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Cillian Murphy Eyes Return in ’28 Years Later 3′

Takeaways for Entertainment Pros’

  • Sony has moved forward on the third and final 28 Years Later film after strong early reactions to The Bone Temple.
  • Cillian Murphy is in talks to return as Jim—fueling major interest in how the trilogy ends.
  • Alex Garland is writing, and Danny Boyle has expressed interest in directing the final chapter.
  • With The Bone Temple dated for January 16, 2026, the franchise is positioning itself as a major 2026 horror event.

Sony is wasting no time bringing the revived Rage Virus universe to the finish line. Following enthusiastic early reactions to 28 Years Later: The Bone Temple, the studio has confirmed development on the third and final installment of the 28 Years Later trilogy—and the biggest headline is this: Cillian Murphy is in talks to return as Jim.

For fans, that signals a full-circle ending that connects the revival trilogy back to the film that started it all. For entertainment professionals—actors, filmmakers, and crew—it’s another example of how studios are building modern franchises: by combining prestige creatives, legacy characters, and event-level releases designed to dominate the conversation.

Sony Greenlights the Final Chapter After Strong Reactions

According to multiple reports, Sony’s confidence surged after early screenings of The Bone Temple landed well, prompting the studio to officially move forward with the final film.

That kind of momentum matters. In today’s market, horror franchises often live or die based on:

  • early audience buzz
  • critical response
  • opening-weekend urgency
  • how effectively a sequel sets up the next chapter

And right now, the 28 Years Later machine looks like it’s building toward a big finale moment.

Cillian Murphy Returning as Jim Would Complete the Arc

Cillian Murphy’s Jim is one of the most iconic protagonists in modern horror—because he wasn’t written as an action hero. He was written as a survivor forced to adapt fast, which made the original story feel raw and human.

Now, Murphy is reportedly in talks to reprise Jim for the final film, which would keep him central to the trilogy’s overall narrative payoff.

This isn’t just fan service. Legacy character returns are a proven studio strategy because they:

  • give newer stories emotional weight
  • bridge generations of audiences
  • create “must-see” stakes for a finale
  • elevate the press cycle beyond standard sequel coverage

In other words: bringing Murphy back isn’t only a creative move—it’s a business one.

Alex Garland Is Writing, and Danny Boyle May Direct

The creative team is also a major selling point. Reports indicate Alex Garland is writing the script for the third film, keeping authorship consistent across the new trilogy.

Meanwhile, Danny Boyle—director of the original film—has publicly expressed interest in directing the final chapter, though no director has been officially confirmed yet.

For filmmakers watching the industry, this is a notable trend: studios increasingly want recognizable creative “brands” attached to franchise horror—writers and directors with a distinct tone who can make sequels feel like cinema, not just content.

Release Timing: The Bone Temple Targets January 16, 2026

Before the trilogy can end, it has to set the stage. 28 Years Later: The Bone Temple—directed by Nia DaCosta and written by Alex Garland—is currently set for a theatrical release on January 16, 2026.

That release date matters for two reasons:

  1. January can be a strong window for horror when a film offers a “new year, new nightmare” hook.
  2. A clean early-2026 launch creates runway for marketing the final chapter as the big conclusion.

Early reactions to The Bone Temple have also pointed to bold tone choices—intense horror, unsettling imagery, and a willingness to get weird—exactly the kind of edge that helps a franchise stand out.

Explaining the Franchise Timeline (and Why It’s a Career Lesson)

The 28 franchise has always been a career-maker because it fuses grounded drama with genre intensity.

  • 28 Days Later (the original) became a defining modern zombie/infected film and helped set the template for “fast infected” horror.
  • The new trilogy expands that world on a larger scale—while keeping the creative identity tied to Boyle and Garland’s sensibilities.

For emerging actors and filmmakers, the bigger takeaway is how franchises now recruit talent:

  • recognizable auteur voices for credibility
  • strong ensembles for rewatch value
  • a mix of newcomers + legacy returns for reach

This model creates a lot of opportunity beyond the headline stars—supporting roles, stunt performers, creature teams, second-unit crews, VFX specialists, and post-production talent all become essential as the scope increases.

Box Office Momentum Helps Explain Sony’s Fast “Yes”

Another factor fueling confidence: 28 Years Later hit a major box office milestone, passing $150 million globally, which helped validate the revival as a commercial play—not just a cult-fan gamble.

When a studio sees both:

  • strong audience interest, and
  • a recognizable creative package,

…it becomes much easier to greenlight a finale that can be marketed as the “end of an era.”

What This Could Mean for Casting (and Who Gets the Work)

Even though the headlines focus on Murphy, a final chapter typically expands the world—meaning more casting opportunities.

Finale-scale productions often require:

  • featured background and day players for large sequences
  • doubles and specialty stunts
  • additional “survivor” factions and opposing groups
  • expanded voice/ADR sessions and post work
  • more location-driven hiring (local casting, stand-ins, crew)

If the third film leans into a definitive endgame, expect the casting needs to widen—especially if it’s built around multiple story threads converging.

‘Supergirl’ Trailer Puts Milly Alcock on Anti-Hero Path

Takeaways for Entertainment Pros

  • The first Supergirl: Woman of Tomorrow trailer positions Kara Zor-El as a cynical, truth-first counterpart to Superman.
  • Director Craig Gillespie frames the film as an anti-hero story, emphasizing Kara’s inner turmoil and “baggage.”
  • The footage includes a first look at Jason Momoa as Lobo and Matthias Schoenaerts as the villain Krem.
  • The film adapts Supergirl: Woman of Tomorrow and is scheduled for June 26, 2026.

DC Studios just made its vision for Supergirl loud and clear: this Kara Zor-El isn’t here to play the perfect hero.

In the first trailer for Supergirl: Woman of Tomorrow, Milly Alcock’s Supergirl is introduced as blunt, battle-worn, and emotionally complicated—someone who doesn’t automatically see the best in people the way Superman does. Her defining line says it all:

“He sees the good in everyone. And I see the truth.”

Set to Blondie’s “Call Me,” the trailer leans into a gritty, off-world tone—more cosmic road-trip than clean-cut cape story. It’s fast, chaotic, and intentionally rough around the edges.

A “Punk” Supergirl Who Isn’t Trying to Be Perfect

This version of Supergirl feels designed to challenge the traditional superhero mold. Instead of framing Kara as a shining symbol, the film positions her as someone carrying real emotional weight. Director Craig Gillespie has described it as an anti-hero story, focused on her internal struggle and the demons she’s dragging into the present.

That’s a smart move in today’s market. Audiences respond to characters who feel human—messy, specific, and sometimes difficult. The trailer embraces that, presenting Kara’s imperfections as the point, not a flaw to smooth over.

A Gritty Space Aesthetic With Big Franchise Energy

Visually, the trailer doesn’t stay in familiar superhero territory. Kara moves through harsh alien colonies and rough environments that feel lived-in—less “polished sci-fi” and more “space grit.” The pace and color of the footage also suggest the kind of wild, kinetic energy audiences often associate with James Gunn’s style of genre storytelling.

This isn’t “Supergirl but smaller.” It looks like a full-scale DCU swing with its own personality.

First Look at Jason Momoa as Lobo

One of the biggest trailer moments is the reveal of Jason Momoa as Lobo, an anti-hero known for chaos, swagger, and brute-force presence. Even with just a glimpse, the intent is obvious: Lobo is here to add volatility and attitude—and to expand the DCU’s cosmic corner in a major way.

Lobo also brings instant fan recognition, which helps the film travel across audiences beyond traditional Superman/Supergirl viewers.

Matthias Schoenaerts as Krem

The trailer also introduces Matthias Schoenaerts as Krem, setting up a threat that feels personal, not just “big bad energy.” The story’s core appears to involve a mission with emotional stakes—pushing Kara into moral gray areas rather than straightforward heroics.

That framing matters. When a superhero film works like a quest or revenge-driven journey, it often creates stronger character moments and more memorable tension than the standard “save the city” formula.

Based on Woman of Tomorrow

DC is drawing directly from Supergirl: Woman of Tomorrow, a story known for its sweeping scope and character-driven intensity. The trailer’s tone suggests the film is aiming to honor that identity: a Supergirl story that’s tough, travel-heavy, and emotionally sharp.

Release Date: June 26, 2026

DC Studios has scheduled Supergirl: Woman of Tomorrow for June 26, 2026, placing it firmly in the summer tentpole lane.

For entertainment professionals watching casting and production trends, this trailer signals a wider shift: superhero projects are increasingly being sold as genre blends—space western, anti-hero character drama, revenge quest—rather than one-size-fits-all cape stories.

Charli XCX’s ‘The Moment’ Trailer Tackles BRAT Fame

Takeaways for Entertainment Pros

  • A24’s The Moment frames Charli XCX’s “BRAT” era as a high-pressure, behind-the-scenes sprint toward an arena tour debut.
  • The trailer leans into mockumentary tension: fans, management, and label expectations collide as her public brand outpaces her private clarity.
  • The cast stacks indie-comedy and prestige talent—plus a headline cameo—signaling a crossover strategy built for internet conversation.
  • Release date to watch: The Moment hits theaters January 30, 2026.

A24 just dropped the first The Moment trailer, and it’s not selling a glossy pop-star fantasy. It’s selling something sharper: the anxiety, noise, and conflicting demands that come with “overnight” fame—especially when that fame is tied to a specific era and aesthetic like Charli XCX’s BRAT moment.

In the film, Charli stars as a fictionalized version of herself, positioned at the peak of her current cultural visibility while preparing for a major milestone—her arena tour debut. The trailer’s energy is hectic on purpose. People around her want something. Everyone has notes. Everyone has expectations. Everyone has a version of “Charli” they’re trying to produce.

And Charli? She looks like she’s trying to survive the pace long enough to figure out what she actually wants.

What The Moment Is About

The Moment is described as a mockumentary, directed by Aidan Zamiri with Charli XCX. That format matters: mockumentaries are built to feel intimate and immediate, like you’re watching the truth spill out in real time—while still being structured, heightened, and carefully staged.

The trailer sets up a simple but loaded premise:

  • Charli is riding the wave of her BRAT fame.
  • She’s prepping for her arena tour debut, a career leap that comes with massive scrutiny.
  • She’s surrounded by a rotating set of voices—fans, managers, label execs—each pulling her identity in a different direction.
  • A quirky new manager enters the orbit, and the pressure spikes as the show date approaches.

In the final moments of the trailer, Charli reaches an emotional breaking point—near tears, yelling, and admitting she doesn’t even know what she wants. That’s the hook. Not “will the tour be amazing?” but “what happens when your brand becomes louder than your inner voice?”

Why This Trailer Feels Timely Right Now

Pop culture is in a moment where audiences are obsessed with the machinery behind fame. Not just the stage lights, but the team meetings. The camera tests. The image strategy. The mental load.

That’s why projects like The Moment land: they speak to the part of the industry that most viewers sense is there—but rarely see portrayed with this kind of tension and dark humor.

The trailer also plays into a trend that’s been accelerating in film and TV: hybrid celebrity storytelling—content that sits between documentary and scripted drama, where the “real person” becomes a character shaped by public perception.

It’s not just entertainment. It’s a commentary on the job.

Charli XCX as a “Character” in Her Own Story

Casting Charli as herself (but fictionalized) is a bold move because it flips the usual power dynamic.

Instead of:

  • a biopic actor playing the artist, or
  • a documentary crew capturing the artist,

…it becomes Charli presenting a version of Charli—curated, exaggerated, honest, messy, or all of the above at once.

That creates a unique tension: the audience watches her perform fame while also watching the film about performing fame. The trailer leans into that loop, where image and identity keep colliding.

The Cast and Cameos Add to the “Event” Feel

A24 didn’t build The Moment like a small side project. The casting signals reach—comedy credibility, prestige heat, and internet traction.

The featured cast includes:

  • Rosanna Arquette
  • Kate Berlant
  • Jamie Demetriou
  • Hailey Benton Gates
  • Isaac Powell
  • Rachel Sennott
  • Alexander Skarsgård

And there’s a special appearance from Kylie Jenner, which is an instantly clickable element that expands the film’s audience beyond music fans and indie-film followers.

This kind of casting is strategic. Today, trailers aren’t just marketing tools—they’re conversation engines. A surprising cameo can spark reaction clips, meme formats, and quote reposts that travel further than traditional press.

The Mockumentary Tone: Funny, Uncomfortable, Honest

The best mockumentaries succeed when they find the thin line between humor and discomfort. The Moment seems to live there.

The trailer’s vibe suggests:

  • awkward meetings and forced positivity
  • brand-speak that sounds supportive but feels controlling
  • “help” that comes with strings attached
  • emotional honesty bursting out at inconvenient times

That last beat—Charli spiraling into a profanity-laced confession—lands because it’s relatable in a very modern way. Plenty of creatives know what it’s like to be asked for a “vision” on command… while trying to keep yourself intact.

Industry Pressure as the Villain

What’s compelling about this trailer is that it doesn’t need a traditional villain.

The villain is:

  • the pace
  • the expectations
  • the machine
  • the constant demand to deliver clarity, confidence, and likability—at the same time

The film frames fame as a job with deadlines, stakeholders, and performance reviews. That’s a smart lens for a Project Casting audience, because entertainment work often comes with similar pressure points—just at different scales.

Release Date and Why It Matters

A24 is releasing The Moment in theaters on January 30, 2026.

That date places it in a window where audiences are hungry for buzzy, conversation-driven films—especially ones that play well on social clips and quote culture. A mockumentary about a pop star on the verge of a breakdown? That’s built for traction.

Why Entertainment Pros Should Watch This One

If you work in entertainment—or you’re trying to break in—this trailer signals a film that actually understands the ecosystem:

  • how teams shape an artist’s choices
  • how success multiplies voices, not clarity
  • how “moment” culture can be both rocket fuel and a trap

It also highlights how A24 continues to package music-adjacent projects: bold concept, specific tone, and casting that blends credibility with headline power.

‘Street Fighter’ Teaser Reveals New Live-Action Cast

Takeaways for Entertainment Pros

  • The new Street Fighter teaser debuted at The Game Awards 2025, signaling a major studio push for the reboot.
  • This version leans martial-arts-forward and game-faithful, with iconic character silhouettes and stylized combat.
  • The ensemble cast blends action talent, dramatic performers, and crossover stars, reflecting how studios build global event films.
  • The film is slated for October 16, 2026, with an IMAX-first cinematic approach that can drive big-scale production hiring.

A fresh Street Fighter era is officially loading in.

The first teaser trailer for the new live-action Street Fighter has been unveiled, giving fans their earliest look at a reboot that’s clearly trying to do what previous adaptations struggled to pull off: capture the energy of the games while still feeling like a real martial-arts movie.

Revealed at The Game Awards 2025, the teaser positions the film as a big-screen event with stylized fight choreography, faithful character cues, and an ensemble cast designed to pull in multiple audiences—game fans, action lovers, and mainstream moviegoers who might not know their Hadoukens from their Shoryukens.

For Project Casting readers—actors, filmmakers, stunt performers, and production pros—this teaser also reflects a bigger industry pattern: video game adaptations are no longer niche. Studios are treating them like premium IP with franchise potential, which often means larger productions, more specialized departments, and deeper casting needs.

A New Tone: More Martial Arts, Less Camp

If you remember the 1994 Jean-Claude Van Damme take—or the 2009 Legend of Chun-Li—you already know Street Fighter has had a complicated history on screen.

This reboot aims to be different.

The teaser suggests a more grounded martial-arts film built around character rivalry, physical performance, and tension that feels pulled straight from the games’ world-building. The movie is reportedly set in 1993, which hints at a deliberate stylistic choice: lean into a specific era, a specific vibe, and a specific kind of global action cinema energy.

Instead of winking at the premise, the teaser looks like it’s embracing the premise—and that’s often the first step toward a game adaptation actually working.

Director Kitao Sakurai’s Approach

The film is directed by Kitao Sakurai, a choice that signals a modern, stylish approach rather than a purely traditional action template.

The teaser’s pacing and visual language lean into:

  • character-first reveals
  • silhouette-driven recognition moments
  • fast, clean-cut action beats
  • atmospheric tension before the hits land

That blend matters. For a fighting-game movie, it’s not enough to stage fights—you have to stage iconic identity. Fans want to recognize each character in a single frame. The teaser is clearly trying to deliver that.

The Leads: Ryu and Ken Take Center Stage

At the heart of Street Fighter is the relationship between Ryu and Ken—two fighters with shared roots but different philosophies.

The teaser confirms:

  • Andrew Koji as Ryu
  • Noah Centineo as Ken Masters

Casting wise, that’s a signal that the film wants both credibility and reach: Koji brings action-forward intensity, while Centineo adds mainstream familiarity. Together, they create a duo that can play both the physical conflict and the personality contrast that fans expect.

From a performance standpoint, these roles are rarely “just action.” They require:

  • training discipline and movement control
  • emotional restraint (especially for Ryu)
  • charisma and confidence (especially for Ken)
  • believable rivalry without cartoonish exaggeration

Chun-Li and Akuma: Big Character Energy Arrives Early

The teaser also gives early character reveals that instantly raise the stakes.

  • Callina Liang as Chun-Li
  • Joe “Roman Reigns” Anoa’i as Akuma

Chun-Li is one of the most iconic characters in fighting-game history, and audiences will be watching for two things immediately: presence and precision. The character isn’t defined by costume—she’s defined by skill, control, and relentless momentum.

Akuma, on the other hand, is pure intimidation. Casting a physical powerhouse for the role suggests the movie is leaning into scale and threat, which could shape the action design into something heavier, more forceful, and more cinematic than “flashy.”

The Ensemble Strategy: A Franchise-Style Roster

One of the biggest headlines from the teaser rollout is the sheer size and variety of the cast, including:

  • David Dastmalchian as M. Bison
  • Cody Rhodes
  • Eric André
  • Vidyut Jammwal
  • Curtis “50 Cent” Jackson
  • Jason Momoa

This is modern blockbuster math: build a roster that can generate headlines in multiple lanes—combat sports, comedy, action cinema, pop culture, and fandom spaces.

For entertainment professionals, ensemble franchise films often create a ripple effect of opportunity, because big casts typically mean:

  • expanded stunt teams and stunt doubles
  • more featured players and day roles
  • additional units and second-unit action crews
  • heavier costume/wardrobe and specialty makeup demands
  • larger background casting for tournaments, crowds, arenas, and global set pieces

Even if you’re not playing a named fighter, productions like this routinely hire heavily across the board.

What “Faithful Visual Cues” Really Means

The teaser leans hard into “recognition,” using cues pulled from the games—classic silhouettes, signature postures, and a visual approach that signals the filmmakers understand what fans actually want.

That’s important because Street Fighter isn’t just story—it’s iconography. The best adaptations translate:

  • signature movement
  • spacing and rhythm of combat
  • character identity in stance and costume
  • the emotional stakes behind each match-up

When a teaser focuses on those fundamentals, it suggests the film is prioritizing authenticity rather than simply borrowing names and branding.

IMAX and the “Big Screen Fighting Film” Promise

This reboot is being shot in IMAX, with Paramount Pictures distributing and Legendary producing in partnership with Capcom.

IMAX positioning signals ambition. It implies:

  • large-scale choreography designed for full-frame impact
  • fight geography that reads clearly at scale
  • more emphasis on cinematic framing than shaky coverage
  • set pieces that justify a theatrical experience

For filmmakers and crew, IMAX productions can also mean heightened technical expectations—camera choices, lighting precision, and action coverage designed to feel clean and legible.

Why Video Game Movies Are Having a Moment

Studios are treating game adaptations as major IP because they come with built-in brand awareness and global audiences. But the bar has changed: fans are no longer satisfied with “a movie that shares the name.”

They want:

  • respect for lore and character
  • action that matches the game’s identity
  • tone that feels intentional, not accidental

This teaser seems designed to reassure fans: we know what this is, and we’re building it with purpose.

Release Date: October 16, 2026

The new Street Fighter film is scheduled for October 16, 2026, which gives the production runway to build hype, roll out character posters, and potentially turn this into a full-scale fandom marketing cycle.

For casting-watchers, long-lead tentpoles often continue staffing and filling roles deep into production—especially for stunts, stand-ins, featured extras, ADR, and reshoots.

‘Avatar: The Last Airbender’ Season 2 Teaser

Takeaways for Entertainment Pros

  • Netflix has officially released a first-look teaser trailer for Avatar: The Last Airbender Season 2, confirming the series returns in 2026.
  • The teaser spotlights Toph Beifong’s arrival, setting up a major fan-favorite storyline and a more Earth Kingdom-driven season.
  • Season 2 expands the ensemble with key new characters, signaling bigger world-building, more roles, and larger-scale production.
  • The live-action series is renewed through Season 3, meaning the franchise is planning a full, long-arc conclusion.

Netflix is officially bringing the Gaang back.

The streamer has revealed the first-look teaser trailer for Avatar: The Last Airbender Season 2, and it wastes no time teasing what fans have been waiting for: Toph Beifong’s long-awaited debut in the live-action universe.

The teaser signals a shift in tone and scope. Where Season 1 focused heavily on establishing Aang’s journey and the early fight against the Fire Nation, Season 2 looks ready to go deeper—into Earth Kingdom grit, tougher training, and higher emotional stakes as Aang continues mastering the next element.

Toph Arrives—and the Teaser Makes It a Moment

The trailer puts Toph front and center, using a reflective voiceover that connects earthbending to power, identity, and the world itself. The visuals suggest the story will lean into the Earth Kingdom’s rougher edge, with training sequences and a first look at the kind of environment that shapes Toph into one of the franchise’s most iconic characters.

One standout tease: an underground Earth Rumble match, where the trailer hints at Toph’s signature style—seismic, grounded, and intimidating in the most exciting way.

For longtime fans, Toph isn’t just “a new character.” She’s a turning point. Her arrival typically changes:

  • the team dynamic
  • the training intensity
  • the tone of the journey
  • the show’s sense of humor and toughness

A Grittier Earth Kingdom Setting Takes Over

Season 2 appears to be firmly rooted in the Earth Kingdom, and the teaser’s look reflects that—less airy wonder, more dust-and-stone realism. That’s an important creative pivot because it gives the series a fresh visual identity while raising the narrative complexity.

The Earth Kingdom arc is where the story often becomes more political, more grounded, and more morally complicated—exactly the kind of shift that helps a live-action adaptation mature with its audience.

New Cast Adds Bigger Storytelling Possibilities

Netflix also confirmed additional casting that points to deeper world expansion and more pivotal story beats.

New Season 2 additions include:

  • Terry Chen as Jeong Jeong
  • Dolly de Leon as Lo and Li
  • Lily Gao as Ursa
  • Dichen Lachman as Yangchen

These characters signal that the series is widening the lens beyond just action and travel. Expect more:

  • mentor figures and spiritual training
  • political consequences tied to the Fire Nation
  • emotional backstory that deepens core character motivations

For entertainment professionals, bigger world-building usually means more production needs across the board—supporting roles, featured extras, stand-ins, stunt performers, and specialized crews for large environment-driven sequences.

Renewed Through Season 3: Netflix Commits to the Full Arc

Netflix has also renewed the series through Season 3, which is a major vote of confidence and a clear plan: this adaptation intends to finish the story in full.

Future casting additions mentioned for later seasons include:

  • Jon Jon Briones as Piandao
  • Tantoo Cardinal as Hama

That kind of long-arc planning is important for fans—and for the industry—because it means:

  • longer-term production continuity
  • larger casting pipelines
  • more opportunities for recurring roles and expanded ensembles

What to Expect in Season 2’s Story Focus

Season 2 is framed around Aang’s continued evolution as the Avatar, with a clear emphasis on mastering the next element and navigating growing complexity—political, spiritual, and personal.

The teaser’s tone suggests:

  • higher pressure training
  • more layered conflict
  • a world that feels more dangerous and demanding
  • character relationships that deepen and strain under responsibility

In short: the adventure isn’t getting smaller. It’s leveling up.

Nick Reiner Arrested After Rob Reiner’s Death

Key takeaways

  • Nick Reiner, 32, was arrested and is being held without bail in connection with the deaths of Rob Reiner and Michele Singer Reiner.
  • The couple were found dead in their Brentwood, Los Angeles home, and authorities are preparing to present the case to prosecutors.
  • Reports indicate the couple were stabbed, though investigators have not publicly confirmed every detail.

What happened to Rob Reiner and Michele Singer Reiner?

Los Angeles authorities say filmmaker Rob Reiner (78) and photographer and producer Michele Singer Reiner (70) were found dead inside their home in Brentwood, Los Angeles, in what police described as an apparent homicide.

Their son, Nick Reiner, was arrested Sunday night and booked on suspicion of murder. Police said he is being held without bail as the investigation continues.

Multiple reports indicate the couple were stabbed, though investigators have not publicly released every detail.


Timeline of the investigation

Here’s what has been reported so far:

  • Sunday: Rob and Michele Reiner were found dead at their home.
  • Sunday night: Nick Reiner was arrested and booked on suspicion of murder.
  • Tuesday: Authorities planned to present the case to the district attorney for review as charging decisions are considered.

Several attendees also described a tense confrontation between Rob and Nick Reiner at a holiday party the night before the bodies were discovered, though the specifics remain unclear.


Rob Reiner’s career and legacy

Rob Reiner was one of Hollywood’s most influential figures, first gaining national recognition as an actor on “All in the Family.” He later became a celebrated director behind some of the most beloved films of the last four decades.

His filmography includes:

  • “This Is Spinal Tap”
  • “Stand By Me”
  • “The Princess Bride”
  • “When Harry Met Sally…”

Beyond filmmaking, Reiner remained a prominent public figure, known for his political activism and long-standing presence in Hollywood.


Michele Singer Reiner

Michele Singer Reiner began her career as a photographer before becoming a producer. Friends and colleagues described her as deeply creative and devoted to her family.

Her real-life relationship with Rob Reiner is widely credited with influencing the ending of “When Harry Met Sally…”, one of the most iconic romantic comedies in film history.


Nick Reiner’s background

Nick Reiner has spoken openly about years of substance abuse, repeated attempts at treatment, and periods of homelessness beginning in his teenage years.

He later collaborated with his father on the 2016 film “Being Charlie,” a semi-autobiographical project that explored addiction and a strained father-son relationship.

At this stage, Nick Reiner has not been convicted of a crime. Prosecutors will determine whether formal charges are filed as the investigation continues.


Conclusion

As the investigation continues into the deaths of Rob Reiner and Michele Singer Reiner, authorities have arrested their son, Nick Reiner, who remains held without bail while prosecutors review the case. More details are expected as officials determine whether formal charges will be filed and what evidence will be presented publicly. In the meantime, tributes to Rob Reiner’s decades-long film and television legacy—and to Michele Singer Reiner’s creative work—continue to grow as the industry mourns the loss.

Khloé Kardashian Calls Out “Gross Commentary” About Amari Thompson

Takeaways

  • Khloé Kardashian called out “gross commentary” after sharing videos of Amari Thompson at an inclusive dance class.
  • Amari, Tristan Thompson’s younger brother (not his son), lives with Lennox-Gastaut syndrome (LGS), a severe form of epilepsy.
  • Khloé says she became a primary caregiver after Tristan’s mom, Andrea Thompson, died in January 2023.
  • The bigger story: how entertainment culture (and creator culture) treats disability—on camera, online, and in real life.

Khloé Kardashian responds to hurtful comments

Khloé Kardashian is calling out what she described as “gross commentary” after sharing videos of Amari Thompson participating in a dance class in Los Angeles.

The Good American co-founder, 41, posted highlights from Amari’s class at Carousel Dance Studio, including a routine set to music from High School Musical. While many viewers responded positively, Khloé revealed that some comments crossed the line.

In an Instagram Stories video shared on December 13, she addressed the criticism directly.

“Last time I posted Amari in his dance class, I heard some ridiculous commentary about, ‘How is this dance? Does he even know what’s going on?’ All of this gross commentary that I don’t need, no one needs.”

She added that people unfamiliar with individuals with special needs should think twice before commenting.

“If you don’t know or you have never had someone with special needs in your life and you don’t know what their interests are or what makes them happy, don’t comment. And if you don’t like this type of content, you don’t have to watch it. We’re all good over here.”


Who is Amari Thompson?

Amari Thompson is the younger brother of NBA player Tristan Thompson. He lives with Lennox-Gastaut syndrome (LGS), a rare and severe form of epilepsy that causes frequent seizures and significant developmental challenges.

Khloé has been open about Amari’s condition, explaining that he cannot walk or speak and requires full-time care and medical support.


Why Khloé became Amari’s primary caregiver

Khloé recently spoke in depth about her decision to care for Amari on her podcast, Khloé in Wonder Land.

She explained that her involvement began years ago due to her close relationship with Tristan’s late mother, Andrea Thompson.

“When I met Tristan and his family almost 10 years ago, Andrea and I became such good friends. I helped her with Amari medically and was very involved in his appointments.”

After Andrea’s sudden death from a heart attack in 2023, Khloé felt a responsibility to step in—regardless of her romantic relationship with Tristan.

“My commitment to Andrea has nothing to do with Tristan. Amari deserves someone who will be there for him and take care of him.”


Why Amari lives with Khloé in Los Angeles

Khloé also shared that Tristan’s demanding NBA schedule makes frequent travel unsafe for Amari, who experiences multiple seizures daily.

“It’s not conducive for Amari to be on that many planes. So Amari stays in LA with me.”

She added that Amari has professional caretakers and has become a cherished part of her household.

“We just want to provide Amari with the best, most beautiful life that we know how.”


Amari’s bond with the family

Khloé said one of the most meaningful parts of caring for Amari is seeing how he interacts with her children and extended family.

“I think it’s so important for my kids and nieces and nephews to be exposed to all different types of people. It teaches compassion and understanding.”

While Amari cannot speak verbally, Khloé says he communicates clearly through expressions and emotion.

“You see the glimmer in his eyes. He’s just such an amazing, amazing young man.”

Bottom line

Khloé Kardashian is making it clear that Amari Thompson’s happiness and inclusion come first. After facing hurtful reactions to videos from his dance class, she called out the “gross commentary,” encouraged people to stop judging what they don’t understand, and reaffirmed her commitment to caring for Amari following the loss of Tristan Thompson’s mother in 2023.

Michael B. Jordan on Acting

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Michael B. Jordan and Jesse Plemons on Acting, Growth, and Why Preparation Only Gets You So Far

“Clear eyes, full hearts, can’t lose.”

For actors Michael B. Jordan and Jesse Plemons, that Friday Night Lights mantra didn’t just define a TV show — it shaped how they approach acting, collaboration, and longevity in an unpredictable industry.

More than a decade after the series ended, both actors have built powerful, respected careers. Jordan went on to collaborate repeatedly with director Ryan Coogler on Fruitvale Station, Creed, Black Panther, and most recently Sinners. Plemons became one of the most sought-after character actors of his generation, working across TV and film with auteurs like Jane Campion, Martin Scorsese, and Yorgos Lanthimos.

When the two reunite, their conversation reveals something every aspiring actor should hear: acting isn’t about control — it’s about trust, play, and belief.


Acting Is a Game — If You Let It Be

Both Jordan and Plemons credit Friday Night Lights with changing how they see acting. The show’s loose, improvisational style forced them to stay present and adaptable at all times.

Plemons describes the experience as almost chaotic — especially for network television — but says that chaos created freedom.

He explains that the show taught him something vital: great performances don’t come from rigid planning. They come from exploration.

Trying to surprise your scene partner. Letting moments unfold naturally. Treating scenes like a game instead of a test.

For aspiring actors, this is a major mindset shift. Acting isn’t about “getting it right.” It’s about staying open long enough for something real to happen.


Preparation Matters — But Belief Matters More

As their careers evolved, both actors developed highly personal preparation techniques.

For Jordan, playing identical twins in Sinners meant understanding each character from the inside out — not just how they looked, but how they carried pain, trauma, and history differently. Small choices mattered: shoes that were too tight, clothing that changed posture, even gold caps that altered how he spoke.

But the most important work happened internally.

Jordan explains that once he understood the emotional truth of each brother, everything else followed.

Plemons echoes this idea when discussing his role as Teddy, a conspiracy theorist in Bugonia. Teddy believes — completely — that he’s saving the world. If Plemons didn’t believe that, the performance wouldn’t work.

That’s when he shares a feeling every actor recognizes: the moment after you book the job, when excitement turns into fear.


The Quote That Defines Becoming an Actor

One of the most important lessons for aspiring actors comes from Plemons when he describes that shift from booking to performing:

“There’s a period of time when you get a job — the best feeling in the world. Then when it’s time to start, it’s always this sinking feeling like, ‘Now I have to do this.’” — Jesse Plemons

That quote perfectly captures the reality of acting.

Fear doesn’t mean you’re unprepared. It means the work matters.

Every actor — even the most experienced — faces that moment. The key isn’t eliminating the fear. It’s learning to move forward anyway.


Music, Movement, and Getting Out of Your Head

Both actors also talk about using music to prepare — not to intellectualize the role, but to escape overthinking.

Jordan used music to transition between characters, helping him shed one identity and step fully into another. Plemons creates long playlists for every project, letting them run without control, trusting that the right emotional tone will surface.

The goal, as Plemons puts it, is simple: get out of your head.

Preparation is important — but at some point, thinking has to stop and doing has to begin.


What Aspiring Actors Should Take Away

This conversation offers a clear message for anyone trying to become an actor:

  • Acting is built on trust, not certainty
  • Fear is part of the process — not a sign of failure
  • Preparation sets the stage, but belief carries the performance
  • The best work comes when you stop protecting yourself

Michael B. Jordan and Jesse Plemons didn’t follow identical paths — but they share the same foundation: curiosity, courage, and a willingness to jump in before feeling ready.

That’s not just how careers are built.

That’s how actors are made.

‘28 Years Later III’: Cillian Murphy in Talks

Takeaways

  • Sony is moving ahead with ‘28 Years Later III’, the third film in the revived zombie franchise.
  • Cillian Murphy is in talks to return, reuniting with director Danny Boyle and writer Alex Garland.
  • The project follows 28 Years Later and 28 Years Later: The Bone Temple, both produced under Sony’s multi-film deal.
  • Nia DaCosta’s Bone Temple, starring Ralph Fiennes and Jack O’Connell, arrives January 16 and has already sparked strong early reactions.
  • For horror fans and industry professionals, this signals long-term franchise plans, meaning more high-concept genre work and potential casting opportunities down the line.

Sony Returns to the World of Rage

The post-apocalyptic world first unleashed in 28 Days Later is expanding once again. Sony is officially moving forward with a third installment in the 28 Years Later franchise, informally dubbed 28 Years Later III.

The studio is returning to the zombie-ravaged landscape with:

  • Danny Boyle developing the next chapter
  • Alex Garland penning the script once again
  • Cillian Murphy in talks to return to the universe he helped define over two decades ago

While Sony isn’t commenting publicly yet, the move confirms what many genre fans and industry watchers have been hoping for: the 28 franchise is being treated as a long-term, big-screen horror event, not just a one-off revival.


Cillian Murphy’s Potential Return to the Franchise

Cillian Murphy first exploded onto the global stage with 28 Days Later, playing Jim, the everyman who wakes up to a transformed, rage-infected London. Since then, his career has skyrocketed—culminating in an Oscar win for his performance in 2023’s Oppenheimer.

Now, Murphy is:

  • In talks to star in 28 Years Later III, re-entering the franchise that launched him into genre icon status
  • Already confirmed to have a small role in 28 Years Later: The Bone Temple, the second film in the new cycle

His involvement is a massive marketing boost:

  • It reconnects the new trilogy to the original film’s emotional core.
  • It deepens the sense of continuity for longtime fans.
  • It creates strong awards-caliber prestige around what is, at heart, a gritty, visceral horror series.

For casting professionals and creatives, having Murphy attached signals that this is not just another zombie sequel—it’s a high-profile, actor-driven project with serious artistic ambition.


Danny Boyle, Alex Garland, and a Long-Game Franchise Plan

The creative spine of the series remains firmly intact:

  • Danny Boyle has long said he would direct a third film if it moved forward.
  • Alex Garland, who wrote the original 28 Days Later and returned for 28 Years Later, is once again handling the script (he did not write 28 Weeks Later, making this a return to the core creative partnership).

Sony’s journey with the franchise has been strategic:

  • The studio won the rights in January 2024 after a competitive bidding war.
  • Boyle initially pushed for a three-film commitment.
  • Sony committed to two films, which were shot back-to-back:
    • 28 Years Later, released in January and grossing $151.3 million worldwide.
    • 28 Years Later: The Bone Temple, arriving January 16.

The third film moving forward now suggests that:

  • The first film performed well enough to justify continuing the story.
  • Early reactions to The Bone Temple have been strong enough to give Sony confidence in extending the trilogy.

28 Years Later and The Bone Temple: Setting the Stage

The first 28 Years Later did what any modern franchise entry has to do:
Reintroduce the world, update the stakes, and connect new characters to the original mythology while standing on its own.

Key points from the new cycle:

  • 28 Years Later re-established the rage-infected world decades after the original outbreak, expanding the timeline and exploring what long-term survival looks like.
  • 28 Years Later: The Bone Temple pushes that story further, with Nia DaCosta stepping into the director’s chair.

The second film:

  • Has already held its first screenings, reportedly drawing strong reactions.
  • Stars Ralph Fiennes and Jack O’Connell in key roles.
  • Features a small appearance by Cillian Murphy, keeping the connective tissue between generations of the franchise.

Danny Boyle himself praised DaCosta’s approach, recalling that she told him, “I’m not going to make a Danny Boyle movie.” She’s delivered her own vision, not a copy, and he describes the film as “very strong.” That kind of creative hand-off is a good indication the franchise is being treated as a serious, filmmaker-driven space—not just a brand template.


Why ‘28 Years Later III’ Matters for Horror and the Industry

The 28 series has always been more than a simple zombie saga. It helped redefine:

  • The pace and intensity of modern horror
  • The idea of fast, feral infected versus traditional shambling zombies
  • The blend of character drama and social commentary within genre storytelling

With 28 Years Later III moving forward, several things are clear:

  1. Prestige Horror Is Still Thriving
    With filmmakers like Boyle and Garland involved—and a cast that includes heavyweights like Murphy and Fiennes—the franchise sits at the intersection of commercial genre and awards-level talent.
  2. Studios Are Leaning Into Multi-Film Horror Arcs
    Sony’s willingness to commit to a multi-film plan shows that horror isn’t just a one-off gamble; it’s a long-term IP strategy, especially when there’s an established fanbase.
  3. More Room for New and Emerging Talent
    Each installment demands a fresh ensemble: survivors, soldiers, civilians, scientists, and more. That means ongoing casting opportunities for actors, as well as consistent work for stunt performers, creature performers, make-up teams, SFX, and VFX artists across multiple films.
  4. International Reach for Genre Credits
    Being part of the 28 franchise—on screen or behind the camera—offers visibility well beyond a single release window. These films are likely to live on in streaming, physical media, and franchise retrospectives for years.

Looking Ahead to the Third Chapter

Details for 28 Years Later III are still under wraps:

  • No official title beyond its working identity as the third 28 Years Later film.
  • No confirmed plot, locations, or supporting cast announcements yet.
  • Timing on production and release will likely follow the performance of The Bone Temple and the scheduling of its top-tier talent.

What is clear, though, is that the franchise isn’t done evolving. With Danny Boyle at the helm, Alex Garland on the script, Nia DaCosta having added her own chapter, and Cillian Murphy potentially returning in a major role, 28 Years Later III is shaping up to be one of the most closely watched horror projects in development.

For actors, filmmakers, and crew, it’s another reminder that genre storytelling remains a powerful engine for career-making opportunities—and that the infected world of 28 Days Later is still a place where bold creative choices can make a lasting impact.

How to Get Cast on ‘Don’t Ever Wonder’ Starring Nia Long and Larenz Tate

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Netflix is building major momentum behind Don’t Ever Wonder, the upcoming romance film from director Eugene Ashe. The project—now officially titled Don’t Ever Wonder—stars Nia Long and Larenz Tate, and has added 10 new cast members to its lineup.

While the film’s plot details remain under wraps, the latest casting update signals that Don’t Ever Wonder is shaping up to be a must-watch title with a deep ensemble.

What Is “Don’t Ever Wonder” About?

For now, Netflix is keeping the official logline private. What has been shared is that Don’t Ever Wonder is inspired by Maxwell’s album Urban Hang Suite—a clue that the film may lean into romance, mood, and emotional storytelling in a way that matches the album’s vibe.

“Don’t Ever Wonder” Lead Stars: Nia Long and Larenz Tate

At the center of Don’t Ever Wonder are two standout leads:

  • Nia Long
  • Larenz Tate

Both are also credited as executive producers, suggesting they’re creatively invested in shaping the tone and storytelling of the film.

Netflix Adds 10 New Cast Members to “Don’t Ever Wonder”

Netflix has added the following performers to the cast of Don’t Ever Wonder:

  • Blair Underwood
  • Laz Alonso
  • Susan Kelechi Watson
  • Pauletta Washington
  • Dennis Haysbert
  • Chante Adams
  • Algee Smith
  • Grasie Mercedes
  • Navia Robinson
  • Yolonda Ross

With this many names joining the production, Don’t Ever Wonder is clearly expanding into a richer on-screen world—often a sign of layered relationships, multiple storylines, and a romance that reaches beyond the central couple.

Who’s Behind “Don’t Ever Wonder”?

Eugene Ashe is directing Don’t Ever Wonder, working from a script co-written with Kay Oyegun.

Producers include:

  • James Lopez
  • Charles D. King
  • Poppy Hanks (for Macro Film Studios)

Executive producers include:

  • Maxwell
  • John D. Hammond
  • Nia Long
  • Larenz Tate

Casting Directors for “Don’t Ever Wonder”

Casting is a major part of building a standout romance—especially one expanding into an ensemble—because chemistry and authentic performances are everything. One of the casting offices connected to Don’t Ever Wonder is:

Grant Wilfley Casting

Grant Wilfley Casting is widely recognized for casting talent across film, television, and major streaming projects, with a strong reputation for assembling believable, character-driven ensembles. Their work is often associated with productions that need performers who feel natural on screen—whether in lead roles, supporting parts, or key co-star appearances—making them a notable casting name to watch as Don’t Ever Wonder continues to develop.

Casting Call: Netflix’s ‘Don’t Ever Wonder’ Casting Call for Streetwear Models

Hip Streetwear Model Types for Feature Film Still Photo Shoot

Job Description
A feature film is seeking hip streetwear model types for a paid still photo shoot tied to a professional production. Casting is looking for confident, camera-ready talent with a modern street-style vibe—perfect for those pursuing modeling opportunitiesfilm photo shoot work, and paid background casting.

The film, Don’t Ever Wonder, stars Nia Long and Larenz Tate, and has recently expanded its ensemble with Blair Underwood, Laz Alonso, Susan Kelechi Watson, Pauletta Washington, Dennis Haysbert, Chante Adams, Algee Smith, Grasie Mercedes, Navia Robinson, and Yolonda Ross. The project is directed by Eugene Ashe, who also co-wrote the script with Kay Oyegun, and is inspired by Maxwell’s Urban Hang Suite (story details are being kept under wraps).

Job Responsibilities

  • Pose for a still photo shoot showcasing a streetwear-inspired look and attitude
  • Follow direction from the photographer and on-set team
  • Bring confident energy and strong on-camera presence throughout the shoot
  • Arrive prepared, punctual, and ready to work within the scheduled time window

Requirements

  • Must fit the following sizes:
    • Women: dress 4–8
    • Men: M–L
  • Comfortable modeling streetwear looks and being photographed on a working set
  • Must be able to work as a local hire in New Jersey

Compensation

  • $224 for 8 hours

Click here to apply now!

Why “Don’t Ever Wonder” Is One to Watch

With Netflix backing the project, Eugene Ashe directing, and a cast led by Nia Long and Larenz Tate—now expanded with 10 notable additions—Don’t Ever Wonder is quickly becoming one of those romance films that audiences will be watching closely as soon as first-look images and trailers drop.

Find Your Next Role on Project Casting

Want to stay ready for opportunities tied to major streaming projects and buzzworthy films like Don’t Ever Wonder? Project Casting helps actors, creatives, and entertainment professionals find casting calls and production jobs in one place.

Browse casting calls and apply today on Project Casting.

Austin Butler Reveals He Slept on Set to Get Into Character for ‘Caught Stealing’

Austin Butler Reveals How He Fully Became His Character in Caught Stealing

Academy Award–nominated actor Austin Butler is known for disappearing into his roles — from Elvis Presley to gritty, transformative performances that push him emotionally and physically. But in Darren Aronofsky’s Caught Stealing, Butler faced a very different challenge: playing a character who looked a lot like himself, with nowhere to hide.

In a recent interview with Variety, Butler opened up about his preparation for the role of Hank, a former baseball player drifting through life after a series of bad decisions. What begins as a simple pet-sitting job quickly spirals into chaos, pulling Hank into a dangerous chase involving powerful groups willing to kill for what he unknowingly possesses.

While the story is intense, Butler’s approach to acting in Caught Stealing offers powerful lessons for aspiring actors — especially when it comes to realism, vulnerability, and staying connected to character.


Why Austin Butler Slept on Set to Prepare for the Role

One of the most talked-about details from Butler’s preparation is surprisingly simple: he slept overnight in Hank’s apartment — even though it was just a set.

According to Butler, spending a full night in the space helped him stop seeing it as a filming location and start feeling like it was home.

“For one night, I had the whole apartment to myself,” Butler said. “I played music, I danced around, and I ate Chinese food in there. It made me feel like I really lived there.”

That immersion went so far that Butler slept through the night and woke up to the crew arriving — while he was still in his underwear.

It wasn’t about method acting for spectacle. It was about tricking his brain into believing the environment.

“It made it feel like it wasn’t a set anymore,” he explained. “There are many things that conspire against you when you’re making a movie — the lights, the cameras, the missing ceiling. The more I can do to trick myself, the more important it is.”

Acting Lesson for Aspiring Actors

Great performances often come from small, practical choices. Creating emotional truth doesn’t always require big gestures — sometimes it’s as simple as living in the space long enough for it to feel real.


Playing a Character Without Disguise Felt More Vulnerable

Unlike many of Butler’s recent roles, Caught Stealing didn’t require wigs, prosthetics, or major physical transformations. That made the experience more intimidating.

For Butler, acting originally provided a form of protection.

“One of the reasons I got into acting in the first place was that I am very shy,” he said. “Getting to play characters let me put on this other skin and become this other person. That made me feel free.”

But playing someone closer to himself removed that shield.

“Playing a character that feels more like myself left me with nowhere to hide and made me feel vulnerable.”

Acting Lesson for Aspiring Actors

Some of the hardest roles aren’t the most dramatic — they’re the ones that feel personal. Vulnerability is often where the most honest performances live.


Why Judging Your Character Can Ruin a Performance

As Hank makes increasingly questionable choices, Butler admits there were moments when he struggled to sympathize with his character. But he quickly recognized that judging Hank would weaken the performance.

“Sometimes I’d go, ‘Man, I want to like Hank more. I want him to make better decisions,’” Butler said. “I almost started to feel the seeds of judgment for my character. And that’s dangerous.”

Instead, Butler focused on finding Hank’s humanity.

“So a lot of my journey was finding his good heart.”

This mindset aligns with one of the most important acting principles: characters don’t see themselves as villains. Every character believes they’re doing the best they can with what they have.

Acting Lesson for Aspiring Actors

Judging your character creates distance. Understanding them creates truth. Even flawed characters deserve empathy — especially from the actor playing them.


Why Caught Stealing Matters for Actors Watching From Home

Directed by Darren Aronofsky, Caught Stealing blends crime, chaos, and psychological tension — but for actors, the film is also a masterclass in grounded performance.

Butler’s preparation highlights key truths about acting:

  • Immersion helps override distractions
  • Vulnerability creates authenticity
  • Judgment kills connection
  • Belief turns sets into reality

Whether you’re preparing for your first audition or your next big role, Butler’s approach is a reminder that acting isn’t about pretending — it’s about believing.


Ready to Find Your Next Acting Opportunity?

Project Casting helps actors discover real casting calls, auditions, and roles in film, TV, commercials, and digital projects — all in one place.

Ethan Hawke, Sydney Sweeney on Acting: ‘The Joy is Completely Losing Yourself’

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Ethan Hawke and Sydney Sweeney Reveal the Truth About Acting: “The Joy Is Completely Losing Yourself”

For anyone dreaming of becoming an actor, the path can feel mysterious, intimidating, and uncertain. But in a candid conversation in Variety between veteran actor Ethan Hawke and breakout star Sydney Sweeney, the craft is stripped down to its core truth: acting isn’t about fame, perfection, or being fearless — it’s about losing yourself in the work.

Hawke, who has spent more than 40 years building a career across film, television, and theater, speaks with the calm clarity of someone who has seen every side of the industry. Sweeney, fresh off physically transforming herself for Christy, meets him with the hunger and intensity of an actor who knows exactly why she does this.

Despite their age difference, they connect instantly over the same thing: the feeling that happens when acting stops being about you.

Acting Isn’t About You — And That’s the Point

Early in the conversation, Hawke puts words to something many actors feel but struggle to explain. He tells Sweeney that the best moments in acting are rare — but unmistakable.

“The joy is completely losing yourself. Acting, at its best, is not about you at all.”

That line perfectly captures the heart of their discussion — and the essence of becoming an actor.

For aspiring performers, this idea can be freeing. Acting isn’t about controlling how you look, sound, or are perceived. It’s about letting go. When actors stop protecting themselves and start serving the character, something real happens.

Sweeney embodies that philosophy in Christy, a biopic about boxer Christy Martin. She didn’t just prepare — she surrendered. She trained twice a day, gained 35 pounds, embraced bruises and exhaustion, and even suffered a concussion during filming. For her, the physical toll wasn’t something to fear — it was proof she was all in.

“I will do anything,” she told the director before being cast. “I will lose myself.”

Becoming an Actor Means Taking Dares

Throughout the conversation, Hawke returns to the idea of risk. Acting, he explains, is about daring to look foolish, daring to fail, daring to go too far.

He recalls advice from directors like Richard Linklater: do a take where you do everything you’re worried might be wrong. Those takes — the “crazy” ones — often reveal something honest.

Sweeney echoes this when talking about her role on Euphoria. Playing Cassie required emotional abandon. She had to stop judging her choices and trust her instincts, even when they felt extreme.

For aspiring actors, this is a crucial lesson: growth doesn’t come from playing it safe. It comes from committing fully, even when you’re unsure.

The Emotional Aftermath No One Talks About

Another powerful insight from their conversation is what happens after a role ends.

Sweeney describes the strange emptiness she felt when filming wrapped. After months of total immersion, saying goodbye to a character felt like a loss. She stood in front of the mirror and wondered if she’d ever experience something that meaningful again.

Hawke understands this deeply. He points out that actors are often asked how they “get into character,” but rarely how they let one go. Over time, he’s learned to keep the qualities he admires in the characters he plays — and consciously shed the darker ones.

This process, he explains, is part of how acting shapes you as a human being, not just a performer.

Why This Matters for Aspiring Actors

If you’re trying to become an actor, this conversation offers a grounding truth:

You don’t need to have it all figured out. You don’t need to be fearless. You just need to be willing to lose yourself.

Acting isn’t about chasing approval or avoiding mistakes. It’s about commitment, curiosity, and courage — showing up fully and taking the dare, even when it scares you.

Or, as Hawke’s words quietly remind us:

“The joy is completely losing yourself.”

And that may be the clearest definition of acting there is.


If you want, I can:

  • Turn this into a Project Casting blog post
  • Pull short motivational quotes for social media
  • Rewrite it as a “How to Become an Actor” lesson
  • Create an Instagram carousel for aspiring actors

Just say the word 🎭

FX ‘Adults’ Season 2 is Now Filming in Toronto

Takeaways

  • FX comedy Adults is filming Season 2 in Toronto from January 19 to March 16, 2026, under the code name “Snowflakes.”
  • The series follows messy but big-hearted 20-somethings in New York trying to figure out adulthood, and it streams on Disney+ in Canada.
  • Netflix projects “The Body” and “The Boy in the Iron Box” are also shooting in Toronto, bringing more work for local actors and crew.
  • Background roles, day-player parts, stand-ins, and specialty skills will all be in demand across comedy, drama, and horror.
  • Now is the time to update your materials and watch casting calls so you’re ready to submit as new roles open up.

FX’s “Adults” Returns — and It’s Filming in Toronto

Hollywood North doesn’t slow down for winter. Even when the temperature drops, Toronto stays busy with productions shooting across the city, and one of the most exciting returning shows is FX’s comedy series “Adults.”

Created by Ben Kronengold and Rebecca Shaw (known for their work on The Tonight Show Starring Jimmy Fallon), “Adults” premiered its first season in May and quickly carved out a space as a sharp, heartfelt look at modern adulthood.

A few months after Season 1 wrapped, FX officially renewed “Adults” for a second season. The new episodes are set to film right in Toronto, giving local talent a chance to work on a stylish, character-driven comedy with a strong ensemble.

Season 2 filming details:

  • Working title: “Snowflakes”
  • Location: Toronto, Ontario
  • Production dates: January 19, 2026 – March 16, 2026

For actors and crew, those dates mark an important window to keep an eye on local casting calls and production activity.


What “Adults” Is About

“Adults” centers on a group of 20-somethings in New York who are trying their best to be “good people,” even though they’re still figuring out what that actually means.

According to FX, these friends are:

  • Works-in-progress
  • Full of bad ideas and half-baked theories of adulthood
  • But always showing up for each other when it matters most

The series stars:

  • Malik Elassal
  • Lucy Freyer
  • Jack Innanen
  • Amita Rao
  • Owen Thiele

In Canada, “Adults” streams on Disney+, which means Toronto-based performers who book even a small role have a chance to be seen by audiences well beyond the local market.

From an acting perspective, the show offers:

  • Natural, grounded comedy and slice-of-life moments
  • Opportunities for supporting roles and day players as friends, coworkers, bar patrons, party guests, and city locals
  • Frequent need for background performers to fill out the world of New York

If your strengths include improv, subtle comedic timing, and relatable, everyday characters, “Adults” is exactly the kind of series where that skill set shines.


Toronto’s Growing Slate: More Than Just One Show

“Adults” isn’t the only production using Toronto’s streets, studios, and crews. The city is also hosting major projects for Netflix, giving local talent a broad mix of genres to target.


Netflix’s “The Body”: A Dark Coming-of-Age Story

One of the standout projects currently filming in the city is “The Body,” an eight-episode Netflix coming-of-age drama.

The series centers on a group of young characters whose lives are changed by a disturbing event, blending:

  • Teen drama
  • Psychological tension
  • Emotional, character-driven storytelling

Key production details from the article:

  • Format: Eight-episode Netflix drama
  • Location: Toronto
  • Production timeline: Started at the end of September and is scheduled to wrap on February 6, 2026

For actors, “The Body” offers opportunities such as:

  • Teen and young adult roles with intense emotional arcs
  • Background and featured roles as students, family members, teachers, and townspeople
  • Characters that move between everyday life and high-stakes, dramatic situations

If your reel leans toward grounded drama and complex emotional beats, this project is one to watch.


Netflix’s “The Boy in the Iron Box”: Horror in Hollywood North

Toronto is also home to a new Netflix scary film based on a novella series by Oscar-winning Guillermo del Toro and Chuck Hogan, both known for their work in the horror genre.

The film is titled “The Boy in the Iron Box” and is adapted from the Amazon Original Stories novella series of the same name.

From the article, we know:

  • Title: “The Boy in the Iron Box”
  • Type: Netflix horror film
  • Based on: Novella series by Guillermo del Toro and Chuck Hogan
  • Cast:
    • Rupert Friend
    • Kevin Durand
    • Jaeden Martell
  • Toronto production dates:
    • Filming began on October 17
    • Scheduled to wrap on December 24
  • Release date: Not yet announced

Horror projects like this typically need:

  • Background mercenaries, townspeople, and other supporting characters
  • Performers comfortable with physical work, stunts, and atmospheric scenes
  • Actors who can deliver intense reactions and emotional stakes, even with limited dialogue

Working on a genre film adapted from well-known horror authors is a strong resume booster for anyone looking to build a niche in horror, thriller, or supernatural projects.


The Bottom Line

From FX’s “Adults” to Netflix’s “The Body” and “The Boy in the Iron Box,” Toronto is proving once again that it’s a key player in North American film and TV production.

For actors, background talent, and crew, this wave of projects is a clear signal:

Now is the time to update your materials, stay on top of casting calls, and be ready to say yes when the right opportunity appears. Hollywood North is busy—and there’s room for you in the story.

Jennifer Lawrence Is Returning to ‘The Hunger Games’

Takeaways

  • Jennifer Lawrence and Josh Hutcherson are officially returning as Katniss Everdeen and Peeta Mellark in The Hunger Games: Sunrise on the Reaping.
  • The prequel is set to hit theaters on November 20, 2026, giving the franchise another major tentpole release.
  • The story focuses on the 50th Hunger Games—24 years before the original trilogy—but Katniss and Peeta are expected to appear in a flash-forward timeline.
  • Francis Lawrence returns to direct, joined by a star-studded cast including Ralph Fiennes, Jesse Plemons, Kelvin Harrison Jr., Kieran Culkin, Elle Fanning, Mckenna Grace, Maya Hawke, Whitney Peak, Glenn Close, and Joseph Zada.
  • For actors and entertainment professionals, this film signals ongoing life for the Hunger Games universe, sustained demand for franchise storytelling, and potential future casting opportunities across Lionsgate projects.

Katniss and Peeta Are Back in the Arena (Sort Of)

The Hunger Games universe is heading back to theaters—and this time, two familiar faces are along for the ride.

Jennifer Lawrence and Josh Hutcherson are set to return to the franchise in The Hunger Games: Sunrise on the Reaping, Lionsgate’s upcoming prequel feature. The film is scheduled for a November 20, 2026 theatrical release, positioning it squarely as a major holiday blockbuster.

Lawrence will once again play Katniss Everdeen, and Hutcherson will reprise Peeta Mellark. Their involvement is described as a likely flash-forward appearance, meaning audiences can expect to glimpse the older Katniss and Peeta outside the main prequel storyline. The studio has not revealed specific plot details about how or where they’ll appear, which leaves room for speculation—and for fans, a big emotional hook.

For industry professionals, their return is a reminder of how powerful IP can bring actors back to defining roles even years after a series seemingly wrapped.


A Return to Panem’s Past: The 50th Hunger Games

Sunrise on the Reaping adapts Suzanne Collins’ best-selling novel of the same name and is set 24 years before the events of the original Hunger Games book.

The story unfolds in Panem on the morning of the reaping for the 50th Hunger Games—also known to fans as the Second Quarter Quell. This is a critical period in the lore, taking place long before Katniss volunteers as tribute in the 74th Games.

By centering the narrative on an earlier generation, the film has room to:

  • Explore how the Games evolved into the spectacle seen in the original films.
  • Deepen the political and emotional context around the Snow regime.
  • Introduce a fresh slate of tributes, mentors, and Capitol figures, while still connecting back to the characters audiences already love.

The prequel follows on the heels of the 2023 film The Hunger Games: The Ballad of Songbirds & Snakes, signaling Lionsgate’s continued commitment to building out Panem’s cinematic timeline.


A Stacked Cast and Familiar Creative Team

Behind the camera, Francis Lawrence returns to direct. He previously helmed multiple entries in the franchise, giving him a strong track record with the tone, world-building, and character dynamics that define The Hunger Games films.

The on-screen ensemble for Sunrise on the Reaping is equally impressive. Confirmed core cast members include:

  • Ralph Fiennes as President Snow
  • Jesse Plemons as Plutarch Heavensbee
  • Kelvin Harrison Jr. as Beetee Latier
  • Kieran Culkin as Caesar Flickerman
  • Elle Fanning as Effie Trinket
  • Joseph Zada
  • Glenn Close
  • Mckenna Grace
  • Maya Hawke
  • Whitney Peak

The script comes from Billy Ray, adapting Collins’ novel, with Nina Jacobson and Brad Simpson producing for Color Force and Cameron MacConomy serving as executive producer.

For actors, this lineup underscores how franchise projects often bring together:

  • Established, award-winning talent
  • Rising stars and breakout performers
  • A mix of returning characters and new faces, each with distinct arcs and screen time

It’s the kind of environment where a single strong performance—whether from a lead, supporting role, or even a memorable smaller part—can lead to future work across the studio’s slate.


The Franchise Legacy: From 2012 to 2026

The Hunger Games franchise has already proven its long-term value. Since 2012’s The Hunger Games, the first five movies have earned more than $3.3 billion worldwide at the box office. Those films introduced global audiences to:

  • Jennifer Lawrence as Katniss Everdeen
  • Josh Hutcherson as Peeta Mellark
  • Liam Hemsworth as Gale Hawthorne

The last time we saw Katniss and Peeta on screen was 2015’s The Hunger Games: Mockingjay — Part 2, which ended with the pair married and raising children together in a fragile peace.

Since then, both stars have continued to expand their careers:

  • Lawrence recently picked up a Golden Globe nomination for her work in Die My Love.
  • Hutcherson continues to build his genre and franchise credentials, including a lead role in Five Nights at Freddy’s 2.

Bringing them back for Sunrise on the Reaping is both a nostalgia play and a smart way to bridge generations of fans—longtime viewers from the original films and younger audiences introduced through the newer prequel content.


What This Means for Actors and Industry Pros

While Sunrise on the Reaping is not a casting announcement, it does carry a few important signals for entertainment professionals:

  1. Franchises Still Drive Opportunities
    The return of Katniss and Peeta shows how powerful franchises stay active for years, sometimes decades. For emerging actors, getting into a strong IP—even in a smaller role—can create long-term relationships with studios, producers, and directors.
  2. World-Building Requires Deep Benches of Talent
    A film set around the 50th Hunger Games needs a wide range of performers: tributes, mentors, Capitol citizens, rebels, media personalities, and more. Even if principal casting is already in place, projects like this typically involve extensive supporting and background casting, stunts, and specialty roles.
  3. Prequels Open Doors for New Character Types
    Because this story takes place decades before Katniss’ first Games, Sunrise on the Reaping can introduce entirely new character types while remixing familiar archetypes—strategists, survivors, rebels, and entertainers. That means more creative opportunities for actors who can bring specificity and nuance to even short scenes.
  4. Creative Collaborations Keep Repeating
    Francis Lawrence, Nina Jacobson, and Color Force’s continued involvement is a reminder that once a team knows they work well with an actor, they often call on them again—for spin-offs, sequels, or entirely new projects.

For anyone building a career in film and TV, tracking how a franchise evolves over time is a useful blueprint for the kind of roles, relationships, and materials that help you stand out.


The Road to November 2026

With The Hunger Games: Sunrise on the Reaping slated for November 20, 2026, fans have a clear date to circle on their calendars—and the industry has another major tentpole to watch.

For now, plot details around Katniss and Peeta’s return are being kept under wraps. But between the core cast, the returning creative team, and the built-in global audience, the film is already positioned as one of the biggest releases of late 2026.

If you’re an actor, filmmaker, or creative professional, this is the moment to:

  • Keep your materials updated
  • Follow the franchise’s news and ancillary opportunities
  • Stay alert for related casting calls and projects as the Hunger Games universe continues to grow

The games might be set in the past this time—but for the industry, they’re still very much a part of the future.

‘Abbott Elementary’ PAs Unionize With Production Assistants United

Takeaways

  • Production assistants on Abbott Elementary have unanimously voted to unionize with Production Assistants United.
  • All eight eligible PAs voted in favor during an NLRB election, potentially covering up to 12 workers once eligibility questions are resolved.
  • This is the fourth Warner Bros. Television show organized by the group this year, part of a wider PA union movement backed by LiUNA Local 724.
  • The union push highlights concerns about low pay, long hours, and lack of benefits for PAs, historically one of the industry’s most vulnerable crew positions.
  • For early-career workers and aspiring creatives, the move signals a shifting labor landscape where entry-level jobs are starting to come with stronger protections.

Abbott Elementary PAs Vote Yes to a Union

The production assistants of Abbott Elementary—the acclaimed mockumentary-style ABC comedy set in a Philadelphia public school—have taken a major step in the ongoing push to improve working conditions for the people who keep sets running.

In a National Labor Relations Board (NLRB) election, all eight eligible PAs voted to unionize with Production Assistants United, a grassroots organizing effort focused specifically on production assistant roles. The unit may ultimately cover around 12 workers, depending on how one contested eligibility case is decided and whether the employer files objections to certification in the coming days.

This unanimous vote sends a clear message: even at the entry level, crew members are ready to demand fair treatment, better pay, and real benefits.


Who Is Representing Abbott’s PAs?

The Abbott Elementary PAs are organizing with Production Assistants United, which is backed by the Laborers’ International Union of North America (LiUNA) Local 724, a Hollywood laborers’ union that represents studio utility employees and has become a central force in PA organizing.

Production Assistants United has rapidly grown into a key player in below-the-line labor:

  • It aims to unionize one of the last non-union crew roles on many sets: production assistants.
  • The movement has roots in the energy and solidarity of the 2023 writers’ and actors’ strikes, which highlighted how crucial every crew member is to a production.

On Abbott Elementary, the group’s drive went public in mid-September, making it one of the earliest and highest-profile campaigns under the PAU banner.


Part of a Bigger Wave Across Warner Bros. TV

Abbott Elementary is now the fourth Warner Bros. Television production organized by Production Assistants United this year. Other shows that have voted to unionize include:

  • The Pitt (where PAs already have a labor contract in place)
  • All American
  • Georgie & Mandy’s First Marriage

These wins show that PA organizing is not a one-off moment—it’s a sustained campaign running across multiple sets and studios.

Abbott Elementary is produced by both Warner Bros. Television and 20th Television, putting major studio players at the center of this labor conversation.


Why PAs Are Pushing to Unionize

Production assistants are often the first people in and the last people out on set. They handle everything from lockups and runs to paperwork, resets, and communication between departments. Historically, though, PAs have been:

  • Low-paid, especially when you factor in long hours
  • Often without union health or pension plans
  • Expected to shoulder heavy workloads with little job security

Production Assistants United and LiUNA Local 724 are pushing to change that. Across multiple campaigns, PAs have cited priorities such as:

  • Higher wages that reflect the hours and responsibilities
  • Access to healthcare and retirement benefits
  • Enforceable turnaround times and rest periods between shifts
  • Reimbursement policies for mileage, tolls, and other out-of-pocket expenses

As one Abbott PA, Deija Zavala, put it:

“The future of our industry doesn’t seem so bleak when we stand together.”

That sense of solidarity—especially on a show built around themes of community and underfunded public workers—resonates strongly.


“Some of Our Industry’s Most Vulnerable Workers”

Even within Hollywood’s layered hierarchy, production assistants occupy a uniquely precarious spot.

Abbott Elementary writer-producer Brittani Nichols, who began her own career as a PA, has described production assistants as “some of our industry’s most vulnerable workers.” Their roles are essential, but their protections have historically lagged behind those of other crew positions.

Her support highlights a key shift:

  • Writers, producers, and other department heads are increasingly recognizing how critical PAs are.
  • The solidarity formed during the recent WGA and SAG-AFTRA strikes is helping fuel cross-craft support for PA unionization.

In Nichols’ view, organizing is about more than survival wages in an expensive city like Los Angeles—it’s about giving entry-level workers a real chance to thrive in the industry.


The Broader Movement: From One Show to Hundreds of PAs

Abbott Elementary’s unanimous vote is one piece of a much larger strategy. Production Assistants United and LiUNA Local 724 are working to organize more than 1,800 PAs across the country, covering multiple shows and studios.

Recent campaigns include:

  • Union elections on shows like The Pitt, All American, and Georgie & Mandy’s First Marriage
  • New efforts on projects for Netflix and Universal, where PAs are also filing for union elections backed by PAU and LiUNA Local 724

For early-career workers, this organizing wave could reshape what “entry-level” means:

  • More predictable hours and breaks
  • Clear minimum pay structures
  • Health and pension benefits earlier in a career
  • A stronger pathway to stay in the industry long enough to move into writing, producing, directing, or other departments

What Happens Next for Abbott’s PAs?

Although the PAs have voted unanimously to unionize, there are still a few procedural steps ahead:

  • The employer has a short window to file objections to the election or the union’s certification.
  • The NLRB must finalize the result and resolve any disputes about who is included in the bargaining unit.

Once the union is certified:

  • Production Assistants United and LiUNA Local 724 will be able to bargain a first contract on behalf of Abbott’s PAs.
  • That contract could cover wages, hours, benefits, working conditions, and grievance procedures.

Given the momentum behind PA organizing and the high-profile nature of Abbott Elementary, the outcome of those negotiations will be watched closely industry-wide.


A Turning Point for Entry-Level Hollywood Jobs

Abbott Elementary has won acclaim for its warm, sharply observed portrayal of under-resourced public school staff who keep showing up for their students. Now, its own production assistants are sending a parallel message on the labor side:

When workers at the bottom of the ladder organize, they can reshape the industry from the ground up.

For aspiring PAs, coordinators, and creatives working toward long-term careers in entertainment, this is a sign that entry-level work is slowly gaining the respect—and the protections—it deserves.

How to Get Cast in A24’s New Ballet Movie ‘Stages’

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Stages Is Coming: Alex Garland Produces as Sonoya Mizuno Makes Her Directorial Debut

A new A24-backed project is in development, and it’s one performers should pay attention to early. Titled Stages, the film brings together two familiar collaborators in a new way: Sonoya Mizuno is stepping into the director’s chair for her feature directorial debut, while filmmaker Alex Garland is attached as a producer.

For actors and creatives watching the indie film space, this combination is notable. When A24 aligns with a distinct creative voice and a strong producing team, it’s often the type of project that builds momentum quickly once it moves closer to production.


What Is Stages?

Details are still limited, but Stages is being developed through Film4 and A24, and the story is said to be inspired by Mizuno’s background in dance. While plot specifics remain under wraps, the dance influence strongly suggests a film that may lean into physical storytelling, performance, and expressive character work.

That’s important for talent, because projects rooted in movement often create opportunities for performers with dance training, choreography experience, theater backgrounds, or strong physical acting ability.


Sonoya Mizuno’s Directorial Debut: From Dance to the Director’s Chair

Before directing Stages, Sonoya Mizuno built a career both as a dancer and as a screen performer. She trained at the Royal Ballet School in London and danced professionally before becoming known for her film and television work.

Mizuno has appeared in projects such as Ex Machina, Crazy Rich Asians, Annihilation, La La Land, and House of the Dragon. Now, she’s expanding her creative role by developing and directing a feature inspired by her own experience with performance and dance.

Director debuts are especially worth tracking because they can bring new casting preferences and fresh perspectives. First-time directors often champion unique faces, unconventional choices, and authentic performances, especially when the project is personal.


Alex Garland Produces Stages and Why That Matters

Alex Garland’s attachment as producer is a meaningful signal for the film’s creative direction and credibility. Garland has a strong history with A24 and is known for ambitious, elevated storytelling. He also has an established creative relationship with Mizuno, dating back to Ex Machina and their collaboration on the FX/Hulu series Devs.

That kind of repeat partnership often indicates trust and creative alignment, which can help a project move from early development into production more smoothly.


The Producing Team Behind Stages

Beyond Garland and Mizuno, the project also lists producers including Peter Rice, along with Agile Films’ Myles Payne and Sam Ritzenberg. When a film has a clearly defined producing team this early, it can be a sign that packaging is underway and the project has structure behind the scenes.

For performers, that matters because strong packaging can lead to quicker progress on key milestones like casting and crew hiring.


Why Stages Matters for Actors and Creatives

Even without casting announcements yet, Stages stands out for a few reasons:

  • It’s supported by major indie players (A24 and Film4), which often means strong visibility once released.
  • It’s driven by a director’s debut, which can create opportunities for new talent.
  • It’s influenced by dance and performance, which may open doors for movement-forward roles and specialists.

If the film leans into dance as a thematic or structural element, it could also create opportunities beyond on-camera roles, including choreography, movement coaching, dance doubles, and performance consulting.


When Will Stages Be Released?

There is no confirmed release date yet. Projects at this stage typically move through development, scheduling, and casting before a timeline becomes public. The most important updates to watch for next are:

  • casting announcements
  • production start news
  • distributor release plans and festival strategy

How to Prepare Now for Stages-Type Opportunities

If you want to get considered for projects like Stages, focus on preparation that helps you respond quickly when auditions open:

  • Update your headshots, resume, and reel so they reflect your most current look and skills.
  • Highlight special skills like dance styles, movement, stage combat, gymnastics, or choreography experience.
  • Stay active and apply consistently, because many opportunities appear with short turnaround times.

Casting Call: A24’s ‘Stages’ Open Casting Call for Dancers

Young Female Ballet Dancers for Feature Film (Paid Roles)

Job Description
A feature film project is casting young female ballet dancers of East Asian descent for a film set in a UK ballet school. Filming is scheduled for summer 2026, and casting will take place in the UK in early 2026. This opportunity is open to UK- and Ireland-based dancers, and no prior acting experience is required—strong ballet ability is essential.

Job Responsibilities

  • Perform ballet on camera as part of a narrative feature film
  • Follow direction from the director and choreography team
  • Maintain professionalism during rehearsals, fittings, and filming days
  • Work comfortably in a structured ballet school setting on set

Requirements

  • Female ballet dancers, ages 10–14
  • Of East Asian descent
  • Must be based in the UK or Ireland
  • Ballet training/ability required (acting experience not required)
  • Parent/guardian able to support submissions and production needs

Compensation

  • Paid roles (rate provided upon selection)

Click here to apply now!

Apply for Acting Jobs on Project Casting

If you’re ready to find your next role, Project Casting is where you can discover acting auditions and entertainment jobs in film, TV, and streaming. Create or update your profile, submit to opportunities that match your skills, and stay ready for projects like Stages as announcements roll out.

Apply now on Project Casting to get started.

HBO Max’s ‘A Knight of the Seven Kingdoms’ Trailer Returns to Westeros

Takeaways

  • HBO Max has released the official trailer for A Knight of the Seven Kingdoms, its second Game of Thrones prequel series.
  • The show follows Ser Duncan the Tall (Dunk) and his squire Egg, a secretly disguised Targaryen prince, about 100 years before Game of Thrones.
  • The tone leans into a more intimate, character-driven adventure rather than pure palace intrigue and war.
  • The trailer showcases classic Westerosi world-building: tourneys, lords, smallfolk, and the slow decline of the Targaryen dynasty.
  • With a January 18 premiere, this series is another huge fantasy touchpoint for actors, writers, and crew chasing prestige genre work.

A New Westeros Story: Smaller Scale, Big Heart

HBO Max has officially dropped the trailer for A Knight of the Seven Kingdoms, inviting audiences back to Westeros for a fresh story set long before Daenerys, Jon Snow, and the War of the Five Kings.

This prequel takes place roughly a century before the events of A Song of Ice and Fire, in a time when dragons and Targaryens are still part of everyday legend—but the cracks in their rule are starting to show. Instead of kings on thrones and dragons over cities, the series zooms in on two unlikely travelers trying to carve out their place in a dangerous world.

For entertainment professionals, this is a classic example of how a major franchise can shift perspective and scale while still feeling unmistakably epic.


Meet Dunk and Egg: A Knight and a Hidden Prince

At the heart of A Knight of the Seven Kingdoms is the partnership between:

  • Ser Duncan the Tall (Dunk) – a kind, slightly naive hedge knight who lives by an old-school code of honor, even when the world doesn’t.
  • Egg – his squire, who is secretly Prince Aegon V Targaryen, hiding his royal identity under a simple nickname and a shaved head.

The trailer leans into the chemistry between them:

  • Dunk is physically imposing but emotionally earnest, a knight without land or wealth.
  • Egg is clever, sharp-tongued, and far more important than anyone around him realizes.

That dynamic—a humble knight and a disguised prince roaming Westeros—sets up rich territory for performance: humor, tension, secrets, and the push-pull between class, destiny, and personal choice.

For actors, this kind of duo-driven storytelling opens the door for layered character work and memorable supporting roles around them: innkeepers, minor lords, sellswords, and fellow knights with their own agendas.


A Different Kind of Westeros Story

While Game of Thrones and House of the Dragon are known for their high-stakes politics, sprawling ensembles, and brutal wars, the trailer for A Knight of the Seven Kingdoms suggests a different tone:

  • More road-movie energy than war epic.
  • Focus on jousting tournaments, smallholdings, and local disputes, rather than global conflict.
  • Stories driven by honor, friendship, and identity rather than just who sits the Iron Throne.

You still see:

  • Towering castles
  • Lordly banners and sigils
  • Targaryen symbolism and dragon lore

But the emotional core feels grounded in the bond between Dunk and Egg, and the people whose lives intersect with theirs. That shift creates a kind of “fantasy-with-heart” vibe—something casting directors and writers look for when selling a project as both genre and prestige.


Classic Westeros World-Building Is Back

Even with its smaller character focus, the trailer makes one thing crystal clear: the production value is still full-throttle HBO.

We get glimpses of:

  • Sweeping medieval landscapes—dusty roads, green fields, and remote keeps.
  • Bustling tourneys, complete with pavilions, cheering crowds, and armored knights clashing in the lists.
  • The harsh realities for common folk and hedge knights living outside the safety of great houses.

This combination of intimate character work and lush production design is exactly what made Westeros such a compelling setting in the first place. For crew, designers, VFX teams, and stunt performers, it’s another enormous canvas to work on—the kind of project that can anchor an entire reel or portfolio.


The Age of Targaryen Decline

A Knight of the Seven Kingdoms is set during the slow decline of the Targaryen dynasty. Dragons are fading from the world, and the once-unshakable royal house is starting to lose its grip.

Through Dunk and Egg’s journey, the series has room to explore:

  • A kingdom between eras—past its golden age, not yet in open collapse.
  • The gap between how people talk about the Targaryens and what they’re actually like in person.
  • How everyday knights, nobles, and smallfolk navigate a world shaped by a royal house that doesn’t fully realize its own vulnerability.

For storytellers and world-builders, this is a rich thematic zone: it’s less about outright apocalypse and more about the quiet warning signs beneath the surface of a still-functioning realm.


Why This Prequel Matters for Entertainment Professionals

From an industry perspective, A Knight of the Seven Kingdoms is more than just another fantasy series—it’s a signal of where big-budget storytelling is headed:

  • Franchise Depth Over Width – Instead of endlessly escalating stakes, this prequel invests in smaller stories in a familiar universe, showing that character-driven arcs can carry a massive IP.
  • Opportunities Across the Board – With its mix of comedy, drama, and adventure, it creates space for:
    • Character actors
    • Stunt performers and horse riders
    • Background players as knights, squires, merchants, and villagers
    • Writers and directors who can balance spectacle with heart
  • Long-Term Franchise Ecosystem – Like House of the Dragon, this series expands the Westeros timeline, making room for future spin-offs, returning characters, and interconnected stories.

For actors and creators watching the trailer, it’s a reminder to keep your materials updated for fantasy and period work—from sword training and riding skills to dialects and physicality.


Premiere Date and What’s Next

HBO Max has set the premiere date for A Knight of the Seven Kingdoms on January 18, positioning it as a major early-year event for fantasy fans.

Between:

  • The built-in fanbase of Game of Thrones
  • The strong momentum from House of the Dragon
  • The more intimate, character-focused approach teased in the trailer

this prequel is poised to become a key talking point in both fandom circles and industry conversations.

If you’re an entertainment professional—from performers and screenwriters to crew and creatives—this is one to watch closely, both as a fan of the genre and as a case study in how to keep a franchise fresh without losing what made it iconic.

2026 Golden Globes: Full List of Nominations

Takeaways

  • The 83rd Golden Globe Awards will be held on January 11, 2026 at the Beverly Hilton in Beverly Hills, California.
  • One Battle After Another leads film with 9 nominations, followed by Sentimental Value with 8 and Sinners with 7.
  • On the TV side, The White Lotus tops the pack with 6 nominations, while Severance and Only Murders in the Building score 4 each.
  • Major acting nominees include Jennifer Lawrence, Emma Stone, Leonardo DiCaprio, Timothée Chalamet, Cynthia Erivo, Ariana Grande, Selena Gomez, Oscar Isaac, Bella Ramsey, Keri Russell, Gary Oldman, Jeremy Allen White, Steve Martin, and Martin Short.
  • The 2026 Golden Globe nominations highlight a strong mix of studio blockbusters, prestige dramas, international titles, and fan-favorite TV series across drama, comedy, animation, and limited series.

Awards Season Snapshot: Film & TV in 2026

The Golden Globe Foundation has released the full list of nominees for the 83rd Golden Globe Awards, and this year’s lineup showcases a broad range of stories and genres across film and television.

On the film side, One Battle After Another leads with nine nominations, positioning itself as a major awards-season frontrunner. Close behind are Sentimental Value with eight nominations and Sinners with seven, signaling a competitive race in drama, directing, and screenplay categories.

Television remains just as stacked. The White Lotus returns as the most nominated TV series with six nods, while Severance and Only Murders in the Building earn four each, underlining the continuing dominance of prestige drama and high-concept comedy in the streaming era.

From global box-office hits and animated features to intimate foreign-language dramas and standout limited series, the 2026 Golden Globes paint a picture of an industry experimenting with tone, format, and scale—while still leaning on star power to anchor the biggest categories.

Below is the complete list of 2026 Golden Globe nominees across film, television, and new media, including podcasts and stand-up specials.


83rd Golden Globe Awards – Full Nominee List

Mexico City, Mexico. 04th Nov, 2025. (L-R) Actor Oscar Isaac, Netflix CEO Ted Sarandos, director Guillermo del Toro and actor Jacob Elordi attend the red carpet for the film Frankenstein at Colegio de San Ildefonso. on November 3, 2025 in Mexico City, Mexico. (Photo by Alberto Guillen/ Eyepix/Sipa USA) Credit: Sipa USA/Alamy Live News
Mexico City, Mexico. 04th Nov, 2025. (L-R) Actor Oscar Isaac, Netflix CEO Ted Sarandos, director Guillermo del Toro and actor Jacob Elordi attend the red carpet for the film Frankenstein at Colegio de San Ildefonso. on November 3, 2025 in Mexico City, Mexico. (Photo by Alberto Guillen/ Eyepix/Sipa USA) Credit: Sipa USA/Alamy Live News

Best Motion Picture – Drama

  • Frankenstein (Netflix)
  • Hamnet (Focus Features)
  • Sinners (Warner Bros.)
  • Sentimental Value (Neon)
  • It Was Just an Accident (Janus Films)
  • The Secret Agent (Sony Pictures Classics)

Best Motion Picture – Musical or Comedy

  • Marty Supreme (A24)
  • One Battle After Another (Warner Bros.)
  • Blue Moon (Sony Pictures Classics)
  • Bugonia (Focus Features)
  • No Other Choice (NEON)
  • Nouvelle Vague (Netflix)

Best Motion Picture – Animated

  • Arco (NEON)
  • Demon Slayer: Kimetsu no Yaiba Infinity Castle (Aniplex, Crunchyroll, Sony Pictures Entertainment)
  • Elio (Walt Disney Studios Motion Pictures)
  • KPop Demon Hunters (Netflix)
  • Little Amélie or The Character of Rain (GKIDS)
  • Zootopia 2 (Walt Disney Studios Motion Pictures)

Cinematic and Box Office Achievement

  • Avatar: Fire and Ash (Walt Disney Studios Motion Pictures)
  • F1 (Apple Original Films)
  • KPop Demon Hunters (Netflix)
  • Mission: Impossible – The Final Reckoning (Paramount Pictures)
  • Sinners (Warner Bros. Pictures)
  • Weapons (Warner Bros. Pictures, New Line Cinema)
  • Wicked: For Good (Universal Pictures)
  • Zootopia 2 (Walt Disney Studios Motion Pictures)

Best Motion Picture – Non-English Language

  • It Was Just an Accident (Iran, France, and Luxembourg)
  • No Other Choice (South Korea)
  • The Secret Agent (Brazil)
  • Sentimental Value (Norway)
  • Sirāt (Spain)
  • The Voice of Hind Rajab (Tunisia)

Film Performance & Craft Categories

Best Performance by a Female Actor in a Motion Picture – Drama

  • Jennifer Lawrence (Die My Love)
  • Jessie Buckley (Hamnet)
  • Renate Reinsve (Sentimental Value)
  • Julia Roberts (After the Hunt)
  • Tessa Thompson (Hedda)
  • Eva Victor (Sorry, Baby)

Best Performance by a Male Actor in a Motion Picture – Drama

Mexico City, Mexico. 04th Nov, 2025. (L-R) Actor Oscar Isaac, Netflix CEO Ted Sarandos, director Guillermo del Toro and actor Jacob Elordi attend the red carpet for the film Frankenstein at Colegio de San Ildefonso. on November 3, 2025 in Mexico City, Mexico. (Photo by Alberto Guillen/ Eyepix/Sipa USA) Credit: Sipa USA/Alamy Live News
Mexico City, Mexico. 04th Nov, 2025. (L-R) Actor Oscar Isaac, Netflix CEO Ted Sarandos, director Guillermo del Toro and actor Jacob Elordi attend the red carpet for the film Frankenstein at Colegio de San Ildefonso. on November 3, 2025 in Mexico City, Mexico. (Photo by Alberto Guillen/ Eyepix/Sipa USA) Credit: Sipa USA/Alamy Live News
  • Joel Edgerton (Train Dreams)
  • Oscar Isaac (Frankenstein)
  • Dwayne Johnson (The Smashing Machine)
  • Michael B. Jordan (Sinners)
  • Wagner Moura (The Secret Agent)
  • Jeremy Allen White (Springsteen: Deliver Me From Nowhere)

Best Performance by a Female Actor in a Motion Picture – Musical or Comedy

  • Cynthia Erivo (Wicked: For Good)
  • Emma Stone (Bugonia)
  • Rose Byrne (If I Had Legs I’d Kick You)
  • Kate Hudson (Song Sung Blue)
  • Chase Infiniti (One Battle After Another)
  • Amanda Seyfried (The Testament of Ann Lee)

Best Performance by a Male Actor in a Motion Picture – Musical or Comedy

Timothee Chalamet and Zendaya attending a photo call for Dune: Part Two, at IET: London. Picture date: Wednesday February 14, 2024. (Contributor:PA Images / Alamy Stock Photo)
Timothee Chalamet and Zendaya attending a photo call for Dune: Part Two, at IET: London. Picture date: Wednesday February 14, 2024. (Contributor:PA Images / Alamy Stock Photo)
  • Timothée Chalamet (Marty Supreme)
  • Leonardo DiCaprio (One Battle After Another)
  • George Clooney (Jay Kelly)
  • Ethan Hawke (Blue Moon)
  • Lee Byung-hun (No Other Choice)
  • Jesse Plemons (Bugonia)

Best Performance by a Female Actor in a Supporting Role in Any Motion Picture

  • Emily Blunt (The Smashing Machine)
  • Elle Fanning (Sentimental Value)
  • Ariana Grande (Wicked: For Good)
  • Inga Ibsdotter Lilleaas (Sentimental Value)
  • Amy Madigan (Weapons)
  • Teyana Taylor (One Battle After Another)

Best Performance by a Male Actor in a Supporting Role in Any Motion Picture

  • Benicio del Toro (One Battle After Another)
  • Jacob Elordi (Frankenstein)
  • Paul Mescal (Hamnet)
  • Sean Penn (One Battle After Another)
  • Adam Sandler (Jay Kelly)
  • Stellan Skarsgård (Sentimental Value)

Best Director – Motion Picture

  • Chloé Zhao (Hamnet)
  • Guillermo Del Toro (Frankenstein)
  • Paul Thomas Anderson (One Battle After Another)
  • Ryan Coogler (Sinners)
  • Joachim Trier (Sentimental Value)
  • Jafar Panahi (It Was Just an Accident)

Best Screenplay – Motion Picture

  • Paul Thomas Anderson (One Battle After Another)
  • Ronald Bronstein, Josh Safdie (Marty Supreme)
  • Ryan Coogler (Sinners)
  • Jafar Panahi (It Was Just an Accident)
  • Eskil Vogt, Joachim Trier (Sentimental Value)
  • Chloé Zhao, Maggie O’Farrell (Hamnet)

Best Original Score – Motion Picture

  • Alexandre Desplat (Frankenstein)
  • Ludwig Göransson (Sinners)
  • Jonny Greenwood (One Battle After Another)
  • Kangding Ray (Sirāt)
  • Max Richter (Hamnet)
  • Hans Zimmer (F1)

Best Original Song – Motion Picture

  • “The Girl in the Bubble” – Wicked: For Good
    • Music & Lyrics by Stephen Schwartz
  • “No Place Like Home” – Wicked: For Good
    • Music & Lyrics by Stephen Schwartz
  • “Golden” – KPop Demon Hunters
    • Music & Lyrics by Joong Gyu Kwak, Yu Han Lee, Hee Dong Nam, Jeong Hoon Seo, Park Hong Jun, Kim Eun-jae (EJAE), Mark Sonnenblick
  • “I Lied to You” – Sinner
    • Music & Lyrics by Raphael Saadiq, Ludwig Göransson
  • “Dream As One” – Avatar: Fire and Ash
    • Music & Lyrics by Miley Cyrus, Andrew Wyatt, Mark Ronson, Simon Franglen
  • “Train Dreams” – Train Dreams
    • Music & Lyrics by Nick Cave, Bryce Dessner, Nick Cave

Television Categories

Best Television Series – Drama

NOAH WYLE in THE PITT (2025), directed by JOHN CAMERON, DAMIAN MARCANO and AMANDA MARSALIS. Credit: John Wells Productions / Max / Album
NOAH WYLE in THE PITT (2025), directed by JOHN CAMERON, DAMIAN MARCANO and AMANDA MARSALIS. Credit: John Wells Productions / Max / Album
  • The Diplomat (Netflix)
  • The Pitt (HBO Max)
  • Pluribus (Apple TV)
  • Severance (Apple TV)
  • Slow Horses (Apple TV)
  • The White Lotus (HBO Max)

Best Television Series – Musical or Comedy

  • Abbott Elementary (ABC)
  • The Bear (FX on Hulu)
  • Hacks (HBO Max)
  • Nobody Wants This (Netflix)
  • Only Murders in the Building (Hulu)
  • The Studio (Apple TV)

Best Television Limited Series, Anthology Series or Motion Picture Made for Television

  • Adolescence (Netflix)
  • All Her Fault (Peacock)
  • The Beast in Me (Netflix)
  • Black Mirror (Netflix)
  • Dying for Sex (FX on Hulu)
  • The Girlfriend (Prime Video)

Best Performance by a Female Actor in a Television Series – Drama

  • Kathy Bates (Matlock)
  • Britt Lower (Severance)
  • Helen Mirren (Mobland)
  • Bella Ramsey (The Last of Us)
  • Keri Russell (The Diplomat)
  • Rhea Seehorn (Pluribus)

Best Performance by a Male Actor in a Television Series – Drama

  • Sterling K. Brown (Paradise)
  • Diego Luna (Andor)
  • Gary Oldman (Slow Horses)
  • Mark Ruffalo (Task)
  • Adam Scott (Severance)
  • Noah Wyle (The Pitt)

Best Performance by a Female Actor in a Television Series – Musical or Comedy

  • Kristen Bell (Nobody Wants This)
  • Ayo Edebiri (The Bear)
  • Selena Gomez (Only Murders in the Building)
  • Natasha Lyonne (Poker Face)
  • Jenna Ortega (Wednesday)
  • Jean Smart (Hacks)

Best Performance by a Male Actor in a Television Series – Musical or Comedy

  • Adam Brody (Nobody Wants This)
  • Steve Martin (Only Murders in the Building)
  • Glen Powell (Chad Powers)
  • Seth Rogen (The Studio)
  • Martin Short (Only Murders in the Building)
  • Jeremy Allen White (The Bear)

Best Performance by a Female Actor in a Limited Series, Anthology Series or a Motion Picture Made for Television

  • Claire Danes (The Beast in Me)
  • Rashida Jones (Black Mirror)
  • Amanda Seyfried (Long Bright River)
  • Sarah Snook (All Her Fault)
  • Michelle Williams (Dying for Sex)
  • Robin Wright (The Girlfriend)

Best Performance by a Male Actor in a Limited Series, Anthology Series or a Motion Picture Made for Television

  • Jacob Elordi (The Narrow Road to the Deep North)
  • Paul Giamatti (Black Mirror)
  • Stephen Graham (Adolescence)
  • Charlie Hunnam (Monster: The Ed Gein Story)
  • Jude Law (Black Rabbit)
  • Matthew Rhys (The Beast in Me)

Best Performance by a Female Actor in a Supporting Role on Television

  • Carrie Coon (The White Lotus)
  • Erin Doherty (Adolescence)
  • Hannah Einbinder (Hacks)
  • Catherine O’Hara (The Studio)
  • Parker Posey (The White Lotus)
  • Aimee Lou Wood (The White Lotus)

Best Performance by a Male Actor in a Supporting Role on Television

  • Owen Cooper (Adolescence)
  • Billy Crudup (The Morning Show)
  • Walton Goggins (The White Lotus)
  • Jason Isaacs (The White Lotus)
  • Tramell Tillman (Severance)
  • Ashley Walters (Adolescence)

Best Performance in Stand-Up Comedy on Television

  • Bill Maher (Is Anyone Else Seeing This?)
  • Brett Goldstein (The Second Best Night of Your Life)
  • Kevin Hart (Acting My Age)
  • Kumail Nanjiani (Night Thoughts)
  • Ricky Gervais (Mortality)
  • Sarah Silverman (Postmortem)

Best Podcast

  • Armchair Expert with Dax Shepard (Wondery)
  • Call Her Daddy (SiriusXM)
  • Good Hang with Amy Poehler (Spotify)
  • The Mel Robbins Podcast (SiriusXM)
  • SmartLess (SiriusXM)
  • Up First (NPR)

‘Lupin’ Part 4 Sets Fall 2026 Return on Netflix

Takeaways

  • Lupin Part 4 is officially coming to Netflix in Fall 2026, three years after Part 3 wrapped in October 2023.
  • The new season will feature eight episodes, continuing Assane Diop’s high-stakes heists and personal battles in Paris.
  • Omar Sy returns as master thief Assane Diop, inspired by the legendary literary character Arsène Lupin.
  • Part 4 is expected to pick up major cliffhangers from Part 3, deepening the tension between Assane’s criminal genius and his need to protect his family.
  • Fans can look forward to more slick cons, stylish set pieces, and emotional twists when Lupin returns in late 2026.

Netflix Confirms: ‘Lupin’ Part 4 Is On the Way

The gentleman thief is officially back on the calendar.

Netflix has confirmed that Lupin Part 4 will arrive in Fall 2026, marking the long-awaited return of one of the streamer’s most successful non-English-language thriller series. Once again, Omar Sy steps into the role of Assane Diop, the charismatic master thief who’s built his entire life around the teachings and mythology of Arsène Lupin, the iconic fictional gentleman burglar.

The new chapter comes around three years after Part 3, which concluded in October 2023 and left audiences with big questions and unresolved cliffhangers. For fans, that gap only raises anticipation for how Assane’s story will evolve when he slips back onto screens in late 2026.


Eight New Episodes of High-Stakes Heists

Netflix has confirmed that Part 4 will consist of eight episodes, continuing the show’s tight, binge-ready structure.

Across those episodes, viewers can expect:

  • New heists and cons, each built around Assane’s mastery of disguise, deception, and strategy
  • Stylish set pieces in and around Paris, from iconic landmarks to hidden corners of the city
  • A careful blend of mystery, thriller beats, family drama, and emotional tension

Lupin has always thrived on its ability to feel both big and intimate: big in terms of scale, spectacle, and cinematic flair; intimate in the way it digs into Assane’s past, his trauma, and his unshakeable loyalty to his loved ones. Part 4 aims to continue that balance.


Assane Diop: Between Legend and Reality

At the heart of Lupin is Assane Diop, a man who’s turned the stories of Arsène Lupin into a personal blueprint for survival, revenge, and justice.

Inspired by the legendary fictional thief, Assane:

  • Reinvents himself with new identities and disguises
  • Plans intricate long-game strategies that unfold over multiple episodes
  • Uses misdirection and misperception as his greatest weapons
  • Fights not just for the thrill of the heist, but for justice against the powerful crime family that destroyed his life

Part 4 is expected to dive even deeper into that duality—the tension between the “legend” Assane has created and the very real man trying to keep his family safe in a dangerous world.


Picking Up the Pieces After Part 3

Part 3 left fans hanging with major cliffhangers and a host of unanswered questions about Assane’s future, his enemies, and the safety of the people he loves.

With Part 4:

  • The story is poised to revisit the fallout of the choices Assane made in the previous season.
  • His commitment to vengeance and his responsibility as a father and partner are set to collide more directly.
  • The show can push Assane into tougher corners, forcing him to decide how far he’s really willing to go—and what he’s willing to sacrifice—for both justice and family.

That emotional conflict has always been one of the series’ strongest hooks, and a fresh eight-episode run gives the creative team space to escalate the consequences.


A Three-Year Gap That Hints at Bigger Ambitions

The gap between Part 3 (October 2023) and Part 4 (Fall 2026) is significant, especially in the streaming era where shows can sometimes rush back with new seasons. Here, the three-year wait suggests:

  • A strong commitment to crafting a complex narrative that lives up to the expectations Lupin has built.
  • Time for the team to design more intricate plots, set pieces, and character arcs, rather than just repeating old tricks.
  • The possibility that Part 4 could feel like a creative step forward, rather than simply an extension.

For viewers, that means higher expectations: smarter mysteries, bolder visuals, and an evolution of Assane’s story that feels earned.


Paris, Style, and Spectacle

One of the show’s signatures—on full display in Part 4’s early descriptions—is its use of Paris as a character in the story.

Fans can look forward to:

  • Stylish backdrops, from grand public spaces to hidden neighborhoods
  • High-energy chases and escapes through city streets and iconic locations
  • The ongoing contrast between luxury and the shadows where Assane operates

The series’ mix of sleek visuals, suspenseful pacing, and emotional storytelling has helped it stand out among global thrillers, and Part 4 aims to double down on that winning formula.


What Fans Can Expect in Late 2026

When Lupin Part 4 lands in Fall 2026, audiences can get ready for:

  • Fresh heists built on clever misdirection and layered plans
  • New enemies and allies challenging Assane in unexpected ways
  • A stronger focus on family, legacy, and consequence
  • The same blend of cat-and-mouse tension, personal stakes, and cinematic flair that made earlier parts so addictive

Whether you’ve been following Assane Diop since the very first episode or you’re planning to binge all three parts before the new season, Part 4 is being positioned as a major chapter in his story—one that could redefine where the series goes next.

Sigourney Weaver on Ripley’s ‘Alien’ Legacy

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Key takeaways

  • Sigourney Weaver says Ellen Ripley’s impact grew far beyond what the original Alien team set out to do.
  • Weaver credits smart story structure—and audience expectations—for why Ripley landed as a lasting sci-fi hero.
  • She points to Aliens (1986) and James Cameron’s approach as a major turning point in Ripley’s rise.
  • The Alien universe is still expanding today, keeping Ripley’s legacy in the spotlight through new franchise projects.

Sigourney Weaver is looking back at the long-lasting legacy of Ellen Ripley, the character she first played in Ridley Scott’s Alien (1979)—and she admits she’s still surprised by how influential Ripley has become over time.

Ripley’s evolution from a young officer aboard the Nostromo to a fearless survivor who outsmarts xenomorphs helped reshape what audiences expected from a sci-fi lead. Even decades later, Ripley remains one of the most recognizable characters in the genre—and one of the most referenced heroes in modern cinema.


Sigourney Weaver says Ripley “was ahead of its time”

Speaking during an “In Conversation With” appearance at the Red Sea International Film Festival, Weaver reflected on why Ripley’s role in pop culture continues to resonate.

Weaver explained that Alien wasn’t built as a statement-first project. It was built as a story-first project—one that made a key decision that audiences didn’t see coming.

In her words, the team was “just trying to make a good small movie,” and the writers made a strategic shift that changed everything: they turned the crew into a coed group, and leaned into the surprise of who would ultimately survive.

Weaver said the audience “would never suspect that the young woman was going to be the hero.”

That twist—combined with the character’s grounded, capable energy—helped Ripley stand out immediately.


Ripley’s feminist-icon status wasn’t the original “plan”

Weaver also addressed the way Ripley became a feminist icon over time, noting it wasn’t framed that way at the start. She emphasized the intention was storytelling, not messaging—though the result clearly became bigger than the original brief.

She described the crew concept as “dirty truckers in space,” which helped make the world feel lived-in and believable. And inside that gritty world, Ripley wasn’t written as a symbol—she was written as the person who could handle the situation and survive it.

Weaver later added that Ripley’s influence has surprised her, and she believes part of the character’s staying power is the way Ripley embodies self-reliance—without needing a cliché rescue.


Why Ripley became one of sci-fi’s most memorable heroes

Even though Weaver only played Ripley across four films, it’s hard to name a more iconic character in the Alien franchise.

From the original 1979 film onward, Ripley’s presence was defined by competence under pressure. But many fans point to the franchise’s 1986 sequel, James Cameron’s Aliens, as the moment Ripley fully cemented her place as a defining hero in science fiction storytelling.

Weaver agrees—and she highlighted Cameron’s role in shaping Ripley’s larger cultural impact.

She said Cameron built “this amazing movie around the character of Ripley and her story,” and described the sequel’s script as “beautifully written.”


The ‘Alien’ franchise is expanding, keeping Ripley’s legacy in focus

Ripley’s cultural footprint hasn’t faded—especially as the Alien franchise continues to grow with new projects and renewed audience attention.

Recent momentum around the franchise has included:

  • New Alien titles that have brought fresh audiences into the universe.
  • The FX/Hulu series Alien: Earth, which expanded the franchise on TV in 2025 and helped push Alien back into weekly pop-culture conversation.
  • Public comments from Weaver in 2025 suggesting she’s open to the right idea if a future Ripley story genuinely works.

This ongoing expansion keeps Ripley’s name in the mix—even for viewers discovering Alien for the first time.


Final thought

Sigourney Weaver’s reflection makes one thing clear: Ellen Ripley didn’t become iconic because she was designed to “represent” something on paper. She became iconic because the character felt real inside the story—and because audiences watched her earn survival the hard way. Decades later, as the Alien universe keeps evolving, Ripley remains the standard many sci-fi heroes are still measured against.