Key Takeaways:

– John Ashton, famed for his role in the Beverly Hills Cop series, has died
– His illustrious career spanned multiple decades and projects
– Ashton was beloved by both audience members and industry professionals

An aura of sadness has descended over Hollywood today as we bid goodbye to a legendary actor, John Ashton. Known for his standout performance as the grumpy but ultimately heroic detective Taggart in the Beverly Hills Cop series, Ashton left a lasting impression. We, unfortunately, don’t yet have news about his cause of death, but his manager confirmed his passing.

The Veteran Star’s Illustrious Career

Ashton wasn’t just Taggart to his fans, he lived many lives on the silver screen. He shared screen space with Robert De Niro and Charles Grodin in the unforgettable film Midnight Run. Interesting to note, this was under the direction of Martin Brest, who also helmed the Beverly Hills Cop series. Furthermore, Ashton etched another memorable character as Eric Stoltz’s father in John Hughes’ classic, Some Kind of Wonderful, John Hughes was so impressed by Ashton that he also gave him a part in She’s Having a Baby and Curly Sue.

Being a versatile actor, Ashton didn’t limit himself to the big screen. He found success on television screens as well. He displayed his acting prowess in the ’80s mini-series, I Know My First Name Is Steven, where he portrayed the character of kidnap victim Steven Stayner’s father. Stephen King’s The Tommyknockers was another TV counterpart of Ashton that is remembered till this day.

Additionally, Ashton appeared in Ben Affleck’s Gone Baby Gone and the underappreciated George Gallo movie Middle Men, earning accolades for his performances.

Return to Beverly Hills

Ashton recently revisited his well-loved role as Taggart, sharing screen space with his former colleagues Eddie Murphy and Judge Reinhold in Netflix’s Beverly Hills Cop: Axel F. A pleasant person in real life, he had a soft corner for his role in Beverly Hills Cop. When questioned if he would like to reprise this role in future Beverly Hills Cop movies, he had a glint in his eye and a warm smile on his face, assuring that he would love to. Unfortunately, now he wouldn’t get this chance.

This proves just how much he loved his profession and the characters he brought to life. It’s indeed a sad day for everyone who knew him, and even for those who didn’t personally know him but have spent years watching and admiring his work.

In Loving Memory

The film and TV industry has been robbed of a luminary. John Ashton, a man who wore many hats and painted many characters in our minds, will be sorely missed. His legacy, however, lives on in the incredible body of work he leaves behind. Whether as the gruff Taggart or the father figure in Some Kind of Wonderful, Ashton made every character his own. Our movie nights will never be the same without him, but we can take solace in the fact that he lives forever on our screens, immortalized through his performances.

To the incredible John Ashton, we bid a heartfelt farewell. You will always hold a special spot in the history of Hollywood. Thanks for such amazing memories over the years. Here’s to the larger-than-life roles, the smiles, the gasps, and the heart-touching performances you gifted us with. You truly were some kind of wonderful!

Key Takeaways:

– A feud between Deadline and Variety writers over who broke the exclusive news first.
– This isn’t the first time these two industry giants have butted heads.
– Earlier in the summer, they disputed over the claims involving Francis Ford Coppola on the set of “Megalopolis”.
– The heated rivalry between Deadline and Variety, which are both owned by PMC and operate from the same building in California, continues to unfold.

Let’s begin, shall we?

The Exclusive Scoop Standoff

Have you heard about the drama between two of Hollywood’s media giants? Deadline and Variety have been butting heads recently, and it’s all because of an “exclusive” story on Neon’s film, “The Life of Chuck.” You see, when it comes to showing the world who’s boss with breaking news, these two don’t play around.

Mike Fleming from Deadline was the first to publish a story on it. Then, not long after, Rebecca Rubin from Variety shared her own tale on the same topic. The kicker? She also labeled it as an “exclusive.” Now, this didn’t sit right with Mike, who already claimed it was his exclusive news. He made it known publicly by adding a note to his original article, accusing Variety of manipulating the timing to appear they broke the story.

When Friendly Competition Turns Petty

This fuss might seem like silly business to us, but in the world of high-stakes news reporting, it’s a big deal. Battling over who got the scoop first? It’s like the ultimate badge of honor. In simpler terms, imagine you got the first piece of cake at a party, and then someone else claims they got it first. Feels wrong, right?

A Summer of Controversy

This was not the first tiff between the two, though. Earlier in the months of sunshine, the two disagreed over a report involving renowned director Francis Ford Coppola, and the drama involved the set of Coppola’s upcoming project, “Megalopolis.”

Variety ignited the fuse by releasing a story accompanied by a video, showing Coppola giving a smackeroo to an extra on set. Deadline, not intimidated to step into the ring, countered with Mike Fleming Jr. labelling Variety’s story as a clickbait. Fleming Jr. even got in touch with the extra shown in the video, Reyna Menz, who claimed that the kiss was completely innocent – an act of kindness, nothing more.

But did Variety back down? Not quite. In fact, they shot back with a retort of their own, penned by Tatiana Siegel and Brent Lang. Later, Coppola decided to join the battlefield, filing a lawsuit against Variety, Lang, and Siegel for defamation.

The Underlying History

Behind the drama unfolding before our eyes, there’s a tiny bit of history. Mike Fleming from Deadline had the privilege to attend the first screening of “Megalopolis” where he shared an enthusiastic review. That lit another fuse when Penske’s Hollywood Reporter and Variety reported a contradicting view – they claimed that the film received less than stellar feedback and was deemed “unreleaseable.”

Conclusion

The squabbling between Deadline and Variety writers over exclusives and stories might not impact us directly, but it gives us front row seats to an ongoing drama offscreen. It’s like watching a soap opera, only this one’s playing out in real life and involves two of the biggest names in Hollywood reporting. Although they occupy the same building in California, the tension is undeniable, which makes you wonder – what will be their next bone of contention? And will there ever be peace in the valley of media giants?

Well, my friends, that’s a story for another day. Until then, sit back and enjoy the show!

Key Takeaways:

– Guillermo del Toro has been dreaming of creating a Frankenstein movie for almost two decades.
– After previous setbacks, Netflix has now partnered with del Toro to bring this classic alive.
– The adaptation will be a blend of Frankenstein and Bride of Frankenstein themes, with an added touch of adventure.
– A star-studded cast including Oscar Isaac, Mia Goth, Jacob Elordi, Christoph Waltz, and Charles Dance has been assembled.
– Production started in Ontario, Canada, and continued in Edinburgh, Scotland.

The world of cinema is about to be reanimated with a fresh take on an old classic. Have you ever heard of Mary Shelley’s Frankenstein? Well, this time, it’s getting a makeover from none other than the acclaimed filmmaker Guillermo del Toro, renowned for brilliant movies like Pan’s Labyrinth, The Shape of Water, Hellboy, and Blade II.

Guillermo’s Dream Project Comes Alive

For Guillermo, creating an adaptation of Frankenstein has been a cherished dream. He has often confessed his love for Mary Shelley’s timeless novel and lamented on missing the chance to breathe life into this story. However, the wheels finally started churning when Netflix joined hands with him and decided to help him realize his vision.

Melding the Old with the New

True to Guillermo’s style, this adaptation won’t just be a carbon copy of the original story. According to him, he plans to whip up a concoction of the classic elements from Frankenstein and his bride while adorning it with an adventurous twist. He also aims to capture the ‘spirit’ of the novel that impacted him deeply when he first read it in his childhood. Talk about mixing old-school charm with fresh vibes!

The Power-Packed Ensemble

When it comes to the cast, one can only expect the best for such a grand project. Some of Hollywood’s finest, Oscar Isaac, Mia Goth, Jacob Elordi, Christoph Waltz, and Charles Dance, are set to portray the iconic characters. At one point, even Andrew Garfield was on the list, but he had to step down and was replaced by Elordi.

Capturing the Essence through Location and Set

Shooting for a film of this scale is a mighty task. The team began their journey in Ontario, Canada, amidst snow-capped landscapes. From there, they sailed to Scotland where portions of Edinburgh were transformed to resemble Victorian England. Oscar Isaac, in a mysterious and intriguing character look, was spotted on site. They say the devil is in the detail, and this goes to show the lengths to which the team was willing to go for authenticity.

All in all, this project promises a transcendence of boundaries and a spin on how we conventionally perceive Frankenstein. It is the bringing together of a passionate filmmaker, a committed cast, and a diligent crew to stir in elements of horror, adventure, and classic literature. As fans eagerly await the release date, we can confidently say that Guillermo del Toro’s Frankenstein is far more than just reanimation – it’s a resurrection of art, fantasy, and storytelling. Watch out, folks! This one is going to be a cinematic spectacle you wouldn’t want to miss!

Key Takeaways:

– Ryan Murphy’s new Netflix series, Monsters: The Lyle and Erik Menéndez Story, re-examines the infamous 1989 murder case of Menéndez brothers.
– The series has not been well-received by the Menéndez family, leading to an audience backlash.
– Despite criticism, Murphy firmly stands by the controversial approach he depicted in the show.
– Murphy’s future projects might be at risk due to the current controversy.

Series Sparks Controversy

Ryan Murphy, known for his bold and contentious storytelling, is back under the spotlight with his latest Netflix show, Monsters: The Lyle and Erik Menéndez Story. The series revisits the trial of the Menéndez brothers, accused of murdering their parents in 1989. However, the show has provoked strong reactions from the Menéndez family.

Murphy Responds to Family’s Criticism

In response to the family’s criticism, Murphy labeled their reaction as “faux outrage” in his interview with People Magazine. He asserted that Monsters does not claim to document the absolute truth. Instead, it presents multiple perspectives, dedicating 65% of screen time to the brothers’ claims of abuse. Murphy also claims to be unfazed by the family’s disapproval, asserting that the series has prompted fresh discussions regarding the notorious case.

Family in Denial?

Murphy holds firm that Monsters has sparked essential conversations about the brothers’ trials and potential mishandling of their second court case. He implies that the Menéndez family is in denial about the brothers’ guilt despite their claims.

Possible Threat to Murphy’s Reputation

Murphy’s unapologetic stance, despite resonating with his daring narrative style, has divided his audience. As Murphy brushes off the family’s dismay, some viewers suggest that he might be exploitative, using a real-life tragedy for entertainment purposes.

Public Opinion Divided

Public reactions to Murphy’s remarks have been a mixture of shock and disapproval. Some fans have even suggested boycotting the series, accusing him of exploiting the family’s trauma. This controversy could negatively impact Murphy’s future projects, including his upcoming series Grotesque. It seems that damage control might be an essential part of his future agenda.

Impact on Murphy’s Legacy

While Monsters: The Lyle and Erik Menéndez Story has certainly reignited conversations about the infamous Menéndez brothers’ case, it has also sparked backlash against Murphy. His controversial style has consistently made him a newsworthy figure. However, the current wave of criticism may cause even his most dedicated supporters to reassess their loyalties.

Only time will clarify whether this will result in Murphy’s fall from grace or a deeper entrenchment in his reputably controversial legacy. The upcoming releases on Netflix may also influence his standing in the public eye.

Whichever side of the debate one sits, one thing is clear – Ryan Murphy’s Netflix series Monsters: The Lyle and Erik Menéndez Story continues to capture the public’s attention, reminding us that controversy, too, can keep the wheels of conversation turning.

Monsters: The Lyle and Erik Menéndez Story is currently streaming on Netflix.