In a significant reshuffling of its programming slate, ABC has announced the cancellation of ‘The Rookie: Feds’ and has also decided not to move forward with ‘The Good Lawyer,’ a spinoff of the popular series ‘The Good Doctor.’ This decision comes in the wake of the recent conclusion of the actors and writers strikes, which had put a hold on several shows since May.
‘The Rookie: Feds,’ which featured Niecy Nash-Betts in the lead role, will not be returning for a second season. The series, a co-production between Disney’s ABC Signature and Entertainment One, had been part of ABC’s lineup but faced the axe as the network reassessed its needs for the 2023-24 broadcast season. The cancellation reflects the broader industry trend where networks are reevaluating their programming in light of the recent labor unrest and the need for cost-cutting measures.
Meanwhile, ‘The Good Lawyer,’ which aired its back-door pilot episode in March, will not be developed into a full series. The pilot starred Kennedy McMann, known for her role in The CW’s ‘Nancy Drew,’ and marked a comeback for Felicity Huffman following her legal troubles. The decision not to proceed with ‘The Good Lawyer’ aligns with the network’s strategy to streamline its offerings, particularly in the scripted show segment, which is generally more expensive to produce.
The fall season for ABC, like many other networks, was significantly impacted by the strikes, leading to a reevaluation of their programming needs. Earlier in September, ABC had also canceled ‘Home Economics’ after a three-season run, further indicating the network’s shift in focus during this period of industry recalibration.
As ABC and other networks navigate the post-strike landscape, the industry is closely watching how they will fill their programming slots and adapt to the changing dynamics of television production and viewership. The decisions made by ABC are not just reflective of internal strategies but also indicative of broader trends in the entertainment industry, particularly in the context of economic pressures and the evolving preferences of the viewing public.
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