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MJ the Musical is Holding Auditions in Atlanta

Key Takeaways

  • MJ the Musical is a Michael Jackson jukebox musical that spotlights his creative process as rehearsals ramp up for the Dangerous World Tour.
  • The show is a major Broadway success, winning 4 Tony Awards (including Best Actor in a Musical for Myles Frost).
  • With iconic music, high-impact choreography, and a behind-the-scenes framing, it’s become one of the most talked-about Broadway musicals of the decade.

Casting Call: “MJ The Musical” Atlanta Open Casting Call

MJ-Themed Musical Open Auditions

Job Description
A MJ-inspired stage musical is holding open auditions and is looking for standout dancers, singers, and actors ready to bring high-energy performance to the stage. This is a great opportunity for Atlanta-area talent seeking musical theater auditionsdance auditions, and live stage performance roles in a production built around iconic style, movement, and showmanship.

Job Responsibilities

  • Audition with prepared material that highlights your strongest skills (dance, vocals, acting)
  • Take direction during the audition process and adapt quickly to notes
  • Demonstrate stage presence, stamina, and performance personality
  • Work collaboratively with choreographers, music staff, and cast if selected

Requirements

  • Dancers, singers, and actors encouraged to audition
  • Strong stage presence and ability to perform in a high-energy musical environment
  • Prepared to showcase your best performance in an open-call setting
  • Must be able to commit to rehearsals and performances if cast (details shared during casting)

Compensation

  • Compensation details provided to selected performers during the casting process

Click here to apply now!


What Is MJ the Musical?

MJ the Musical is a jukebox musical inspired by the life and artistry of Michael Jackson, built around a key moment in time: the intense rehearsal period just before the Dangerous World Tour begins in 1992. Instead of attempting a cradle-to-career biography, the show leans into what made Jackson a global force—the obsession with sound, movement, and performance perfection.

The musical features a book by Lynn Nottage and direction/choreography by Christopher Wheeldon, blending concert-level energy with a rehearsal-room lens. The result is a stage experience that feels like a polished production and a backstage pass, using Jackson’s catalog to fuel story, memory, and momentum.


Broadway Timeline and Global Expansion

The production was originally set to open on Broadway in 2020, but the launch was delayed by the COVID-19 pandemic. Previews began December 6, 2021, with the official Broadway opening on February 1, 2022 at the Neil Simon Theatre.

From there, MJ expanded beyond Broadway, including a West End run beginning March 27, 2024, scheduled through February 28, 2026, plus additional international productions and tours that helped turn the musical into a global brand.

For entertainment professionals watching the market, the show’s growth is a reminder of how quickly a buzzy Broadway title can become a multi-city ecosystem—creating opportunities across acting, dance, music direction, wardrobe, hair/wigs, sound, lighting, stage management, and touring crews.


Synopsis: A Rehearsal Room That Opens Into a Life

Act I: The Tour Is Two Days Away

It’s June 1992. The company is deep in preparations, and the first show in Munich is just two days away. As warmups begin, Jackson arrives and the energy lifts into “Beat It.”

A journalist, Rachel, and her cameraman Alejandro enter hoping for access. Through interviews and rehearsal breaks, Jackson reflects on childhood pressures, Motown-era memories (including hearing the Jackson family’s work connected to Berry Gordy), and the creative partnerships that shaped his solo superstardom—especially his work with Quincy Jones on albums like Off the Wall, Thriller, and Bad.

The act builds toward a major public moment as Jackson presents the tour and speaks about philanthropic goals, threading performance ambition with a broader mission.

Act II: Vision vs. Reality

Jackson pushes bold new staging and production ideas—spectacular, expensive, and difficult to execute. His team worries about logistics and budget, while Jackson doubles down on the belief that the show must be unforgettable.

The story also revisits a painful, widely known moment from 1984: the on-set accident during a Pepsi commercial shoot. As pressures rise, Jackson returns to a core creative mantra attributed to Quincy Jones: keep your faith and protect your vision.

In one of the musical’s most human beats, Jackson slips away from the spotlight by disguising himself as a cleaner—leading into “Human Nature” and a revealing conversation about fame, privacy, and the cost of being constantly watched.

The show culminates as Jackson steps onto the stage, ready to launch the tour—ending with a burst of concert-level momentum.


Music: The Setlist Power of a Michael Jackson Jukebox Musical

As a Michael Jackson musical, MJ delivers what audiences expect: iconic hits, tight transitions, and numbers designed to land like live music videos—only staged for theatre.

Standout songs include:

  • Beat It
  • Billie Jean
  • Smooth Criminal
  • Human Nature
  • Man in the Mirror
  • Black or White
  • Earth Song

Some performances (notably on October 31) include a special Halloween closing number featuring “Thriller,” a fan-favorite moment that adds extra event-night energy.


Cast, Performers, and Why This Show Is a Talent Showcase

One reason MJ the Musical continues to draw attention in the entertainment industry is its performance demands. The production requires:

  • Elite dancers with precision timing and stamina.
  • Actor-singers who can handle emotionally heavy scenes and big musical moments.
  • Youth performers portraying Little Michael and other early-life roles.
  • Ensemble members who can shift between rehearsal realism and full concert polish.

On Broadway, Myles Frost became a standout name—earning a Tony win for his performance in the title role.


Awards, Buzz, and Audience Response

Critically, MJ the Musical sparked mixed reviews, especially around the book and how much of Jackson’s life can truly be captured onstage. But what matters in theatre economics is also what happens after opening night: audiences showed up—consistently.

The show was nominated for 10 Tony Awards and won 4, including:

  • Best Actor in a Musical (Myles Frost)
  • Best Choreography
  • Best Lighting Design
  • Best Sound Design

The cast recording also earned major attention, including a Grammy nomination for Best Musical Theater Album.


Box Office Success and What It Signals for the Industry

The Broadway run has regularly posted blockbuster weekly grosses, and the production has reached major ticket milestones worldwide. This level of commercial performance is part of why MJ is more than a Broadway title—it’s a touring engine.

For working professionals, that success signals stability: when a show sells consistently and expands internationally, it creates longer-term demand for talent across multiple markets and departments.


A Creative Approach That Keeps the Story Focused

Christopher Wheeldon has described the show’s storytelling style as being “anchored” in one key moment—using that time period to unlock memories and meaning, rather than trying to cover every chapter. That structure is exactly why the musical moves quickly, stays theatrical, and keeps the spotlight on the creative process—where rehearsal pressure, conflict, and genius can all collide.

George Clooney Says He’s Done with On-Screen “Kissing Girls”

  • George Clooney says he’s done with on-screen “kissing girls” and is stepping away from traditional romantic-lead roles.
  • Age-appropriate casting is becoming a bigger conversation in Hollywood, especially for legacy stars and franchise-driven projects.
  • Clooney is reframing longevity: staying bankable without competing with younger leading men.
  • Romance on screen isn’t going away—it’s evolving, with more space for mature love stories and genre blends.

George Clooney has built a decades-long career as one of Hollywood’s most recognizable romantic leads—but he says that chapter is closing.

In a recent interview, Clooney explained he’s no longer interested in playing the kind of big-screen romance that relies on him “kissing girls” on camera. The decision, he said, came after a candid conversation with his wife, Amal Clooney, about aging, perspective, and what makes sense for him now.

“I’ve been trying to go the route Paul Newman did—‘Okay, well, I’m not kissing a girl anymore,’” Clooney shared, pointing to Newman as a model for how iconic stars can evolve their screen persona without clinging to roles that no longer fit.

“That’s a Real Number”: Clooney on Turning 60

Clooney’s shift isn’t framed as a rule for everyone—it’s personal, practical, and rooted in time. He described how turning 60 sparked a moment of clarity, even though he still feels physically capable.

“When I turned 60, I had a conversation with my wife,” Clooney said. In his view, staying fit and active doesn’t change the math of aging. “In 25 years, I’m 85 years old… It doesn’t matter how many granola bars you eat, that’s a real number.”

It’s a surprisingly grounded statement from a star known for effortless charm. And it taps into a bigger industry reality: audiences notice when casting feels out of step with the story’s emotional truth.


A Romantic Lead Legacy That Defined an Era

For years, George Clooney’s brand was built on the kind of movie-star charisma that made romance feel easy. His filmography includes a run of projects that leaned into smart, adult chemistry—often with equally iconic co-stars.

Some of his most recognized romance-forward credits include:

  • “One Fine Day” (with Michelle Pfeiffer)
  • “Out of Sight” (with Jennifer Lopez)
  • “Up in the Air” (with Vera Farmiga)
  • “Ticket to Paradise” (with Julia Roberts)

These weren’t just “rom-coms.” They were movies that sold tone: warmth, wit, and the promise that two people could collide in a way that felt cinematic and real. Clooney’s appeal wasn’t only about looks—it was timing, confidence, and a style of leading-man storytelling that Hollywood relied on for years.


Why He’s Saying No to Romantic Films Now

Clooney has hinted for a while that he’s stepping away from romantic films—especially the kind that positions him opposite much younger leading women. Earlier this year, he echoed the point more directly, saying he isn’t trying to compete with 25-year-old leading men.

That’s a key line, because it speaks to how Hollywood careers evolve. In today’s film and TV ecosystem, “leading man” doesn’t mean one thing. There’s room for:

  • Legacy stars anchoring prestige dramas and political thrillers
  • New breakout leads driving romance, YA adaptations, and franchise storytelling
  • Ensemble formats where romance is one thread, not the entire premise

Clooney’s choice is less about rejecting romance and more about protecting credibility. The subtext: if the audience stops believing the romance, the movie loses its emotional center—no matter how famous the star is.


Hollywood’s Bigger Shift: Romance Is Changing, Not Disappearing

Clooney’s comments land at a time when romance in mainstream film is in a transition period.

Studios are more cautious with mid-budget romantic comedies in theaters, but romance is thriving in other ways:

  • Streaming originals that mix romance with comedy, mystery, or drama
  • Limited series storytelling where relationships can unfold over time
  • Mature love stories that focus on second chances, grief, or long-term partnership
  • Genre hybrids (romance + action, romance + thriller, romance + sci-fi)

What’s changing is the expectation of authenticity. Viewers are quick to react when a pairing feels engineered rather than earned. That’s why age-appropriate casting and believable chemistry have become more visible talking points—especially in projects that expect audiences to invest emotionally.


A Real-Life Moment That Shows Clooney’s Self-Awareness

Clooney also shared a funny story from earlier in his career that reveals how long he’s been thinking about performance details—even in romantic scenes.

He recalled filming a kissing scene when a director told him, “Not like that.” Clooney’s response? Essentially: That’s my move. That’s what I do in real life.

It’s a small anecdote, but it highlights something actors understand instantly: romance scenes are choreographed like action scenes. Chemistry might feel spontaneous on screen, but it’s built with intention—blocking, timing, comfort, consent, and tone.

And that’s part of why Clooney stepping away matters. He’s not saying romance is “beneath” him. He’s acknowledging that romantic storytelling depends on audience buy-in—and he’d rather evolve than force it.


What This Means for Screen Stories Going Forward

Clooney’s decision points to a future where Hollywood’s most established stars keep working—but with roles that match where they are in life.

Instead of “the older guy still playing the same love interest,” we may see more projects where:

  • romance is age-appropriate and character-driven
  • relationships reflect real adult stakes (family, careers, history, power dynamics)
  • the story makes space for new leading men while veteran actors take on mentors, rivals, complicated partners, or high-status roles

It’s not a retreat. It’s a repositioning—one that mirrors how long careers stay relevant.

‘Home Alone’ Macaulay Culkin Reveal Set Secrets

Takeaways:

  • Macaulay Culkin and director Chris Columbus reunited publicly to celebrate Home Alone’s 35th anniversary at the Academy Museum.
  • Columbus says the movie’s staying power comes from its timeless look and practical stunt-driven comedy.
  • Both are blunt about the franchise’s later entries, calling the sequels “really bad” and hard to replicate without the original cast.
  • Culkin floated a fresh legacy-sequel concept: an older Kevin facing traps set by his own kid.

Macaulay Culkin and Home Alone director Chris Columbus are finally talking Home Alone—together, in public—for the first time. And the timing couldn’t be more perfect: their conversation at the Academy Museum marked the Christmas classic’s 35th anniversary, giving fans a rare look at how the film became a holiday staple—and why both men feel the franchise later lost its way.

The event blended behind-the-scenes stories, practical stunt revelations, and honest opinions about the series’ sequels. It also opened the door to something fans keep asking for: a new Home Alone movie idea that actually makes sense.

How Home Alone Happened After a Rough Start

Chris Columbus shared that Home Alone arrived at a turning point in his career. Before directing the film, he had stepped away from National Lampoon’s Christmas Vacation, which led to an awkward but defining phone call with writer-producer John Hughes.

Columbus recalled having to tell Hughes he couldn’t continue, saying he didn’t get along with Chevy Chase—and he feared that decision might end his directing career altogether. Instead, the next chapter became Home Alone, a movie that would outgrow its era and turn into a multi-generation tradition.

The “Timeless” Look That Keeps It Rewatchable

Why does Home Alone still work 35 years later?

Columbus credits the film’s long life to its timeless visual style and tone—a holiday atmosphere that feels cozy, cinematic, and easy to return to year after year. It’s not just nostalgia; it’s craft.

That “timelessness” also extends to the movie’s structure: a simple premise, clear stakes, and a lead character you can root for within minutes.

The Traps Were So Real They Stopped Being Funny

One of the biggest surprises from the conversation: the traps weren’t just clever—they were dangerous-looking enough to unsettle the crew.

Columbus said many stunts were performed so realistically that when the stunt team executed them, the moment sometimes didn’t read as comedy at all. The crew would watch and genuinely worry the performers had been seriously hurt.

For filmmakers, it’s a reminder of what physical comedy demands:

  • precise choreography
  • safety-first planning
  • the right camera angles to sell impact without causing harm
  • performers who understand timing like dancers

Joe Pesci Refused the “Safety Cap” (Until a Producer Got Creative)

A standout behind-the-scenes story involved Joe Pesci’s famous scene where his character’s head catches fire. Columbus explained that Pesci was offered a special protective cap for the stunt and flat-out refused to wear it.

So producer Mark Radcliffe did something bold: he brought out his 9-year-old daughter, put the cap on her, and demonstrated the torch setup to prove it was safe. That reportedly convinced Pesci.

It’s a wild story, but it underscores a truth about sets: getting a scene done is often about problem-solving and trust, especially with stunts.

The Tarantula Was Real—and Daniel Stern Couldn’t Scream

If you’ve ever wondered about the tarantula scene: yes, that spider was real.

Columbus revealed Daniel Stern couldn’t actually scream while the tarantula crawled on his face—because the sound/vibration could upset the animal and risk a bite. Stern mimed the scream, and the vocals were added later in post-production.

That’s a practical example of how filmmaking illusion works:

  • real prop/creature on camera
  • performance adjusted for safety
  • audio completed in post to sell the moment

“Really Bad Sequels”: Columbus Doesn’t Hold Back

The conversation also turned to the franchise after Home Alone 2: Lost in New York (1992)—the last entry involving Culkin and Columbus.

The Home Alone brand continued with:

  • Home Alone 3 (1997)
  • Home Alone 4 (2002)
  • Home Alone: The Holiday Heist (2012)
  • Home Sweet Home Alone (2021)

Columbus was blunt in comments to The Hollywood Reporter, saying the franchise was revisited with “really bad sequels” and that it went downhill starting with Home Alone 3. He also argued that relying on wires in action scenes can make stunts feel fake and reduce the impact of physical comedy. Culkin added his own punchline: the sequels also didn’t have the original cast.

Culkin’s New Home Alone Movie Idea: Kevin vs. His Own Kid

Despite the sequel skepticism, Culkin shared a modern sequel pitch that plays like a legacy follow-up with emotional stakes.

His concept: Kevin is older—possibly a widower—raising a kid he doesn’t fully connect with. In the setup, the child ends up locking Kevin out and building traps, flipping the original premise. The twist is that Kevin can see it coming because he’s “the expert,” but he avoids calling for help because he’s embarrassed.

Culkin’s idea also adds a theme: the house becomes a metaphor for rebuilding the parent-child relationship.

It’s not just nostalgia—it’s a character-based reason to return.

Columbus said he’s heard “about 600 different ideas” over the years, but suggested a sequel would only be worth pursuing if the original trio returned—Culkin, Pesci, and Daniel Stern.

He also revealed his own past concept from about two decades ago: Harry and Marv get out of jail after 20 years, come after Kevin for revenge, and Kevin’s child ends up dealing with them—mirroring the original.

But Columbus emphasized the challenge: Home Alone worked because of the cast at that moment in time, and that magic is hard to duplicate.


Culkin’s Kids Call It “Kevin,” Not Home Alone

The event ended on a sweet note: Culkin shared that his kids don’t think of him as a famous star. They call the movie “Kevin” and talk about the character like he’s someone else.

He even joked about trying to keep the magic alive—until a child family member recognized him and said, “You’re Kevin.”

Culkin’s sendoff? The iconic line fans always want to hear:

“Merry Christmas, ya filthy animals.”

Vin Diesel Teases Cristiano Ronaldo in Final Fast & Furious

Takeaways for Entertainment Pros

  • Vin Diesel says he wrote a role for Cristiano Ronaldo in the final Fast & Furious film, sparking major fan buzz.
  • A Ronaldo cameo would be a global marketing win, blending sports and film audiences at blockbuster scale.
  • For actors and filmmakers, it’s a clear trend: franchises are leaning into event casting and cross-industry star power.
  • Big IP finales often expand casting to boost reach—creating new opportunities in supporting roles, stunts, and production hires.

The Fast & Furious franchise is built on speed, spectacle, and surprising additions to “The Family.” Now, Vin Diesel is teasing one of the biggest crossover casting swings yet: Cristiano Ronaldo in the final Fast & Furious movie.

According to Diesel, the idea isn’t just a rumor or wishful fan casting. He’s claiming the role is already in motion—and that a part has been written specifically for the soccer icon, setting the stage for an attention-grabbing moment in the franchise’s final chapter.

For entertainment professionals, it’s also a timely reminder of where blockbuster casting is headed: global visibility, built-in audiences, and headline-making cameos that push a film beyond the movie world and into pop culture dominance.

Vin Diesel Says a Role Has Been Written for Ronaldo

Vin Diesel—franchise star and producer—shared a photo with Cristiano Ronaldo on Instagram and hinted that Ronaldo could officially enter the Fast & Furious universe.

In Diesel’s words, the question fans keep asking is whether Ronaldo would be part of the “Fast mythology.” Diesel’s answer: yes—and he claims the creative team wrote a role for him.

That one tease does what the franchise does best: it instantly turns the finale into an event. Even without a character name or plot details, the mere possibility of Ronaldo appearing has already fueled conversation across film and sports fandoms.

Why this matters for the final Fast & Furious film

Final installments in major franchises are about more than wrapping a story—they’re about creating a moment people feel they can’t miss. Adding a global superstar like Ronaldo would:

  • Drive international press coverage
  • Pull in new viewers from sports audiences
  • Deliver a “you have to see this” cameo factor
  • Expand the film’s reach across social media and global markets

Why Cristiano Ronaldo Fits the Fast & Furious Brand

While Ronaldo isn’t known for acting, he does align with what the franchise sells: larger-than-life confidence, elite performance, and global superstardom.

The Fast & Furious movies thrive on:

  • High-profile cast additions
  • Big personalities
  • Action-forward storytelling
  • International settings and worldwide appeal

Ronaldo’s public image—high intensity, extreme discipline, and superstar swagger—matches the franchise’s adrenaline-driven vibe. Even a brief appearance could feel on-brand if it’s designed around his strengths.

Limited acting experience, massive star power

Ronaldo may not have a long filmography, but that’s not the point. In today’s franchise landscape, studios increasingly use:

  • Athletes
  • Influencers
  • Musicians
  • Reality stars
  • Internet personalities

…to boost discoverability and make a project trend beyond entertainment media.

Event Casting Is a Major Trend in Blockbuster Franchises

This move reflects a bigger industry reality: big IP uses big names to go bigger—especially when a franchise is closing out a long-running saga.

“Event casting” works because it creates instant marketing hooks:

  • A casting rumor becomes a headline.
  • A headline becomes viral content.
  • Viral content becomes free promotion.

And for productions, these additions can be strategically small but massively effective. A cameo can be only a few minutes on screen—and still dominate the conversation for weeks.

Real-world examples of crossover casting momentum

Across film and streaming, we’ve seen franchises and tentpoles boost buzz with unexpected casting choices—athletes in action movies, musicians in animated films, and social stars entering studio projects. The playbook is simple: add someone with a huge audience, then let the internet do the rest.

If Ronaldo joins, it’s not just casting—it’s a marketing engine.

What Kind of Role Could Ronaldo Play?

Diesel hasn’t shared details on the character or how big the role would be, but there are a few obvious directions the franchise could take—especially if they want to keep the performance natural and action-adjacent.

Possible role types that fit Ronaldo’s strengths:

  • A high-profile driver or rival tied to an international crew
  • A VIP cameo in a globe-trotting sequence (race, heist, or party scene)
  • A “real-world” version of Ronaldo appearing as himself in-universe
  • A quick action beat built around athletic movement rather than dialogue

The smartest route would likely be a role that doesn’t require heavy dramatic acting—something that leans into charisma, presence, and physicality.

Why This Is Big News for Casting and Production Teams

When a franchise announces (or teases) a mega cameo, it often signals a production scale-up. Bigger moments typically mean:

  • Larger set pieces
  • Expanded locations or units
  • More stunt work and coordinators
  • More background casting needs
  • Additional production hires across departments

For actors, especially those seeking credits in major studio projects, it’s also a reminder that Fast & Furious-level productions regularly cast:

  • Day players and featured extras for big sequences
  • Stunt performers and doubles
  • Supporting characters tied to new global story arcs

In other words, while the headline is about Ronaldo, the ripple effect often creates more opportunities across the call sheet.

The Final Fast & Furious Movie Is Aiming for Global масшt

The franchise has always been international, but a finale has to feel like the ultimate version of itself. Diesel teasing Ronaldo suggests the team wants the concluding chapter to be:

  • The most talked-about
  • The most globally relevant
  • The most “event” installment of the series

Even without confirmation of the cameo, the strategy is already working: people are discussing the finale as if it’s the biggest one yet.

And if Ronaldo is truly joining “The Family,” it’s a clear signal: the last ride is going to be built for worldwide attention.


Cillian Murphy Eyes Return in ’28 Years Later 3′

Takeaways for Entertainment Pros’

  • Sony has moved forward on the third and final 28 Years Later film after strong early reactions to The Bone Temple.
  • Cillian Murphy is in talks to return as Jim—fueling major interest in how the trilogy ends.
  • Alex Garland is writing, and Danny Boyle has expressed interest in directing the final chapter.
  • With The Bone Temple dated for January 16, 2026, the franchise is positioning itself as a major 2026 horror event.

Sony is wasting no time bringing the revived Rage Virus universe to the finish line. Following enthusiastic early reactions to 28 Years Later: The Bone Temple, the studio has confirmed development on the third and final installment of the 28 Years Later trilogy—and the biggest headline is this: Cillian Murphy is in talks to return as Jim.

For fans, that signals a full-circle ending that connects the revival trilogy back to the film that started it all. For entertainment professionals—actors, filmmakers, and crew—it’s another example of how studios are building modern franchises: by combining prestige creatives, legacy characters, and event-level releases designed to dominate the conversation.

Sony Greenlights the Final Chapter After Strong Reactions

According to multiple reports, Sony’s confidence surged after early screenings of The Bone Temple landed well, prompting the studio to officially move forward with the final film.

That kind of momentum matters. In today’s market, horror franchises often live or die based on:

  • early audience buzz
  • critical response
  • opening-weekend urgency
  • how effectively a sequel sets up the next chapter

And right now, the 28 Years Later machine looks like it’s building toward a big finale moment.

Cillian Murphy Returning as Jim Would Complete the Arc

Cillian Murphy’s Jim is one of the most iconic protagonists in modern horror—because he wasn’t written as an action hero. He was written as a survivor forced to adapt fast, which made the original story feel raw and human.

Now, Murphy is reportedly in talks to reprise Jim for the final film, which would keep him central to the trilogy’s overall narrative payoff.

This isn’t just fan service. Legacy character returns are a proven studio strategy because they:

  • give newer stories emotional weight
  • bridge generations of audiences
  • create “must-see” stakes for a finale
  • elevate the press cycle beyond standard sequel coverage

In other words: bringing Murphy back isn’t only a creative move—it’s a business one.

Alex Garland Is Writing, and Danny Boyle May Direct

The creative team is also a major selling point. Reports indicate Alex Garland is writing the script for the third film, keeping authorship consistent across the new trilogy.

Meanwhile, Danny Boyle—director of the original film—has publicly expressed interest in directing the final chapter, though no director has been officially confirmed yet.

For filmmakers watching the industry, this is a notable trend: studios increasingly want recognizable creative “brands” attached to franchise horror—writers and directors with a distinct tone who can make sequels feel like cinema, not just content.

Release Timing: The Bone Temple Targets January 16, 2026

Before the trilogy can end, it has to set the stage. 28 Years Later: The Bone Temple—directed by Nia DaCosta and written by Alex Garland—is currently set for a theatrical release on January 16, 2026.

That release date matters for two reasons:

  1. January can be a strong window for horror when a film offers a “new year, new nightmare” hook.
  2. A clean early-2026 launch creates runway for marketing the final chapter as the big conclusion.

Early reactions to The Bone Temple have also pointed to bold tone choices—intense horror, unsettling imagery, and a willingness to get weird—exactly the kind of edge that helps a franchise stand out.

Explaining the Franchise Timeline (and Why It’s a Career Lesson)

The 28 franchise has always been a career-maker because it fuses grounded drama with genre intensity.

  • 28 Days Later (the original) became a defining modern zombie/infected film and helped set the template for “fast infected” horror.
  • The new trilogy expands that world on a larger scale—while keeping the creative identity tied to Boyle and Garland’s sensibilities.

For emerging actors and filmmakers, the bigger takeaway is how franchises now recruit talent:

  • recognizable auteur voices for credibility
  • strong ensembles for rewatch value
  • a mix of newcomers + legacy returns for reach

This model creates a lot of opportunity beyond the headline stars—supporting roles, stunt performers, creature teams, second-unit crews, VFX specialists, and post-production talent all become essential as the scope increases.

Box Office Momentum Helps Explain Sony’s Fast “Yes”

Another factor fueling confidence: 28 Years Later hit a major box office milestone, passing $150 million globally, which helped validate the revival as a commercial play—not just a cult-fan gamble.

When a studio sees both:

  • strong audience interest, and
  • a recognizable creative package,

…it becomes much easier to greenlight a finale that can be marketed as the “end of an era.”

What This Could Mean for Casting (and Who Gets the Work)

Even though the headlines focus on Murphy, a final chapter typically expands the world—meaning more casting opportunities.

Finale-scale productions often require:

  • featured background and day players for large sequences
  • doubles and specialty stunts
  • additional “survivor” factions and opposing groups
  • expanded voice/ADR sessions and post work
  • more location-driven hiring (local casting, stand-ins, crew)

If the third film leans into a definitive endgame, expect the casting needs to widen—especially if it’s built around multiple story threads converging.

‘Supergirl’ Trailer Puts Milly Alcock on Anti-Hero Path

Takeaways for Entertainment Pros

  • The first Supergirl: Woman of Tomorrow trailer positions Kara Zor-El as a cynical, truth-first counterpart to Superman.
  • Director Craig Gillespie frames the film as an anti-hero story, emphasizing Kara’s inner turmoil and “baggage.”
  • The footage includes a first look at Jason Momoa as Lobo and Matthias Schoenaerts as the villain Krem.
  • The film adapts Supergirl: Woman of Tomorrow and is scheduled for June 26, 2026.

DC Studios just made its vision for Supergirl loud and clear: this Kara Zor-El isn’t here to play the perfect hero.

In the first trailer for Supergirl: Woman of Tomorrow, Milly Alcock’s Supergirl is introduced as blunt, battle-worn, and emotionally complicated—someone who doesn’t automatically see the best in people the way Superman does. Her defining line says it all:

“He sees the good in everyone. And I see the truth.”

Set to Blondie’s “Call Me,” the trailer leans into a gritty, off-world tone—more cosmic road-trip than clean-cut cape story. It’s fast, chaotic, and intentionally rough around the edges.

A “Punk” Supergirl Who Isn’t Trying to Be Perfect

This version of Supergirl feels designed to challenge the traditional superhero mold. Instead of framing Kara as a shining symbol, the film positions her as someone carrying real emotional weight. Director Craig Gillespie has described it as an anti-hero story, focused on her internal struggle and the demons she’s dragging into the present.

That’s a smart move in today’s market. Audiences respond to characters who feel human—messy, specific, and sometimes difficult. The trailer embraces that, presenting Kara’s imperfections as the point, not a flaw to smooth over.

A Gritty Space Aesthetic With Big Franchise Energy

Visually, the trailer doesn’t stay in familiar superhero territory. Kara moves through harsh alien colonies and rough environments that feel lived-in—less “polished sci-fi” and more “space grit.” The pace and color of the footage also suggest the kind of wild, kinetic energy audiences often associate with James Gunn’s style of genre storytelling.

This isn’t “Supergirl but smaller.” It looks like a full-scale DCU swing with its own personality.

First Look at Jason Momoa as Lobo

One of the biggest trailer moments is the reveal of Jason Momoa as Lobo, an anti-hero known for chaos, swagger, and brute-force presence. Even with just a glimpse, the intent is obvious: Lobo is here to add volatility and attitude—and to expand the DCU’s cosmic corner in a major way.

Lobo also brings instant fan recognition, which helps the film travel across audiences beyond traditional Superman/Supergirl viewers.

Matthias Schoenaerts as Krem

The trailer also introduces Matthias Schoenaerts as Krem, setting up a threat that feels personal, not just “big bad energy.” The story’s core appears to involve a mission with emotional stakes—pushing Kara into moral gray areas rather than straightforward heroics.

That framing matters. When a superhero film works like a quest or revenge-driven journey, it often creates stronger character moments and more memorable tension than the standard “save the city” formula.

Based on Woman of Tomorrow

DC is drawing directly from Supergirl: Woman of Tomorrow, a story known for its sweeping scope and character-driven intensity. The trailer’s tone suggests the film is aiming to honor that identity: a Supergirl story that’s tough, travel-heavy, and emotionally sharp.

Release Date: June 26, 2026

DC Studios has scheduled Supergirl: Woman of Tomorrow for June 26, 2026, placing it firmly in the summer tentpole lane.

For entertainment professionals watching casting and production trends, this trailer signals a wider shift: superhero projects are increasingly being sold as genre blends—space western, anti-hero character drama, revenge quest—rather than one-size-fits-all cape stories.

Charli XCX’s ‘The Moment’ Trailer Tackles BRAT Fame

Takeaways for Entertainment Pros

  • A24’s The Moment frames Charli XCX’s “BRAT” era as a high-pressure, behind-the-scenes sprint toward an arena tour debut.
  • The trailer leans into mockumentary tension: fans, management, and label expectations collide as her public brand outpaces her private clarity.
  • The cast stacks indie-comedy and prestige talent—plus a headline cameo—signaling a crossover strategy built for internet conversation.
  • Release date to watch: The Moment hits theaters January 30, 2026.

A24 just dropped the first The Moment trailer, and it’s not selling a glossy pop-star fantasy. It’s selling something sharper: the anxiety, noise, and conflicting demands that come with “overnight” fame—especially when that fame is tied to a specific era and aesthetic like Charli XCX’s BRAT moment.

In the film, Charli stars as a fictionalized version of herself, positioned at the peak of her current cultural visibility while preparing for a major milestone—her arena tour debut. The trailer’s energy is hectic on purpose. People around her want something. Everyone has notes. Everyone has expectations. Everyone has a version of “Charli” they’re trying to produce.

And Charli? She looks like she’s trying to survive the pace long enough to figure out what she actually wants.

What The Moment Is About

The Moment is described as a mockumentary, directed by Aidan Zamiri with Charli XCX. That format matters: mockumentaries are built to feel intimate and immediate, like you’re watching the truth spill out in real time—while still being structured, heightened, and carefully staged.

The trailer sets up a simple but loaded premise:

  • Charli is riding the wave of her BRAT fame.
  • She’s prepping for her arena tour debut, a career leap that comes with massive scrutiny.
  • She’s surrounded by a rotating set of voices—fans, managers, label execs—each pulling her identity in a different direction.
  • A quirky new manager enters the orbit, and the pressure spikes as the show date approaches.

In the final moments of the trailer, Charli reaches an emotional breaking point—near tears, yelling, and admitting she doesn’t even know what she wants. That’s the hook. Not “will the tour be amazing?” but “what happens when your brand becomes louder than your inner voice?”

Why This Trailer Feels Timely Right Now

Pop culture is in a moment where audiences are obsessed with the machinery behind fame. Not just the stage lights, but the team meetings. The camera tests. The image strategy. The mental load.

That’s why projects like The Moment land: they speak to the part of the industry that most viewers sense is there—but rarely see portrayed with this kind of tension and dark humor.

The trailer also plays into a trend that’s been accelerating in film and TV: hybrid celebrity storytelling—content that sits between documentary and scripted drama, where the “real person” becomes a character shaped by public perception.

It’s not just entertainment. It’s a commentary on the job.

Charli XCX as a “Character” in Her Own Story

Casting Charli as herself (but fictionalized) is a bold move because it flips the usual power dynamic.

Instead of:

  • a biopic actor playing the artist, or
  • a documentary crew capturing the artist,

…it becomes Charli presenting a version of Charli—curated, exaggerated, honest, messy, or all of the above at once.

That creates a unique tension: the audience watches her perform fame while also watching the film about performing fame. The trailer leans into that loop, where image and identity keep colliding.

The Cast and Cameos Add to the “Event” Feel

A24 didn’t build The Moment like a small side project. The casting signals reach—comedy credibility, prestige heat, and internet traction.

The featured cast includes:

  • Rosanna Arquette
  • Kate Berlant
  • Jamie Demetriou
  • Hailey Benton Gates
  • Isaac Powell
  • Rachel Sennott
  • Alexander Skarsgård

And there’s a special appearance from Kylie Jenner, which is an instantly clickable element that expands the film’s audience beyond music fans and indie-film followers.

This kind of casting is strategic. Today, trailers aren’t just marketing tools—they’re conversation engines. A surprising cameo can spark reaction clips, meme formats, and quote reposts that travel further than traditional press.

The Mockumentary Tone: Funny, Uncomfortable, Honest

The best mockumentaries succeed when they find the thin line between humor and discomfort. The Moment seems to live there.

The trailer’s vibe suggests:

  • awkward meetings and forced positivity
  • brand-speak that sounds supportive but feels controlling
  • “help” that comes with strings attached
  • emotional honesty bursting out at inconvenient times

That last beat—Charli spiraling into a profanity-laced confession—lands because it’s relatable in a very modern way. Plenty of creatives know what it’s like to be asked for a “vision” on command… while trying to keep yourself intact.

Industry Pressure as the Villain

What’s compelling about this trailer is that it doesn’t need a traditional villain.

The villain is:

  • the pace
  • the expectations
  • the machine
  • the constant demand to deliver clarity, confidence, and likability—at the same time

The film frames fame as a job with deadlines, stakeholders, and performance reviews. That’s a smart lens for a Project Casting audience, because entertainment work often comes with similar pressure points—just at different scales.

Release Date and Why It Matters

A24 is releasing The Moment in theaters on January 30, 2026.

That date places it in a window where audiences are hungry for buzzy, conversation-driven films—especially ones that play well on social clips and quote culture. A mockumentary about a pop star on the verge of a breakdown? That’s built for traction.

Why Entertainment Pros Should Watch This One

If you work in entertainment—or you’re trying to break in—this trailer signals a film that actually understands the ecosystem:

  • how teams shape an artist’s choices
  • how success multiplies voices, not clarity
  • how “moment” culture can be both rocket fuel and a trap

It also highlights how A24 continues to package music-adjacent projects: bold concept, specific tone, and casting that blends credibility with headline power.

‘Street Fighter’ Teaser Reveals New Live-Action Cast

Takeaways for Entertainment Pros

  • The new Street Fighter teaser debuted at The Game Awards 2025, signaling a major studio push for the reboot.
  • This version leans martial-arts-forward and game-faithful, with iconic character silhouettes and stylized combat.
  • The ensemble cast blends action talent, dramatic performers, and crossover stars, reflecting how studios build global event films.
  • The film is slated for October 16, 2026, with an IMAX-first cinematic approach that can drive big-scale production hiring.

A fresh Street Fighter era is officially loading in.

The first teaser trailer for the new live-action Street Fighter has been unveiled, giving fans their earliest look at a reboot that’s clearly trying to do what previous adaptations struggled to pull off: capture the energy of the games while still feeling like a real martial-arts movie.

Revealed at The Game Awards 2025, the teaser positions the film as a big-screen event with stylized fight choreography, faithful character cues, and an ensemble cast designed to pull in multiple audiences—game fans, action lovers, and mainstream moviegoers who might not know their Hadoukens from their Shoryukens.

For Project Casting readers—actors, filmmakers, stunt performers, and production pros—this teaser also reflects a bigger industry pattern: video game adaptations are no longer niche. Studios are treating them like premium IP with franchise potential, which often means larger productions, more specialized departments, and deeper casting needs.

A New Tone: More Martial Arts, Less Camp

If you remember the 1994 Jean-Claude Van Damme take—or the 2009 Legend of Chun-Li—you already know Street Fighter has had a complicated history on screen.

This reboot aims to be different.

The teaser suggests a more grounded martial-arts film built around character rivalry, physical performance, and tension that feels pulled straight from the games’ world-building. The movie is reportedly set in 1993, which hints at a deliberate stylistic choice: lean into a specific era, a specific vibe, and a specific kind of global action cinema energy.

Instead of winking at the premise, the teaser looks like it’s embracing the premise—and that’s often the first step toward a game adaptation actually working.

Director Kitao Sakurai’s Approach

The film is directed by Kitao Sakurai, a choice that signals a modern, stylish approach rather than a purely traditional action template.

The teaser’s pacing and visual language lean into:

  • character-first reveals
  • silhouette-driven recognition moments
  • fast, clean-cut action beats
  • atmospheric tension before the hits land

That blend matters. For a fighting-game movie, it’s not enough to stage fights—you have to stage iconic identity. Fans want to recognize each character in a single frame. The teaser is clearly trying to deliver that.

The Leads: Ryu and Ken Take Center Stage

At the heart of Street Fighter is the relationship between Ryu and Ken—two fighters with shared roots but different philosophies.

The teaser confirms:

  • Andrew Koji as Ryu
  • Noah Centineo as Ken Masters

Casting wise, that’s a signal that the film wants both credibility and reach: Koji brings action-forward intensity, while Centineo adds mainstream familiarity. Together, they create a duo that can play both the physical conflict and the personality contrast that fans expect.

From a performance standpoint, these roles are rarely “just action.” They require:

  • training discipline and movement control
  • emotional restraint (especially for Ryu)
  • charisma and confidence (especially for Ken)
  • believable rivalry without cartoonish exaggeration

Chun-Li and Akuma: Big Character Energy Arrives Early

The teaser also gives early character reveals that instantly raise the stakes.

  • Callina Liang as Chun-Li
  • Joe “Roman Reigns” Anoa’i as Akuma

Chun-Li is one of the most iconic characters in fighting-game history, and audiences will be watching for two things immediately: presence and precision. The character isn’t defined by costume—she’s defined by skill, control, and relentless momentum.

Akuma, on the other hand, is pure intimidation. Casting a physical powerhouse for the role suggests the movie is leaning into scale and threat, which could shape the action design into something heavier, more forceful, and more cinematic than “flashy.”

The Ensemble Strategy: A Franchise-Style Roster

One of the biggest headlines from the teaser rollout is the sheer size and variety of the cast, including:

  • David Dastmalchian as M. Bison
  • Cody Rhodes
  • Eric André
  • Vidyut Jammwal
  • Curtis “50 Cent” Jackson
  • Jason Momoa

This is modern blockbuster math: build a roster that can generate headlines in multiple lanes—combat sports, comedy, action cinema, pop culture, and fandom spaces.

For entertainment professionals, ensemble franchise films often create a ripple effect of opportunity, because big casts typically mean:

  • expanded stunt teams and stunt doubles
  • more featured players and day roles
  • additional units and second-unit action crews
  • heavier costume/wardrobe and specialty makeup demands
  • larger background casting for tournaments, crowds, arenas, and global set pieces

Even if you’re not playing a named fighter, productions like this routinely hire heavily across the board.

What “Faithful Visual Cues” Really Means

The teaser leans hard into “recognition,” using cues pulled from the games—classic silhouettes, signature postures, and a visual approach that signals the filmmakers understand what fans actually want.

That’s important because Street Fighter isn’t just story—it’s iconography. The best adaptations translate:

  • signature movement
  • spacing and rhythm of combat
  • character identity in stance and costume
  • the emotional stakes behind each match-up

When a teaser focuses on those fundamentals, it suggests the film is prioritizing authenticity rather than simply borrowing names and branding.

IMAX and the “Big Screen Fighting Film” Promise

This reboot is being shot in IMAX, with Paramount Pictures distributing and Legendary producing in partnership with Capcom.

IMAX positioning signals ambition. It implies:

  • large-scale choreography designed for full-frame impact
  • fight geography that reads clearly at scale
  • more emphasis on cinematic framing than shaky coverage
  • set pieces that justify a theatrical experience

For filmmakers and crew, IMAX productions can also mean heightened technical expectations—camera choices, lighting precision, and action coverage designed to feel clean and legible.

Why Video Game Movies Are Having a Moment

Studios are treating game adaptations as major IP because they come with built-in brand awareness and global audiences. But the bar has changed: fans are no longer satisfied with “a movie that shares the name.”

They want:

  • respect for lore and character
  • action that matches the game’s identity
  • tone that feels intentional, not accidental

This teaser seems designed to reassure fans: we know what this is, and we’re building it with purpose.

Release Date: October 16, 2026

The new Street Fighter film is scheduled for October 16, 2026, which gives the production runway to build hype, roll out character posters, and potentially turn this into a full-scale fandom marketing cycle.

For casting-watchers, long-lead tentpoles often continue staffing and filling roles deep into production—especially for stunts, stand-ins, featured extras, ADR, and reshoots.

‘Avatar: The Last Airbender’ Season 2 Teaser

Takeaways for Entertainment Pros

  • Netflix has officially released a first-look teaser trailer for Avatar: The Last Airbender Season 2, confirming the series returns in 2026.
  • The teaser spotlights Toph Beifong’s arrival, setting up a major fan-favorite storyline and a more Earth Kingdom-driven season.
  • Season 2 expands the ensemble with key new characters, signaling bigger world-building, more roles, and larger-scale production.
  • The live-action series is renewed through Season 3, meaning the franchise is planning a full, long-arc conclusion.

Netflix is officially bringing the Gaang back.

The streamer has revealed the first-look teaser trailer for Avatar: The Last Airbender Season 2, and it wastes no time teasing what fans have been waiting for: Toph Beifong’s long-awaited debut in the live-action universe.

The teaser signals a shift in tone and scope. Where Season 1 focused heavily on establishing Aang’s journey and the early fight against the Fire Nation, Season 2 looks ready to go deeper—into Earth Kingdom grit, tougher training, and higher emotional stakes as Aang continues mastering the next element.

Toph Arrives—and the Teaser Makes It a Moment

The trailer puts Toph front and center, using a reflective voiceover that connects earthbending to power, identity, and the world itself. The visuals suggest the story will lean into the Earth Kingdom’s rougher edge, with training sequences and a first look at the kind of environment that shapes Toph into one of the franchise’s most iconic characters.

One standout tease: an underground Earth Rumble match, where the trailer hints at Toph’s signature style—seismic, grounded, and intimidating in the most exciting way.

For longtime fans, Toph isn’t just “a new character.” She’s a turning point. Her arrival typically changes:

  • the team dynamic
  • the training intensity
  • the tone of the journey
  • the show’s sense of humor and toughness

A Grittier Earth Kingdom Setting Takes Over

Season 2 appears to be firmly rooted in the Earth Kingdom, and the teaser’s look reflects that—less airy wonder, more dust-and-stone realism. That’s an important creative pivot because it gives the series a fresh visual identity while raising the narrative complexity.

The Earth Kingdom arc is where the story often becomes more political, more grounded, and more morally complicated—exactly the kind of shift that helps a live-action adaptation mature with its audience.

New Cast Adds Bigger Storytelling Possibilities

Netflix also confirmed additional casting that points to deeper world expansion and more pivotal story beats.

New Season 2 additions include:

  • Terry Chen as Jeong Jeong
  • Dolly de Leon as Lo and Li
  • Lily Gao as Ursa
  • Dichen Lachman as Yangchen

These characters signal that the series is widening the lens beyond just action and travel. Expect more:

  • mentor figures and spiritual training
  • political consequences tied to the Fire Nation
  • emotional backstory that deepens core character motivations

For entertainment professionals, bigger world-building usually means more production needs across the board—supporting roles, featured extras, stand-ins, stunt performers, and specialized crews for large environment-driven sequences.

Renewed Through Season 3: Netflix Commits to the Full Arc

Netflix has also renewed the series through Season 3, which is a major vote of confidence and a clear plan: this adaptation intends to finish the story in full.

Future casting additions mentioned for later seasons include:

  • Jon Jon Briones as Piandao
  • Tantoo Cardinal as Hama

That kind of long-arc planning is important for fans—and for the industry—because it means:

  • longer-term production continuity
  • larger casting pipelines
  • more opportunities for recurring roles and expanded ensembles

What to Expect in Season 2’s Story Focus

Season 2 is framed around Aang’s continued evolution as the Avatar, with a clear emphasis on mastering the next element and navigating growing complexity—political, spiritual, and personal.

The teaser’s tone suggests:

  • higher pressure training
  • more layered conflict
  • a world that feels more dangerous and demanding
  • character relationships that deepen and strain under responsibility

In short: the adventure isn’t getting smaller. It’s leveling up.

Nick Reiner Arrested After Rob Reiner’s Death

Key takeaways

  • Nick Reiner, 32, was arrested and is being held without bail in connection with the deaths of Rob Reiner and Michele Singer Reiner.
  • The couple were found dead in their Brentwood, Los Angeles home, and authorities are preparing to present the case to prosecutors.
  • Reports indicate the couple were stabbed, though investigators have not publicly confirmed every detail.

What happened to Rob Reiner and Michele Singer Reiner?

Los Angeles authorities say filmmaker Rob Reiner (78) and photographer and producer Michele Singer Reiner (70) were found dead inside their home in Brentwood, Los Angeles, in what police described as an apparent homicide.

Their son, Nick Reiner, was arrested Sunday night and booked on suspicion of murder. Police said he is being held without bail as the investigation continues.

Multiple reports indicate the couple were stabbed, though investigators have not publicly released every detail.


Timeline of the investigation

Here’s what has been reported so far:

  • Sunday: Rob and Michele Reiner were found dead at their home.
  • Sunday night: Nick Reiner was arrested and booked on suspicion of murder.
  • Tuesday: Authorities planned to present the case to the district attorney for review as charging decisions are considered.

Several attendees also described a tense confrontation between Rob and Nick Reiner at a holiday party the night before the bodies were discovered, though the specifics remain unclear.


Rob Reiner’s career and legacy

Rob Reiner was one of Hollywood’s most influential figures, first gaining national recognition as an actor on “All in the Family.” He later became a celebrated director behind some of the most beloved films of the last four decades.

His filmography includes:

  • “This Is Spinal Tap”
  • “Stand By Me”
  • “The Princess Bride”
  • “When Harry Met Sally…”

Beyond filmmaking, Reiner remained a prominent public figure, known for his political activism and long-standing presence in Hollywood.


Michele Singer Reiner

Michele Singer Reiner began her career as a photographer before becoming a producer. Friends and colleagues described her as deeply creative and devoted to her family.

Her real-life relationship with Rob Reiner is widely credited with influencing the ending of “When Harry Met Sally…”, one of the most iconic romantic comedies in film history.


Nick Reiner’s background

Nick Reiner has spoken openly about years of substance abuse, repeated attempts at treatment, and periods of homelessness beginning in his teenage years.

He later collaborated with his father on the 2016 film “Being Charlie,” a semi-autobiographical project that explored addiction and a strained father-son relationship.

At this stage, Nick Reiner has not been convicted of a crime. Prosecutors will determine whether formal charges are filed as the investigation continues.


Conclusion

As the investigation continues into the deaths of Rob Reiner and Michele Singer Reiner, authorities have arrested their son, Nick Reiner, who remains held without bail while prosecutors review the case. More details are expected as officials determine whether formal charges will be filed and what evidence will be presented publicly. In the meantime, tributes to Rob Reiner’s decades-long film and television legacy—and to Michele Singer Reiner’s creative work—continue to grow as the industry mourns the loss.

Khloé Kardashian Calls Out “Gross Commentary” About Amari Thompson

Takeaways

  • Khloé Kardashian called out “gross commentary” after sharing videos of Amari Thompson at an inclusive dance class.
  • Amari, Tristan Thompson’s younger brother (not his son), lives with Lennox-Gastaut syndrome (LGS), a severe form of epilepsy.
  • Khloé says she became a primary caregiver after Tristan’s mom, Andrea Thompson, died in January 2023.
  • The bigger story: how entertainment culture (and creator culture) treats disability—on camera, online, and in real life.

Khloé Kardashian responds to hurtful comments

Khloé Kardashian is calling out what she described as “gross commentary” after sharing videos of Amari Thompson participating in a dance class in Los Angeles.

The Good American co-founder, 41, posted highlights from Amari’s class at Carousel Dance Studio, including a routine set to music from High School Musical. While many viewers responded positively, Khloé revealed that some comments crossed the line.

In an Instagram Stories video shared on December 13, she addressed the criticism directly.

“Last time I posted Amari in his dance class, I heard some ridiculous commentary about, ‘How is this dance? Does he even know what’s going on?’ All of this gross commentary that I don’t need, no one needs.”

She added that people unfamiliar with individuals with special needs should think twice before commenting.

“If you don’t know or you have never had someone with special needs in your life and you don’t know what their interests are or what makes them happy, don’t comment. And if you don’t like this type of content, you don’t have to watch it. We’re all good over here.”


Who is Amari Thompson?

Amari Thompson is the younger brother of NBA player Tristan Thompson. He lives with Lennox-Gastaut syndrome (LGS), a rare and severe form of epilepsy that causes frequent seizures and significant developmental challenges.

Khloé has been open about Amari’s condition, explaining that he cannot walk or speak and requires full-time care and medical support.


Why Khloé became Amari’s primary caregiver

Khloé recently spoke in depth about her decision to care for Amari on her podcast, Khloé in Wonder Land.

She explained that her involvement began years ago due to her close relationship with Tristan’s late mother, Andrea Thompson.

“When I met Tristan and his family almost 10 years ago, Andrea and I became such good friends. I helped her with Amari medically and was very involved in his appointments.”

After Andrea’s sudden death from a heart attack in 2023, Khloé felt a responsibility to step in—regardless of her romantic relationship with Tristan.

“My commitment to Andrea has nothing to do with Tristan. Amari deserves someone who will be there for him and take care of him.”


Why Amari lives with Khloé in Los Angeles

Khloé also shared that Tristan’s demanding NBA schedule makes frequent travel unsafe for Amari, who experiences multiple seizures daily.

“It’s not conducive for Amari to be on that many planes. So Amari stays in LA with me.”

She added that Amari has professional caretakers and has become a cherished part of her household.

“We just want to provide Amari with the best, most beautiful life that we know how.”


Amari’s bond with the family

Khloé said one of the most meaningful parts of caring for Amari is seeing how he interacts with her children and extended family.

“I think it’s so important for my kids and nieces and nephews to be exposed to all different types of people. It teaches compassion and understanding.”

While Amari cannot speak verbally, Khloé says he communicates clearly through expressions and emotion.

“You see the glimmer in his eyes. He’s just such an amazing, amazing young man.”

Bottom line

Khloé Kardashian is making it clear that Amari Thompson’s happiness and inclusion come first. After facing hurtful reactions to videos from his dance class, she called out the “gross commentary,” encouraged people to stop judging what they don’t understand, and reaffirmed her commitment to caring for Amari following the loss of Tristan Thompson’s mother in 2023.

Michael B. Jordan on Acting

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Michael B. Jordan and Jesse Plemons on Acting, Growth, and Why Preparation Only Gets You So Far

“Clear eyes, full hearts, can’t lose.”

For actors Michael B. Jordan and Jesse Plemons, that Friday Night Lights mantra didn’t just define a TV show — it shaped how they approach acting, collaboration, and longevity in an unpredictable industry.

More than a decade after the series ended, both actors have built powerful, respected careers. Jordan went on to collaborate repeatedly with director Ryan Coogler on Fruitvale Station, Creed, Black Panther, and most recently Sinners. Plemons became one of the most sought-after character actors of his generation, working across TV and film with auteurs like Jane Campion, Martin Scorsese, and Yorgos Lanthimos.

When the two reunite, their conversation reveals something every aspiring actor should hear: acting isn’t about control — it’s about trust, play, and belief.


Acting Is a Game — If You Let It Be

Both Jordan and Plemons credit Friday Night Lights with changing how they see acting. The show’s loose, improvisational style forced them to stay present and adaptable at all times.

Plemons describes the experience as almost chaotic — especially for network television — but says that chaos created freedom.

He explains that the show taught him something vital: great performances don’t come from rigid planning. They come from exploration.

Trying to surprise your scene partner. Letting moments unfold naturally. Treating scenes like a game instead of a test.

For aspiring actors, this is a major mindset shift. Acting isn’t about “getting it right.” It’s about staying open long enough for something real to happen.


Preparation Matters — But Belief Matters More

As their careers evolved, both actors developed highly personal preparation techniques.

For Jordan, playing identical twins in Sinners meant understanding each character from the inside out — not just how they looked, but how they carried pain, trauma, and history differently. Small choices mattered: shoes that were too tight, clothing that changed posture, even gold caps that altered how he spoke.

But the most important work happened internally.

Jordan explains that once he understood the emotional truth of each brother, everything else followed.

Plemons echoes this idea when discussing his role as Teddy, a conspiracy theorist in Bugonia. Teddy believes — completely — that he’s saving the world. If Plemons didn’t believe that, the performance wouldn’t work.

That’s when he shares a feeling every actor recognizes: the moment after you book the job, when excitement turns into fear.


The Quote That Defines Becoming an Actor

One of the most important lessons for aspiring actors comes from Plemons when he describes that shift from booking to performing:

“There’s a period of time when you get a job — the best feeling in the world. Then when it’s time to start, it’s always this sinking feeling like, ‘Now I have to do this.’” — Jesse Plemons

That quote perfectly captures the reality of acting.

Fear doesn’t mean you’re unprepared. It means the work matters.

Every actor — even the most experienced — faces that moment. The key isn’t eliminating the fear. It’s learning to move forward anyway.


Music, Movement, and Getting Out of Your Head

Both actors also talk about using music to prepare — not to intellectualize the role, but to escape overthinking.

Jordan used music to transition between characters, helping him shed one identity and step fully into another. Plemons creates long playlists for every project, letting them run without control, trusting that the right emotional tone will surface.

The goal, as Plemons puts it, is simple: get out of your head.

Preparation is important — but at some point, thinking has to stop and doing has to begin.


What Aspiring Actors Should Take Away

This conversation offers a clear message for anyone trying to become an actor:

  • Acting is built on trust, not certainty
  • Fear is part of the process — not a sign of failure
  • Preparation sets the stage, but belief carries the performance
  • The best work comes when you stop protecting yourself

Michael B. Jordan and Jesse Plemons didn’t follow identical paths — but they share the same foundation: curiosity, courage, and a willingness to jump in before feeling ready.

That’s not just how careers are built.

That’s how actors are made.

‘28 Years Later III’: Cillian Murphy in Talks

Takeaways

  • Sony is moving ahead with ‘28 Years Later III’, the third film in the revived zombie franchise.
  • Cillian Murphy is in talks to return, reuniting with director Danny Boyle and writer Alex Garland.
  • The project follows 28 Years Later and 28 Years Later: The Bone Temple, both produced under Sony’s multi-film deal.
  • Nia DaCosta’s Bone Temple, starring Ralph Fiennes and Jack O’Connell, arrives January 16 and has already sparked strong early reactions.
  • For horror fans and industry professionals, this signals long-term franchise plans, meaning more high-concept genre work and potential casting opportunities down the line.

Sony Returns to the World of Rage

The post-apocalyptic world first unleashed in 28 Days Later is expanding once again. Sony is officially moving forward with a third installment in the 28 Years Later franchise, informally dubbed 28 Years Later III.

The studio is returning to the zombie-ravaged landscape with:

  • Danny Boyle developing the next chapter
  • Alex Garland penning the script once again
  • Cillian Murphy in talks to return to the universe he helped define over two decades ago

While Sony isn’t commenting publicly yet, the move confirms what many genre fans and industry watchers have been hoping for: the 28 franchise is being treated as a long-term, big-screen horror event, not just a one-off revival.


Cillian Murphy’s Potential Return to the Franchise

Cillian Murphy first exploded onto the global stage with 28 Days Later, playing Jim, the everyman who wakes up to a transformed, rage-infected London. Since then, his career has skyrocketed—culminating in an Oscar win for his performance in 2023’s Oppenheimer.

Now, Murphy is:

  • In talks to star in 28 Years Later III, re-entering the franchise that launched him into genre icon status
  • Already confirmed to have a small role in 28 Years Later: The Bone Temple, the second film in the new cycle

His involvement is a massive marketing boost:

  • It reconnects the new trilogy to the original film’s emotional core.
  • It deepens the sense of continuity for longtime fans.
  • It creates strong awards-caliber prestige around what is, at heart, a gritty, visceral horror series.

For casting professionals and creatives, having Murphy attached signals that this is not just another zombie sequel—it’s a high-profile, actor-driven project with serious artistic ambition.


Danny Boyle, Alex Garland, and a Long-Game Franchise Plan

The creative spine of the series remains firmly intact:

  • Danny Boyle has long said he would direct a third film if it moved forward.
  • Alex Garland, who wrote the original 28 Days Later and returned for 28 Years Later, is once again handling the script (he did not write 28 Weeks Later, making this a return to the core creative partnership).

Sony’s journey with the franchise has been strategic:

  • The studio won the rights in January 2024 after a competitive bidding war.
  • Boyle initially pushed for a three-film commitment.
  • Sony committed to two films, which were shot back-to-back:
    • 28 Years Later, released in January and grossing $151.3 million worldwide.
    • 28 Years Later: The Bone Temple, arriving January 16.

The third film moving forward now suggests that:

  • The first film performed well enough to justify continuing the story.
  • Early reactions to The Bone Temple have been strong enough to give Sony confidence in extending the trilogy.

28 Years Later and The Bone Temple: Setting the Stage

The first 28 Years Later did what any modern franchise entry has to do:
Reintroduce the world, update the stakes, and connect new characters to the original mythology while standing on its own.

Key points from the new cycle:

  • 28 Years Later re-established the rage-infected world decades after the original outbreak, expanding the timeline and exploring what long-term survival looks like.
  • 28 Years Later: The Bone Temple pushes that story further, with Nia DaCosta stepping into the director’s chair.

The second film:

  • Has already held its first screenings, reportedly drawing strong reactions.
  • Stars Ralph Fiennes and Jack O’Connell in key roles.
  • Features a small appearance by Cillian Murphy, keeping the connective tissue between generations of the franchise.

Danny Boyle himself praised DaCosta’s approach, recalling that she told him, “I’m not going to make a Danny Boyle movie.” She’s delivered her own vision, not a copy, and he describes the film as “very strong.” That kind of creative hand-off is a good indication the franchise is being treated as a serious, filmmaker-driven space—not just a brand template.


Why ‘28 Years Later III’ Matters for Horror and the Industry

The 28 series has always been more than a simple zombie saga. It helped redefine:

  • The pace and intensity of modern horror
  • The idea of fast, feral infected versus traditional shambling zombies
  • The blend of character drama and social commentary within genre storytelling

With 28 Years Later III moving forward, several things are clear:

  1. Prestige Horror Is Still Thriving
    With filmmakers like Boyle and Garland involved—and a cast that includes heavyweights like Murphy and Fiennes—the franchise sits at the intersection of commercial genre and awards-level talent.
  2. Studios Are Leaning Into Multi-Film Horror Arcs
    Sony’s willingness to commit to a multi-film plan shows that horror isn’t just a one-off gamble; it’s a long-term IP strategy, especially when there’s an established fanbase.
  3. More Room for New and Emerging Talent
    Each installment demands a fresh ensemble: survivors, soldiers, civilians, scientists, and more. That means ongoing casting opportunities for actors, as well as consistent work for stunt performers, creature performers, make-up teams, SFX, and VFX artists across multiple films.
  4. International Reach for Genre Credits
    Being part of the 28 franchise—on screen or behind the camera—offers visibility well beyond a single release window. These films are likely to live on in streaming, physical media, and franchise retrospectives for years.

Looking Ahead to the Third Chapter

Details for 28 Years Later III are still under wraps:

  • No official title beyond its working identity as the third 28 Years Later film.
  • No confirmed plot, locations, or supporting cast announcements yet.
  • Timing on production and release will likely follow the performance of The Bone Temple and the scheduling of its top-tier talent.

What is clear, though, is that the franchise isn’t done evolving. With Danny Boyle at the helm, Alex Garland on the script, Nia DaCosta having added her own chapter, and Cillian Murphy potentially returning in a major role, 28 Years Later III is shaping up to be one of the most closely watched horror projects in development.

For actors, filmmakers, and crew, it’s another reminder that genre storytelling remains a powerful engine for career-making opportunities—and that the infected world of 28 Days Later is still a place where bold creative choices can make a lasting impact.

How to Get Cast on ‘Don’t Ever Wonder’ Starring Nia Long and Larenz Tate

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Netflix is building major momentum behind Don’t Ever Wonder, the upcoming romance film from director Eugene Ashe. The project—now officially titled Don’t Ever Wonder—stars Nia Long and Larenz Tate, and has added 10 new cast members to its lineup.

While the film’s plot details remain under wraps, the latest casting update signals that Don’t Ever Wonder is shaping up to be a must-watch title with a deep ensemble.

What Is “Don’t Ever Wonder” About?

For now, Netflix is keeping the official logline private. What has been shared is that Don’t Ever Wonder is inspired by Maxwell’s album Urban Hang Suite—a clue that the film may lean into romance, mood, and emotional storytelling in a way that matches the album’s vibe.

“Don’t Ever Wonder” Lead Stars: Nia Long and Larenz Tate

At the center of Don’t Ever Wonder are two standout leads:

  • Nia Long
  • Larenz Tate

Both are also credited as executive producers, suggesting they’re creatively invested in shaping the tone and storytelling of the film.

Netflix Adds 10 New Cast Members to “Don’t Ever Wonder”

Netflix has added the following performers to the cast of Don’t Ever Wonder:

  • Blair Underwood
  • Laz Alonso
  • Susan Kelechi Watson
  • Pauletta Washington
  • Dennis Haysbert
  • Chante Adams
  • Algee Smith
  • Grasie Mercedes
  • Navia Robinson
  • Yolonda Ross

With this many names joining the production, Don’t Ever Wonder is clearly expanding into a richer on-screen world—often a sign of layered relationships, multiple storylines, and a romance that reaches beyond the central couple.

Who’s Behind “Don’t Ever Wonder”?

Eugene Ashe is directing Don’t Ever Wonder, working from a script co-written with Kay Oyegun.

Producers include:

  • James Lopez
  • Charles D. King
  • Poppy Hanks (for Macro Film Studios)

Executive producers include:

  • Maxwell
  • John D. Hammond
  • Nia Long
  • Larenz Tate

Casting Directors for “Don’t Ever Wonder”

Casting is a major part of building a standout romance—especially one expanding into an ensemble—because chemistry and authentic performances are everything. One of the casting offices connected to Don’t Ever Wonder is:

Grant Wilfley Casting

Grant Wilfley Casting is widely recognized for casting talent across film, television, and major streaming projects, with a strong reputation for assembling believable, character-driven ensembles. Their work is often associated with productions that need performers who feel natural on screen—whether in lead roles, supporting parts, or key co-star appearances—making them a notable casting name to watch as Don’t Ever Wonder continues to develop.

Casting Call: Netflix’s ‘Don’t Ever Wonder’ Casting Call for Streetwear Models

Hip Streetwear Model Types for Feature Film Still Photo Shoot

Job Description
A feature film is seeking hip streetwear model types for a paid still photo shoot tied to a professional production. Casting is looking for confident, camera-ready talent with a modern street-style vibe—perfect for those pursuing modeling opportunitiesfilm photo shoot work, and paid background casting.

The film, Don’t Ever Wonder, stars Nia Long and Larenz Tate, and has recently expanded its ensemble with Blair Underwood, Laz Alonso, Susan Kelechi Watson, Pauletta Washington, Dennis Haysbert, Chante Adams, Algee Smith, Grasie Mercedes, Navia Robinson, and Yolonda Ross. The project is directed by Eugene Ashe, who also co-wrote the script with Kay Oyegun, and is inspired by Maxwell’s Urban Hang Suite (story details are being kept under wraps).

Job Responsibilities

  • Pose for a still photo shoot showcasing a streetwear-inspired look and attitude
  • Follow direction from the photographer and on-set team
  • Bring confident energy and strong on-camera presence throughout the shoot
  • Arrive prepared, punctual, and ready to work within the scheduled time window

Requirements

  • Must fit the following sizes:
    • Women: dress 4–8
    • Men: M–L
  • Comfortable modeling streetwear looks and being photographed on a working set
  • Must be able to work as a local hire in New Jersey

Compensation

  • $224 for 8 hours

Click here to apply now!

Why “Don’t Ever Wonder” Is One to Watch

With Netflix backing the project, Eugene Ashe directing, and a cast led by Nia Long and Larenz Tate—now expanded with 10 notable additions—Don’t Ever Wonder is quickly becoming one of those romance films that audiences will be watching closely as soon as first-look images and trailers drop.

Find Your Next Role on Project Casting

Want to stay ready for opportunities tied to major streaming projects and buzzworthy films like Don’t Ever Wonder? Project Casting helps actors, creatives, and entertainment professionals find casting calls and production jobs in one place.

Browse casting calls and apply today on Project Casting.

Austin Butler Reveals He Slept on Set to Get Into Character for ‘Caught Stealing’

Austin Butler Reveals How He Fully Became His Character in Caught Stealing

Academy Award–nominated actor Austin Butler is known for disappearing into his roles — from Elvis Presley to gritty, transformative performances that push him emotionally and physically. But in Darren Aronofsky’s Caught Stealing, Butler faced a very different challenge: playing a character who looked a lot like himself, with nowhere to hide.

In a recent interview with Variety, Butler opened up about his preparation for the role of Hank, a former baseball player drifting through life after a series of bad decisions. What begins as a simple pet-sitting job quickly spirals into chaos, pulling Hank into a dangerous chase involving powerful groups willing to kill for what he unknowingly possesses.

While the story is intense, Butler’s approach to acting in Caught Stealing offers powerful lessons for aspiring actors — especially when it comes to realism, vulnerability, and staying connected to character.


Why Austin Butler Slept on Set to Prepare for the Role

One of the most talked-about details from Butler’s preparation is surprisingly simple: he slept overnight in Hank’s apartment — even though it was just a set.

According to Butler, spending a full night in the space helped him stop seeing it as a filming location and start feeling like it was home.

“For one night, I had the whole apartment to myself,” Butler said. “I played music, I danced around, and I ate Chinese food in there. It made me feel like I really lived there.”

That immersion went so far that Butler slept through the night and woke up to the crew arriving — while he was still in his underwear.

It wasn’t about method acting for spectacle. It was about tricking his brain into believing the environment.

“It made it feel like it wasn’t a set anymore,” he explained. “There are many things that conspire against you when you’re making a movie — the lights, the cameras, the missing ceiling. The more I can do to trick myself, the more important it is.”

Acting Lesson for Aspiring Actors

Great performances often come from small, practical choices. Creating emotional truth doesn’t always require big gestures — sometimes it’s as simple as living in the space long enough for it to feel real.


Playing a Character Without Disguise Felt More Vulnerable

Unlike many of Butler’s recent roles, Caught Stealing didn’t require wigs, prosthetics, or major physical transformations. That made the experience more intimidating.

For Butler, acting originally provided a form of protection.

“One of the reasons I got into acting in the first place was that I am very shy,” he said. “Getting to play characters let me put on this other skin and become this other person. That made me feel free.”

But playing someone closer to himself removed that shield.

“Playing a character that feels more like myself left me with nowhere to hide and made me feel vulnerable.”

Acting Lesson for Aspiring Actors

Some of the hardest roles aren’t the most dramatic — they’re the ones that feel personal. Vulnerability is often where the most honest performances live.


Why Judging Your Character Can Ruin a Performance

As Hank makes increasingly questionable choices, Butler admits there were moments when he struggled to sympathize with his character. But he quickly recognized that judging Hank would weaken the performance.

“Sometimes I’d go, ‘Man, I want to like Hank more. I want him to make better decisions,’” Butler said. “I almost started to feel the seeds of judgment for my character. And that’s dangerous.”

Instead, Butler focused on finding Hank’s humanity.

“So a lot of my journey was finding his good heart.”

This mindset aligns with one of the most important acting principles: characters don’t see themselves as villains. Every character believes they’re doing the best they can with what they have.

Acting Lesson for Aspiring Actors

Judging your character creates distance. Understanding them creates truth. Even flawed characters deserve empathy — especially from the actor playing them.


Why Caught Stealing Matters for Actors Watching From Home

Directed by Darren Aronofsky, Caught Stealing blends crime, chaos, and psychological tension — but for actors, the film is also a masterclass in grounded performance.

Butler’s preparation highlights key truths about acting:

  • Immersion helps override distractions
  • Vulnerability creates authenticity
  • Judgment kills connection
  • Belief turns sets into reality

Whether you’re preparing for your first audition or your next big role, Butler’s approach is a reminder that acting isn’t about pretending — it’s about believing.


Ready to Find Your Next Acting Opportunity?

Project Casting helps actors discover real casting calls, auditions, and roles in film, TV, commercials, and digital projects — all in one place.

Ethan Hawke, Sydney Sweeney on Acting: ‘The Joy is Completely Losing Yourself’

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Ethan Hawke and Sydney Sweeney Reveal the Truth About Acting: “The Joy Is Completely Losing Yourself”

For anyone dreaming of becoming an actor, the path can feel mysterious, intimidating, and uncertain. But in a candid conversation in Variety between veteran actor Ethan Hawke and breakout star Sydney Sweeney, the craft is stripped down to its core truth: acting isn’t about fame, perfection, or being fearless — it’s about losing yourself in the work.

Hawke, who has spent more than 40 years building a career across film, television, and theater, speaks with the calm clarity of someone who has seen every side of the industry. Sweeney, fresh off physically transforming herself for Christy, meets him with the hunger and intensity of an actor who knows exactly why she does this.

Despite their age difference, they connect instantly over the same thing: the feeling that happens when acting stops being about you.

Acting Isn’t About You — And That’s the Point

Early in the conversation, Hawke puts words to something many actors feel but struggle to explain. He tells Sweeney that the best moments in acting are rare — but unmistakable.

“The joy is completely losing yourself. Acting, at its best, is not about you at all.”

That line perfectly captures the heart of their discussion — and the essence of becoming an actor.

For aspiring performers, this idea can be freeing. Acting isn’t about controlling how you look, sound, or are perceived. It’s about letting go. When actors stop protecting themselves and start serving the character, something real happens.

Sweeney embodies that philosophy in Christy, a biopic about boxer Christy Martin. She didn’t just prepare — she surrendered. She trained twice a day, gained 35 pounds, embraced bruises and exhaustion, and even suffered a concussion during filming. For her, the physical toll wasn’t something to fear — it was proof she was all in.

“I will do anything,” she told the director before being cast. “I will lose myself.”

Becoming an Actor Means Taking Dares

Throughout the conversation, Hawke returns to the idea of risk. Acting, he explains, is about daring to look foolish, daring to fail, daring to go too far.

He recalls advice from directors like Richard Linklater: do a take where you do everything you’re worried might be wrong. Those takes — the “crazy” ones — often reveal something honest.

Sweeney echoes this when talking about her role on Euphoria. Playing Cassie required emotional abandon. She had to stop judging her choices and trust her instincts, even when they felt extreme.

For aspiring actors, this is a crucial lesson: growth doesn’t come from playing it safe. It comes from committing fully, even when you’re unsure.

The Emotional Aftermath No One Talks About

Another powerful insight from their conversation is what happens after a role ends.

Sweeney describes the strange emptiness she felt when filming wrapped. After months of total immersion, saying goodbye to a character felt like a loss. She stood in front of the mirror and wondered if she’d ever experience something that meaningful again.

Hawke understands this deeply. He points out that actors are often asked how they “get into character,” but rarely how they let one go. Over time, he’s learned to keep the qualities he admires in the characters he plays — and consciously shed the darker ones.

This process, he explains, is part of how acting shapes you as a human being, not just a performer.

Why This Matters for Aspiring Actors

If you’re trying to become an actor, this conversation offers a grounding truth:

You don’t need to have it all figured out. You don’t need to be fearless. You just need to be willing to lose yourself.

Acting isn’t about chasing approval or avoiding mistakes. It’s about commitment, curiosity, and courage — showing up fully and taking the dare, even when it scares you.

Or, as Hawke’s words quietly remind us:

“The joy is completely losing yourself.”

And that may be the clearest definition of acting there is.


If you want, I can:

  • Turn this into a Project Casting blog post
  • Pull short motivational quotes for social media
  • Rewrite it as a “How to Become an Actor” lesson
  • Create an Instagram carousel for aspiring actors

Just say the word 🎭

FX ‘Adults’ Season 2 is Now Filming in Toronto

Takeaways

  • FX comedy Adults is filming Season 2 in Toronto from January 19 to March 16, 2026, under the code name “Snowflakes.”
  • The series follows messy but big-hearted 20-somethings in New York trying to figure out adulthood, and it streams on Disney+ in Canada.
  • Netflix projects “The Body” and “The Boy in the Iron Box” are also shooting in Toronto, bringing more work for local actors and crew.
  • Background roles, day-player parts, stand-ins, and specialty skills will all be in demand across comedy, drama, and horror.
  • Now is the time to update your materials and watch casting calls so you’re ready to submit as new roles open up.

FX’s “Adults” Returns — and It’s Filming in Toronto

Hollywood North doesn’t slow down for winter. Even when the temperature drops, Toronto stays busy with productions shooting across the city, and one of the most exciting returning shows is FX’s comedy series “Adults.”

Created by Ben Kronengold and Rebecca Shaw (known for their work on The Tonight Show Starring Jimmy Fallon), “Adults” premiered its first season in May and quickly carved out a space as a sharp, heartfelt look at modern adulthood.

A few months after Season 1 wrapped, FX officially renewed “Adults” for a second season. The new episodes are set to film right in Toronto, giving local talent a chance to work on a stylish, character-driven comedy with a strong ensemble.

Season 2 filming details:

  • Working title: “Snowflakes”
  • Location: Toronto, Ontario
  • Production dates: January 19, 2026 – March 16, 2026

For actors and crew, those dates mark an important window to keep an eye on local casting calls and production activity.


What “Adults” Is About

“Adults” centers on a group of 20-somethings in New York who are trying their best to be “good people,” even though they’re still figuring out what that actually means.

According to FX, these friends are:

  • Works-in-progress
  • Full of bad ideas and half-baked theories of adulthood
  • But always showing up for each other when it matters most

The series stars:

  • Malik Elassal
  • Lucy Freyer
  • Jack Innanen
  • Amita Rao
  • Owen Thiele

In Canada, “Adults” streams on Disney+, which means Toronto-based performers who book even a small role have a chance to be seen by audiences well beyond the local market.

From an acting perspective, the show offers:

  • Natural, grounded comedy and slice-of-life moments
  • Opportunities for supporting roles and day players as friends, coworkers, bar patrons, party guests, and city locals
  • Frequent need for background performers to fill out the world of New York

If your strengths include improv, subtle comedic timing, and relatable, everyday characters, “Adults” is exactly the kind of series where that skill set shines.


Toronto’s Growing Slate: More Than Just One Show

“Adults” isn’t the only production using Toronto’s streets, studios, and crews. The city is also hosting major projects for Netflix, giving local talent a broad mix of genres to target.


Netflix’s “The Body”: A Dark Coming-of-Age Story

One of the standout projects currently filming in the city is “The Body,” an eight-episode Netflix coming-of-age drama.

The series centers on a group of young characters whose lives are changed by a disturbing event, blending:

  • Teen drama
  • Psychological tension
  • Emotional, character-driven storytelling

Key production details from the article:

  • Format: Eight-episode Netflix drama
  • Location: Toronto
  • Production timeline: Started at the end of September and is scheduled to wrap on February 6, 2026

For actors, “The Body” offers opportunities such as:

  • Teen and young adult roles with intense emotional arcs
  • Background and featured roles as students, family members, teachers, and townspeople
  • Characters that move between everyday life and high-stakes, dramatic situations

If your reel leans toward grounded drama and complex emotional beats, this project is one to watch.


Netflix’s “The Boy in the Iron Box”: Horror in Hollywood North

Toronto is also home to a new Netflix scary film based on a novella series by Oscar-winning Guillermo del Toro and Chuck Hogan, both known for their work in the horror genre.

The film is titled “The Boy in the Iron Box” and is adapted from the Amazon Original Stories novella series of the same name.

From the article, we know:

  • Title: “The Boy in the Iron Box”
  • Type: Netflix horror film
  • Based on: Novella series by Guillermo del Toro and Chuck Hogan
  • Cast:
    • Rupert Friend
    • Kevin Durand
    • Jaeden Martell
  • Toronto production dates:
    • Filming began on October 17
    • Scheduled to wrap on December 24
  • Release date: Not yet announced

Horror projects like this typically need:

  • Background mercenaries, townspeople, and other supporting characters
  • Performers comfortable with physical work, stunts, and atmospheric scenes
  • Actors who can deliver intense reactions and emotional stakes, even with limited dialogue

Working on a genre film adapted from well-known horror authors is a strong resume booster for anyone looking to build a niche in horror, thriller, or supernatural projects.


The Bottom Line

From FX’s “Adults” to Netflix’s “The Body” and “The Boy in the Iron Box,” Toronto is proving once again that it’s a key player in North American film and TV production.

For actors, background talent, and crew, this wave of projects is a clear signal:

Now is the time to update your materials, stay on top of casting calls, and be ready to say yes when the right opportunity appears. Hollywood North is busy—and there’s room for you in the story.

Jennifer Lawrence Is Returning to ‘The Hunger Games’

Takeaways

  • Jennifer Lawrence and Josh Hutcherson are officially returning as Katniss Everdeen and Peeta Mellark in The Hunger Games: Sunrise on the Reaping.
  • The prequel is set to hit theaters on November 20, 2026, giving the franchise another major tentpole release.
  • The story focuses on the 50th Hunger Games—24 years before the original trilogy—but Katniss and Peeta are expected to appear in a flash-forward timeline.
  • Francis Lawrence returns to direct, joined by a star-studded cast including Ralph Fiennes, Jesse Plemons, Kelvin Harrison Jr., Kieran Culkin, Elle Fanning, Mckenna Grace, Maya Hawke, Whitney Peak, Glenn Close, and Joseph Zada.
  • For actors and entertainment professionals, this film signals ongoing life for the Hunger Games universe, sustained demand for franchise storytelling, and potential future casting opportunities across Lionsgate projects.

Katniss and Peeta Are Back in the Arena (Sort Of)

The Hunger Games universe is heading back to theaters—and this time, two familiar faces are along for the ride.

Jennifer Lawrence and Josh Hutcherson are set to return to the franchise in The Hunger Games: Sunrise on the Reaping, Lionsgate’s upcoming prequel feature. The film is scheduled for a November 20, 2026 theatrical release, positioning it squarely as a major holiday blockbuster.

Lawrence will once again play Katniss Everdeen, and Hutcherson will reprise Peeta Mellark. Their involvement is described as a likely flash-forward appearance, meaning audiences can expect to glimpse the older Katniss and Peeta outside the main prequel storyline. The studio has not revealed specific plot details about how or where they’ll appear, which leaves room for speculation—and for fans, a big emotional hook.

For industry professionals, their return is a reminder of how powerful IP can bring actors back to defining roles even years after a series seemingly wrapped.


A Return to Panem’s Past: The 50th Hunger Games

Sunrise on the Reaping adapts Suzanne Collins’ best-selling novel of the same name and is set 24 years before the events of the original Hunger Games book.

The story unfolds in Panem on the morning of the reaping for the 50th Hunger Games—also known to fans as the Second Quarter Quell. This is a critical period in the lore, taking place long before Katniss volunteers as tribute in the 74th Games.

By centering the narrative on an earlier generation, the film has room to:

  • Explore how the Games evolved into the spectacle seen in the original films.
  • Deepen the political and emotional context around the Snow regime.
  • Introduce a fresh slate of tributes, mentors, and Capitol figures, while still connecting back to the characters audiences already love.

The prequel follows on the heels of the 2023 film The Hunger Games: The Ballad of Songbirds & Snakes, signaling Lionsgate’s continued commitment to building out Panem’s cinematic timeline.


A Stacked Cast and Familiar Creative Team

Behind the camera, Francis Lawrence returns to direct. He previously helmed multiple entries in the franchise, giving him a strong track record with the tone, world-building, and character dynamics that define The Hunger Games films.

The on-screen ensemble for Sunrise on the Reaping is equally impressive. Confirmed core cast members include:

  • Ralph Fiennes as President Snow
  • Jesse Plemons as Plutarch Heavensbee
  • Kelvin Harrison Jr. as Beetee Latier
  • Kieran Culkin as Caesar Flickerman
  • Elle Fanning as Effie Trinket
  • Joseph Zada
  • Glenn Close
  • Mckenna Grace
  • Maya Hawke
  • Whitney Peak

The script comes from Billy Ray, adapting Collins’ novel, with Nina Jacobson and Brad Simpson producing for Color Force and Cameron MacConomy serving as executive producer.

For actors, this lineup underscores how franchise projects often bring together:

  • Established, award-winning talent
  • Rising stars and breakout performers
  • A mix of returning characters and new faces, each with distinct arcs and screen time

It’s the kind of environment where a single strong performance—whether from a lead, supporting role, or even a memorable smaller part—can lead to future work across the studio’s slate.


The Franchise Legacy: From 2012 to 2026

The Hunger Games franchise has already proven its long-term value. Since 2012’s The Hunger Games, the first five movies have earned more than $3.3 billion worldwide at the box office. Those films introduced global audiences to:

  • Jennifer Lawrence as Katniss Everdeen
  • Josh Hutcherson as Peeta Mellark
  • Liam Hemsworth as Gale Hawthorne

The last time we saw Katniss and Peeta on screen was 2015’s The Hunger Games: Mockingjay — Part 2, which ended with the pair married and raising children together in a fragile peace.

Since then, both stars have continued to expand their careers:

  • Lawrence recently picked up a Golden Globe nomination for her work in Die My Love.
  • Hutcherson continues to build his genre and franchise credentials, including a lead role in Five Nights at Freddy’s 2.

Bringing them back for Sunrise on the Reaping is both a nostalgia play and a smart way to bridge generations of fans—longtime viewers from the original films and younger audiences introduced through the newer prequel content.


What This Means for Actors and Industry Pros

While Sunrise on the Reaping is not a casting announcement, it does carry a few important signals for entertainment professionals:

  1. Franchises Still Drive Opportunities
    The return of Katniss and Peeta shows how powerful franchises stay active for years, sometimes decades. For emerging actors, getting into a strong IP—even in a smaller role—can create long-term relationships with studios, producers, and directors.
  2. World-Building Requires Deep Benches of Talent
    A film set around the 50th Hunger Games needs a wide range of performers: tributes, mentors, Capitol citizens, rebels, media personalities, and more. Even if principal casting is already in place, projects like this typically involve extensive supporting and background casting, stunts, and specialty roles.
  3. Prequels Open Doors for New Character Types
    Because this story takes place decades before Katniss’ first Games, Sunrise on the Reaping can introduce entirely new character types while remixing familiar archetypes—strategists, survivors, rebels, and entertainers. That means more creative opportunities for actors who can bring specificity and nuance to even short scenes.
  4. Creative Collaborations Keep Repeating
    Francis Lawrence, Nina Jacobson, and Color Force’s continued involvement is a reminder that once a team knows they work well with an actor, they often call on them again—for spin-offs, sequels, or entirely new projects.

For anyone building a career in film and TV, tracking how a franchise evolves over time is a useful blueprint for the kind of roles, relationships, and materials that help you stand out.


The Road to November 2026

With The Hunger Games: Sunrise on the Reaping slated for November 20, 2026, fans have a clear date to circle on their calendars—and the industry has another major tentpole to watch.

For now, plot details around Katniss and Peeta’s return are being kept under wraps. But between the core cast, the returning creative team, and the built-in global audience, the film is already positioned as one of the biggest releases of late 2026.

If you’re an actor, filmmaker, or creative professional, this is the moment to:

  • Keep your materials updated
  • Follow the franchise’s news and ancillary opportunities
  • Stay alert for related casting calls and projects as the Hunger Games universe continues to grow

The games might be set in the past this time—but for the industry, they’re still very much a part of the future.

‘Abbott Elementary’ PAs Unionize With Production Assistants United

Takeaways

  • Production assistants on Abbott Elementary have unanimously voted to unionize with Production Assistants United.
  • All eight eligible PAs voted in favor during an NLRB election, potentially covering up to 12 workers once eligibility questions are resolved.
  • This is the fourth Warner Bros. Television show organized by the group this year, part of a wider PA union movement backed by LiUNA Local 724.
  • The union push highlights concerns about low pay, long hours, and lack of benefits for PAs, historically one of the industry’s most vulnerable crew positions.
  • For early-career workers and aspiring creatives, the move signals a shifting labor landscape where entry-level jobs are starting to come with stronger protections.

Abbott Elementary PAs Vote Yes to a Union

The production assistants of Abbott Elementary—the acclaimed mockumentary-style ABC comedy set in a Philadelphia public school—have taken a major step in the ongoing push to improve working conditions for the people who keep sets running.

In a National Labor Relations Board (NLRB) election, all eight eligible PAs voted to unionize with Production Assistants United, a grassroots organizing effort focused specifically on production assistant roles. The unit may ultimately cover around 12 workers, depending on how one contested eligibility case is decided and whether the employer files objections to certification in the coming days.

This unanimous vote sends a clear message: even at the entry level, crew members are ready to demand fair treatment, better pay, and real benefits.


Who Is Representing Abbott’s PAs?

The Abbott Elementary PAs are organizing with Production Assistants United, which is backed by the Laborers’ International Union of North America (LiUNA) Local 724, a Hollywood laborers’ union that represents studio utility employees and has become a central force in PA organizing.

Production Assistants United has rapidly grown into a key player in below-the-line labor:

  • It aims to unionize one of the last non-union crew roles on many sets: production assistants.
  • The movement has roots in the energy and solidarity of the 2023 writers’ and actors’ strikes, which highlighted how crucial every crew member is to a production.

On Abbott Elementary, the group’s drive went public in mid-September, making it one of the earliest and highest-profile campaigns under the PAU banner.


Part of a Bigger Wave Across Warner Bros. TV

Abbott Elementary is now the fourth Warner Bros. Television production organized by Production Assistants United this year. Other shows that have voted to unionize include:

  • The Pitt (where PAs already have a labor contract in place)
  • All American
  • Georgie & Mandy’s First Marriage

These wins show that PA organizing is not a one-off moment—it’s a sustained campaign running across multiple sets and studios.

Abbott Elementary is produced by both Warner Bros. Television and 20th Television, putting major studio players at the center of this labor conversation.


Why PAs Are Pushing to Unionize

Production assistants are often the first people in and the last people out on set. They handle everything from lockups and runs to paperwork, resets, and communication between departments. Historically, though, PAs have been:

  • Low-paid, especially when you factor in long hours
  • Often without union health or pension plans
  • Expected to shoulder heavy workloads with little job security

Production Assistants United and LiUNA Local 724 are pushing to change that. Across multiple campaigns, PAs have cited priorities such as:

  • Higher wages that reflect the hours and responsibilities
  • Access to healthcare and retirement benefits
  • Enforceable turnaround times and rest periods between shifts
  • Reimbursement policies for mileage, tolls, and other out-of-pocket expenses

As one Abbott PA, Deija Zavala, put it:

“The future of our industry doesn’t seem so bleak when we stand together.”

That sense of solidarity—especially on a show built around themes of community and underfunded public workers—resonates strongly.


“Some of Our Industry’s Most Vulnerable Workers”

Even within Hollywood’s layered hierarchy, production assistants occupy a uniquely precarious spot.

Abbott Elementary writer-producer Brittani Nichols, who began her own career as a PA, has described production assistants as “some of our industry’s most vulnerable workers.” Their roles are essential, but their protections have historically lagged behind those of other crew positions.

Her support highlights a key shift:

  • Writers, producers, and other department heads are increasingly recognizing how critical PAs are.
  • The solidarity formed during the recent WGA and SAG-AFTRA strikes is helping fuel cross-craft support for PA unionization.

In Nichols’ view, organizing is about more than survival wages in an expensive city like Los Angeles—it’s about giving entry-level workers a real chance to thrive in the industry.


The Broader Movement: From One Show to Hundreds of PAs

Abbott Elementary’s unanimous vote is one piece of a much larger strategy. Production Assistants United and LiUNA Local 724 are working to organize more than 1,800 PAs across the country, covering multiple shows and studios.

Recent campaigns include:

  • Union elections on shows like The Pitt, All American, and Georgie & Mandy’s First Marriage
  • New efforts on projects for Netflix and Universal, where PAs are also filing for union elections backed by PAU and LiUNA Local 724

For early-career workers, this organizing wave could reshape what “entry-level” means:

  • More predictable hours and breaks
  • Clear minimum pay structures
  • Health and pension benefits earlier in a career
  • A stronger pathway to stay in the industry long enough to move into writing, producing, directing, or other departments

What Happens Next for Abbott’s PAs?

Although the PAs have voted unanimously to unionize, there are still a few procedural steps ahead:

  • The employer has a short window to file objections to the election or the union’s certification.
  • The NLRB must finalize the result and resolve any disputes about who is included in the bargaining unit.

Once the union is certified:

  • Production Assistants United and LiUNA Local 724 will be able to bargain a first contract on behalf of Abbott’s PAs.
  • That contract could cover wages, hours, benefits, working conditions, and grievance procedures.

Given the momentum behind PA organizing and the high-profile nature of Abbott Elementary, the outcome of those negotiations will be watched closely industry-wide.


A Turning Point for Entry-Level Hollywood Jobs

Abbott Elementary has won acclaim for its warm, sharply observed portrayal of under-resourced public school staff who keep showing up for their students. Now, its own production assistants are sending a parallel message on the labor side:

When workers at the bottom of the ladder organize, they can reshape the industry from the ground up.

For aspiring PAs, coordinators, and creatives working toward long-term careers in entertainment, this is a sign that entry-level work is slowly gaining the respect—and the protections—it deserves.

How to Get Cast in A24’s New Ballet Movie ‘Stages’

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Stages Is Coming: Alex Garland Produces as Sonoya Mizuno Makes Her Directorial Debut

A new A24-backed project is in development, and it’s one performers should pay attention to early. Titled Stages, the film brings together two familiar collaborators in a new way: Sonoya Mizuno is stepping into the director’s chair for her feature directorial debut, while filmmaker Alex Garland is attached as a producer.

For actors and creatives watching the indie film space, this combination is notable. When A24 aligns with a distinct creative voice and a strong producing team, it’s often the type of project that builds momentum quickly once it moves closer to production.


What Is Stages?

Details are still limited, but Stages is being developed through Film4 and A24, and the story is said to be inspired by Mizuno’s background in dance. While plot specifics remain under wraps, the dance influence strongly suggests a film that may lean into physical storytelling, performance, and expressive character work.

That’s important for talent, because projects rooted in movement often create opportunities for performers with dance training, choreography experience, theater backgrounds, or strong physical acting ability.


Sonoya Mizuno’s Directorial Debut: From Dance to the Director’s Chair

Before directing Stages, Sonoya Mizuno built a career both as a dancer and as a screen performer. She trained at the Royal Ballet School in London and danced professionally before becoming known for her film and television work.

Mizuno has appeared in projects such as Ex Machina, Crazy Rich Asians, Annihilation, La La Land, and House of the Dragon. Now, she’s expanding her creative role by developing and directing a feature inspired by her own experience with performance and dance.

Director debuts are especially worth tracking because they can bring new casting preferences and fresh perspectives. First-time directors often champion unique faces, unconventional choices, and authentic performances, especially when the project is personal.


Alex Garland Produces Stages and Why That Matters

Alex Garland’s attachment as producer is a meaningful signal for the film’s creative direction and credibility. Garland has a strong history with A24 and is known for ambitious, elevated storytelling. He also has an established creative relationship with Mizuno, dating back to Ex Machina and their collaboration on the FX/Hulu series Devs.

That kind of repeat partnership often indicates trust and creative alignment, which can help a project move from early development into production more smoothly.


The Producing Team Behind Stages

Beyond Garland and Mizuno, the project also lists producers including Peter Rice, along with Agile Films’ Myles Payne and Sam Ritzenberg. When a film has a clearly defined producing team this early, it can be a sign that packaging is underway and the project has structure behind the scenes.

For performers, that matters because strong packaging can lead to quicker progress on key milestones like casting and crew hiring.


Why Stages Matters for Actors and Creatives

Even without casting announcements yet, Stages stands out for a few reasons:

  • It’s supported by major indie players (A24 and Film4), which often means strong visibility once released.
  • It’s driven by a director’s debut, which can create opportunities for new talent.
  • It’s influenced by dance and performance, which may open doors for movement-forward roles and specialists.

If the film leans into dance as a thematic or structural element, it could also create opportunities beyond on-camera roles, including choreography, movement coaching, dance doubles, and performance consulting.


When Will Stages Be Released?

There is no confirmed release date yet. Projects at this stage typically move through development, scheduling, and casting before a timeline becomes public. The most important updates to watch for next are:

  • casting announcements
  • production start news
  • distributor release plans and festival strategy

How to Prepare Now for Stages-Type Opportunities

If you want to get considered for projects like Stages, focus on preparation that helps you respond quickly when auditions open:

  • Update your headshots, resume, and reel so they reflect your most current look and skills.
  • Highlight special skills like dance styles, movement, stage combat, gymnastics, or choreography experience.
  • Stay active and apply consistently, because many opportunities appear with short turnaround times.

Casting Call: A24’s ‘Stages’ Open Casting Call for Dancers

Young Female Ballet Dancers for Feature Film (Paid Roles)

Job Description
A feature film project is casting young female ballet dancers of East Asian descent for a film set in a UK ballet school. Filming is scheduled for summer 2026, and casting will take place in the UK in early 2026. This opportunity is open to UK- and Ireland-based dancers, and no prior acting experience is required—strong ballet ability is essential.

Job Responsibilities

  • Perform ballet on camera as part of a narrative feature film
  • Follow direction from the director and choreography team
  • Maintain professionalism during rehearsals, fittings, and filming days
  • Work comfortably in a structured ballet school setting on set

Requirements

  • Female ballet dancers, ages 10–14
  • Of East Asian descent
  • Must be based in the UK or Ireland
  • Ballet training/ability required (acting experience not required)
  • Parent/guardian able to support submissions and production needs

Compensation

  • Paid roles (rate provided upon selection)

Click here to apply now!

Apply for Acting Jobs on Project Casting

If you’re ready to find your next role, Project Casting is where you can discover acting auditions and entertainment jobs in film, TV, and streaming. Create or update your profile, submit to opportunities that match your skills, and stay ready for projects like Stages as announcements roll out.

Apply now on Project Casting to get started.