role

Job Description
A television series is casting a male background actor to portray a delivery person in an upcoming scene. This role requires a clean-cut, professional appearance and the ability to follow on-set direction while contributing to a realistic workplace environment. The scene will be filmed for a scripted television production.

Job Responsibilities

  • Portray a delivery person in a television scene
  • Follow blocking and direction from the production team
  • Maintain continuity and professionalism on set
  • Appear camera-ready throughout filming

Requirements

  • Male performers ages 20s–40s
  • Clean-shaven with short hair
  • Must be local to Chicago, nearby suburbs, or surrounding border states
  • Comfortable performing background action on camera
  • Reliable, punctual, and professional
  • Prior background experience is helpful but not required

Compensation

  • Paid background acting role
  • Professional television set experience

Click here to apply now!

NBC ‘Chicago Fire’ Season 14 Casting Call for Real Dad and Child

Real Dad and Child for Television Series Scene

Job Description
A television production is casting a real father and child to appear together in a scripted scene. This role focuses on authentic interaction and natural chemistry between parent and child, helping bring realism to a family moment on screen. The production is seeking genuine parent-child pairs for background work in a professional TV environment.

Job Responsibilities

  • Appear on camera together in a television scene
  • Interact naturally as a real parent and child
  • Follow on-set direction from the production team
  • Participate in a wardrobe fitting prior to filming

Requirements

  • Real father and child pairing
  • Child must be 6 years old
  • Open to all ethnicities
  • Must be local to Chicago, nearby suburbs, or surrounding border states
  • Available for filming and a wardrobe fitting during the same week
  • Child must be eligible to obtain a work permit
  • Reliable, patient, and comfortable working on set

Compensation

Paid background roles

Click here to apply now!

NBC ‘Chicago Fire’ Season 14 Casting Call for Male and Female with Short Hair

Background Actors for Television Series Scenes

Job Description
A television series is casting background actors to appear in interior and exterior scenes filmed in the Chicago area. The production is seeking clean-cut performers to help create realistic, everyday environments on screen. This opportunity is open to a wide age range and is ideal for talent interested in non-union television background work.

Job Responsibilities

  • Portray everyday background characters in scripted scenes
  • Follow on-set direction for movement and continuity
  • Appear in both indoor and outdoor filming environments
  • Maintain a professional and camera-ready appearance

Requirements

  • Clean-shaven male performers with short hair
  • Female performers welcome
  • Ages 20s–70s
  • Must be local to Chicago, nearby suburbs, or surrounding border states
  • Comfortable working indoors and outdoors
  • Reliable, punctual, and able to follow direction
  • Prior background experience is helpful but not required

Compensation

  • Paid background acting role
  • Professional television set experience

Click here to apply now!

NBC ‘Chicago Fire’ Season 14 Casting Call for Male and Female Extras

Background Actors for Television Series

Job Description
A television production is seeking local background actors to appear in interior and exterior scenes filmed in the Chicago area and surrounding suburbs. This opportunity is open to a wide range of ages and looks, making it ideal for performers interested in gaining experience on a professional TV set.

Job Responsibilities

  • Portray everyday characters in scripted television scenes
  • Participate in indoor and outdoor background action
  • Follow on-set direction and maintain continuity between takes
  • Work professionally with cast and crew

Requirements

  • Male and female performers, ages 20s–70s
  • Must be local to Chicago, nearby suburbs, or surrounding border states
  • Comfortable working indoors and outdoors
  • Reliable, punctual, and able to follow instructions
  • Prior background experience is helpful but not required

Compensation

  • Paid background role
  • Professional television set exp

Click here to apply now!

NBC ‘Chicago Fire’ Season 14 Casting Call for Evy Stand-In

Stand-In Role for Television Production

Job Description
A scripted television production is seeking a Caucasian female stand-in to support continuity and lighting setups on set. This non-speaking stand-in role is ideal for talent with a close physical match to a principal actor and availability for professional on-set work. Prior on-set experience is helpful but not required.

Job Responsibilities

  • Serve as a stand-in for a principal performer during technical setups
  • Maintain consistent positioning, posture, and movement as directed
  • Work closely with the crew to support lighting and camera preparation
  • Remain professional and camera-ready throughout filming

Requirements

  • Caucasian female
  • Light brown or dark blonde hair
  • Height between 5’3” and 5’4”
  • Weight range between 105–125 lbs
  • Must closely match the required physical specifications
  • Available to work as a non-speaking stand-in on a TV set

Compensation

  • $186 for 8 hours
  • Time and a half pay after 8 hours
  • Paid stand-in role on a professional television production

Click here to apply now!

NBC “Chicago Fire’ Season 14 Casting Call for Passengers

Chicago Fire – Passenger Background Roles

Job Description
A network television series is casting paid background actors to portray passengers in upcoming episodes filming in the western suburbs of Chicago. These are non-speaking roles and a great opportunity for performers looking to gain on-set experience in a fast-paced television production. Talent must be available for all required filming days.

Job Responsibilities

  • Appear on camera as a passenger in background scenes
  • Perform natural, non-speaking background actions
  • Follow on-set direction from the production team
  • Maintain professionalism, punctuality, and readiness throughout filming

Requirements

  • Male and female performers ages 20s–70s
  • All ethnicities encouraged to apply
  • Must be available for all scheduled filming days
  • Comfortable working in non-speaking background roles
  • Must be able to work as a local hire in Chicago or surrounding areas

Compensation

  • $132 for up to 8 hours
  • Time-and-a-half pay after 8 hours
  • Paid background role

Click here to apply now!

NBC ‘Chicago Fire’ Season 14 Casting Call for New Teen Extras

Teen Extras for Television Series

Job Description
A scripted television series is casting teens for paid, non-speaking background roles. This opportunity is ideal for young performers looking to gain professional on-set experience while working on a major TV production. Filming will take place in the western suburbs, with multiple shoot days available.

Job Responsibilities

  • Appear as background talent in scripted television scenes
  • Follow on-set direction from the production team
  • Maintain professionalism during filming
  • Attend a wardrobe fitting if selected (optional but helpful)

Requirements

  • Teens ages 16–18
  • Open to all ethnicities
  • Must be local to Chicago, surrounding suburbs, or nearby border states
  • Available to work multiple shoot days in the western suburbs
  • Comfortable working as a non-speaking extra on a TV set

Compensation

  • Paid background role
  • Industry-standard extra pay rates
  • Valuable on-set experience with a professional television production

Click here to apply now!

Female Stand-Ins Wanted for Chicago Fire Season 14

Location: Chicago, IL
Job Type: Full-time, July 2025–April 2026
Pay: $186 for 8 hours, time-and-a-half after 8 hours

Profiles Needed:

  • SI 7: Caucasian, dirty blond, 20s–30s, 5’5”–5’7”
  • SI 8: Latina, dark hair, 20s–30s, 5’6”–5’8”
  • SI 9: Asian/Latina, dark hair, 20s–30s, 5’8”–5’10”

Requirements:

  • Full-time availability Monday through Friday
  • Attend audition at CineSpace Studio on July 18
  • Must be a local Chicago resident

Click here to submit for the female stand-in role


Male Stand-Ins Wanted for Chicago Fire Season 14

Location: Chicago, IL
Job Type: Full-time, July 2025–April 2026
Pay: $186 for 8 hours, time-and-a-half after 8 hours

Profiles Needed:

  • SI 1: Caucasian male, 30s–40s, salt & pepper hair, 5’10″–6’0″
  • SI 2: Caucasian male, 40s–60s, 5’6″–5’8″
  • SI 3: Latino male, 20s–50s, bald, 5’11″–6’1″
  • SI 4: Caucasian male, 40s–60s, 5’9″–5’11”
  • SI 5: Caucasian male, 40s–60s, 5’8″–5’10”
  • SI 6: Latino or Caucasian male, 20s–30s, 5’11″–6’1″

Requirements:

  • Daily availability (Mon–Fri) from late July 2025 to April 2026
  • Attend audition if selected
  • Must be a local Chicago resident

Click here to submit for the male stand-in role

NBC ‘Chicago Fire’ Season 14 Casting Call for Body Double Extra

Body Double Extra (Non-Speaking)

Job Description
A TV production is seeking local background talent to work in a tight, enclosed filming setup for a special episode. This is a paid, non-speaking extra role for men and women who are comfortable in compact spaces and can maintain a professional, calm presence on set. Selected talent may be asked to wear a flesh-toned bodysuit-style wardrobe as part of the scene.

Job Responsibilities

  • Perform as non-speaking background talent in a special episode scene
  • Work comfortably in a very compact filming environment
  • Follow on-set direction and maintain continuity between takes
  • Wear assigned wardrobe, which may include a flesh-colored bodysuit

Requirements

  • Male and female talent, ages 20s–40s
  • All ethnicities encouraged to apply
  • Must not be claustrophobic and must be comfortable in tight spaces
  • Must be able to work as a local hire in Chicago, nearby suburbs, or surrounding border states to Illinois
  • Reliable, punctual, and able to follow direction in a fast-paced set environment

Compensation

  • Paid non-speaking extra role (rate provided upon selection)

Click here to apply now!

NBC ‘Chicago Fire’ Season 14 Casting Call for Real Firefighters

Real Firefighters (Paid TV Extra Roles)

Job Description
A TV production is seeking real firefighters to appear on camera in authentic emergency-response scenes for a special episode. This is a paid, non-speaking background opportunity for firefighters who can bring real-world presence, uniform accuracy, and professional realism to set. Availability across multiple shoot days is a plus, and early call times are possible.

Job Responsibilities

  • Appear on camera as a real firefighter in emergency and station-style scenes
  • Wear your real firefighter uniform/gear as appropriate for the scene
  • Follow on-set direction and maintain continuity across multiple takes
  • Be punctual, professional, and camera-ready for long production days

Requirements

  • Must be a real firefighter
  • Open to men and women; all ethnicities encouraged to apply
  • Able to work as a local hire in the Chicago area/Western Suburbs
  • Comfortable performing as non-speaking background talent
  • Must have a recent color photo in uniform (no sunglasses, no group photos)

Compensation

  • $200 for 8 hours
  • Time-and-a-half after 8 hours
  • $25 special ability bump

Click here to apply now!

NBC ‘Chicago Fire’ Season 14 Casting Call for Latina Photo Double

Latina Stand-In (TV Production)

Job Description
A TV production is seeking a Latina stand-in to match a principal actor for lighting and camera blocking. This paid stand-in opportunity is ideal for talent who can closely match the performer’s height, weight, complexion, and overall look, and who can work professionally on a fast-paced set.

Job Responsibilities

  • Stand in for a principal actor during lighting setups and camera rehearsals
  • Match the actor’s general look for scene continuity (height, weight, complexion)
  • Follow direction from the crew and remain ready between setups
  • Maintain consistency with wardrobe and positioning across takes

Requirements

  • Latina
  • Height: 5’3″–5’5″
  • Weight: 115–145
  • Dark hair
  • Must be able to closely match the actor’s look for lighting and camera work
  • Stand-in experience is a plus (but not required)

Compensation

  • Paid stand-in role (rate shared if selected)

Click here to apply now!


Don’t miss your chance to work on one of network TV’s most iconic drama series. Apply now and take your first step onto the set of Chicago Fire Season 14 with Project Casting!

How to Get Cast in “9/12” Starring Jeremy Strong

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‘9/12’ Limited Series Starring Jeremy Strong Greenlit at Paramount+

Paramount+ has officially greenlit 9/12, a six-episode limited series starring and executive produced by Emmy and Tony Award winner Jeremy Strong (Succession, The Apprentice). The project is one of the first original series ordered under the streamer’s new leadership and represents a major milestone for the revived Paramount Television Studios.

Set against the aftermath of September 11, 2001, 9/12 tells a powerful story about justice, accountability, and the long legal battle fought on behalf of ailing first responders — shifting the focus from the tragedy itself to the years that followed.


What Is 9/12 About?

9/12 dramatizes a landmark, nearly decade-long legal fight that resulted in almost $1 billion in compensation for first responders who became seriously ill after working at Ground Zero. While the series is rooted in real events, it approaches the story through a dramatized lens that explores institutional failure, moral courage, and perseverance.

The title 9/12 reflects the moment immediately after the attacks — a time defined by unity, resilience, and collective responsibility — while questioning how that unity eroded when long-term consequences emerged.


Jeremy Strong’s Role in 9/12

Jeremy Strong stars as Jason Smith, a composite fictional character inspired by real-life class action attorneys who challenged powerful institutions on behalf of first responders. Smith is portrayed as a relentless advocate willing to risk his career to confront political obstruction, corruption, and greed.

Strong also serves as an executive producer on the series, playing a key role in shaping its emotional and thematic depth.


The Creative Team Behind 9/12

The limited series is written and directed by Tobias Lindholm (The Investigation), with Frank Pugliese (House of Cards) serving as writer and executive producer. The series is produced by Paramount Television Studios in partnership with Sister.

Lindholm has described 9/12 as a story about human strength and perseverance in the face of unthinkable adversity, while Pugliese brings his experience crafting politically charged, character-driven narratives to the project.


Who Is Casting 9/12?

Casting for 9/12 is being handled by Jennifer Venditti, in collaboration with JV8 Inc, the New York–based casting agency she founded.

Jennifer Venditti is a renowned casting director recognized for her unconventional, human-first approach to casting. She began her career street scouting real people for advertising, fashion, and film, helping redefine traditional casting methods. Venditti later made her directorial debut with Billy the Kid and has built a career centered on authenticity, diversity, and emotionally grounded performances.

Founded in 1998, JV8 Inc has become one of New York City’s most respected casting agencies, known for discovering talent often overlooked by conventional casting pipelines. The agency’s involvement signals a strong emphasis on realism and lived experience — a natural fit for a series rooted in real-world events like 9/12.


Paramount Series ‘9/12’ Casting Call For Families

Paramount Series “9/12” – Family Background Roles

Job Description

The Paramount series “9/12” is seeking a real family for paid background roles in New York City. The production is looking for two parents or guardians to appear alongside their two children, who should be siblings between the ages of 9 and 11. This is a non-SAG background opportunity for a family that can work together on set.

Job Responsibilities

  • Portray a family in background scenes for the Paramount series “9/12.”
  • Parents or guardians will work on set alongside their two children.
  • Participate in assigned background scenes as directed by the production team.
  • Follow all on-set instructions and maintain professional behavior throughout filming.
  • Ensure children are accompanied and supervised by their parents or guardians as required.

Requirements

  • Two parents or guardians with two children.
  • Children must be siblings.
  • Children should be ages 9–11.
  • Must be local to the New York City/New Jersey area.
  • Family members must be available to work together.
  • Must be comfortable working as background talent on a television production.

Compensation

  • $187 for 10 hours.
  • Non-SAG background rate.

Click here to apply now!

“9/12” Starring Jeremy Strong Open Casting Call

Real Firefighters & First Responders for Limited Series

Job Description
A high-profile limited series inspired by real-world events is now casting real firefighters and first responders for on-camera roles. This production is seeking authentic individuals to bring realism and lived experience to emotionally grounded scenes. No prior acting experience is required, making this a great opportunity for first-time performers interested in television work.

Job Responsibilities

  • Appear on camera portraying real firefighters or first responders
  • Bring authenticity and realism to scripted scenes
  • Follow on-set direction from the creative team
  • Work professionally with cast and crew during filming

Requirements

  • Real firefighters or real first responders only
  • Open to all genders and ethnicities
  • Must be 18 years or older
  • Firefighters may be active or retired
  • First responders may include police officers, EMTs, or paramedics
  • Must be legally eligible to work in the United States
  • No prior acting experience required

Compensation

  • Paid on-camera roles
  • Compensation provided for time and participation

Click here to apply now!

Production Timeline and Release Plans

  • Episodes: 6
  • Production Start: Summer 2026
  • Planned Release: 2027
  • Streaming Platform: Paramount+

The project was originally developed under the title The Best of Us and experienced delays due to regulatory approval tied to the Skydance–Paramount Global merger. With the acquisition finalized, 9/12 is now fully back on track.


Jeremy Strong on the Meaning of 9/12

Strong has described 9/12 as a story about justice, dignity, and remembrance. Drawing inspiration from the unity shown in the days following 9/11, the series also confronts the painful reality of how many first responders were later failed by the institutions meant to protect them.

The project aims to honor their sacrifices while shedding light on the long fight for accountability.


Why 9/12 Is One of Paramount+’s Most Anticipated Series

With a high-profile lead, an acclaimed creative team, and a socially resonant subject, 9/12 is positioned as one of Paramount+’s most impactful limited series to date. Its focus on real people, real consequences, and long-overdue justice sets it apart in the evolving streaming landscape.


Find Acting Opportunities on Project Casting

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Visit Project Casting to explore the latest casting calls, auditions, and entertainment job opportunities.

George Clooney Honors Amal and Defends Free Speech in Powerful Venice Speech

George Clooney turned one of the biggest honors of his career into a passionate defense of storytelling, free expression and empathy.

The 65-year-old actor, filmmaker and producer received the Golden Lion for Lifetime Achievement during the opening ceremony of the 83rd Venice International Film Festival on September 2. The prestigious honor recognized a career spanning acting, directing, producing and humanitarian work.

Clooney’s acceptance speech mixed his familiar humor with emotional words about his wife, Amal Clooney, their twins Ella and Alexander, and the responsibility artists have during politically divided times.

“I am at a loss for words to describe how much I love my wife,” he said, before expressing how proud he is of her.

But the speech soon moved beyond his family.

Clooney warned about people who use fear to divide society and argued that journalists, filmmakers, writers, actors and musicians play an important role in challenging simplistic narratives.

His central message was that storytelling may not directly solve political or economic problems, but it can make audiences empathize with people whose lives are different from their own.

George Clooney Receives Venice’s Golden Lion for Lifetime Achievement

The Golden Lion for Lifetime Achievement is among the Venice Film Festival’s most prestigious honors.

La Biennale’s board selected Clooney for the award following a recommendation from festival artistic director Alberto Barbera, recognizing his work as an actor, director and producer.

Clooney immediately approached the honor with humor.

He joked that receiving a lifetime achievement award creates two reactions: gratitude for the recognition and concern that perhaps the organizers know something about his health that he doesn’t.

The joke reflected the self-deprecating style that has followed Clooney throughout much of his public career.

Yet the significance of the honor was unmistakable.

Clooney has maintained a particularly close relationship with Venice for nearly three decades, first attending the festival with Steven Soderbergh’s Out of Sight in 1998.

George Clooney Gives an Emotional Shoutout to Amal and Their Children

George Clooney reserved some of his most personal comments for his family.

He spoke warmly about Amal, the international human rights lawyer he married in Venice in 2014, telling the audience how much he loves her and how proud he is of her.

The couple are parents to twins Ella and Alexander.

Clooney also brought some comedy into the family tribute, joking that his children are the only two people who thought he was good as Batman.

The reference was to 1997’s Batman & Robin, a movie Clooney has repeatedly joked about over the years.

His family connection made Venice an especially fitting location for the career honor. The city isn’t simply an important stop in Clooney’s filmmaking career; it’s also where he and Amal celebrated their wedding in 2014.

George Clooney Uses His Speech to Defend Artists and Journalists

The tone became considerably more serious when Clooney addressed free expression.

He argued that societies should be cautious when powerful people encourage citizens to fear one another.

Clooney specifically highlighted journalists, filmmakers, writers, actors and musicians, arguing that artists and storytellers can challenge fear by encouraging people to consider perspectives beyond their own.

He warned that stories can become threatening to people who depend on fear because stories encourage audiences to see humanity in strangers.

His comments were political in nature, but the broader argument centered on the role of culture and storytelling in democratic societies. Other reporting from Venice noted Clooney’s criticism of authoritarian tendencies and his emphasis on empathy through art.

Rather than suggesting that movies themselves can fix major global problems, Clooney acknowledged their limitations.

His argument was that cinema’s power comes from something different: its ability to place audiences inside another person’s experience.

Why Clooney Believes Movies Still Matter

Clooney’s speech ultimately became an argument for the importance of storytelling.

Movies cannot end wars or fix inflation, he acknowledged. But they can influence how people understand one another.

That philosophy has appeared throughout his filmmaking career.

As a director and producer, Clooney has frequently gravitated toward stories involving journalism, politics, institutional power and personal responsibility.

Perhaps the clearest example is Good Night, and Good Luck, his 2005 film about journalist Edward R. Murrow’s confrontation with Senator Joseph McCarthy.

The movie premiered at Venice and earned six Academy Award nominations, including Best Picture and Best Director.

His speech therefore wasn’t entirely separate from his filmmaking career. Many of the themes he discussed onstage have also appeared in the projects he has chosen to make.

7 Major Moments From Clooney’s Career

The Golden Lion recognizes decades of work across television, movies, directing and producing. Here are seven milestones that helped define Clooney’s career:

  1. ER made him a television star. His role as Dr. Doug Ross on the NBC medical drama transformed him into a major Hollywood name during the 1990s.
  2. Ocean’s Eleven established a blockbuster franchise. Clooney starred as Danny Ocean alongside Brad Pitt, Matt Damon and Julia Roberts in Steven Soderbergh’s 2001 hit.
  3. Good Night, and Good Luck showcased him as a filmmaker. Clooney directed, co-wrote and appeared in the acclaimed 2005 historical drama.
  4. Syriana earned him an Academy Award. He won Best Supporting Actor for the 2005 geopolitical thriller.
  5. Argo brought another Oscar. Clooney was among the producers who won Best Picture for Ben Affleck’s 2012 film.
  6. Gravity became one of his biggest critical and commercial projects. Alfonso Cuarón’s space thriller, starring Sandra Bullock alongside Clooney, premiered at Venice in 2013.
  7. Jay Kelly brought him back to Venice. Clooney starred in Noah Baumbach’s film alongside Adam Sandler and Laura Dern, continuing his longstanding connection with the festival.

His career has earned him eight Academy Award nominations and two wins, alongside extensive recognition as an actor, filmmaker and producer.

Laura Dern Presented Clooney With the Golden Lion

Another longtime friend played a central role in the ceremony.

Laura Dern delivered the official laudatio and presented Clooney with the Golden Lion at Venice’s Sala Grande. The festival had announced her involvement several days before the ceremony.

Dern and Clooney recently appeared together in Noah Baumbach’s Jay Kelly, which competed at Venice in 2025.

Their professional connection actually stretches much further back.

Both actors appeared in the troubled production Grizzly II: Revenge early in their careers, years before either became an Academy Award-winning Hollywood star.

Dern praised Clooney’s career and character while introducing the honor.

She wasn’t the only Hollywood star involved.

Brad Pitt Roasts His Ocean’s Costar From Afar

Brad Pitt couldn’t attend the ceremony, but he made sure his longtime friend didn’t receive a lifetime achievement award without being roasted.

Dern read a message from Pitt praising Clooney as an actor, humanitarian, prankster and friend.

Then came the punchline.

Pitt described him as a “really bad dancer.”

The joke was particularly fitting considering the friendship audiences have watched between the two stars since Ocean’s Eleven.

They subsequently appeared together in Ocean’s Twelve, Ocean’s Thirteen, Burn After Reading and, most recently, Wolfs.

Their collaboration isn’t finished either.

Ocean’s 14 Is Bringing Danny Ocean Back

Clooney is preparing to reprise Danny Ocean in another installment of the Ocean’s franchise.

Ocean’s 14 is expected to reunite several members of the franchise’s ensemble, including Brad Pitt, Matt Damon and Don Cheadle, with production reportedly scheduled to begin in October 2026.

That makes the timing of Clooney’s lifetime achievement award somewhat ironic.

Venice may be celebrating everything he has already accomplished, but the actor doesn’t appear particularly interested in slowing down.

At the festival, however, Clooney indicated that the next stage of his career could involve more acting and less directing.

Fatherhood has changed how he approaches his schedule, and he has suggested that directing requires more time away from his family than he currently wants to commit.

Venice Has Played a Major Role in Clooney’s Life

Few major film festivals are as closely connected to Clooney’s career as Venice.

His relationship with the festival began with Out of Sight in 1998.

Over the following decades, Venice hosted projects including Good Night, and Good Luck, Michael Clayton, Burn After Reading, Gravity and Jay Kelly.

The city also became central to his personal life.

George and Amal married in Venice in 2014, making the city the setting for one of the most important moments of his life outside filmmaking.

Before receiving the Golden Lion, Clooney described Venice as his favorite festival and called the lifetime achievement recognition a “tremendous honor.”

What Clooney’s Speech Says About Storytelling

For actors and filmmakers, the most relevant part of the speech may have been Clooney’s argument about what storytelling can accomplish.

An actor’s job isn’t simply to perform dialogue or entertain an audience. At its strongest, performance can make viewers understand characters whose backgrounds, beliefs and experiences are completely different from their own.

That idea applies far beyond major Hollywood productions.

Every actor beginning with an audition is ultimately trying to make another person’s experience believable.

Clooney’s message at Venice was that this process still matters, particularly when society becomes divided.

Films might not solve the world’s biggest problems.

But stories can influence how people see one another.

For an actor receiving one of cinema’s biggest lifetime honors after more than four decades in the industry, that was a fitting argument for why the work remains worth doing.

George Clooney Enters the Next Chapter of His Career

Receiving a lifetime achievement award can sound like the conclusion of a career, but George Clooney appears to view it differently.

He remains active as an actor and producer, with another Ocean’s movie moving forward and his recent work continuing to connect him with major filmmakers.

He is simply becoming more selective about how he spends his time.

At Venice, Clooney used the opportunity to recognize the people closest to him while also making a broader case for artistic freedom, journalism and storytelling.

His closing message focused on determination, love and mutual respect — and the possibility that society can remain intact even through periods of intense disagreement.

For an evening designed to celebrate his past, Clooney spent much of his speech talking about why stories will continue to matter in the future.

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FAQs

What Did George Clooney Say in His Venice Film Festival Speech?

George Clooney thanked his wife Amal and their children while using his Golden Lion acceptance speech to defend storytelling, free expression and the importance of empathy. He argued that artists and journalists have an important role in societies where fear and division are being encouraged.

Why Did George Clooney Receive the Golden Lion?

Clooney received the Golden Lion for Lifetime Achievement in recognition of his career as an actor, director and producer. The award was presented during the opening ceremony of the 83rd Venice International Film Festival on September 2, 2026.

How Many Oscars Has George Clooney Won?

Clooney has won two Academy Awards. He won Best Supporting Actor for Syriana and later shared the Best Picture Oscar as a producer of Argo. Across his career, he has received eight Academy Award nominations.

Gal Gadot Says She Auditioned for Mad Max: Fury Road for Four Hours — and Still Didn’t Get the Role

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Gal Gadot may be one of Hollywood’s most recognizable action stars, but even she has experienced the kind of audition rejection every working actor knows.

The Wonder Woman star recently revealed that she once spent approximately four hours auditioning for George Miller’s Mad Max: Fury Road alongside Tom Hiddleston.

Neither actor got the movie.

Speaking on the Happy Sad Confused podcast, Gadot described the London screen test as an intense process involving hours of filming and performance work. She arrived bundled up for the cold weather and said she eventually emerged wearing only a tank top because of how physically demanding the session became.

The experience is another reminder that even actors who eventually become global stars can spend hours competing for major roles — and still hear no.

Gal Gadot Spent Four Hours Auditioning for Mad Max

Gadot said the screen test took place in London with director George Miller.

She was paired with Tom Hiddleston for the audition.

“We stayed there for four hours,” Gadot recalled on the podcast, describing the process as unusually intensive.

According to Gadot, the actors filmed extensively throughout the session.

She remembered arriving at the location wearing multiple layers because it was a cold winter day in London.

Four hours later, the physical intensity of the audition had left her down to a tank top.

For actors accustomed to quick self-tapes or short casting sessions, a four-hour audition may sound extreme.

But major screen tests can involve far more than simply performing one scene.

Directors may want to test chemistry, stamina, movement, improvisation, reactions and how performers respond to repeated adjustments.

Tom Hiddleston Was Her Audition Partner

One of the biggest surprises in Gadot’s story was her screen-test partner.

She auditioned opposite Tom Hiddleston, who would later become internationally known for playing Loki in the Marvel Cinematic Universe.

Neither performer ultimately joined Fury Road.

The final film starred Tom Hardy as Max Rockatansky and Charlize Theron as Imperator Furiosa.

That means audiences could have potentially seen a dramatically different version of one of the most acclaimed action movies of the past decade.

While reporting has linked Gadot’s test to the role of Furiosa, the exact roles being tested during the session were not formally announced by the production at the time.

Gadot Thought the Audition Went Well

Perhaps the most relatable part of the story for actors is that Gadot apparently left feeling good about what she had done.

The session was exhausting, but creatively satisfying.

And then she didn’t get the job.

That experience can be difficult for actors because strong auditions can sometimes create false confidence about the result.

You may walk out thinking:

“That went perfectly.”

Casting may agree.

And you still may not be the person they ultimately choose.

The reason could involve chemistry, physical appearance, character interpretation, studio preferences or simply a director having a different picture in mind.

A strong audition and a booking are not the same thing.

George Miller Had a Very Specific Vision

Gadot’s comments also highlight an important part of major film casting: directors are often searching for something extremely specific.

George Miller had been developing Fury Road for years before production finally moved forward.

The resulting film relied heavily on physical storytelling, practical action, unusual character designs and a highly specific visual world.

Charlize Theron’s performance as Furiosa ultimately became one of the movie’s defining elements.

Tom Hardy brought an equally distinctive interpretation to Max.

Gadot acknowledged that Miller ultimately had a vision for the movie that went in another direction.

For actors, that distinction matters.

Sometimes rejection does not mean:

“You weren’t good enough.”

It means:

“The director saw this character differently.”

The Movie Went On to Become an Oscar-Winning Hit

Mad Max: Fury Road was released in 2015 and quickly became one of the most acclaimed action films of its era.

The movie received 10 Academy Award nominations and won six Oscars, including awards for film editing, costume design, production design, makeup and hairstyling, sound editing and sound mixing.

That makes Gadot’s story particularly interesting in hindsight.

She wasn’t simply auditioning for another action film.

She was competing for a place in a movie that would eventually become a major part of modern film history.

And she didn’t get it.

Then Gal Gadot Became Wonder Woman

Missing Mad Max clearly did not stop Gadot’s career.

She would go on to land the role that transformed her into an international star: Wonder Woman.

Gadot first appeared as Diana Prince in Batman v Superman: Dawn of Justice before leading 2017’s Wonder Woman.

The role turned her into the face of another enormous action franchise.

That sequence offers an important lesson for actors.

Had Gadot booked Fury Road, her career might have followed an entirely different path.

Instead, one major rejection was eventually followed by another career-changing opportunity.

Actors rarely know which role will actually become the defining one.

What Actors Can Learn From Gal Gadot’s Audition

Getting Far in Casting Is Still an Achievement

A four-hour screen test with the director of a major studio movie means casting already sees significant potential.

Actors should remember that reaching a chemistry read or screen test is itself meaningful.

You may not book the role, but you were seriously considered.

You Can Give a Great Audition and Still Lose the Job

This may be the biggest lesson.

Auditioning is not a school exam where the highest score automatically wins.

Multiple actors can perform exceptionally well.

Casting still has to choose one.

Be Ready for the Audition to Change

A major screen test may involve much more than reading the sides once.

You could be asked to:

  • Perform the scene multiple ways
  • Work with different actors
  • Improvise
  • Change your physicality
  • Take significant redirection
  • Repeat scenes for camera
  • Test wardrobe or makeup
  • Perform movement or action exercises

Actors who can adjust quickly often have an advantage.

Chemistry Matters

Gadot was not auditioning in isolation.

She was working opposite another actor.

For many major roles, filmmakers are testing combinations of performers rather than evaluating each actor independently.

You may be excellent for the role but not create the exact chemistry they want with another cast member.

That is outside your control.

Don’t Let One Audition Define Your Career

Imagine if Gadot had viewed losing Mad Max as evidence that Hollywood wasn’t going to work out.

She would have missed everything that came afterward.

Actors often focus intensely on the opportunity directly in front of them.

But careers are built across hundreds of auditions, meetings, relationships and performances.

One role rarely determines everything.

Kat Dennings Had a Similar Mad Max Experience

Gadot’s revelation is particularly interesting because she isn’t the only well-known actress to recently discuss an unusually demanding Fury Road audition.

Kat Dennings also revealed that she went through a lengthy audition process for the film, spending approximately six hours working opposite Tom Hardy.

Dennings described that session as grueling and recalled being asked to perform unconventional exercises, including switching roles and communicating without relying on the written dialogue.

She didn’t get the movie either.

Taken together, the stories show just how extensive Miller’s casting process appears to have been.

The filmmakers weren’t simply trying to find famous names.

They were testing performers deeply before deciding who belonged in the world of Fury Road.

Even Famous Actors Audition

This is something aspiring actors can easily forget.

Audiences usually meet celebrities after they become successful.

They see the finished movies.

They see red carpets.

They see awards.

They don’t see the dozens of roles those same performers didn’t get.

Gadot’s four-hour Mad Max audition happened before Wonder Woman made her one of Hollywood’s most recognizable stars.

Hiddleston also went through the test despite already having significant professional experience.

Successful actors still audition.

Successful actors still lose roles.

Successful actors still have projects where another performer was simply the better fit.

Why Rejection Can Actually Help Actors

Rejection is difficult, but reaching advanced stages of casting can provide useful information.

If you keep receiving callbacks, something about your auditions is working.

If you repeatedly reach producer sessions or chemistry reads, casting professionals are taking you seriously.

The problem may not be your ability.

It may simply be finding the specific project where everything aligns.

That is why actors should measure progress by more than bookings.

Callbacks matter.

Availability checks matter.

Screen tests matter.

Casting directors remembering you matters.

Those small signs can eventually lead to the role that changes your career.

Don’t Try to Predict What Casting Wants

Actors sometimes react to rejection by trying to reverse-engineer the decision.

Maybe I should have been tougher.

Maybe I should have looked different.

Maybe I should have played it quieter.

Maybe I should have changed the accent.

Usually, you don’t know why the decision was made.

Trying to guess can lead actors away from the qualities that made casting interested in them originally.

Prepare thoroughly.

Make a clear choice.

Listen to direction.

Then allow casting to make its decision.

The Best Audition Mindset: Book the Room, Not the Role

A useful way for actors to think about auditions is to stop treating the booking as the only successful outcome.

You cannot control whether you receive the role.

You can control whether casting wants to see you again.

That means showing up:

Prepared
Professional
Flexible
Creative
Easy to work with

If a casting director remembers your audition positively, today’s rejection could lead to another opportunity months or even years later.

Hollywood careers are rarely linear.

Gal Gadot’s Story Is a Reminder to Keep Going

Gadot didn’t become Furiosa.

Hiddleston didn’t become Max.

The movie went on without them.

And both actors went on to build enormous careers elsewhere.

That may be the most important part of this story for performers.

Audition rejection often feels like a door closing.

But actors rarely know what other door is about to open.

The role you desperately wanted may not be the role your career actually needs.

Final Thoughts

Gal Gadot spent four intense hours auditioning for Mad Max: Fury Road alongside Tom Hiddleston.

Neither got the movie.

Charlize Theron and Tom Hardy ultimately became the faces of George Miller’s Oscar-winning film.

But the rejection didn’t stop Gadot.

She eventually became Wonder Woman and one of Hollywood’s most recognizable action stars.

For actors, the takeaway is simple:

A great audition does not guarantee a role — and losing a role does not mean you’re failing.

Sometimes you can spend four hours giving everything you have and still hear no.

Then another audition comes along.

And that one could change everything.

Looking for your next opportunity? Explore film, television, commercial and streaming casting calls at ProjectCasting.com.

FAQ About Gal Gadot’s Mad Max Audition

Did Gal Gadot audition for Mad Max: Fury Road?

Yes. Gadot recently revealed that she participated in a lengthy screen test for George Miller’s Mad Max: Fury Road.

How long was Gal Gadot’s Mad Max audition?

Gadot said the audition lasted approximately four hours.

Who auditioned with Gal Gadot?

She said she screen-tested opposite Tom Hiddleston.

Was Gal Gadot auditioning to play Furiosa?

The recent interview and subsequent reporting have connected Gadot’s screen test with Furiosa, although the production did not publicly announce the exact casting setup at the time.

Who ultimately played Furiosa?

Charlize Theron played Imperator Furiosa in Mad Max: Fury Road.

Who played Mad Max?

Tom Hardy played Max Rockatansky.

Did Tom Hiddleston get a role in the movie?

No. Hiddleston was not part of the final Mad Max: Fury Road cast.

Did Kat Dennings also audition for Mad Max?

Yes. Dennings recently revealed that she went through an approximately six-hour audition process opposite Tom Hardy.

What should actors learn from Gal Gadot’s audition?

Getting deep into the casting process does not guarantee a booking. Actors should focus on preparation, adaptability and professionalism while understanding that many final casting decisions are outside their control.

Where can actors find casting calls?

Actors can find film, television, commercial, streaming and entertainment opportunities at ProjectCasting.com.

Elliot Page Says Film Offers Haven’t Poured In After ‘The Odyssey’

Elliot Page Says Film Offers Haven’t Poured In After ‘The Odyssey’

Elliot Page may have reunited with acclaimed filmmaker Christopher Nolan for The Odyssey, but the actor says the high-profile role has not resulted in an immediate flood of new film offers.

Page, who plays Sinon in Nolan’s epic, recently spoke about his career and the kinds of acting opportunities he hopes to pursue next.

During an appearance on the On Film… With Kevin McCarthy podcast, Page was asked whether his performance had resulted in a surge of calls from filmmakers and studios.

His answer was simple: not yet.

The actor joked that he remains available if filmmakers are interested, while making it clear that he is eager to continue taking on challenging roles.

Elliot Page Wants to Do His Best Work Yet

Despite not seeing a dramatic increase in offers, Page appears optimistic about the next stage of his acting career.

The Juno and The Umbrella Academy star said his main goal is to continue doing strong work, adding that he now feels capable of delivering some of the best performances of his career.

Page also reflected on how his personal experience has changed since appearing in Nolan’s 2010 science-fiction blockbuster Inception.

Although Page said he enjoyed making the film and working with Nolan, he remembered feeling uncomfortable personally during that period of his life.

Now, Page says that feeling no longer affects his approach to acting in the same way.

That change has given him greater confidence in what he can bring to future performances.

Elliot Page Reflects on ‘Inception’

Page previously worked with Christopher Nolan as Ariadne in Inception, alongside Leonardo DiCaprio, Joseph Gordon-Levitt, Tom Hardy, Marion Cotillard, and other major stars.

More than a decade later, Page reunited with Nolan for The Odyssey.

While discussing his earlier experience on Inception, Page explained that he had a positive experience professionally but was dealing with personal discomfort at the time.

Page contrasted that period with where he is today, saying he feels more comfortable and able to focus on his performances.

For actors and performers, Page’s comments also highlight an important reality of the entertainment industry: even appearing in a major studio production does not automatically guarantee the next job.

A Major Movie Credit Doesn’t Always Mean Immediate Offers

Landing a role in a Christopher Nolan movie would be a major career milestone for almost any performer.

However, Page’s experience demonstrates how unpredictable Hollywood casting can be.

Actors can work with celebrated directors, appear in high-profile productions, and earn strong credits without immediately receiving a long list of offers afterward.

Casting decisions can depend on everything from upcoming project schedules and character requirements to financing, availability, market trends, and how filmmakers envision a particular role.

For working actors, the lesson is significant: one major credit can create momentum, but building a sustainable acting career often requires continuing to audition, develop relationships, improve performance skills, and pursue new opportunities.

Elliot Page Has Also Focused on Fitness and Boxing

Outside of acting, Page has spoken openly about developing a passion for boxing and physical training.

The actor has shared parts of his fitness journey on social media and credited his boxing coach with helping him improve both technically and mentally.

Page has also previously discussed using virtual reality fitness programs while traveling, allowing him to continue boxing-style workouts from hotel rooms and other locations.

That commitment to training could potentially expand the range of physically demanding characters Page is able to pursue in future film and television projects.

What Elliot Page’s Comments Mean for Actors

Page’s comments offer a useful reminder for performers at every stage of their careers.

A recognizable credit can strengthen an acting résumé, but there are few guarantees in casting.

Even established actors can experience quiet periods between projects.

For emerging talent, that makes consistency especially important. Maintaining updated headshots, building a strong reel, continuing training, networking professionally, and regularly searching for legitimate casting opportunities can all help actors remain prepared when the right project appears.

Page, meanwhile, appears ready for whatever role comes next.

And despite not receiving the overwhelming number of calls someone might expect after appearing in a Nolan production, he believes his strongest acting work could still be ahead of him.

Frequently Asked Questions

Is Elliot Page in Christopher Nolan’s ‘The Odyssey’?

Yes. Elliot Page appears as Sinon in Christopher Nolan’s The Odyssey. The project marks another collaboration between Page and Nolan following Inception.

Is Elliot Page getting more movie offers after ‘The Odyssey’?

According to Page, he has not experienced a major increase in acting offers following the film. During an interview, he joked that filmmakers are welcome to call him.

What role did Elliot Page play in ‘Inception’?

Elliot Page played Ariadne, an architecture student recruited to help construct dream environments for the team at the center of Christopher Nolan’s Inception.

Has Elliot Page worked with Christopher Nolan before ‘The Odyssey’?

Yes. Page previously worked with Nolan on Inception, which was released in 2010.

What has Elliot Page said about his acting career?

Page has said that he wants to continue doing meaningful, high-quality work and believes he is currently in a position to deliver some of the strongest performances of his career.

Why aren’t major movie roles guaranteed to lead to more acting jobs?

Hollywood casting depends on many factors beyond an actor’s previous credits, including role requirements, availability, production schedules, financing, creative direction, and competition. Even actors coming off major movies may experience periods without new offers.

Where can actors find new casting opportunities?

Actors can search for casting calls, auditions, entertainment industry opportunities, and career resources on Project Casting. Staying prepared with professional materials and consistently applying for suitable roles can help performers take advantage of opportunities as they become available.

How to Get Cast in AMC “FROM”

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From Season 5: Cast, Final Season, Filming, Casting Directors, and Everything We Know

From is heading toward its final chapter.

The hit MGM+ science-fiction horror series has built a passionate audience with its terrifying creatures, complicated mythology, shocking twists, and one central mystery: Why are these people trapped in a town they seemingly cannot escape?

Created by John Griffin, From stars Harold Perrineau as Boyd Stevens alongside Catalina Sandino Moreno, David Alpay, Elizabeth Saunders, Scott McCord, Ricky He, Chloe Van Landschoot, Pegah Ghafoori, Corteon Moore, Hannah Cheramy, Avery Konrad, and a growing ensemble of residents caught inside the mysterious town.

After four seasons, MGM+ renewed From for a fifth and final season in April 2026. The final season is expected to premiere in 2027, bringing the long-running mystery closer to its ultimate conclusion.

For actors and entertainment professionals, the continued production also makes From a project worth watching for potential casting calls, background acting opportunities, stand-in work, photo-double roles, and other production opportunities.

What Is From About?

From is a science-fiction horror series centered on a mysterious American town that traps everyone who enters it.

Once travelers arrive, seemingly every road leads them back to the same place. Leaving becomes impossible, forcing strangers to form a community and figure out how to survive together.

Their biggest immediate threat arrives after dark.

Terrifying human-like creatures emerge from the surrounding forest at night, hunting residents who are not safely protected inside. But as the series progresses, it becomes increasingly clear that the monsters are only one piece of a much larger supernatural mystery.

The residents encounter unexplained visions, strange symbols, mysterious children, supernatural entities, unusual connections between characters, and clues suggesting that events within the town may stretch back generations.

At the center of the community is Boyd Stevens, the town’s self-appointed sheriff and de facto leader. Boyd attempts to maintain order while searching for a way home and confronting forces that repeatedly challenge his understanding of what is happening.

The Matthews family also becomes central to the mystery after arriving in town. Tabitha Matthews, her husband Jim, and their children Julie and Ethan quickly discover that surviving may require uncovering why the town exists in the first place.

From Season 5 Will Be the Final Season

MGM+ renewed From for a fifth and final season in April 2026.

The announcement confirmed that the mystery-driven horror series will have one more season to complete its story.

That is especially important for a show like From, where almost every season has introduced new questions about the town, its creatures, its history, and the supernatural forces controlling events.

Season 5 gives the creative team an opportunity to bring those storylines together and potentially answer some of the biggest questions viewers have been asking since the beginning.

The fifth season is scheduled to premiere in 2027.

Where Is From Filmed?

Although the series depicts a mysterious town in the United States, From has primarily been filmed in Nova Scotia, Canada.

Production on the first season began in 2021, with filming taking place around the Halifax area, including Beaver Bank and Lower Sackville.

Nova Scotia’s forests, roads, rural landscapes, and isolated environments have helped establish the show’s unsettling atmosphere.

The production has continued returning to Nova Scotia for subsequent seasons. Filming for the fifth season was scheduled to take place in the province from July through November 2026.

For performers interested in potential From casting calls, the production location is particularly important because some background, stand-in, featured, and specialty casting opportunities may prioritize talent who can work locally.

Who Stars in From?

Harold Perrineau leads the cast as Boyd Stevens, the unofficial sheriff and one of the community’s most important leaders.

The main From cast has included:

  • Harold Perrineau as Boyd Stevens
  • Catalina Sandino Moreno as Tabitha Matthews
  • David Alpay as Jade Herrera
  • Elizabeth Saunders as Donna Raines
  • Scott McCord as Victor Kavanaugh
  • Ricky He as Kenny Liu
  • Chloe Van Landschoot as Kristi Miller
  • Pegah Ghafoori as Fatima Hassan
  • Corteon Moore as Ellis Stevens
  • Hannah Cheramy as Julie Matthews
  • Simon Webster as Ethan Matthews
  • Avery Konrad as Sara Myers
  • Robert Joy as Henry Kavanaugh
  • Samantha Brown as Dani Acosta

Over its run, From has also introduced numerous recurring characters, guest performers, supernatural figures, townspeople, and newcomers.

That large ensemble is an important part of the show’s storytelling because new arrivals can completely change the dynamics of the community.

Harold Perrineau Leads From as Boyd Stevens

Harold Perrineau’s Boyd Stevens has become the emotional center of From.

A military veteran, Boyd assumes responsibility for keeping the community organized and protected. He establishes rules intended to help residents survive while continuing to search for answers about the town.

However, Boyd’s leadership frequently places him directly in the path of the supernatural forces threatening the community.

As the series progresses, the physical and emotional consequences of those encounters become increasingly difficult for him to escape.

Perrineau’s performance has received considerable recognition and has helped establish Boyd as one of modern television horror’s most memorable protagonists.

Catalina Sandino Moreno as Tabitha Matthews

Catalina Sandino Moreno plays Tabitha Matthews, whose connection to the town’s mythology becomes increasingly significant throughout From.

Tabitha initially arrives with her husband and children, but her determination to understand what is happening eventually places her at the center of some of the show’s biggest discoveries.

Her experiences suggest that the town’s mysteries may stretch much further into the past than the current group of residents initially understood.

David Alpay as Jade Herrera

David Alpay stars as Jade Herrera, an intelligent software developer who initially attempts to approach the town’s mysteries logically.

That becomes increasingly difficult.

Jade encounters strange symbols, visions, and patterns that suggest something much larger is happening around him.

His investigation eventually becomes one of the show’s most important storylines, particularly as his connection to Tabitha and the town’s history becomes clearer.

Scott McCord as Victor Kavanaugh

Scott McCord plays Victor Kavanaugh, one of the town’s longest-surviving residents.

Victor has been trapped there since childhood.

Because he witnessed events that happened decades before many of the current residents arrived, his memories could contain crucial information about the origins and history of the town.

However, years of trauma have made those memories difficult for Victor to confront.

As the characters move closer to discovering the truth, Victor’s past becomes increasingly important.

Who Are the Casting Directors for From?

The casting team behind From plays an important role in creating the show’s distinctive ensemble.

Unlike a television series built around only a handful of characters, From regularly requires performers to portray townspeople, new arrivals, families, supernatural entities, recurring residents, and characters connected to different periods of the town’s history.

Robin D. Cook is one of the casting professionals associated with the project. Cook is an experienced casting director whose credits include Frankenstein, The Shape of Water, and Scott Pilgrim vs. the World. Her career includes work across major film and television productions.

Ben Pollack is also part of the casting team. Pollack has worked across casting and directing, with credits including How I Met Your Father, Crush, and Single Parents. His television experience adds to the casting expertise behind From’s large ensemble.

Seth Yanklewitz is another casting director connected to the project. His credits include productions such as The Hangover, New Girl, and Billy the Kid, reflecting experience across film and television casting.

Hennessey Casting is also one of the casting teams working on From. A production of this scale can require more than principal cast members. Background performers, featured extras, stand-ins, photo doubles, specialty performers, and other talent all contribute to creating the population and atmosphere viewers see on screen.

For actors hoping to work on From, following the casting professionals and companies associated with the production can help them stay informed when legitimate opportunities become available.

AMC “FROM” Season 5 Casting Call for Costume Specific Roles

Physically Fit Male Background Actor for “FROM” Season 5

Job Description

“FROM” Season 5 is seeking a physically fit male background performer for a costume-specific role filming in the Halifax Regional Municipality, Nova Scotia. This rare background acting opportunity is for a daytime exterior scene and will be photo cast by production. Talent should be reliable, flexible, and prepared for a professional television production environment.

Job Responsibilities

  • Perform as a background character in an exterior scene for “FROM” Season 5.
  • Follow direction from the production team throughout filming.
  • Maintain character and continuity between takes.
  • Arrive on time and remain available until released by production.
  • Work professionally during potentially long filming hours.

Requirements

  • Caucasian male talent, ages 35–55.
  • Must be physically fit.
  • Must be a Nova Scotia resident and legally eligible to work in Nova Scotia.
  • Must have reliable transportation to the filming location.
  • Must be able to work in the Halifax Regional Municipality.
  • Must be prepared for an early morning call time and a potentially long production day.

Compensation

  • ACTRA background rates apply for union performers.
  • Non-union rate: $16.75.

Click here to apply now!

Why From Casting Calls Are Worth Watching

From is particularly interesting from a casting perspective because the premise naturally allows the production to introduce new performers.

New people can arrive in the town, previously unseen residents can become important to the story, and flashbacks or supernatural sequences can introduce characters connected to different periods.

Productions of this size may also need background actors to populate locations such as Colony House, the Township, the diner, outdoor community scenes, and other environments.

Depending on production requirements, casting opportunities could potentially include background performers, featured extras, stand-ins, photo doubles, specialty performers, and day players.

Actors should always rely on the requirements listed in an individual casting notice rather than assuming a particular role or category is available.

What Can Fans Expect From From Season 5?

Major spoilers for previous seasons follow.

Season 5 has a significant challenge ahead: resolving a mythology that has grown considerably since the series began.

The relationship between Tabitha and Jade is expected to remain important, particularly as the pair continues discovering connections between themselves, previous residents, and the mysterious children.

The Man in Yellow has also emerged as an important threat within the mythology.

Meanwhile, Boyd continues facing the consequences of his attempts to protect the community, while Victor’s memories could provide crucial information about events that occurred long before the current residents arrived.

The final season has an opportunity to address some of the show’s biggest questions:

What exactly is the town?

Why are people brought there?

Who controls the creatures?

What happened to the children?

Why do certain events appear to repeat?

What is the true purpose of the Man in Yellow?

And can anyone actually escape?

After years of theories and mysteries, Season 5 could finally provide the answers.

Why From Has Become a Horror Hit

From combines several genres particularly effectively.

It is a horror series filled with terrifying creatures and disturbing supernatural encounters, but it is also a mystery.

Each discovery leads viewers toward another question.

At the same time, From remains heavily focused on its characters. The people trapped inside the town experience grief, fear, family conflict, relationships, leadership struggles, and impossible moral decisions.

That combination of horror, mystery, science fiction, and character drama has helped From develop a dedicated audience over four seasons.

Critical Reception and Awards

From has also earned strong critical recognition throughout its run.

Harold Perrineau has received particular praise for his performance as Boyd Stevens, while the series and its cast have received recognition from organizations including the Critics Choice Super Awards, Fangoria Chainsaw Awards, NAACP Image Awards, Satellite Awards, Leo Awards, and Saturn Awards.

The series has maintained particularly strong critical scores across multiple seasons, demonstrating that its expanding mythology has continued to resonate with critics and viewers.

From Season 5 Could Bring New Opportunities for Actors

The final season of a television series can be an interesting period for performers following casting opportunities.

As storylines reach their conclusion, productions may require new characters, additional townspeople, flashback performers, doubles, stand-ins, specialty talent, and background actors to complete specific sequences.

Because From has been produced in Nova Scotia, performers based in Canada or able to meet local-hire requirements may want to pay particular attention to legitimate casting notices connected to the production.

Exact eligibility, work authorization, location, availability, compensation, and character requirements will vary by casting call.

Stay Updated on From Casting Calls With Project Casting

From is preparing to bring one of television’s biggest supernatural mysteries to an end.

With Season 5 serving as the final season, viewers may finally discover the truth behind the town, its creatures, the mysterious children, the Man in Yellow, and the forces that have kept generations of residents trapped.

Actors and entertainment professionals can also follow the production for potential From casting calls and related opportunities.

Looking for your next role?

Explore the latest casting calls, acting auditions, background acting opportunities, film and television jobs, and entertainment industry opportunities on Project Casting.

Create your profile, discover roles that match your experience, and take the next step in your entertainment career.

Find your next opportunity and apply now on Project Casting.

How to Get Cast in “We Were Liars”

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We Were Liars Season 2: Cast, Story, Casting Directors, and Everything We Know

Amazon Prime Video’s We Were Liars is officially returning for a second season, bringing audiences back into the wealthy, complicated, and secret-filled world of the Sinclair family.

Based on E. Lockhart’s bestselling young adult novel of the same name, We Were Liars combines psychological mystery, family drama, romance, and tragedy against the picturesque backdrop of a private island. After premiering in June 2025, the series earned a second-season renewal and is expanding its ensemble with several new and returning cast members.

For actors, filmmakers, and fans following the production, here is everything you need to know about We Were Liars, including the story, Season 2 cast, filming locations, casting directors, and potential casting opportunities.

What Is We Were Liars?

We Were Liars is an American psychological thriller and family drama based on E. Lockhart’s 2014 novel.

The story centers on the wealthy Sinclair family, whose seemingly perfect summers on their private Beechwood Island conceal family conflicts, romantic complications, privilege, resentment, and devastating secrets.

At the center of the story is Cadence “Cady” Sinclair Eastman, played by Emily Alyn Lind. Cadence is the eldest grandchild of family patriarch Harris Sinclair and spends her summers with a close-knit group known as the Liars.

The group consists of Cadence, Johnny Sinclair Dennis, Mirren Sinclair Sheffield, and Gat Patil.

After a mysterious accident leaves Cadence with memory loss, she returns to Beechwood determined to discover what happened during the summer she cannot remember. The deeper she investigates, the more painful the truth becomes.

What Happens in We Were Liars Season 1?

The first season of We Were Liars consists of eight episodes and follows Cadence as she attempts to reconstruct the events surrounding her accident.

Her investigation unfolds alongside flashbacks revealing growing tensions within the Sinclair family.

Family patriarch Harris Sinclair uses his wealth and inheritance as leverage over his daughters Penny, Carrie, and Bess. Meanwhile, the younger generation increasingly struggles with the expectations, privilege, and dysfunction surrounding the family.

Cadence’s relationship with Gat also becomes central to the story. Their romance develops while Gat challenges the Sinclair family’s attitudes toward wealth, privilege, and belonging.

Everything eventually culminates in a devastating revelation involving the Liars and a fire at the family’s Clairmont house. The Season 1 finale fundamentally changes Cadence’s understanding of the previous summer and gives new meaning to the events audiences witnessed throughout the season.

We Were Liars Season 2 Is Official

Prime Video renewed We Were Liars for a second season in September 2025.

The renewal allows the television adaptation to expand beyond the central mystery explored during its first season and dig deeper into the history of the Sinclair family.

Season 2 is significantly expanding the show’s ensemble, including actors portraying younger versions of several established Sinclair family members.

What Will We Were Liars Season 2 Be About?

The expanding cast provides an important clue about where We Were Liars Season 2 could take the story.

E. Lockhart followed We Were Liars with the prequel novel Family of Liars, which explores an earlier generation of the Sinclair family.

Season 2 includes younger versions of major characters such as Harris Sinclair, Tipper Sinclair, Carrie Sinclair, Penny Sinclair, and Bess Sinclair.

This opens the door for the series to explore the relationships, betrayals, family expectations, and long-held secrets that shaped the Sinclairs before the events involving Cadence and the Liars.

Who Is in the We Were Liars Cast?

Emily Alyn Lind leads We Were Liars as Cadence “Cady” Sinclair Eastman.

The main cast includes:

  • Emily Alyn Lind as Cadence “Cady” Sinclair Eastman
  • Caitlin FitzGerald as Penny Sinclair
  • Mamie Gummer as Carrie Sinclair
  • Candice King as Bess Sinclair
  • Rahul Kohli as Ed Patil
  • Shubham Maheshwari as Gat Patil
  • Esther McGregor as Mirren Sinclair Sheffield
  • Joseph Zada as Johnny Sinclair Dennis
  • David Morse as Harris Sinclair

The supporting ensemble further expands the Sinclair family and the people connected to their summers on Beechwood Island.

We Were Liars Season 2 Cast

Several performers are joining or expanding their roles for We Were Liars Season 2.

Josh Dallas joins the series as a younger version of Harris Sinclair, the family patriarch portrayed by David Morse in the primary timeline.

Peyton List plays a younger Tipper Taft Sinclair, Harris’ wife and the matriarch of the Sinclair family.

Other Season 2 cast members include:

  • Madison Wolfe as teenage Bess Sinclair
  • Parker Lapaine as teenage Carrie Sinclair
  • Elysia Roorbach as teenage Penny Sinclair
  • Costa D’Angelo as Pfeff
  • Dempsey Bryk as Ebon

Bryk appeared in a recurring capacity during the first season before being promoted to series regular for Season 2.

More New Cast Members Join We Were Liars Season 2

The We Were Liars Season 2 ensemble continues to grow.

Additional recurring performers joining the second season include:

  • Riley Voelkel
  • Madeleine Arthur
  • Jaelynn Thora Brooks
  • Layla Douglas
  • Callan Potter
  • Aidan Shaw
  • Shaun Sipos
  • Brendon Tremblay

The expanded cast reinforces the multigenerational direction of the series as the story explores more characters connected to the Sinclair family.

Who Are the Casting Directors for We Were Liars?

Casting is essential to We Were Liars, particularly because the series depends on performers who can convincingly portray multiple generations of the Sinclair family and navigate its mixture of romance, mystery, privilege, grief, and complicated family relationships.

Andrea Bunker and Deanna Brigidi are among the casting professionals associated with We Were Liars.

Andrea Bunker is a casting director and casting department professional whose credits include We Were Liars, Big Little Lies, and Off Campus. Her experience includes character-driven television projects requiring carefully assembled ensembles.

Deanna Brigidi is a casting director and casting department professional with experience across film and television. Her work contributes to finding performers who can meet the specific character, chemistry, and storytelling requirements of a production.

Hennessey Casting is also one of the casting teams involved with We Were Liars. The company’s involvement adds another important component to the production’s talent search and casting process.

With Season 2 expanding the story across different generations and introducing numerous new characters, casting remains an especially important part of building the world of We Were Liars.

Prime Video “We Were Liars” Season 2 Casting Call for Coroners

Female Coroner for “We Were Liars” Season 2

Job Description

“We Were Liars” Season 2 is seeking a female background performer to portray a coroner in the TV series. This background acting opportunity is looking for talent who can naturally fit into a 1990s-era morgue environment and convincingly portray a professional coroner. New faces and performers with previous background acting experience are welcome.

Job Responsibilities

  • Portray a coroner in a 1990s-era morgue scene.
  • Perform naturally within a medical and investigative setting.
  • Follow direction from the production team during filming.
  • Maintain appropriate character behavior and professionalism on set.

Requirements

  • Female talent, ages 25–65.
  • Must be comfortable portraying a coroner in a morgue environment.
  • Open to union and non-union performers.
  • Must be able to work in the Halifax Regional Municipality, Nova Scotia.

Compensation

  • ACTRA background rates apply for union performers.
  • Non-union rate: $16.75.

Click here to apply now!

Prime Video “We Were Liars” Season 2 Casting Call for Wealthy Father

We Were Liars Season 2 – Wealthy Father

Job Description

“We Were Liars” Season 2 is seeking a male background actor to portray a wealthy father in a 1999-era scene. This TV series background role calls for a sophisticated, affluent appearance with a Southern European or Mediterranean look. Casting is open to new faces and performers who have not previously appeared as present-day or Season 1 background talent.

Job Responsibilities

  • Portray a wealthy father in a 1999-era scene.
  • Bring an authentic, polished, and affluent presence to the role.
  • Follow direction from the production team throughout filming.
  • Maintain character and continuity during potentially long shoot days.
  • Arrive prepared for a full day of filming.

Requirements

  • Male talent, late 30s to early 50s.
  • Southern European or Mediterranean appearance.
  • Dark or salt-and-pepper hair.
  • Olive-leaning skin tone.
  • Must be a Nova Scotia resident and legally eligible to work in Canada.
  • Must have reliable transportation to the filming location in the Halifax Regional Municipality.
  • Must be available for a full shoot day.
  • New faces and eligible 1999-era background performers are encouraged to apply.

Compensation

  • ACTRA background rates apply for union performers.
  • Non-union rate: $16.75.

Click here to apply now!

“We Were Liars” Season 2 Casting Call for New Actor

New Actor Roles for Television Series

Job Description

A television series is seeking new actors for upcoming roles filming in the Halifax Regional Municipality and Chester & Lunenburg, Nova Scotia. This casting opportunity is open to union performers who have not previously worked on the production, including background roles. Selected talent will participate in professional television production scenes throughout the upcoming filming period.

Job Responsibilities

  • Perform an assigned character role in the television series.
  • Follow direction from the director and production team.
  • Maintain character continuity throughout filming.
  • Arrive prepared and maintain professional on-set conduct.
  • Participate in filming within the designated Nova Scotia production locations.

Requirements

  • Must be a new performer to the production.
  • Talent who have previously worked on the series, including as background actors, should not apply.
  • Must be available to work in the Halifax Regional Municipality or Chester & Lunenburg, Nova Scotia.
  • Must meet the specific character requirements for the selected role.

Compensation

  • ACTRA rates apply.

Click here to apply now!

“We Were Liars” Season 2 Casting Call for Female Coroner

Female Coroner for “We Were Liars” Season 2

Job Description

“We Were Liars” Season 2 is seeking a female background performer to portray a coroner in a 1999-era morgue scene. This television background acting opportunity is ideal for talent who are comfortable working around simulated death, morgue environments, and cold stainless-steel settings. New faces and eligible 1999-era background performers are welcome.

Job Responsibilities

  • Portray a professional coroner in a 1999-era scene.
  • Perform naturally in an interior morgue environment.
  • Remain comfortable around simulated death and medical-themed set elements.
  • Follow direction from the production team throughout filming.
  • Maintain character, continuity, and professionalism during a potentially long shoot day.

Requirements

  • Female talent, ages 25–65.
  • Must be comfortable portraying a coroner in a morgue setting.
  • Must be a Nova Scotia resident and legally eligible to work in Canada.
  • Must have reliable transportation to the filming location.
  • Must be available for a full shoot day in the Halifax Regional Municipality.
  • New faces and eligible 1999-era background performers are encouraged to apply.

Compensation

  • ACTRA background rates apply for union performers.
  • Non-union rate: $16.75.

Click here to apply now!

Who Created We Were Liars?

We Were Liars was developed for television by Julie Plec and Carina Adly MacKenzie, who also serve as showrunners.

The series is based on the novel by E. Lockhart, who is also among the project’s executive producers.

Executive producers associated with the series include Julie Plec, Carina Adly MacKenzie, Emily Cummins, Brett Matthews, Pascal Verschooris, E. Lockhart, and Nzingha Stewart.

The production companies behind We Were Liars include Because Magic Whatever, My So-Called Company, Universal Television, and Amazon MGM Studios.

Where Was We Were Liars Filmed?

Although the Sinclair family spends its summers on the fictional Beechwood Island, We Were Liars has used Nova Scotia, Canada, to bring the coastal setting to life.

Principal photography for the first season began in June 2024, with filming taking place around Halifax and Lunenburg, Nova Scotia. Production was completed by late September 2024.

The coastal locations help establish the isolated, picturesque atmosphere that defines the series. Beaches, waterfront properties, boats, and secluded landscapes provide a striking contrast to the darker family drama unfolding throughout the story.

When Did We Were Liars Premiere?

We Were Liars premiered on Amazon Prime Video on June 18, 2025.

The first season consists of eight episodes and introduced audiences to Cadence, the Liars, and the mystery surrounding the Sinclair family.

The series found a significant audience after its release, reaching the No. 1 position among Prime Video’s Top 10 TV shows during its release month.

What We Were Liars Season 2 Means for Actors

Returning television productions can generate casting needs beyond their established principal cast.

Depending on production requirements, a series may seek supporting performers, day players, background actors, stand-ins, photo doubles, and other specialized talent.

We Were Liars has an especially broad story world involving multiple generations, different time periods, family gatherings, island residents, and supporting characters. The growing Season 2 ensemble demonstrates how the television adaptation is continuing to expand beyond the original group of characters.

Actors interested in We Were Liars casting calls should follow legitimate casting announcements and carefully review eligibility requirements before submitting.

What’s Next for We Were Liars?

Season 1 answered the mystery at the center of Cadence’s story, but the history of the Sinclair family leaves considerable territory for We Were Liars Season 2 to explore.

The addition of younger versions of Harris, Tipper, Penny, Carrie, and Bess creates new possibilities for multigenerational storytelling.

With Josh Dallas, Peyton List, Madison Wolfe, and several additional performers joining the ensemble, the next chapter can reveal more about how the Sinclair family became the deeply complicated dynasty audiences encountered in Season 1.

For viewers, that means more family secrets and mysteries to uncover. For entertainment professionals, We Were Liars remains a television production worth following as its second season moves forward.

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Kat Dennings Says Her Mad Max Audition Lasted 6 Hours — and She Still Didn’t Get the Role

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Kat Dennings has revealed just how intense auditioning for a major Hollywood blockbuster can be — even for an established actor.

The 2 Broke Girls and Marvel star says she once spent roughly six hours auditioning for Mad Max: Fury Road alongside Tom Hardy, enduring a series of unusual acting exercises before ultimately not landing a role in the movie.

Dennings described the experience as essentially “an acting class on the worst day of your life.”

The story is entertaining, but for working actors it also provides a valuable reminder:

You can have a long audition, impress the room, make it deep into the casting process — and still not book the job.

That does not necessarily mean the audition failed.

Kat Dennings Auditioned With Tom Hardy for Mad Max: Fury Road

Dennings recently shared the story on social media, explaining that she participated in a chemistry read with Tom Hardy during the casting process for George Miller’s Mad Max: Fury Road.

Hardy ultimately became the film’s Max Rockatansky.

According to Dennings, the audition started with only a few pages of relatively vague dialogue.

But it quickly became much more intense.

The process stretched for hours and included several unconventional exercises designed to test how the actors responded to direction and one another.

The Audition Lasted Around Six Hours

This was not a typical five-minute casting session.

Dennings says she and Hardy worked for approximately six hours, even stopping for a lunch break before continuing.

During the audition, they were asked to experiment extensively with the material.

At one point, they switched roles.

They were also filmed moving through the space and trying different approaches to the scene.

Then came the exercise Dennings found particularly difficult: performing the scene without actually speaking the written dialogue.

Instead, the actors were encouraged to communicate through sounds and other vocalizations.

Tom Hardy Thrived During the Unusual Audition

Dennings admitted that the unusual exercises were challenging for her.

Hardy, however, appeared comfortable with the freedom of the process.

She recalled watching him find creative ways to interpret the material even as the audition became increasingly unconventional.

That detail offers an interesting insight into what director George Miller may have been searching for.

Fury Road ultimately became a movie built heavily around physical performance, movement, reactions and visual storytelling.

Dialogue often takes a secondary role.

Testing whether actors could communicate without relying entirely on the written words may therefore have helped filmmakers see how performers would function inside Miller’s highly physical world.

Dennings Didn’t Book the Movie

After six hours of auditioning, Dennings still wasn’t cast in Mad Max: Fury Road.

That may be the most useful part of the story for actors.

Long auditions do not guarantee roles.

Neither do callbacks.

Neither do chemistry reads.

Neither does receiving positive feedback.

An actor can reach the final stages of casting and still hear no.

Sometimes another performer simply fits the director’s vision more closely.

And sometimes the reason has very little to do with talent.

What Happened After the Audition Was Even More Unexpected

The story didn’t end when the casting session finished.

Dennings said she did not have a car at the time, so Hardy offered to drive her home.

She was living with her parents.

After they arrived, Hardy came inside and met Dennings’ mother.

Dennings eventually went to her room, changed into pajamas and took a nap.

When she returned several hours later, Hardy was apparently still at the house having tea and talking with her mother.

Dennings said the experience left her with enormous respect for Hardy and described herself as a fan of his for life.

The bizarre six-hour audition therefore turned into one of her most memorable Hollywood stories — even though she didn’t get the job.

Mad Max: Fury Road Became a Major Hollywood Success

Released in 2015, Mad Max: Fury Road starred Tom Hardy alongside Charlize Theron, Nicholas Hoult and an ensemble cast.

The movie was directed by George Miller and earned approximately $379 million worldwide, according to Box Office Mojo.

It also became one of the most acclaimed action movies of its era.

At the 2016 Academy Awards, Fury Road received 10 nominations and won six Oscars, including awards for film editing, costume design, production design, makeup and hairstyling, sound editing and sound mixing.

Dennings may not have become part of the final movie, but her experience demonstrates just how extensive the casting process behind a major production can become.

What Actors Can Learn From Kat Dennings’ Audition

A Long Audition Doesn’t Mean You Booked the Role

The further an actor progresses in casting, the easier it becomes to imagine getting the job.

A six-hour chemistry read can understandably feel like you are extremely close.

You probably are.

But close is not the same as cast.

Actors should avoid mentally spending the paycheck before receiving the official offer.

Casting Directors May Be Testing More Than Your Lines

Dennings’ audition included switching roles, physical exercises and performing without traditional dialogue.

That suggests the filmmakers were evaluating more than whether she could memorize a scene.

Major auditions may test:

  • How well you take direction
  • How quickly you adjust
  • Your chemistry with another actor
  • Your physicality
  • Your creativity
  • Your willingness to experiment
  • How you respond when something unexpected happens

For actors, adaptability can be just as important as arriving with a polished interpretation.

Don’t Become So Attached to Your Preparation That You Can’t Change It

Actors naturally prepare choices before an audition.

That preparation matters.

But a director may immediately ask you to do the exact opposite.

Play it faster.

Make it quieter.

Change the relationship.

Forget the accent.

Switch roles.

Do the scene without the lines.

The adjustment is often the audition.

Casting teams may already know you can perform your version of the scene.

They want to know whether you can take direction.

Chemistry Reads Are About More Than Individual Performance

Dennings was auditioning opposite Hardy, which introduces another major element: chemistry.

At that stage, casting is not necessarily asking:

“Is this actor talented?”

They may already know the answer is yes.

Instead, they may be asking:

“Do these two performers work together?”

An actor can give an excellent individual performance and still not create the specific relationship filmmakers want between two characters.

That is why actors should avoid treating chemistry reads as competitions with the person across from them.

Your job is to make the scene work together.

Rejection Doesn’t Mean the Audition Was Bad

Dennings went on to build a successful career that includes 2 Broke Girls, Thor, WandaVision and numerous other projects.

Not appearing in Mad Max clearly did not end her career.

That is important for emerging actors to remember.

A rejection only answers one question:

Did you get this particular role?

It does not answer:

Are you a good actor?

Casting decisions depend on countless factors performers may never know.

The actor who doesn’t book today’s movie could book another opportunity tomorrow.

Professionalism Still Matters After the Audition

There is another subtle lesson in Dennings’ story.

Despite an exhausting audition, she remembers Hardy primarily for how he treated her afterward.

He saw that she needed transportation and helped her.

Years later, that kindness became the part of the story she spoke about most warmly.

Entertainment is a relationship-driven industry.

People remember talented performers.

They also remember how people behave when the audition, shoot or meeting is over.

Being professional and kind costs nothing — and reputations travel.

Actors Should Get Comfortable With Not Knowing

One of the hardest skills in acting has nothing to do with performance.

It is learning to tolerate uncertainty.

You may audition and hear nothing.

You may receive three callbacks and lose the role.

You may do a chemistry test and assume you’re almost hired.

You may see someone else announced in the trade press weeks later.

That uncertainty is part of the business.

The healthier approach is to focus on what you can control:

Prepare.

Show up.

Take direction.

Make strong choices.

Be professional.

Then move on to the next opportunity.

Why This Story Matters for Working Actors

Celebrity audition stories are valuable because they expose a part of Hollywood audiences rarely see.

People see Tom Hardy starring in Mad Max.

They see Kat Dennings starring in Marvel projects.

They don’t see all of the roles those same performers auditioned for and didn’t book.

Successful actors experience rejection too.

The difference is that they continue auditioning.

For actors trying to build careers, that may be the biggest takeaway from Dennings’ six-hour Mad Max experience.

Getting close is still progress.

A callback means something worked.

A chemistry read means casting wanted to see more.

A screen test means you were seriously considered.

You may not get that role, but the work can still lead somewhere.

How to Prepare for a Major Audition

When an actor gets an opportunity to audition for a major film or television production, preparation should go beyond simply memorizing lines.

Know the scene well enough that you can change it.

Understand what your character wants.

Research the project when appropriate.

Make a strong initial choice.

Listen carefully to redirection.

And don’t panic when the director asks for something strange.

Sometimes that strange request may be exactly what they are testing.

Final Thoughts

Kat Dennings spent around six hours auditioning alongside Tom Hardy for Mad Max: Fury Road.

She switched roles.

She performed unusual acting exercises.

She worked through an exhausting chemistry read.

And she still didn’t get the movie.

Yet more than a decade later, the experience is not something she describes simply as a failure.

It’s a story about the unpredictable nature of auditions, an unusual day with another actor — and a reminder of how little control performers ultimately have over the final casting decision.

For working actors, the lesson is simple:

Your job is to give them a great audition. Their job is to decide who gets the role.

Do your part.

Then keep going.

Looking for your next opportunity? Find film, television, commercial and streaming casting calls at ProjectCasting.com.

FAQ About Kat Dennings’ Mad Max Audition

Did Kat Dennings audition for Mad Max: Fury Road?

Yes. Dennings says she participated in a chemistry read for the movie alongside Tom Hardy during its casting process.

How long was Kat Dennings’ Mad Max audition?

Dennings said the process lasted around six hours and included a break for lunch.

Did Kat Dennings get a role in Mad Max: Fury Road?

No. Dennings was not part of the final cast.

Did Kat Dennings audition with Tom Hardy?

Yes. She performed a chemistry read opposite Hardy, who ultimately played Max Rockatansky.

What happened during the audition?

Dennings says the actors performed multiple exercises, including switching roles and attempting parts of the scene without speaking the actual dialogue.

Who ultimately starred in Mad Max: Fury Road?

The movie’s principal cast included Tom Hardy, Charlize Theron and Nicholas Hoult.

How many Oscars did Mad Max: Fury Road win?

The film received 10 Academy Award nominations and won six Oscars.

What should actors learn from the story?

A long callback or chemistry read is a positive sign, but it never guarantees a booking. Actors should focus on preparation, adaptability and professionalism rather than trying to predict the final casting decision.

Where can actors find casting calls?

Actors can discover film, television, commercial and streaming opportunities at ProjectCasting.com.

Kenan Thompson Reveals Why He Almost Quit Acting After His First Movie

Kenan Thompson has built one of the longest and most recognizable careers in television comedy, but it almost ended before it truly began.

The Saturday Night Live veteran recently revealed that working on his first major film, 1994’s D2: The Mighty Ducks, became so difficult that he considered giving up acting entirely.

Appearing on Amy Poehler’s Good Hang podcast, Thompson recalled arriving at hockey training as a teenager without realizing how challenging learning the sport would be.

Although he had listed roller skating among his skills, ice hockey was something completely different.

After spending his 15th birthday struggling through his first day of hockey camp, Thompson was ready to walk away.

“I wanted to quit it all,” he recalled.

The person who prevented that from happening was his mother, who simply told him to return to training the next day.

More than three decades later, that decision looks particularly significant. Thompson went on to star in All That, Kenan & Kel, Good Burger and eventually become the longest-tenured cast member in Saturday Night Live history.

Kenan Thompson Nearly Quit After His First Day of Hockey Camp

Thompson played Russ Tyler in D2: The Mighty Ducks, the 1994 sequel to Disney’s popular 1992 hockey movie.

The role required something he wasn’t prepared for: actually learning how to play hockey.

Thompson told Poehler that he had listed roller skating as a special skill on his acting résumé, but he’d never seriously considered what would happen if a role required him to transfer those skills onto ice.

His first day at hockey camp happened to fall on his 15th birthday.

It didn’t go well.

Thompson remembered falling repeatedly and becoming so overwhelmed by the physical demands that he began questioning whether acting was something he wanted to continue pursuing.

He told his mother that if acting required experiences like this, he didn’t want to be an actor anymore.

Her response changed everything.

She told him to go back the following day.

Kenan Thompson Credits His Mother With Keeping Him in Acting

Kenan Thompson now looks back gratefully on his mother’s refusal to let him quit.

“Thank God my mom didn’t let me quit,” he told Poehler.

Instead of allowing one difficult day to determine his future, she encouraged him to return and continue training.

He did.

Thompson said that after approximately eight weeks of preparation, he learned how to skate. What initially made him consider abandoning acting eventually became a skill he would continue using decades later.

He later returned as Russ Tyler in the 1996 sequel D3: The Mighty Ducks, which meant going through hockey preparation again.

By then, the experience that had initially terrified him was becoming part of his identity as a performer.

D2: The Mighty Ducks Became an Important Early Role

D2: The Mighty Ducks wasn’t just another childhood acting job for Thompson. It arrived at a crucial point in his career.

The movie was released in March 1994, shortly before Thompson became one of the original cast members of Nickelodeon’s All That.

In D2, Russ Tyler joins the Mighty Ducks as they represent Team USA in an international junior hockey competition.

The character became known for his powerful “knuckle puck,” giving Thompson a memorable place within the franchise.

What audiences didn’t see was the amount of preparation required behind the scenes.

The young cast had to convincingly perform as hockey players, which meant Thompson couldn’t simply rely on acting ability. He needed to develop a physical skill specifically for the production.

The experience ultimately became an early lesson in how much work can happen before an actor ever appears on camera.

The Skill Thompson Almost Hated Became Something He Loved

The story has an unexpectedly satisfying ending.

Thompson didn’t simply learn enough skating to finish the movie. He became genuinely good at it.

During the Good Hang conversation, Poehler remembered seeing his skating ability firsthand during their years together on Saturday Night Live.

The show’s cast would sometimes gather at the Rockefeller Center ice rink following its Christmas episode, with the famous Rockefeller Christmas tree towering above them.

Poehler remembered Thompson skating forward, backward and sideways while performing tricks as other cast members watched.

She described him as one of the strongest skaters among her friends.

Thompson takes pride in that ability and has continued skating with his family.

The contrast is remarkable: the activity that almost convinced him to quit acting at 15 eventually became something he could casually show off decades later.

7 Career Milestones That Followed Thompson’s Decision Not to Quit

Had Thompson walked away after that first hockey camp, audiences could have missed more than three decades of television and film performances.

Here are seven major milestones that followed:

  1. D2: The Mighty Ducks (1994) – Thompson played Russ Tyler in his first major film role.
  2. All That (1994) – He became an original cast member of Nickelodeon’s influential sketch comedy series.
  3. Kenan & Kel (1996) – His partnership with Kel Mitchell developed into its own successful Nickelodeon sitcom.
  4. Good Burger (1997) – Thompson starred as Dexter Reed alongside Mitchell’s Ed in the comedy based on their All That sketch.
  5. Saturday Night Live (2003) – Thompson joined the NBC sketch institution and began what would become a record-breaking run.
  6. Emmy Award (2018) – He won a Primetime Emmy for Outstanding Original Music and Lyrics for the SNL song “Come Back Barack.”
  7. Longest-tenured SNL cast member – Thompson eventually became the longest-serving cast member in the show’s history.

The trajectory makes his story about nearly quitting particularly striking.

A difficult first experience could easily have ended a career that ultimately stretched across generations of comedy audiences.

All That Turned Thompson Into a Nickelodeon Star

Only weeks after D2: The Mighty Ducks reached theaters, Thompson’s career moved in another important direction.

He joined the original cast of Nickelodeon’s All That, a children’s sketch comedy series often described as a younger generation’s answer to Saturday Night Live.

The show paired Thompson with performers including Kel Mitchell, beginning one of the most recognizable comedy partnerships of 1990s Nickelodeon.

Their chemistry eventually led to Kenan & Kel, which ran from 1996 to 2000.

The pair also brought the popular All That sketch “Good Burger” to theaters in 1997.

Thompson returned as Dexter Reed decades later for Good Burger 2, reconnecting with Mitchell and the Nickelodeon era that helped establish both performers.

Those early sketch-comedy experiences also prepared Thompson for the television institution that would eventually define the next stage of his career.

Saturday Night Live Became Thompson’s Record-Breaking Home

Thompson joined Saturday Night Live in 2003.

Amy Poehler was already part of the cast at the time, which gives their recent podcast conversation an additional layer of history.

What started as another comedy opportunity eventually became an unprecedented run.

Thompson is now the longest-tenured cast member in SNL history, surpassing previous longevity records and becoming one of the show’s most dependable performers.

Over the years, he has created recurring characters and impressions while working alongside several generations of SNL performers.

His television work has also earned multiple Emmy nominations.

In 2018, Thompson won an Emmy for Outstanding Original Music and Lyrics for “Come Back Barack,” shared with fellow contributors to the SNL song.

It’s a remarkable destination for someone who once told his mother he didn’t want to be an actor anymore.

Why Thompson’s Story Matters for Young Actors

The story is particularly relevant for performers beginning their careers because it demonstrates how different the reality of landing a role can be from the audition itself.

Actors are sometimes hired because they already possess a particular skill. Other times, productions require them to learn something entirely new.

That could mean:

  • Learning a sport
  • Training in choreography
  • Developing an accent
  • Learning stage combat
  • Riding a horse
  • Working with stunt coordinators
  • Mastering another role-specific ability

For Thompson, it was ice hockey.

His initial struggle didn’t mean he was wrong for the role or incapable of becoming an actor. He simply hadn’t developed the required skill yet.

Eight weeks later, he could skate.

Decades later, he was still doing it.

Kenan Thompson’s Career Almost Looked Very Different

Looking back, Kenan Thompson has good reason to be grateful his mother sent him back to hockey camp.

His career has now stretched from childhood movies and Nickelodeon television to mainstream films, award-winning sketch comedy and more than two decades on Saturday Night Live.

Even the skating itself became part of the story.

Poehler’s memory of Thompson confidently moving around Rockefeller Center demonstrates how dramatically his relationship with the skill changed.

At 15, he wanted to quit because he couldn’t handle hockey camp.

As an adult, he became the SNL cast member impressing everyone else on the ice.

It’s a fitting example of how an uncomfortable early challenge can eventually become one of the experiences that shapes a performer’s career.

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Explore the latest casting calls and jobs, stay informed with entertainment news, and if you have any questions, visit or email.

FAQs

Why Did Kenan Thompson Almost Quit Acting?

Kenan Thompson almost quit after his first day of hockey training for D2: The Mighty Ducks. He found learning the sport so difficult that he told his mother he didn’t want to continue acting. His mother encouraged him to return to training the following day.

Who Did Kenan Thompson Play in The Mighty Ducks?

Thompson played Russ Tyler, a young hockey player known for his “knuckle puck.” He appeared in both D2: The Mighty Ducks in 1994 and D3: The Mighty Ducks in 1996.

How Long Has Kenan Thompson Been on Saturday Night Live?

Thompson joined Saturday Night Live in 2003 and has become the longest-tenured cast member in the show’s history. His work on the series has also earned him multiple Emmy nominations and an Emmy win.

Robert Pattinson Is “Definitely Feeling” His Age Filming The Batman Part II

Robert Pattinson is back in the Batsuit for The Batman Part II, but returning to Gotham at 40 is proving more physically demanding than his first outing as Bruce Wayne.

Speaking with GQ, Pattinson admitted that the sequel’s fight sequences are making him increasingly aware of his age.

“I’m definitely feeling my age when fighting a lot,” Pattinson said, explaining that the physical work feels “significantly harder” than it used to.

Despite the challenge, he remains enthusiastic about the sequel. Pattinson described filming as “really fun,” praised its cast and said he believes the movie will be “pretty great.” He also described the production as a “marathon.”

Matt Reeves is returning to direct the long-awaited sequel, currently scheduled for February 18, 2028.

Robert Pattinson Says Batman Fight Scenes Are Getting Harder

Pattinson turned 40 in May 2026, and returning to one of his most physically demanding characters has apparently made that milestone difficult to ignore.

Playing Batman requires extensive fight choreography, stunt preparation, physical training and long shooting schedules. Reeves’ grounded interpretation of the superhero makes those demands particularly noticeable because Bruce Wayne relies heavily on close-range combat rather than superhuman abilities.

Still, Pattinson’s comments weren’t complaints about returning to the role. He emphasized that he is enjoying production and appears excited about what Reeves is creating.

The actor first played Bruce Wayne in 2022’s The Batman, portraying a younger vigilante only two years into his crime-fighting career.

Robert Pattinson Calls The Batman Part II a “Marathon”

Robert Pattinson described filming the sequel as a “marathon,” but he also praised the people surrounding him.

“It’s got a really, really fun cast,” he told GQ.

That ensemble has expanded considerably since the first movie, with Scarlett Johansson, Sebastian Stan, Brian Tyree Henry, Charles Dance and Sebastian Koch among the new additions.

Pattinson hasn’t revealed much about the actual story, which remains closely guarded. His comments do, however, offer some reassurance after years of delays that the sequel is finally moving ahead and that he is enjoying his return to Gotham.

The Batman Part II Is Finally Moving Forward

Fans have waited considerably longer than expected for the sequel.

The Batman Part II was announced following the success of the original movie, but its release date changed multiple times during development.

Matt Reeves is returning as director and developed the screenplay with Mattson Tomlin.

Reeves has previously indicated that Bruce Wayne will remain central to the sequel rather than allowing the villains to completely dominate the story.

That could prove important after the ending of the first movie.

Bruce initially believed Batman needed to represent vengeance and fear. After Gotham flooded, however, he began understanding that the symbol could also represent hope.

The sequel can now explore how that realization changes both Batman and Bruce Wayne.

Scarlett Johansson and Sebastian Stan Join The Batman Part II

The sequel is adding several major names to Reeves’ Gotham.

Sebastian Stan is joining the movie as Harvey Dent, Gotham’s district attorney and the character who eventually becomes Two-Face in DC Comics.

Scarlett Johansson is playing Gilda Dent, immediately raising questions about how important the Dent family will become to the story.

Brian Tyree Henry, Charles Dance and Sebastian Koch are also among the newcomers.

Returning actors include Jeffrey Wright as James Gordon, Andy Serkis as Alfred Pennyworth and Colin Farrell as Oz Cobb/The Penguin.

Farrell’s return is especially significant following HBO’s The Penguin, which expanded Oz’s story and transformed him into a much more powerful figure within Gotham’s criminal underworld.

7 Things We Know About The Batman Part II

Here are the biggest details confirmed or revealed about the sequel so far:

  1. Pattinson is returning as Batman. The sequel continues the Gotham universe established in 2022.
  2. Matt Reeves is directing again. He developed the screenplay with Mattson Tomlin.
  3. The movie has an expanded cast. Several major performers are joining Pattinson for the sequel.
  4. Sebastian Stan is playing Harvey Dent. His introduction brings one of Batman’s most famous characters into Reeves’ universe.
  5. Scarlett Johansson is playing Gilda Dent. Her casting suggests the Dent storyline could be significant.
  6. Colin Farrell returns as Penguin. The character’s story has developed considerably since the first movie.
  7. The movie arrives in 2028. Warner Bros. currently has the sequel scheduled for February 18, 2028.

Plot details remain limited, leaving plenty of room for speculation as production continues.

The First Batman Movie Was a Major Success

The Batman arrived in March 2022 and introduced audiences to Reeves’ darker, detective-driven interpretation of Gotham.

The story followed Bruce as he investigated murders committed by Paul Dano’s Riddler, eventually uncovering widespread corruption across the city.

The movie also starred Zoë Kravitz as Selina Kyle, Jeffrey Wright as Gordon, Andy Serkis as Alfred and Colin Farrell as Penguin.

It earned approximately $772 million worldwide and received three Academy Award nominations, helping establish Pattinson’s Batman as a major new Warner Bros. franchise.

Its success also allowed Reeves to expand the universe through HBO’s The Penguin.

The Penguin Changed Gotham Before Batman’s Return

HBO’s The Penguin continued the story shortly after the events of The Batman.

The series followed Oz Cobb as he attempted to take control of Gotham’s criminal underworld following the death of Carmine Falcone.

That storyline could become important when Batman returns.

Farrell’s involvement in the sequel means Pattinson will encounter a Gotham whose criminal hierarchy has changed considerably since the first film.

The series therefore serves as an important bridge between Reeves’ two Batman movies rather than simply operating as an unrelated spinoff.

The Batman Part II Remains Separate From the Main DC Universe

Pattinson’s Batman is also separate from the interconnected DC Universe overseen by James Gunn and Peter Safran.

Reeves’ franchise operates as a DC Elseworlds story, allowing him to continue developing his own interpretation of Gotham without connecting it to projects in the primary DC Universe.

The main DCU is expected to eventually introduce another Batman through The Brave and the Bold.

That means Pattinson can continue playing Bruce Wayne in Reeves’ universe while a different version of Batman potentially exists elsewhere.

Robert Pattinson Is Having an Extremely Busy Year

Batman isn’t the only major project keeping Robert Pattinson occupied.

He is also starring in A24’s Primetime, where he portrays television journalist Chris Hansen, known for Dateline NBC’s To Catch a Predator investigations.

Directed by Lance Oppenheim, the movie also features Merritt Wever, Skyler Gisondo, Phoebe Bridgers, Matthew Maher and Bokeem Woodbine.

Pattinson is additionally appearing in Denis Villeneuve’s Dune: Part Three.

Moving between an A24 production, a major science-fiction franchise and a physically demanding Batman sequel helps explain why the actor describes his current workload as a marathon.

Pattinson’s Career Has Changed Dramatically Since Twilight

Pattinson’s return as Batman also highlights how dramatically his career has evolved.

After appearing as Cedric Diggory in Harry Potter and the Goblet of Fire, he became globally famous playing Edward Cullen in the Twilight franchise.

Rather than immediately pursuing another blockbuster series, Pattinson spent years taking smaller and more unconventional roles.

He worked with filmmakers including David Cronenberg, Claire Denis, Robert Eggers, Christopher Nolan and the Safdie brothers.

Performances in movies such as Good Time and The Lighthouse helped reshape public perception of him before Reeves ultimately selected him as Bruce Wayne.

Today, Pattinson can move between independent films, filmmaker-driven projects and some of Hollywood’s largest franchises.

Why Pattinson’s Comments Matter for Actors

Pattinson’s comments offer a small glimpse into the physical reality behind major superhero productions.

Fight choreography needs to look convincing while remaining safe. Actors may repeat sequences numerous times while maintaining character and continuity throughout long shooting days.

Reeves’ Batman makes that particularly demanding because the action is intentionally grounded and physical.

For aspiring performers, Pattinson’s career also demonstrates the importance of range. After becoming closely associated with Twilight, he deliberately chose dramatically different roles before eventually returning to blockbuster filmmaking.

His career shows that one franchise doesn’t necessarily have to define an actor permanently.

What Comes Next for The Batman Part II?

Reeves is still keeping the central story under wraps.

The addition of Harvey and Gilda Dent provides one major clue, while Penguin’s return creates a direct connection to the changing criminal landscape established in The Penguin.

What appears clear is that Bruce Wayne will remain at the center of the story.

For Pattinson, that means another demanding stretch inside the Batsuit.

He may be feeling those fights more at 40, but his comments suggest that hasn’t reduced his enthusiasm for returning to Gotham.

Audiences will find out whether his prediction that the sequel will be “pretty great” proves correct when The Batman Part II arrives on February 18, 2028.

Stay Updated on Entertainment News and Casting Opportunities 

Whether you’re following Hollywood’s biggest filmmakers or looking for your next acting opportunity, Project Casting keeps you connected with the entertainment industry.

Explore the latest casting calls and jobs, stay informed with entertainment news, and if you have any questions, visit or email.

FAQs

What Did Robert Pattinson Say About Filming The Batman Part II?

Robert Pattinson said he is “definitely feeling” his age while filming the sequel’s fight scenes. He explained that the physical work feels harder than it used to, although he remains excited about the movie and its cast.

When Is The Batman Part II Coming Out?

The Batman Part II is currently scheduled to arrive in theaters on February 18, 2028, with Matt Reeves returning to direct.

Who Is Joining The Batman Part II Cast?

The sequel includes returning actors Jeffrey Wright, Colin Farrell and Andy Serkis alongside newcomers including Scarlett Johansson, Sebastian Stan, Brian Tyree Henry, Charles Dance and Sebastian Koch.

How to Get Cast in “A Land Remembered”

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A Land Remembered Begins Filming in Florida With Philip Ettinger, William Catlett, and Lily McInerny

A Land Remembered is officially coming to the screen, with production underway in Florida on an ambitious television adaptation of Patrick D. Smith’s bestselling historical novel.

Philip Ettinger, William Catlett, and Lily McInerny lead the cast of the independently financed series, which carries a reported $25 million production budget. Written and directed by Todd Wiseman, Jr., A Land Remembered will bring generations of Florida history to television through an expansive story involving cattle ranching, war, land, ambition, family, and the transformation of the Sunshine State.

The first season will consist of four hourlong episodes, making A Land Remembered a substantial independent television production and a potentially important showcase for Florida’s growing film and television industry.

What Is A Land Remembered About?

Based on Patrick D. Smith’s acclaimed 1984 historical novel, A Land Remembered follows three generations of the MacIvey family as they build a life in frontier Florida.

Beginning in the mid-19th century and extending into the 20th century, the story follows the family as they transform humble beginnings involving swamp cattle, citrus, and unwanted land into a powerful multigenerational commercial empire.

Their success, however, comes with consequences.

As the MacIveys accumulate wealth and transform the land around them, they also witness the gradual decline of the natural Florida wilderness they once loved. The story explores family, survival, ambition, environmental change, and the complicated cost of progress.

For audiences familiar with the novel, the A Land Remembered series represents an opportunity to see one of Florida’s best-known works of historical fiction brought to life on an ambitious scale.

Who Stars in A Land Remembered?

A Land Remembered features an ensemble cast of established actors and rising performers.

Philip Ettinger, known for First Reformed and Bupkis, stars alongside William Catlett, whose credits include A Thousand and One and Abigail.

Lily McInerny, known for Tell Me Lies and Palm Trees and Power Lines, also takes a leading role.

Additional cast members include:

  • Dakota Daulby, known for Longlegs and Shōgun
  • Clayton Royal Johnson, known for Stranger Things and Wildflower
  • Dallas Roberts, known for The Walking Dead and Monster
  • Neil Sandilands, known for The Flash and Sweet Tooth

Together, the ensemble will portray characters living through some of the most transformative periods in Florida history.

A Land Remembered Has a Reported $25 Million Budget

One of the most notable aspects of A Land Remembered is its financing.

The four-episode first season reportedly carries a production budget of approximately $25 million. With only four hourlong episodes planned for the first season, the project is operating at a significant scale for an independently financed historical television drama.

Rather than being developed through a traditional Hollywood studio or streaming platform, A Land Remembered has been privately financed.

The production has also received financial backing in Florida, including $500,000 from the State of Florida and another $500,000 from Film Tampa Bay.

The team plans to introduce A Land Remembered to potential buyers and distributors at major industry markets, including MIPCOM and TIFF.

Bringing Frontier Florida to the Screen

Creating A Land Remembered requires more than traditional sets and dialogue-driven scenes.

The production is recreating frontier Florida on a substantial scale, including Civil War battle sequences and cattle drives through palmettos, palm trees, and other recognizable Florida landscapes.

More than 600 livestock are reportedly being used for the production’s cattle-drive sequences.

Writer-director Todd Wiseman, Jr. has described the production as combining elements of a sweeping ranching drama with a more intimate and visually atmospheric approach.

That ambition could allow A Land Remembered to capture both the enormous historical scope of Patrick D. Smith’s novel and the deeply personal story of the MacIvey family.

Who Is Behind A Land Remembered?

A Land Remembered was co-created by Todd Wiseman, Jr. and Christa Boarini.

Wiseman, whose credits include The School Duel, serves as writer and director. He is also executive producing the series through his Tampa-based company, Tobias LLC.

Colin Herlihy, known for Evil Lives Here, is also an executive producer.

The producing team includes Florida cattle rancher Cathlee Tomkow alongside Peter Gold, Javier Gonzalez, Oscar Boyson, and Carlton Ward, Jr.

Marcos Hastrup serves as cinematographer, helping bring the project’s historical Florida landscapes and large-scale sequences to the screen.

The combination of filmmakers, independent producers, and professionals with strong connections to Florida reflects the production’s emphasis on creating the series within the state.

Who Are the Casting Directors for A Land Remembered?

FrontRunner Casting Agency is one of the casting teams working on A Land Remembered.

The Florida-based casting agency is helping the production find performers needed to bring the historical world of Patrick D. Smith’s novel to life. Casting is particularly important for a project like A Land Remembered because the story spans multiple generations and major periods of Florida history.

With the series featuring Civil War sequences, cattle drives, frontier communities, and other large-scale historical scenes, the production may require a wide range of performers to create an authentic representation of the period.

Background actors can play an especially important role in historical productions. Beyond filling scenes, performers help establish the communities, workplaces, military environments, ranches, and everyday life surrounding the principal characters.

For actors and background performers interested in joining A Land Remembered, casting announcements connected to FrontRunner Casting Agency may provide opportunities to participate in the Florida production.

“A Land Remembered” Casting Call for Spanish Settlers and Calusa Indians

Spanish Settlers and Calusa Indians for “A Land Remembered”

Job Description

“A Land Remembered” is seeking male background actors to portray Spanish settlers and Calusa Indians for an upcoming production filming in the Hudson, Florida area. This paid background acting opportunity is looking for performers who can authentically portray historical characters in period scenes. Talent should be comfortable with outdoor filming and potentially participating in battle-related scenes.

Job Responsibilities

  • Portray a Spanish settler or Calusa Indian in historical background scenes.
  • Perform naturally in period-appropriate environments.
  • Participate in outdoor and battle-related scenes as directed.
  • Follow direction from the production team throughout filming.
  • Maintain character and continuity during production.

Requirements

  • Male talent, ages 18–40s.
  • Spanish Settlers: Preferably longer hair and not short, modern haircuts.
  • Calusa Indians: Open to performers who fit the production’s historical character needs.
  • Must be comfortable filming outdoors.
  • Must be able to work in the Hudson, Florida area.

Compensation

  • $200 for 10 hours or more.

Click here to apply now!

Why A Land Remembered Remains an Important Florida Story

Patrick D. Smith’s A Land Remembered was first published by Pineapple Press in 1984 and has maintained a particularly strong following in Florida.

The historical novel has remained popular for decades and has been taught in Florida schools, introducing generations of readers to the fictional MacIvey family and the state’s changing landscape.

Its story explores Florida’s transformation from a largely undeveloped frontier into a modern commercial state.

Rather than focusing solely on the family’s success, however, A Land Remembered also examines what is lost along the way.

That combination of family drama, history, environmental themes, and Florida identity has helped the novel maintain its popularity more than four decades after its publication.

Could A Land Remembered Continue for More Seasons?

The initial A Land Remembered production consists of four hourlong episodes, but the creative team has left the possibility of additional seasons open.

The independently financed series is expected to be presented to potential buyers and distributors at major television and film markets.

Much will likely depend on distribution, audience interest, and the reception of the first season.

The multigenerational nature of Patrick D. Smith’s original story could also provide substantial material for the series to explore if A Land Remembered continues beyond its initial four episodes.

What A Land Remembered Means for Florida’s Film Industry

A Land Remembered is particularly notable because its creators are positioning the production as an example of what filmmakers can accomplish independently in Florida.

Wiseman has emphasized the ability to build a major production in the state without relying entirely on the traditional Hollywood production system.

A $25 million historical series involving large casts, Civil War sequences, hundreds of livestock, period environments, and extensive location filming can require professionals across numerous entertainment departments.

Productions of this scale can create opportunities for actors, background performers, production crew, costume professionals, art department workers, transportation teams, animal handlers, and many other film and television professionals.

For Florida’s entertainment community, A Land Remembered could serve as both a significant local production and a demonstration of the state’s ability to support ambitious independent television projects.

Stay Updated on A Land Remembered Casting Calls

With filming underway in Florida, A Land Remembered is shaping up to be an ambitious adaptation of Patrick D. Smith’s beloved historical novel.

Featuring Philip Ettinger, William Catlett, Lily McInerny, and an extensive supporting cast, the $25 million production combines historical drama, family conflict, large-scale filmmaking, and the distinctive landscapes of Florida.

Actors and entertainment professionals interested in A Land Remembered should keep an eye out for new casting calls and production opportunities as filming progresses.

Visit Project Casting to discover the latest A Land Remembered casting calls, auditions, acting jobs, background roles, and entertainment opportunities. Find a role that matches your experience and apply now on Project Casting.

How to Get Cast in “Dear William”

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‘Dear William’ Movie Adaptation: Everything We Know About the Upcoming Film

David Magee’s bestselling memoir “Dear William” is being developed as a feature film, bringing the deeply personal story of his son William Magee to the screen.

Magee announced the “Dear William” movie adaptation during the Sally McDonnell Barksdale Honors College Fall Convocation at the University of Mississippi. The announcement marked an important new chapter for a story centered on family, addiction, loss, recovery, and the importance of helping people who are struggling.

The planned film also has strong ties to the University of Mississippi, where William Magee was an Honors College student and a lettered athlete on the Ole Miss Track Team.

Here’s everything currently known about the “Dear William” movie, including its true story, the filmmakers developing the adaptation, casting information, and potential opportunities for actors.

What Is the ‘Dear William’ Movie About?

The “Dear William” movie is based on David Magee’s memoir, “Dear William: A Father’s Memoir of Addiction, Recovery, Love, and Loss.”

The book chronicles the Magee family’s experiences with substance abuse and, in particular, William Magee’s struggle with addiction.

Rather than focusing exclusively on tragedy, “Dear William” explores the complicated realities surrounding addiction, mental health, family relationships, recovery, grief, and hope.

The movie adaptation is expected to bring this deeply personal story to a wider audience while highlighting the people, institutions, and communities connected to William’s life.

The True Story Behind ‘Dear William’

William Magee was David and Kent Magee’s oldest son. He attended the University of Mississippi, where he was a member of the Sally McDonnell Barksdale Honors College and a lettered athlete on the Ole Miss Track Team.

His experiences and his family’s journey ultimately became the foundation for David Magee’s memoir.

Following William’s death, David and Kent Magee turned their grief into advocacy, working to increase awareness surrounding substance abuse, mental health, wellness, and the importance of providing accessible resources to people who need help.

That mission remains an important part of the “Dear William” story and could give the film adaptation an emotional scope extending beyond a traditional biographical drama.

Who Is Developing the ‘Dear William’ Movie?

Filmmaker Andrew Hyatt is developing the “Dear William” screenplay alongside producer Eric Groth.

Hyatt is known for directing movies including “Sight” and “The Blind,” while Groth’s producing credits include “Wildcat.”

Their involvement brings filmmakers experienced with character-driven stories and deeply personal subject matter to the adaptation.

An important distinction should be made regarding the movie’s development. Earlier reports connected Angel Studios to the project and described Hyatt as its director. That information was subsequently corrected.

At the time of the original announcement, “Dear William” had not been pitched to a distributor, while Hyatt was developing the screenplay with Groth. A distributor and final directing arrangement were not officially confirmed as part of that announcement.

David Magee Announces ‘Dear William’ at Ole Miss

Magee revealed plans for the “Dear William” movie during the Sally McDonnell Barksdale Honors College Fall Convocation on September 17, 2024.

The University of Mississippi was an especially meaningful location for the announcement because of William’s connection to the school.

Magee indicated that the movie would showcase the university, the Magee Center, its stakeholders, and the larger story surrounding his family.

The announcement received an enthusiastic response from the audience, underscoring the impact William’s story continues to have within the Ole Miss community.

The William Magee Center and the Story’s Broader Mission

David Magee and his wife, Kent, co-founded the William Magee Center for AOD and Wellness Education in memory of their son.

Located at the University of Mississippi, the center focuses on alcohol and other drug education alongside broader wellness initiatives.

The center’s work reflects one of the central messages behind Magee’s advocacy: recognizing when someone may be struggling and helping connect that person with meaningful support and resources.

That mission could become an important element of the “Dear William” movie as filmmakers translate the memoir’s themes of addiction, family, recovery, loss, and hope to the screen.

Who Are the Casting Directors for ‘Dear William’?

Casting plays an important role in translating a deeply personal true story like “Dear William” from the page to the screen.

Caballero Casting is one of the casting directors working on the “Dear William” project.

Caballero Casting works with film and television productions to identify talent that fits the creative and production requirements of individual projects. Its involvement with “Dear William” is particularly noteworthy for actors and background performers interested in opportunities associated with the upcoming film.

Depending on the production’s needs, casting opportunities could include background actors, featured performers, stand-ins, photo doubles, and other talent needed to help create the world surrounding William Magee’s story.

Actors interested in participating in “Dear William” should pay close attention to official casting notices for specific roles, filming dates, locations, compensation, and eligibility requirements.

“Dear William” Feature Film Open Casting Call

Background Extras for “Dear William”

Job Description

The upcoming production “Dear William” is seeking people of all ages for paid background extra roles filming in the Greenwood, Mississippi area. This casting opportunity is open to local talent interested in appearing in a professional production, and no previous acting or background experience is required. Performers of various ages and backgrounds are encouraged to apply.

Job Responsibilities

  • Portray background characters in scenes for “Dear William.”
  • Perform naturally on camera and help create authentic environments.
  • Follow direction from the production team throughout filming.
  • Maintain professionalism and continuity during production.

Requirements

  • Open to talent of all ages.
  • No previous acting or background experience required.
  • Minors must have the involvement of a parent or guardian.
  • Must be able to work in the Greenwood, Mississippi area.

Compensation

  • Paid background acting opportunity.

Click here to apply now!

‘Dear William’ Release Date and Production Updates

A release date for “Dear William” has not been announced.

Additional production details, including the filming schedule, production locations, distributor, complete creative team, and official cast, will become clearer as the project progresses.

Because film projects can change considerably during development and production, audiences and entertainment professionals should watch for official announcements regarding the movie’s schedule and eventual release.

Why ‘Dear William’ Could Be a Powerful Film Adaptation

“Dear William” has the potential to become more than a traditional memoir adaptation.

At its center is the relationship between a father and son, but the story also addresses issues affecting families and communities across the country. Addiction, recovery, grief, mental health, family communication, and the importance of reaching out to people who need support are integral to Magee’s story.

Bringing those themes to the screen could introduce William Magee’s story to audiences who have never encountered the original memoir while continuing the Magee family’s efforts to encourage meaningful conversations surrounding addiction and wellness.

What’s Next for ‘Dear William’?

“Dear William” is a project to watch as production moves forward.

Future announcements could provide additional details about the film’s cast, production schedule, filming locations, creative team, and eventual release plans. For actors and entertainment professionals, the project may also provide casting and production opportunities.

Project Casting will continue to follow “Dear William” and share relevant casting calls, auditions, and production updates as they become available.

Looking for your next acting opportunity? Explore the latest casting calls, auditions, and entertainment jobs on Project Casting and apply today.

Donald Trump Calls for Federal Film and TV Tax Incentive to Boost U.S. Production

President Donald Trump is calling on Congress to create a federal film and television production incentive, throwing White House support behind an idea that has been gaining bipartisan momentum in Washington.

Following a meeting with actor and Hollywood adviser Jon Voight, Trump urged Republicans and Democrats to work together on legislation designed to make filming in the United States more competitive with international production hubs.

“Congress should approve, immediately, a Federal Production Incentive to create Entertainment Jobs in America,” Trump wrote on Truth Social on August 31. He also said meetings were being arranged with leaders from both political parties.

The proposal could have major implications for actors, filmmakers, crew members, vendors and production communities nationwide if legislation ultimately passes.

However, there is an important distinction: Trump has endorsed the concept, but Congress has not yet passed a new federal production incentive. The structure, size and eligibility requirements of any eventual program remain to be negotiated.

Donald Trump Wants Congress to Act Quickly on Hollywood Tax Incentives

Trump described the current state of domestic film production in stark terms, arguing that the United States has lost too much work to countries offering competitive financial incentives.

In his Truth Social post, the president said Hollywood was getting “very little work” and argued that the decline was hurting California. He specifically pointed toward Canada and other international production markets as destinations attracting projects that might otherwise film domestically.

Trump’s proposed solution is a federal production incentive that could potentially work alongside existing state-level film and television incentives.

That stacking ability could prove important.

States including California, Georgia, New York, New Jersey and others already use incentive programs to compete for productions. A federal program could add another financial layer, potentially helping American locations compete against countries such as Canada, the United Kingdom and Australia.

Donald Trump Says Jon Voight Helped Push the Proposal

Donald Trump specifically credited Jon Voight with advocating for federal production incentives during their recent meeting.

Voight has served as one of Trump’s special Hollywood ambassadors and has spent more than a year discussing ways to strengthen domestic entertainment production.

The actor and his associates previously presented the administration with several possible approaches. Trump publicly floated the much more controversial idea of imposing tariffs on movies produced outside the United States in 2025, but those tariffs were not ultimately implemented.

Attention has since shifted toward incentives designed to make producing in America financially attractive rather than penalizing productions for filming abroad.

Trump’s latest endorsement represents a significant development because entertainment industry advocates have already been lobbying members of Congress for federal support.

Why Hollywood Wants a Federal Production Incentive

The underlying concern is often described as runaway production: film and television projects choosing international locations because they offer lower costs, favorable exchange rates, tax credits or other financial benefits.

According to the Los Angeles Times, approximately 45% of U.S. films and scripted television programs were shot internationally last year, compared with roughly 33% in 2022.

That shift affects far more workers than the actors audiences see on screen.

A major production can employ camera operators, costume designers, makeup artists, grips, electricians, drivers, caterers, construction crews, editors, production assistants, background actors and hundreds of other professionals.

It can also generate spending for hotels, restaurants, transportation companies, equipment rental businesses and local vendors.

Supporters therefore argue that production incentives should be viewed not simply as assistance for Hollywood studios but as an economic development tool capable of supporting local employment.

What Would a Federal Film Tax Incentive Actually Do?

The exact legislation does not yet exist in finalized form, so specific percentages and eligibility rules should not be treated as settled.

The basic concept, however, is straightforward.

A federal incentive could provide qualifying film and television productions with a federal tax benefit when they spend money and employ workers within the United States.

Crucially, industry advocates envision a national incentive that could potentially be combined with state programs.

For example, a qualifying production choosing between filming overseas and shooting in an American state could potentially consider both the state’s incentive and the new federal benefit when comparing costs.

Industry advocates believe that could narrow the financial gap between U.S. locations and established international production centers.

The Wall Street Journal reports that industry proposals under discussion have included a federal credit in the 15% to 20% range, although that figure is not yet enacted policy and could change substantially during the legislative process.

7 Key Things to Know About the Federal Film Tax Credit Push

Here are the biggest developments so far:

  1. Trump has publicly endorsed a federal production incentive. He is asking Congress to move quickly on legislation.
  2. The proposal has bipartisan support. Democrats including Sen. Adam Schiff and Rep. Laura Friedman have also been advocating for a federal film and television incentive.
  3. Jon Voight has played an important advocacy role. Trump credited his Hollywood ambassador with pushing the idea during their recent meeting.
  4. The incentive could complement state tax credits. Supporters want a federal program capable of making American production locations more competitive internationally.
  5. The Motion Picture Association supports the concept. The organization representing major studios and streaming companies welcomed Trump’s endorsement.
  6. The proposal could affect production jobs nationwide. Supporters argue that bringing productions back to America would benefit actors, crews, craftspeople and businesses supporting film shoots.
  7. Nothing has passed yet. Congress still needs to determine what the legislation would contain, how productions would qualify and how large the incentive would be.

For entertainment professionals, that final point is particularly important. Trump’s announcement represents political momentum rather than an immediate change to production rules.

Democrats Join Trump in Supporting the Proposal

One of the more unusual aspects of the announcement is the bipartisan response.

California Democratic Sen. Adam Schiff, a frequent political opponent of Trump, publicly agreed with the president on the need for action.

Schiff said Congress should quickly consider a federal incentive to bring entertainment jobs that have moved overseas back to the United States.

Democratic Rep. Laura Friedman, whose California district includes much of the entertainment industry, also welcomed Trump’s endorsement.

“I agree that our tax incentive legislation needs to pass — and to pass quickly,” Friedman said.

Her office says she has spent more than a year meeting with Voight, congressional colleagues, unions, studios, producers and the Motion Picture Association while building support for a national incentive.

The cooperation matters because passing a significant new federal tax incentive would require congressional action.

Hollywood Studios and Unions Welcome the Development

Major entertainment organizations were quick to respond.

The Motion Picture Association, which represents major film studios and streaming companies, described a federal incentive as a potentially landmark step toward bringing more production into American communities.

MPA chairman and CEO Charles Rivkin said such a policy could strengthen the U.S. economy while making the country more competitive as a production destination. The organization confirmed its support for Trump’s announcement on August 31.

The Directors Guild of America also welcomed the development, saying it wanted to work with the administration and Congress on bipartisan legislation that could promote domestic film and television production and support American entertainment jobs.

That combination of political, labor and studio support gives the proposal considerably more momentum than a policy being pushed by only one part of the industry.

Why Canada, the UK and Australia Matter to the Debate

International competition sits at the center of the conversation.

Canada has spent decades establishing major production centers in locations such as Vancouver and Toronto. The United Kingdom has similarly attracted blockbuster films and prestige television productions through its combination of tax incentives, experienced crews and large studio facilities.

Australia has also aggressively competed for international productions.

The issue is not necessarily that American filmmakers prefer foreign locations creatively. In many cases, large productions compare multiple jurisdictions and determine where they can stretch a production budget furthest.

Friedman specifically identified Canada, the UK and Australia when arguing that the United States needs to become more competitive.

A national incentive could change those calculations, particularly when combined with state programs.

What This Could Mean for Actors and Film Crews

For Project Casting’s audience, the most important question is whether this could eventually translate into more work.

Potentially, yes — although that depends entirely on whether Congress passes meaningful legislation and whether it successfully changes where studios choose to shoot.

If additional productions move to or remain in the United States, they could create demand for:

  • Principal and supporting actors
  • Background actors
  • Stand-ins and photo doubles
  • Stunt performers
  • Production assistants
  • Camera and lighting crews
  • Hair, makeup and wardrobe professionals
  • Set construction and art department workers
  • Location and transportation teams
  • Other production professionals

Productions also frequently hire locally, particularly for background roles, day players and crew positions. That means increased domestic filming could potentially expand opportunities beyond Los Angeles and New York if productions take advantage of incentives offered by other states.

California Has Its Own Production Incentive Strategy

The federal proposal comes as California has already been trying to address its production slowdown.

The state expanded its film and television tax credit program in 2025, increasing annual funding to $750 million as policymakers attempted to make California more competitive with other production locations.

A federal incentive would operate at a different level.

Instead of primarily helping California compete against Georgia, New York or New Jersey, a national incentive would be designed to help the United States collectively compete against international markets.

That distinction is important.

Under the model being discussed by advocates, states could continue competing with each other through their individual programs while qualifying productions potentially receive additional federal support for choosing the United States over another country.

Donald Trump Previously Proposed Tariffs on Foreign-Made Movies

The tax incentive proposal represents a different approach from one Trump previously floated.

In 2025, the president called for a 100% tariff on movies produced outside the United States, arguing that foreign countries were attracting American productions through their own incentives.

The announcement created immediate uncertainty because movies are intellectual property rather than conventional imported physical goods, raising complicated questions about how such a tariff would work.

No Hollywood movie tariff was ultimately implemented.

The current incentive approach instead focuses on encouraging productions to shoot domestically through financial benefits.

That strategy has attracted support from organizations and lawmakers across the political spectrum, making it potentially more viable than the earlier tariff proposal.

What Happens Next?

The most important next step will happen in Congress.

Trump says meetings are being organized with Republican and Democratic leaders to develop legislation.

Several possible legislative routes have been discussed. A federal production incentive could become part of a larger tax package, potentially move through another legislative vehicle, or be introduced as standalone legislation.

There is currently no final bill establishing:

  • The exact credit percentage
  • Minimum production spending requirements
  • Which productions would qualify
  • Requirements for employing U.S. workers
  • Whether television, streaming and independent projects would receive identical treatment
  • How the program would interact with existing state incentives

Those details will ultimately determine whether the policy significantly changes where studios choose to produce films and television shows.

For now, Trump’s endorsement adds White House support to an effort that already had advocates among lawmakers, unions and entertainment companies.

Why the Federal Film Incentive Could Matter to Hollywood’s Workforce

The entertainment industry’s production slowdown has become a workforce issue as much as a studio issue.

When a movie moves overseas, the economic impact extends beyond performers. Entire production ecosystems can lose work, including independent vendors and businesses that rely on location filming.

A federal incentive could therefore influence where billions of dollars in future production spending occurs.

Supporters believe making the U.S. more competitive could help retain domestic productions while potentially convincing internationally planned projects to reconsider American locations.

Critics of film incentives, however, have historically questioned whether tax credits generate enough economic activity and tax revenue to justify their public cost. The effectiveness of any federal program would therefore depend heavily on how Congress designs it, what safeguards it includes and how its economic impact is measured.

For entertainment professionals, the proposal is worth following closely — but it remains a proposal, not a guarantee of additional jobs.

Stay Updated on Entertainment News

Whether you’re following Hollywood’s biggest filmmakers or looking for your next acting opportunity, Project Casting keeps you connected with the entertainment industry.

Explore the latest casting calls and jobs, stay informed with entertainment news, and if you have any questions, visit or email.

FAQs

What Film Tax Incentive Does Donald Trump Support?

Donald Trump is calling for Congress to establish a federal production incentive for movies and television shows made in the United States. The final structure and value of the proposed incentive have not yet been determined.

Has Congress Passed a Federal Film and TV Tax Credit?

No. As of September 1, 2026, Trump has endorsed creating a federal production incentive, but Congress has not passed the proposed program. Lawmakers still need to develop and approve legislation establishing its details.

Could a Federal Film Tax Credit Create More Casting Opportunities?

Potentially. If an incentive successfully encourages more movies and television productions to film in the United States, it could increase demand for actors, background performers and production crews. However, the impact will depend on the final legislation and how studios respond to it.