“The Corridor Crossing” Plot Summary:
On a lost bet, Alex walks through a cave and stumbles into an alternate universe. Jake follows him in an attempt to save Alex and get back to the world they belong in.
Compensation:
Rate: Paid (Rate based on experience, equipment, etc.)
Payment: Zelle/Paypal/Venmo/Check/etc. at the end of each shoot day (Up to 14 Shooting Days)
Duties:
1. Bring his/her own camera equipment to the film set
2. Execution of Cinematography plan
3. Setting up Camera equipment in a timely efficient manner
4. Determining elements such as filters, shutter angles, focus, depth, of field and camera distance
5. Answering any questions the Director may have regarding Cinematography
Role Requirements:
1. A Reel of Visual Work
2. Be an approachable team player
3. Must show up on time and have good time management skills
4. Good technical camera operating skills
5. Good organizational skills
6. A great eye for detail
7. The ability to plan ahead regarding camera setups
Director’s Bio:
Harry is a passionate filmmaker who has been watching movies since as long as he can remember. Some of his favorite films include, “Memento”, “The Dark Knight”, “The Lord of the Rings” trilogy, “Alien”, “The Shining” etc. He has seen over 7,000 films and is as crazy about movies as any individual you will ever meet. Harry has worked on a number of various films, and has written, produced, directed, and edited “515”, “Enter the Room”, “In the Backseat”, and “Bay for Blood”.
Edgewater Film Productions
Related jobs:
Crew Call for Line Producer, UPM, Production Manager, and 1st AD – SAG Indie Feature
Job Description
A character-driven, culturally rich romantic dramedy titled FUEGO is seeking experienced crew members for a SAG moderate budget feature currently in soft pre-production. Inspired by the emotional depth of Silver Linings Playbook and the energy of Shall We Dance?, this story centers on Gio, a bartender rediscovering his passion for dance while facing personal rivalries and unresolved grief. The production will shoot for 24 days in San Diego and is backed by a screenplay that won Best Screenplay at the International Puerto Rican Heritage Film Festival and was a finalist in the Urban World Film Festival.
Job Responsibilities
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Oversee pre-production, scheduling, and budgeting as Line Producer or UPM
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Manage daily operations on set and facilitate seamless coordination between departments
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Lead production team logistics and ensure smooth execution during filming
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Assist the director in planning and executing the vision with clarity and precision
Requirements
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Proven experience in film production, especially on SAG moderate budget features
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Strong organizational and leadership skills
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Excellent communication and problem-solving abilities
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Available for a 24-day shoot beginning in late July in San Diego
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Passion for story-driven projects with a culturally grounded narrative
Compensation
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Paid positions, commensurate with experience and scope
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Work on a meaningful, award-winning, festival-recognized indie feature
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Interviews conducted via Google Meet