Casting Female Audio Engineers for Paid Non-Union Commercial in Los Angeles
Job Description: Tiffany Company Casting is seeking talented female audio engineers for an upcoming paid non-union commercial filming in Los Angeles. This is an excellent opportunity for skilled professionals to showcase their expertise and be part of a dynamic production team.
Job Responsibilities:
- Set up, operate, and maintain audio equipment for the commercial shoot.
- Ensure high-quality sound recording and playback throughout the filming process.
- Collaborate with the director, producers, and other crew members to achieve the desired audio outcomes.
- Troubleshoot and resolve any technical issues related to audio equipment.
- Follow safety protocols and industry standards during the setup and operation of audio equipment.
Requirements:
- Proven experience as an audio engineer, preferably in commercial or film production.
- Strong technical knowledge of audio equipment and software.
- Excellent problem-solving skills and attention to detail.
- Ability to work collaboratively in a fast-paced environment.
- Female candidates only.
- Availability to travel to Los Angeles for the duration of the shoot.
- Must submit a video submission by Sunday, July 7, 2024.
Compensation Details:
- Paid position, with competitive rates.
- Travel and accommodation expenses will be covered.
- An opportunity to work with a reputable casting company and gain valuable industry experience.
Related jobs:
Sound Mixer/DIT/PA Needed for Commercial Shoot
Job Description
A commercial production is hiring a skilled Sound Mixer/DIT/PA to join the crew. The shoot includes several hours of stock footage in San Francisco, with a street running shot and a living room interview in Sunnyvale.
Job Responsibilities
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Set up and jam timecode independently (camera + audio)
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Operate sound equipment professionally and efficiently
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Collaborate with a small, fast-paced crew
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Capture high-quality audio for both indoor and outdoor scenes
Requirements
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Professional, organized, and quick on set
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Able to work independently with minimal supervision
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Preferred Kit (please specify what you can bring):
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Mixer/Recorder (e.g., MixPre/633/688 or equivalent)
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3–4 wireless lavs + backup batteries/tape
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Boom mic with shockmount and indoor windshield
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Timecode boxes (Tentacle/UltraSync) for camera + recorder
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Slate (if available) and basic IFB/Comtek for director (optional but ideal)
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Compensation
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Pay information provided via email