Emma Watson became a household name at an early age following the Harry Potter series. After the conclusion of the last Harry Potter movie, many of the actors went their own separate ways and started on different acting trajectories. While Daniel Radcliffe can be praised for starring in playing a corpse in Swiss Army Man, Watson possibly is credited as being the most successful actress following the Harry Potter franchise. She has starred in several major movies including The Perks of Being a Wallflower, This is the End, Noah, and, most recently, Disney's live-action version of Beauty and the Beast.
So how does an actress decide which movies to work on? In a recent interview for Interview magazine Watson was asked about her casting decisions. She ultimately argued that it's basically instinct.
People sometimes talk about me as being a brand, having a strategy and whatever else. I wish. Seriously. I wish I had it together enough to have a strategy. But it's so instinctual. It usually comes down to two things: the person I'm working with—the director is really important to me—and a line in a script. There's usually one line that I read and I'm like, “Okay. I have to say this line. I have to tell this story.” It's an instant click. And if there isn't that line, even if the story is great, I'm always a bit meh. Whenever I've gone against my instincts, it's been a bit of a disaster. If there's a script I'm considering, I will get everyone to read it. I will get my mom to read it, I will get my friends to read it, I'll get the person doing my manicure to read it. [laughs] I'm someone who really needs to talk things through. And then, obviously, I have a wonderful manager and agents, and I listen very carefully to what they have to say as well. But it's a bit of a free-for-all. I would honestly get my cat's opinion if I could. Anyway, if it's something I need to say, I say it. If it's something I feel genuinely connected to, then I'll do it. But I generally feel uncomfortable being the topic of conversation and try to steer away from that.
There's usually one line that I read and I'm like, “Okay. I have to say this line. I have to tell this story.” It's an instant click. And if there isn't that line, even if the story is great, I'm always a bit meh. Whenever I've gone against my instincts, it's been a bit of a disaster. If there's a script I'm considering, I will get everyone to read it. I will get my mom to read it, I will get my friends to read it, I'll get the person doing my manicure to read it. [laughs] I'm someone who really needs to talk things through. And then, obviously, I have a wonderful manager and agents, and I listen very carefully to what they have to say as well. But it's a bit of a free-for-all. I would honestly get my cat's opinion if I could. Anyway, if it's something I need to say, I say it. If it's something I feel genuinely connected to, then I'll do it. But I generally feel uncomfortable being the topic of conversation and try to steer away from that.
And then, obviously, I have a wonderful manager and agents, and I listen very carefully to what they have to say as well. But it's a bit of a free-for-all. I would honestly get my cat's opinion if I could. Anyway, if it's something I need to say, I say it. If it's something I feel genuinely connected to, then I'll do it. But I generally feel uncomfortable being the topic of conversation and try to steer away from that.
