Everybody in town’s talking about BEHEMOTH. You can hear it in casting offices, over coffee meetings, that quiet “something big’s coming” kind of chatter. Tony Gilroy’s directing, Pedro Pascal’s signed on, and the story’s got real emotional weight — set right in the thick of L.A.’s music scene. It’s not some glossy Hollywood dream piece either; it’s about coming home, digging through old ghosts, and trying to make sense of who you are through your art. Filming’s locked for October through January, which means things are already moving.
If you’re serious about acting — not just dabbling — this is the kind of project you keep on your radar. And getting in the room for something like BEHEMOTH isn’t about luck; it’s about knowing the players, doing your homework, and showing up prepared when the opportunity hits.
About the Project
BEHEMOTH tells the story of Pascal, a symphonic cellist returning to Los Angeles after twenty years away to compose film scores like his family before him. It’s both a personal journey and a larger reflection on creative legacy in Hollywood. Gilroy, known for his sharp, character-driven work (Andor, Michael Clayton), is teaming up with Pascal to create what industry insiders are already calling “a love letter to Los Angeles and its musicians.”
From what’s out there so far, BEHEMOTH is being put together by Gilroy Productions along with Warner Bros. Pictures, and they’re keeping the whole shoot local — all in and around Los Angeles. Nobody’s saying much about the deeper plot, which usually means they’re guarding something interesting. What’s slipped through, mostly from Deadline’s reporting, hints at a mix of psychological drama and a heavy dose of music-world obsession. It’s the kind of story where every performance — whether it’s a note on a cello or a look across the room — actually means something.
Cast
The cast list for BEHEMOTH is already stacked. Pedro Pascal’s front and center — no surprise there — keeping his momentum rolling after The Last of Us. Word is he’s diving into a pretty introspective role this time, more about quiet intensity than swagger. David Harbour’s in the mix too, bringing that grounded, unpredictable energy he does so well, and Eva Victor just joined the lineup. Her addition is interesting — she’s got a sharper, more comedic edge, which hints the movie’s not afraid of lighter moments in between the heavy stuff.
Reports from Deadline back in August and again in October confirmed those names but didn’t spill much else. No character breakdowns, no extra details — just enough to keep people curious. When a production’s that secretive, it usually means they’re still locking in supporting and background roles. Translation: if you’re an actor based in L.A., it’s worth keeping an ear to the ground — there’s still time to slide into the mix.
Casting Director Contact Information
Casting’s in the hands of Carmen Cuba, and if you’ve spent more than five minutes around a casting office, you already know that name. She’s behind Stranger Things, The Matrix Resurrections, Magic Mike — and about a dozen other projects where the casting was half the reason they worked. Cuba’s got a reputation for spotting people who feel real on camera, not just polished. She tends to go for actors who can bring a little grit, a little honesty — the kind of energy that makes a scene breathe.
For performers hoping to get on Cuba’s radar, the smartest move is to regularly check Project Casting for verified casting calls and industry updates. Project Casting frequently posts opportunities from top casting directors, including Carmen Cuba and other major studios working in Los Angeles.
You can also subscribe to Project Casting’s alerts or follow their social pages to get instant notifications when new casting calls for high-profile projects drop.
In the meantime, familiarize yourself with the kind of performances Cuba tends to champion — raw, grounded, emotionally intelligent work. Review her past casting choices and study what makes her actors stand out. This kind of research does more for your casting prospects than cold emails ever could.
Recent News
People really started talking about BEHEMOTH once Deadline broke the news in late October 2025 that Eva Victor had joined the cast. She’s mostly known for her sharp comedy work — SNL, The Other Two, that kind of stuff — so seeing her step into a Tony Gilroy drama? That caught people off guard in a good way. It hints that the movie won’t just live in dark, serious territory. Gilroy’s probably mixing in some human, offbeat moments to keep things real.
A few months earlier, back in August, Deadline had already confirmed Pedro Pascal was leading the project and that shooting was set for L.A. Gilroy’s directing, so people are expecting a tight, character-driven film — something smart, layered, and probably a little uncomfortable in the best way. Rumor has it that they want to release in late 2026; if post-production proceeds according to plan, they may even try to slip into the autumn festival season.
For actors in Los Angeles, now’s the time to pay attention. Sets like these often require additional personnel, including background actors, stand-ins, and perhaps a few last-minute supporting parts once production begins, even if the primary roles are established. It frequently occurs. Therefore, keep an eye out whether you have your headshots, reel, and everything else organized. You never know when the appropriate call may arrive.
Final Thoughts
Landing a role in a project like BEHEMOTH takes more than luck. It requires preparation, awareness, and professionalism. Understand the tone of the film, research who’s behind it, and tailor your submissions accordingly. Carmen Cuba’s casting work favors depth — actors who can live truthfully in their characters without pretense.
So, if BEHEMOTH is your target, get strategic:
- Study Carmen Cuba’s previous casting projects to understand her preferences.
- Keep your profiles and reels updated on Project Casting
- Sign up for Project Casting job alerts so you’re first to know when BEHEMOTH casting calls go live.
- Be ready to submit as soon as the official breakdown drops — timing matters.
For now, the best way to “get cast” in BEHEMOTH is to act like you already belong in a production of that caliber: professional, persistent, and informed. That’s what gets noticed.
The theme of creative legacy is so relevant today, especially with the way the entertainment industry is evolving. I’m really curious about how the music aspect will be woven into the film. A symphonic cellist returning to L.A. sounds like it’s going to add so much depth to the story!